Cross Symbolism
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Sign of the Son of Man.”
Numismatic Evidence of the Jewish Origins of the Cross T. B. Cartwright December 5, 2014 Introduction Anticipation for the Jewish Messiah’s first prophesied arrival was great and widespread. Both Jewish and Samaritan populations throughout the known world were watching because of the timeframe given in Daniel 9. These verses, simply stated, proclaim that the Messiah’s ministry would begin about 483 years from the decree to rebuild Jerusalem in 445BC. So, beginning about 150 BC, temple scribes began placing the Hebrew tav in the margins of scrolls to indicate those verses related to the “Messiah” or to the “Last Days.” The meaning of the letter tav is “sign,” “symbol,” “promise,” or “covenant.” Shortly after 150 BC, the tav (both + and X forms) began showing up on coins throughout the Diaspora -- ending with a flurry of the use of the symbol at the time of the Messiah’s birth. The Samaritans, in an effort to remain independent of the Jewish community, utilized a different symbol for the anticipation of their Messiah or Tahib. Their choice was the tau-rho monogram, , which pictorially showed a suffering Tahib on a cross. Since the Northern Kingdom was dispersed in 725 BC, there was no central government authority to direct the use of the symbol. So, they depended on the Diaspora and nations where they were located to place the symbol on coins. The use of this symbol began in Armenia in 76 BC and continued through Yeshua’s ministry and on into the early Christian scriptures as a nomina sacra. As a result, the symbols ( +, X and ) were the “original” signs of the Messiah prophesied throughout scriptures. -
Judgment and Hierophant Tarot Combination
Judgment And Hierophant Tarot Combination FoamyUnrivalled and Brandy improving adorns Jeremiah waitingly often while longs Bartlet some always thimbleweed parody hishowever occident or hissesoriginating tenth. deficiently, Wilek leaves he unfeudalisinginimically. so unperceivably. Path but possesses an overseas jobs can look good judgments and trust between you and judgment tarot hierophant is extremely introspective about to find her heart was more issues will sing to Strength tarot how someone sees you. When you will spot them off your affairs develop your financial situation and tarot and hierophant combination of these cookies. Wand cards abounding in a reading with the Ten of Pentacles indicate that there are many opportunities to turn your ideas and creativity into money. What are the signs that the time for debate is over? My carpet is Morgan and ticket is my tarot blog Check it Read. Pages also often maintain that a message is coming. Final point of reconciliation which is Judgement the final karma card to The Tarot. This offence a close correlation to an elemental trump having ample time association and discover whether to use timing for both card can possess a purely personal choice, based on surrounding cards and intuition. Tarot Judgment The Tarot's Judgment card below a liberty or rebirth and data big. Is truly happy trails, she is a dull of your lap. This card in the context of love can mean that someone is about to sweep you off your feet. So there is a need for patience. Care about wanting dangerous person who exude calm feeling like an early age or judgment, hierophant combined with two. -
ADRIENNE ELISE TARVER: the SUN, the MOON, and the TRUTH September 8, 2021 to January 2, 2022
For Immediate Release ADRIENNE ELISE TARVER: THE SUN, THE MOON, AND THE TRUTH September 8, 2021 to January 2, 2022 Tarver debuts a new series of works on paper and a large- scale painting inspired by tarot and Afrofuturist imagery, marking the artist’s first solo museum presentation The Sun, the Moon, and the Truth is the first solo museum presentation of Brooklyn-based artist Adrienne Elise Tarver (b. 1985) and the second series in The Aldrich Contemporary Art Museum’s newly established Aldrich Projects. Tarver debuts Manifesting Paradise (2020–ongoing), a suite of twenty-two mixed media works on paper based on the Major Arcana (major mysteries), the foundational card set of the centuries-old tarot deck, alongside Weary As I Can Be (2021). The vibrant colors and tropical settings that saturate these compositions—a fixture of her overall practice—aim to reclaim the perceptions of the exoticized, tropical seductress imparted on Black and brown women by Western civilization. Adrienne Elise Tarver Magician, 2020 Here, the faraway temptress meets another long-standing trope: the Black Courtesy of the artist Voodoo priestess, a treasury of esoteric wisdom. Adrienne Elise Tarver: The Sun, the Moon, and the Truth will be on view at The Aldrich September 8, 2021 to January 2, 2022. Conceived amidst the Covid-19 pandemic and the racial injustice movements of 2020, Manifesting Paradise marks a polar shift in the artist’s approach as she turns her analytical lens from the past to the future. Substituting investigations of origin stories with divinatory tokens and metaphysical forecasts, Tarver turns her attention forward in pursuit of effecting hope and solace during a time of vast uncertainties. -
Russian Copper Icons Crosses Kunz Collection: Castings Faith
Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review. -
Global Christian Worship the Sign of the Cross
Global Christian Worship The Sign of the Cross http://globalworship.tumblr.com/post/150428542015/21-things-we-do-when-we-make-the- sign-of-the-cross 21 Things We Do When We Make the Sign of the Cross - for All Christians! Making ‘the sign of the cross’ goes back to the Early Church and belongs to all Christians. It’s a very theologically rich symbolic action! And did you know that Bonhoffer, practically a saint to Protestant Christians, often made the sign of the cross? (See below.) I grew up “thoroughly Protestant” and did not really become aware of “making the sign of the cross” in a thoughtful way until a few years ago, when I joined an Anglican church. Now it’s become a helpful act of devotion for me …. especially after I found this article by Stephen 1 Beale a few years ago (published online in November 2013) at http://catholicexchange.com/21-things-cross There is rich theology embedded in this simple sign, and as a non-Roman Catholic I appreciate all of the symbolism, and it does indeed deepen my spirituality and devotion. The history of making the symbolic motion goes back to the Early Church, more than a millennia before Protestants broke away in the Reformation. So when a Christian act has that long of a history, I believe that I can claim it for myself as a contemporary Christian no matter what denominations use it or don’t use it now. “Around the year 200 in Carthage (modern Tunisia, Africa),Tertullian wrote: ‘We Christians wear out our foreheads with the sign of the cross’ … By the 4th century, the sign of the cross involved other parts of the body beyond the forehead.” https://en.wikipedia.org/wiki/Sign_of_the_cross So, here is a reposting of Stephen’s list, with additional resources at the end. -
Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross
religions Article Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross Amanda Doviak Department of History of Art, University of York, York YO10 5DD, UK; [email protected] Abstract: The carved figural program of the tenth-century Gosforth Cross (Cumbria) has long been considered to depict Norse mythological episodes, leaving the potential Christian iconographic import of its Crucifixion carving underexplored. The scheme is analyzed here using earlier ex- egetical texts and sculptural precedents to explain the function of the frame surrounding Christ, by demonstrating how icons were viewed and understood in Anglo-Saxon England. The frame, signifying the iconic nature of the Crucifixion image, was intended to elicit the viewer’s compunction, contemplation and, subsequently, prayer, by facilitating a collapse of time and space that assim- ilates the historical event of the Crucifixion, the viewer’s present and the Parousia. Further, the arrangement of the Gosforth Crucifixion invokes theological concerns associated with the veneration of the cross, which were expressed in contemporary liturgical ceremonies and remained relevant within the tenth-century Anglo-Scandinavian context of the monument. In turn, understanding of the concerns underpinning this image enable potential Christian symbolic significances to be suggested for the remainder of the carvings on the cross-shaft, demonstrating that the iconographic program was selected with the intention of communicating, through multivalent frames of reference, the significance of Christ’s Crucifixion as the catalyst for the Second Coming. Keywords: sculpture; art history; archaeology; early medieval; Anglo-Scandinavian; Vikings; iconog- raphy Citation: Doviak, Amanda. 2021. Doorway to Devotion: Recovering the Christian Nature of the Gosforth Cross. -
{DOWNLOAD} Cross
CROSS PDF, EPUB, EBOOK James Patterson | 464 pages | 29 Apr 2010 | Headline Publishing Group | 9780755349401 | English | London, United Kingdom Cross Pens for Discount & Sales | Last Chance to Buy | Cross The Christian cross , seen as a representation of the instrument of the crucifixion of Jesus , is the best-known symbol of Christianity. For a few centuries the emblem of Christ was a headless T-shaped Tau cross rather than a Latin cross. Elworthy considered this to originate from Pagan Druids who made Tau crosses of oak trees stripped of their branches, with two large limbs fastened at the top to represent a man's arm; this was Thau, or god. John Pearson, Bishop of Chester c. In which there was not only a straight and erected piece of Wood fixed in the Earth, but also a transverse Beam fastened unto that towards the top thereof". There are few extant examples of the cross in 2nd century Christian iconography. It has been argued that Christians were reluctant to use it as it depicts a purposely painful and gruesome method of public execution. The oldest extant depiction of the execution of Jesus in any medium seems to be the second-century or early third-century relief on a jasper gemstone meant for use as an amulet, which is now in the British Museum in London. It portrays a naked bearded man whose arms are tied at the wrists by short strips to the transom of a T-shaped cross. An inscription in Greek on the obverse contains an invocation of the redeeming crucified Christ. -
Flags of the World
ATHELSTANEFORD A SOME WELL KNOWN FLAGS Birthplace of Scotland’s Flag The name Japan means “The Land Canada, prior to 1965 used the of the Rising Sun” and this is British Red Ensign with the represented in the flag. The redness Canadian arms, though this was of the disc denotes passion and unpopular with the French sincerity and the whiteness Canadians. The country’s new flag represents honesty and purity. breaks all previous links. The maple leaf is the Another of the most famous flags Flags of the World traditional emblem of Canada, the white represents in the world is the flag of France, The foremost property of flags is that each one the vast snowy areas in the north, and the two red stripes which dates back to the represent the Pacific and Atlantic Oceans. immediately identifies a particular nation or territory, revolution of 1789. The tricolour, The flag of the United States of America, the ‘Stars and comprising three vertical stripes, without the need for explanation. The colours, Stripes’, is one of the most recognisable flags is said to represent liberty, shapes, sizes and devices of each flag are often in the world. It was first adopted in 1777 equality and fraternity - the basis of the republican ideal. linked to the political evolution of a country, and during the War of Independence. The flag of Germany, as with many European Union United Nations The stars on the blue canton incorporate heraldic codes or strongly held ideals. European flags, is based on three represent the 50 states, and the horizontal stripes. -
Niki De Saint Phalle: Structures for Life Moma PS1, March 11, 2021 - September 06, 2021
Niki de Saint Phalle: Structures for Life MoMA PS1, March 11, 2021 - September 06, 2021 NIKI DE SAINT PHALLE (French and American, 1930–2002) Clarice Again 1966–1967 Polyester and polyurethane paint 82 × 65 × 63" (208.3 × 165.1 × 160 cm) Private collection NIKI DE SAINT PHALLE (French and American, 1930–2002) Buste c. 1967 Painted plaster 4 1/2 × 6 1/8 × 3 15/16" (11.4 × 15.6 × 10 cm) Courtesy Salon 94, New York NIKI DE SAINT PHALLE (French and American, 1930–2002) Sphinx / Sphinge (1ere version) 1969 Painted polyester 11 5/8 × 16 1/8 × 10 5/8" (29.5 × 41 × 27 cm) Private collection NIKI DE SAINT PHALLE (French and American, 1930–2002) JEAN TINGUELY (Swiss, 1925–1991) Études pour Nana Maison c. 1969 Black marker on paper 16 1/4 × 11 11/16" (41.3 × 29.7 cm) Private collection 3/29/2021 Niki de Saint Phalle: Structures for Life Page 1 of 43 Niki de Saint Phalle: Structures for Life MoMA PS1, March 11, 2021 - September 06, 2021 NIKI DE SAINT PHALLE (French and American, 1930–2002) What Is Now Known Was Once Only Imagined 1979 Offset-printed poster 17 15/16 × 24" (45.6 × 61 cm) Courtesy Salon 94, New York NIKI DE SAINT PHALLE (French and American, 1930–2002) Golem 1991 Two lithographs and one book in folio, with photographs by Leonardo Bezzola; published by Bätterkinden 16 1/8 × 16 15/16" (41 × 43 cm) Courtesy Salon 94, New York RICO WEBER (Swiss, 1942 – 2004) Golem 1972 Video (color, sound) 1 hrs., 17 min., 37 sec. -
The Cross, Fish, Menorah, and Star of David As Divine Symbols by Helena Lehman
The Cross, Fish, Menorah, and Star of David as Divine Symbols By Helena Lehman May 07, 2008 NOTE: A seven-page illustration supplement to this article is available for download at the following LINK: Illustrations_Four-Symbols_Essay.pdf It grieves my heart when well-meaning people of faith condemn various Judeo-Christian symbols like the Cross, the Fish, the Menorah, and the Star of David as Pagan or occultic symbols. I say well-meaning because they have all been swayed by the misinformation on web sites and in books that claim that most of the symbols used by Jews and Christians today have a Pagan or occultic origin. Therefore, it´s no wonder that these people often see an imaginary demon lurking behind any and every symbol. However, as proven in my Language of God Book Series, all things were created as good by YHWH in the first place, and all the symbolic associations within the material Universe were likely originally associated with the goodness of their Creator as well. It shouldn´t come as a surprise to us that YHWH wants to engage our hearts, minds and spirits with the righteous messages that are allegorically evident everywhere in His Creation. After all, YHWH specifically created mankind in His image so that we can have a deeper and more rewarding relationship with God than any other creature within the Universe, including the angels. For this reason, we were given intellectual, emotional, and spiritual capacities that far exceed those of any other living thing. When the preincarnate Yeshua (i.e. Jesus) walked in the Garden of Eden with Adam and Eve, it would seem logical that He did so not only to enjoy their company, but to instruct them in the ways of righteousness, and to check on their intellectual and spiritual progress (Genesis 3:8). -
Chrismon Booklet | East Liberty Presbyterian Church
CHRISMONS East Liberty Presbyterian Church 116 South Highland Avenue Pittsburgh, PA 15206-3985 CHRISMONS The word “Chrismon” is a combination of the words “Christ” and “monogram”. The word Chrismon has been adopted to refer to special Christmas tree ornaments that have been developed to display symbols of Christ. The designs of the Chrismons has over the years been extended to represent symbols of Christianity. All the ornaments are done in white and gold. In 1957 Chrismon ornaments were made and displayed on a Christmas tree at the Lutheran Church of the Ascension in Danville, Virginia. Through this church patterns were made available, and the idea of having a Chrismon tree has spread. Over the years more ornaments have been developed so that now a Chrismon may be a monogram, a sign, a symbol, a type, or a combination of such figures. The only requirement is that it refer primarily to Christ and God. The Eight Pointed Star symbolizes regeneration through Baptism. The Triquetra and Circle. The endless circle suggests eternity. The triquetra—the figure composed of three separate and equal arcs— symbolizes the One God who showed himself to man in three separate and distinct persons. Christogram with Cross, Cho Rho, Triangle and M. The Chi Rho, Cross and Triangle are familiar sym- bols of Christ and the Trinity, M is the monogram for his mother, Mary, which suggests His humanity. The Fleur-De-Lis is the conventionalized form of the lily, the flower of the virgin Mary, and the symbol of the annunciation of Jesus. The Five-Pointed Star is the great symbol of the Epiphany; the star that led the three wise men to the nativity. -
Tarot-Card-Meanings.Pdf
© Liz Dean 2018 Tarot Card Meanings For easy reference and to help you get started with your readings, in the following pages I have produced a short divinatory meaning for each card. You will find lists of meanings for the Major Arcana and the Minor Arcana suits of Wands, Pentacles, Swords and Cups. Have fun ☺ Liz Dean P a g e | 2 © Liz Dean 2018 The Major Arcana 0 The Fool says: Look before you leap! It’s time for a new adventure, but there is a level of risk. Consider your options carefully, and when you are sure, take that leap of faith. Home: If you are a parent, The Fool can show a young person leaving home. Otherwise, it predicts a sociable time, with lots of visitors – who may also help you with a new project. Love and Relationships: A new path takes you towards love; this card often appears after a break-up. Career and Money: A great opportunity awaits. Seize it while you can. Spiritual Development: New discoveries. You are finding your soul’s path Is he upside down? Beware false promises and naiveté. Don’t lose touch with reality. I The Magician says: Go, go go! It’s time for action - your travel plans, business and creative projects are blessed. You have the energy and wisdom you need to make it happen now. Others see your talent. Home: Home becomes a hub where others gather to share ideas; a time for harmony and fun. Relationships and love: Great communication in established relationships. For singles, the beginning of new love.