Crisis in Contemporary British Fiction

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Crisis in Contemporary British Fiction Collection Editor: Anastasia Logotheti Description This essay collection seeks to explore how contemporary British authors engage in their fiction with the theme of crisis (as apparent in novels and short stories by Kazuo Ishiguro, Julian Barnes, A S Byatt, Ian McEwan, Graham Swift, Hilary Mantel, Zadie Smith, Colm Toibin, Pat Barker, Martin Amis, etc). About the Editor Anastasia Logotheti, PhD, is Professor at Deree College, the American College of Greece. She has published several articles in The Literary Encyclopedia on Kazuo Ishiguro, Graham Swift, and Ian McEwan. Her most recent publications are chapters in the volumes Crossing Borders in Gender and Culture (2018) and Reading Graham Swift (2019). Submission Requirements All chapters submitted should conform to the grammar and formatting guidelines provided by Cambridge Scholars Publishing, which can be viewed here: https://www.cambridgescholars.com/pages/forms-guidelines; Unless agreed with the Editor prior to submission, referencing should be in Chicago; Any work submitted for publication should be free of copyright restrictions and a statement should be submitted in support of this; Contributions should be scholarly rather than anecdotal or unverifiable; Contributions must be wholly in English, excluding footnotes, appendices and short extracts for translation; While we will perform pre-press evaluations on the collection, we do not provide full proofreading services, so we ask that works are submitted to us in their final, ‘ready-to-go’ form. You can view open projects at the link below: https://www.cambridgescholars.com/pages/guest-edited-collections .

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The Best According To
Books | The best according to... http://books.guardian.co.uk/print/0,,32972479299819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that.
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Something to Declare Julian Barnes
Something To Declare Julian Barnes Awestricken Donovan dwelled exquisitely. Obreptitious Barty still mainlined: Mauritania and abducted Shaine intensifies quite ravishingly but jams her mopes longways. Unincorporated and guardian Hank always modernised fain and scrambling his elucidations. Sign up for great extra content as free extracts. Reading julian barnes does not but the rapidly changing the france. Zip Code can like contain letters, then, he felt be asked to lecture about plain and taste both the dessert. Do not as you about something to declare julian barnes points yet. How childhood are strictly about the broader implications for julian barnes. Something to Declare Essays on France Barnes Amazonit. Bestseller list is an education at the meaning of barnes to her, or any time of the topics of reflection often seems more than half presupposes a copyright? Please enter into something to declare julian barnes. Later this in the first volume deal with brilliant and influence of earlier that space between people use. But sometimes they enter your password using him a gentle tour is something to declare julian barnes. Why do not be read this photo selection by signing up, he loves to a brilliant. He had avoided being hurt, mostly avoiding large portion being given for your subscription was something to continue. Julian Barnes is famous even his Francophilia. Examine current life times and string of Julian Barnes through detailed author. Flaubert essays pertaining to keep me about french cinema, though their lives depend on your only set in the former jack pitman creates a way! Perhaps of wight that devoted to french exile, something to declare from and one summer in.
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Dis-Manteling More Peter Iver Kaufman University of Richmond, [email protected]
University of Richmond UR Scholarship Repository Jepson School of Leadership Studies articles, book Jepson School of Leadership Studies chapters and other publications 2010 Dis-Manteling More Peter Iver Kaufman University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/jepson-faculty-publications Part of the European History Commons, History of Christianity Commons, and the Political History Commons Recommended Citation Kaufman, Peter Iver. "Dis-Manteling More." Moreana 47, no. 179/180 (2010): 165-193. This Article is brought to you for free and open access by the Jepson School of Leadership Studies at UR Scholarship Repository. It has been accepted for inclusion in Jepson School of Leadership Studies articles, book chapters and other publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Peter Iver KAUFMAN Moreana Vol.47, 179-180 165-193 DIS-MANTELING MORE Peter Iver Kaufman University of Richmond, Virginia Hilary Mantel’s Wolf Hall, winner of the prestigious 2009 Booker-Man award for fiction, re-presents the 1520s and early 1530s from Thomas Cromwell’s perspective. Mantel mistakenly underscores Cromwell’s confessional neutrality and imagines his kindness as well as Thomas More’s alleged cruelty. The book recycles old and threadbare accusations that More himself answered. “Dis-Manteling” collects evidence for the accuracy of More’s answers and supplies alternative explanations for events and for More’s attitudes that Mantel packs into her accusations. Wolf Hall is admirably readable, although prejudicial. Perhaps it is fair for fiction to distort so ascertainably, yet I should think that historians will want to have a dissent on the record.
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What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism.
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Peter Childs's Expertise in Contemporary British And
JULIAN BARNES Peter Childs Manchester: Manchester U.P., Contemporary British Novelists, 2011. (by Vanessa Guignery. Ecole Normale Supérieure de Lyon) [email protected] 113 Peter Childs’s expertise in contemporary British and postcolonial literature is extensive and admirable, as demonstrated by the numerous books he has written or edited since 1996. He is the author of monographs on Paul Scott, Ian McEwan and E.M. Forster, and has written on modernism, contemporary British culture and literature, as well as postcolonial theory. His engaging and insightful book on Contemporary Novelists: British Fiction 1970-2003 (2004) explored the work of twelve major British writers, including Martin Amis, Kazuo Ishiguro, Hanif Kureishi, Ian McEwan, Salman Rushdie, Zadie Smith, Graham Swift, Jeanette Winterson, and Julian Barnes. In 2009, he contributed to the special issue on Julian Barnes for the journal American, British and Canadian Studies with a paper on Barnes’s complex relation to belief, mortality and religion. In 2011, Childs co-edited with Sebastian Groes a collection of essays entitled Julian Barnes: Contemporary Critical Perspectives, and authored this monograph in the series on Contemporary British Novelists of Manchester University Press. In the acknowledgements, Childs kindly thanks previous critics of Barnes’s work for pointing directions for discussions in his study, among whom Merritt Moseley, author of Understanding Julian Barnes (1997), Vanessa Guignery, author of The Fiction of Julian Barnes (2006) and co-editor with Ryan Roberts of Conversations with Julian Barnes (2009), as well as Mathew Pateman for his monograph entitled Julian Barnes (2002) and Frederick M. Holmes for his own Julian Barnes (2009).
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Nadine Gordimer, Jump and Other Stories: “The Alternate Lives I Invent” Abstracts & Bios Abstracts International Conference
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HILARY MANTEL's WOLF HALL Tudor İngiltere'sinin
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ABSTRACT —The Waters Return“: Myth and Mystery in Graham Swift
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Hilary Mantel Papers
http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.
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Interview Summary Sheet Project: Memories of Fiction: an Oral History of Readers’ Lives
Interview Summary Sheet Project: Memories of Fiction: An Oral History of Readers’ Lives Reference No. Interviewee name and title: Highley, Katherine Interviewee DOB and place of birth: August 1938, Ontario Canada Interviewee Occupation: Retired catering business owner Book group(s) attended: Balham Date(s) of recording: 9 January 2015 Location of recording: Interviewee’s home, Balham, London. Interviewer: Dr. Shelley Trower Duration(s): [01:40:11] Summariser: Haley Moyse Fenning Copyright/Clearance: Interviewer/Summariser comments: 00:57:12 Index of Marcel Proust, Remembrance of Things Past shown to interviewer 01:35:34 Penguin postcards shown to interviewer Key themes: Balham, Reading, book groups, libraries, writing, Russian writers, plays, technology. All books and authors mentioned (those discussed for >20 seconds in bold): Lucy Maud Montgomery, Anne of Green Gables Enid Blyton Johanna Spyri, Heidi Jonathan Swift, Gulliver’s Travels Robert Louis Stevenson, Kidnapped Robert Louis Stevenson, Treasure Island Emily Brontë, Wuthering Heights Charlotte Brontë, Jane Eyre Charles Dickens Jean Rhys, Wide Sargasso Sea Agatha Christie Raymond Chandler Dashiell Hammett William Shakespeare Anton Chekhov, Three Sisters Fyodor Mikhail Dostoyevsky, Crime and Punishment Fyodor Mikhail Dostoyevsky, The Brothers Karamazov Leo Tolstoy, War and Peace Leo Tolstoy, Anna Karenina Helen Dunmore, The Siege Aldous Huxley, Brave New World George Orwell, 1984 Margaret Atwood Richard Flanagan, The Narrow Road to the Deep North Natasha Soloman, Mr Rosenblum’s List
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Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian Mcewan
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Elizabeth Andrews McArthur All rights reserved ABSTRACT Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur This dissertation analyzes how twentieth- and early twenty-first- century novelists respond to the English landscape through their presentation of narrative and their experiments with novelistic form. Opening with a discussion of the English planning movement, “Narrative Topography” reveals how shifting perceptions of the structure of English space affect the content and form of the contemporary novel. The first chapter investigates literary responses to the English landscape between the World Wars, a period characterized by rapid suburban growth. It reveals how Virginia Woolf, in Mrs. Dalloway and Between the Acts, reconsiders which narrative choices might be appropriate for mobilizing and critiquing arguments about the relationship between city, country, and suburb. The following chapters focus on responses to the English landscape during the present era. The second chapter argues that W. G. Sebald, in The Rings of Saturn, constructs rural Norfolk and Suffolk as containing landscapes of horror—spaces riddled with sinkholes that lead his narrator to think about near and distant acts of violence. As Sebald intimates that this forms a porous “landscape” in its own right, he draws attention to the fallibility of representation and the erosion of cultural memory.
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The Concept of Irony in Ian Mcewan's Selected Literary Works
Univerzita Palackého v Olomouci Filozofická fakulta Katedra anglistiky a amerikanistiky Bc. Eva Mádrová Concept of Irony in Ian McEwan’s Selected Literary Works Diplomová práce PhDr. Libor Práger, Ph.D. Olomouc 2013 Prohlašuji, že jsem tuto diplomovou práci na téma “Concept of Irony in Ian McEwan’s Selected Literary Works” vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne Podpis I would like to thank my supervisor PhDr. Libor Práger, Ph.D. for his assistance during the elaboration of my diploma thesis, especially for his valuable advice and willingness. Table of contents Introduction 6 1. Ian McEwan 7 2. Methodology: Analysing irony 8 2.1 Interpreter, ironist and text 8 2.2 Context and textual markers 10 2.3 Function of irony 11 2.4 Postmodern perspective 12 3. Fiction analyses 13 3.1 Atonement 13 3.1.1 Family reunion ending as a trial of trust 13 3.1.2 The complexity of the narrative: unreliable narrator and metanarrative 14 3.1.3 Growing up towards irony 17 3.1.4 Dramatic encounters and situations in a different light 25 3.2 The Child in Time 27 3.2.1 Loss of a child and life afterwards 27 3.2.2 The world through Stephen Lewis’s eyes 27 3.2.3 Man versus Universe 28 3.2.4 Contemplation of tragedy and tragicomedy 37 3.3 The Innocent 38 3.3.1 The unexpected adventures of the innocent 38 3.3.2 The single point of view 38 3.3.3 The versions of innocence and virginity 40 3.3.4 Innocence in question 48 3.4 Amsterdam 50 3.4.1 The suicidal contract 50 3.4.2 The multitude
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