SUZANNE BARNES COSTUME DESIGNER US: +1 323.244.0598 UK: +44 (0) 7956 320 122 E-Mail: [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

SUZANNE BARNES COSTUME DESIGNER US: +1 323.244.0598 UK: +44 (0) 7956 320 122 E-Mail: Suzannebarnes@Mac.Com SUZANNE BARNES COSTUME DESIGNER US: +1 323.244.0598 UK: +44 (0) 7956 320 122 e-mail: [email protected] COSTUME DESIGNER 2014 ‘YOU WERE NEVER HERE’ Feature Film Dir - Camille Thoman You Were Never Here LLC 2014 ‘SELLING ISOBEL’ Feature Film Dir - Rudolf Buitendach Development Hell Pictures 2014 ‘IN EMBRYO’ Feature Film Dir - Ulrich Thomsen In Embryo LLC 2013 ‘WHERE THE ROAD RUNS OUT’ Feature Film Dir - Rudolf Buitendach Do Productions/Cotton Tree Productions (won Best Feature at San Diego Film Festival 2014) 2012 ‘DARK HEARTS’ Feature Film Dir - Rudolf Buitendach Dark Hearts LLC (nominated Best International Feature at Raindance 2012) 2011 ‘REKINDLE’ Feature Film Dir - Marios Hamboulides Original Feature Co 2009 ‘TWO PEAS’ Short Film Dir- Aoife Crehan Instant Films 2009 ‘BLUEBERRY’ Short Film Dir- Matthew Sanger Bigger Pictures 2009 ‘TENNER’ Short Film Dir - David O’Neill Bigger Pictures 2008 ‘DEATH GETS A LIFE’ Short Film Dir - Rudolf Buitendach California Pictures 2008 'PLAYER' Short Film Dir - Mary Nighy Greene Light Films 2007 ‘THE MONUMENT’ Short Film Dir - Susan Douglas Vesta Films Ltd 2006 ‘REARVIEW' Short Film Dir - Rudolf Buitendach Significant Films (nominated for BBC3 New Film Makers Award 2006) 2004 ‘LUCID’ Short Film Dir - Sam Friedlander Going Known Films 2004 ‘EMR’ Feature Film Dir - James Erskine Cottonopolis Films (Best Independent UK Feature at Raindance 2004) 2003 ‘INDOOR FIREWORKS’ Short Film Dir - Rudolf Buitendach SleeveMonkey Films 2003 ‘CLOSING THE DEAL’ Short Film Dir - James Erskine Cottonopolis Films 2002 'IT FIRES BLANKS RIGHT?' Short Film Dir – Rudolf Buitendach Adrenaline Entertainment 2002 ‘EXPIRY DATE’ Short Film Dir – Rudolf Buitendach Adrenaline Entertainment 2002 ‘THE SEASONS ALTER’ Short Film Dir – Roger Lunn Futerra Productions 2001 ‘GIMME 6’ TVDrama Dir – Riitta Lynn Common Ground Prod’s 2000 ‘THE HONEYTRAP’ Feature Film Dir – Michael Gunther Triboro Pictures 1999 ‘SUCK’ Short Film Dir – Rudolf Buitendach Eyevirus Productions 1999 ‘BATH TIME’ Short Film Dir – Lee Shulman Stark Films 1998 ‘ON EDGE’ Short Film Dir – Frasier Lee Robber Baron Productions 1997 ‘HELL FOR LEATHER’ Short Film Dir – Dominik Scherrer Hell Ltd. 1996 ‘MONARCH’ Feature Film Dir – John Walsh Walsh Bros. ASSISTANT COSTUME DESIGNER 2004 'DOT KILL’ Feature Film Dir. – John Irvin Lucky UKFS LTD C.D.- Marianne Agertoft 2002 ‘HIGH SPEED' Feature film Dir - Jeff Jensen A Classic Film Production C.D - Elvis Davis 2007 'DANGEROUS PARKING' Feature Film Dir - Peter Howitt Corniche Pictures C.D.- Jill Taylor/Angela Billows COSTUME BUYER 2011 ‘INTRUDERS’ Feature Film Dir – Juan Carlos Fresnadillo Universal Pictures International C.D. Tatiana Hernandez 2008 'ANGUS,THONGS & PERFECT SNOGGING' Dir – Gurinder Chadha Paramount Pictures C.D.- Jill Taylor 2008 'THE HOUSE OF SADDAM' Mini Series Dir - Alex Holmes HBO/BBC Films C.D. Alex Caulfield 2006 'THE DA VINCI CODE’ Feature Film Dir – Ron Howard Sony Pictures Entertainment C.D. Daniel Orlandi 1998 ‘VELVET GOLDMINE’ Feature Film Dir – Todd Haynes CH 4/Miramax/Killer Films (prep only) C.D. Sandy Powell ASSISTANT COSTUME BUYER 2009 ‘PRINCE OF PERSIA’ Feature Film Dir – Mike Newell Jerry Bruckheimer/ C.D. Penny Rose Walt Disney Films COSTUME SUPERVISOR 2009 ‘ABROAD’ TV Pilot Dir – Philip John Big Tree Productions/ C.D. Michael Ground Canadian Broadcasting Corp 2000 ‘KAVANAGH – QC’ TV Feature Dir – Jack Gold Carlton Productions The End of Law C.D. Delphine Roche-Gordon 1998 ‘CASH IN HAND’ Feature Dir- Justin Baldwin Bald Eagle Motion Picture Ltd COSTUME ASSISTANT 2012 ‘DARK SHADOWS’ Feature Dir -Tim Burton Warner Bros. (DAILIES) C.D. Colleen Atwood 2009 ‘THE WOLFMAN’ Feature Dir - Joe Johnston Universal Pictures (DAILIES) C.D. Milena Canonero 2008 'NATIONAL TREASURE 2' Feature Dir - Jon Turteltaub Jerry Bruckheimer/Disney (DAILIES) C.D. Judianna Makovsky 2008 'EASTERN PROMISES' Feature Dir - David Cronenberg Serendipity Point Films/BBC C.D. Denise Cronenberg 2003 'SPIVS' Feature Film Dir – Colin Teague Carnaby Films C.D. Glenis Foster 2003 'MILE HIGH' (Series 1) TV Drama Dir - Neil Adams Hewland International. C.D. Philip Crichton 2002 ‘BEFORE YOU GO’ Feature Film Dir - Lewis Gilbert IOM Ltd (DAILIES) C.D. Candy Paterson 2000 ‘GOLDEN BOWL’ Feature Film Dir – James Ivory Merchant Ivory Ltd. (DAILIES) C.D. John Bright 2000 ‘QUILLS’ Feature Film Dir – Philip Kaufman Charenton Productions (DAILIES) C.D. Jacqueline West 1999 ‘SLEEPY HOLLOW’ Feature Film Dir – Tim Burton Paramount Pictures Ltd. (DAILIES) C.D. Colleen Atwood 2000 ‘MY FAMILY’ (Series 1) Sitcom Dir – Baz Taylor DLT – BBC Production C.D. Jo Rainforth STYLIST 2013/2014 SURVIVING EVIL - Host Links TV Episodes Dir- Jeff Vanderwal Investigation Discovery/ (US) Talent -Charisma Carpenter Cineflix Productions 2013 TOYOTA/SURVIVING EVIL Viral Campaigns Dir- Kurt Spencer Investigation Discovery (US) 2012 MIRROR MIRROR End Credits Dir –Tarsem Singh Relativity Media (US) 2009 NOKIA- Nseries Viral Dir- Johnny Maginn Mustard Films 2009 NINTENDO-Easy Piano Viral Dir- Rudolf Buitendach Damn Fine 2009 SEGA- Football Manager TVC Viral Dir - Jon Shaikh/ Gloss Media Ltd. Scott Rawsthorne 2006 MOJAVE 3 Breaking The Ice Music Promo Dir - Bradley Beesley 4AD/Cottonopolis Films 2002 LOVED ONES -SMA Commercial Dir – Roger Lunn West End Central 2001 MALAY Sandlewood Breeze Music Promo Dir – Stuart Watson Harry Nash Ltd. 2000 BIG BREAKFAST Promo Dir – Richard Max CreativePartnership/CH4 1998 BIS –EURODISCO Music Promo Dir – Alex Coburn Flynn 1998 PITCHSHIFTER-GENIUS Music Promo Dir – Ben/Joe Dempsey Flynn 1998 ‘SPICE’ CLIENT -VH1 I-Dent Dir – David Chaudoir SVC Design 1998 ‘DIAMOND’ - CINTEL Commercial Dir – David Chaudoir SVC Design TRAINING: WIMBLEDON SCHOOL OF ART: Costume Design BA Hons.; 2.1 NEWCASTLE COLLEGE: BTEC Diploma in Performing Arts: Stagecraft NEWCASTLE COLLEGE: Arts Foundation Course; Fashion Design .
Recommended publications
  • THTR 433A/ '16 CD II/ Syllabus-9.Pages
    USCSchool of Costume Design II: THTR 433A Thurs. 2:00-4:50 Dramatic Arts Fall 2016 Location: Light Lab/PDE Instructor: Terry Ann Gordon Office: [email protected]/ floating office Office Hours: Thurs. 1:00-2:00: by appt/24 hr notice Contact Info: [email protected], 818-636-2729 Course Description and Overview This course is designed to acquaint students with the requirements, process and expectations for Film/TV Costume Designers, supervisors and crew. Emphasis will be placed on all aspects of the Costume process; Design, Prep: script analysis,“scene breakdown”, continuity, research, and budgeting; Shooting schedules, and wrap. The supporting/ancillary Costume Arts and Crafts will also be discussed. Students will gain an historical overview, researching a variety of designers processes, aesthetics and philosophies. Viewing films and film clips will support critique and class discussion. Projects focused on specific design styles and varied media will further support an overview of techniques and concepts. Current production procedures, vocabulary and technology will be covered. We will highlight those Production departments interacting closely with the Costume Department. Time permitting, extra-curricular programs will include rendering/drawing instruction, select field trips, and visiting TV/Film professionals. Students will be required to design a variety of projects structured to enhance their understanding of Film/TV production, concept, style and technique . Learning Objectives The course goal is for students to become familiar with the fundamentals of costume design for TV/Film. They will gain insight into the protocol and expectations required to succeed in this fast paced industry. We will touch on the multiple variations of production formats: Music Video, Tv: 4 camera vs episodic, Film, Commercials, Styling vs Costume Design.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
    Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art.
    [Show full text]
  • SETDECOR Magazine – Online 2015 Nominations
    SETDECOR Magazine – Online 2015 Nominations NOMINATIONS FOR THE 20th ANNUAL CRITICS’ CHOICE MOVIE AWARDS BEST PICTURE BEST YOUNG ACTOR/ACTRESS Birdman Ellar Coltrane – Boyhood Boyhood Ansel Elgort – The Fault in Our Stars Gone Girl Mackenzie Foy – Interstellar The Grand Budapest Hotel Jaeden Lieberher – St. Vincent The Imitation Game Tony Revolori – The Grand Budapest Hotel Nightcrawler Quvenzhane Wallis – Annie Selma Noah Wiseman – The Babadook The Theory of Everything Unbroken BEST ACTING ENSEMBLE Whiplash Birdman Boyhood BEST ACTOR The Grand Budapest Hotel Benedict Cumberbatch – The Imitation The Imitation Game Game Into the Woods Ralph Fiennes – The Grand Budapest Hotel Selma Jake Gyllenhaal – Nightcrawler Michael Keaton – Birdman BEST DIRECTOR David Oyelowo – Selma Wes Anderson – The Grand Budapest Hotel Eddie Redmayne – The Theory of Ava DuVernay – Selma Everything David Fincher – Gone Girl Alejandro G. Inarritu – Birdman BEST ACTRESS Angelina Jolie – Unbroken Jennifer Aniston – Cake Richard Linklater – Boyhood Marion Cotillard – Two Days, One Night Felicity Jones – The Theory of Everything BEST ORIGINAL SCREENPLAY Julianne Moore – Still Alice Birdman – Alejandro G. Inarritu, Nicolas Rosamund Pike – Gone Girl Giacobone, Alexander Dinelaris, Jr., Reese Witherspoon – Wild Armando Bo Boyhood – Richard Linklater BEST SUPPORTING ACTOR The Grand Budapest Hotel – Wes Josh Brolin – Inherent Vice Anderson, Hugo Guinness Robert Duvall – The Judge Nightcrawler – Dan Gilroy Ethan Hawke – Boyhood Whiplash – Damien Chazelle Edward Norton – Birdman
    [Show full text]
  • Middleburg Film Festival to Honor Colleen Atwood With
    FOR IMMEDIATE RELEASE: MIDDLEBURG FILM FESTIVAL TO HONOR COLLEEN ATWOOD WITH COSTUME DESIGNER AWARD AND MARCO BELTRAMI WITH FILM COMPOSER AWARD Celebrations will include in‐depth conversations and career retrospectives for the Oscar‐winning costume designer and Oscar‐nominated composer Middleburg, VA, September 2, 2014 – The Middleburg Film Festival announced today Colleen Atwood and Marco Beltrami as this year’s Distinguished Costume Designer and Distinguished Film Composer, respectively. The Distinguished Costume Designer Award will be presented to Atwood on Friday, October 31. The event will feature an in‐depth conversation with Atwood with a retrospective of her most memorable costumes, followed by a Masquerade Ball in her honor. Beltrami will receive the Distinguished Film Composer Award on Saturday, November 1. The Shenandoah Conservatory Symphony Orchestra will perform world premieres of concert suites from Marco Beltrami’s scores including THE GIVER, THE HOMESMAN and WORLD WAR Z. In addition, in honor of Halloween, his score for SCREAM will be performed. The Middleburg Film Festival, now in its second year, will run from Thursday, October 30 to Sunday, November 2 in Virginia’s historic wine country, located one hour from our nation’s capital and attracting filmmakers and filmgoers from all over the world. “The Middleburg Film Festival is committed to recognizing creative artists who make movies memorable,” said Executive Director Susan Koch. “Colleen Atwood is a long‐time collaborator with director Tim Burton on his dark and quirky films such as SWEENEY TODD: THE DEMON BARBER OF FLEET STREET and SLEEPY HOLLOW. Marco Beltrami is known for his horror and thriller scores, including the SCREAM movies.
    [Show full text]
  • Cinematic Fashionability and Images Politics
    Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear.
    [Show full text]
  • Desenho E Cinema
    Faculdade de Belas Artes da Universidade do Porto Mestrado em Desenho e Técnicas de Impressão Dissertação de: Elisa Almeida Trindade Orientado por: Doutora Cristina Mateus 2013 Desenho e Cinema Agradecimentos: À minha orientadora Doutora Cristina Mateus, à minha família, aos meus amigos e a todos que tornaram possível este trabalho. Índice Resumo/Abstract 9 3.1. Storyboards 93 Introdução: Breve enquadramento histórico. 3.2. Cenários 99 Projeto e método 11 O gabinete do Dr. Caligari 103 Capítulo 1 Metropolis 104 Realizadores desenhadores 17 A Casa Encantada 106 George Méliès 19 Ken Adam 107 Alfred Hitchcock 21 Fritz Lang 25 3.2.1. Desenhos técnicos e Sergei Eisenstein 28 desenhos concetuais 109 Akira Kurosawa 31 Orson Welles 36 3.2.2. Desenhos de Artefactos 115 Saul Bass 37 Federico Fellini 41 3.3. Desenho de Guarda-roupa 119 Satyajit Ray 45 Collen Atwood 122 Roman Polanski 47 Ngila Dickson 124 Ridley Scott 49 Sandy Powell 125 Martin Scorsese 52 Jacqueline Durran 127 Peter Greenaway 55 Eiko Ishiola 128 Tim Burton 56 3.3.1. Outros Figurinos 129 1.1. Storyboards e outros realizadores 59 F.W. Murnau 61 Jonh Huston 62 3.3.2. Desenhos de outros personagens 133 Terry Gillian 63 Jane Campion 65 Capítulo 4 Told Haynes 66 Outros processos 137 Capítulo 2 Carlos Saura 139 O desenho como parte integrante do filme 67 Pedro Costa 141 Voyage dans la Lune 69 Peter Greenaway 142 A invenção de Hugo 70 Sang d’un poète 71 Capítulo 5 O contrato do desenhador 72 Do Cinema ao Desenho 143 A walk through H 72 Gustav Deutsch 145 O sol do marmeleiro 74 William Kentridge 147 American Splendor 74 Quentin Tarantino 148 Quem tramou Roger Rabbit? 75 Kill Bill 75 Harry Potter e os Talismãs da Morte 76 Detachment 76 Reflexões finais 149 Tabu 77 Argo 78 Bibliografia 153 Culpados por suspeita 80 Capítulo 3 Índice de imagens 158 Função do desenhador de produção e do diretor artístico 81 Henry Bumstead 85 Dante Ferretti 87 Stuart Craig 90 7 8 Resumo: Esta dissertação dá uma pequena contribuição para a análise da utilidade do desenho na arte do cinema, em algumas das suas vertentes.
    [Show full text]
  • Revenant - Redivivo
    REVENANT - REDIVIVO Titolo originale: The Revenant Regia: Alejandro González Iñárritu Sceneggiatura: Mark L. Smith, Alejandro González Iñárritu Fotografia: Emmanuel Lubezki Montaggio: Stephen Mirrione Costumi: Jacqueline West Scenografia: Jack Fisk Interpreti: Leonardo DiCaprio (Hugh Glass), Tom Hardy (John Fitzgerald), Domhnall Gleeson (il capitano Andrew Henry), Will Poulter (Bridger), Forrest Goodluck (Hawk), Paul Anderson (Anderson), Kristoffer Joner (Murphy) Produzione: Alejandro González Iñárritu, Steve Golin, Dave Kanter, Arnon Milchan, Mary Parent, Keith Redmon, James W. Skotchdopole, Alexander Dinelaris, Nicolás Giacobone, Dluglas Jones, Scott Robertson, Alex G. Scott per New Regency Pictures/Anonymous Content/Appian Way/RatPac Entertainment Distribuzione: 20th Century Fox Durata: 156 min. Origine: USA, 2015 ALEJANDRO GONZÁLEZ IÑÁRRITU: DAL MESSICO ALL’INDUSTRIA HOLLYWOODIANA Nato a Città del Messico nel 1963, Alejandro González Iñárritu cresce a Narvarte, quartiere vicino al centro della capitale. Figlio del banchiere Héctor González Game e di Luz María Iñárritu, trova nel padre una grandissima fonte di ispirazione: dopo aver dichiarato bancarotta, infatti, l’uomo riesce a ricostruire la sua vita diventando rivenditore di frutta e verdura. Di fronte a un tale esempio, tra i 17 e i 19 anni si imbarca in una nave da carico in rotta attraverso l’Atlantico, lavorando come mozzo. Questo viaggio lo forma molto a livello intellettuale e culturale e gli offre l’opportunità di visitare l’Europa e l’Africa e di arricchire il proprio bagaglio di esperienza. Rientrato in Messico, Iñárritu si iscrive al corso di comunicazione dell’Universidad Iberoamericana e comincia a lavorare come annunciatore in una stazione radio, della quale diventa successivamente direttore. Il primo approccio con il cinema avviene nel 1987: partendo dalla sua passione per la musica, si reinventa compositore, firmando le colonne sonore dei film messicani girati da Victor Manuel Casto e Hernando Name.
    [Show full text]
  • Nominations by Film and Distributor
    EE BRITISH ACADEMY FILM AWARDS IN 2015 NOMINATIONS BY FILM/DISTRIBUTOR BY FILM (40 films) ‘71 2 Into the Woods 2 20 Feet From Stardom 1 Kajaki: The True Story 1 20,000 Days on Earth 1 The Lego Movie 1 American Sniper 2 Leviathan 1 Big Eyes 2 Lilting 1 Big Hero 6 1 The Lunchbox 1 Birdman 10 Mr. Turner 4 The Boxtrolls 1 Nightcrawler 4 Boyhood 5 Northern Soul 1 Citzenfour 1 Paddington 2 Dawn of the Planet of the Apes 1 Pride 3 Finding Vivian Maier 1 Still Alice 1 Foxcatcher 2 The Theory of Everything 10 Gone Girl 2 Trash 1 The Grand Budapest Hotel 11 Two Days, One Night 1 Guardians of the Galaxy 2 Under the Skin 2 The Hobbit: The Battle of the Five Armies 1 Virunga 1 Ida 2 Whiplash 5 The Imitation Game 9 Wild 1 Interstellar 4 X-Men:Days of Future Past 1 BY DISTRIBUTOR Alchemy (1) Soda Pictures (1) Kajaki: The True Story 1 Finding Vivian Maier 1 Altitude (1) Sony Pictures (5) 20 Feet From Stardom 1 Whiplash 5 Artificial Eye (8) Studio Canal (15) Citizenfour 1 ‘71 2 Ida 2 The Imitation Game 9 Leviathan 1 Paddington 2 Lilting 1 Under the Skin 2 The Lunchbox 1 Twentieth Century Fox (26) Still Alice 1 Birdman 10 Two Days, One Night 1 Dawn of the Planet of the Apes 1 Disney (5) Gone Girl 2 Big Hero 6 1 The Grand Budapest Hotel 11 Guardians of the Galaxy 2 Wild 1 Into the Woods 2 X-Men: Days of Future Past 1 Entertainment Film (2) Universal (17) Big Eyes 2 The Boxtrolls 1 Entertainment One (10) Boyhood 5 Foxcatcher 2 The Theory of Everything 10 Mr.
    [Show full text]
  • Scene II. Creative Contexts All Hollywood Feature Films Are The
    Scene II. Creative Contexts All Hollywood feature films are the product of creative teamwork. Production designers define the ‘where’ – the place and setting of the story. Cinematographers create the visual mood and tone of the narrative. Directors tell the story, making the final decision about everything that appears on-screen. Together with the costume designer, this creative team makes a world – and the people in it – come alive. Scene Two of Hollywood Costume examines creative collaborations between costume designers, directors and actors. In this gallery, you will also see how costume designers work within specific contexts of production: cinematic genres, new technologies and censorship. The first gallery of the exhibition explored the perspective of the costume designer. This gallery is about the situations in which costume designers do their work. Collaborating with Directors The creative relationship between director and costume designer is an essential part of film-making. The four partnerships featured here are among the greatest collaborations in the history of Hollywood. Edith Head is the most famous costume designer of all time. Her career spanned the entire history of the Hollywood studio system, from her first film Wings in 1929 through 11 films designed for Alfred Hitchcock between 1946 and 1976. London-based Sandy Powell began her career working with Derek Jarman before going on to design costumes for such Hollywood directors as Martin Scorsese. Ann Roth has forged a creative partnership with director Mike Nichols over four decades, on both stage and screen. Colleen Atwood has been instrumental in realising Tim Burton’s artistic vision, creating costumes for Johnny Depp in Edward Scissorhands, Ed Wood and Sweeney Todd.
    [Show full text]
  • Avatar, ©2009. Courtesy of 20Th Century Fox. Dallas Buyers Club
    Avatar, ©2009. Courtesy of 20th Century Fox. Borat, ©2006. Courtesy of 20th Century Fox. Dallas Buyers Club, ©2013. Courtesy of Universal Django Unchained, ©2012. Courtesy of Visiona Studios Licensing LLC. Romantica, Inc., The Weinstein Company and Columbia Pictures. [email protected] or via e-mail at Fight Club, ©1999. Courtesy of 20th Century Fox. Fight Club, ©1999. Courtesy of 20th Century Fox. (310) 247-3090 (310) Frida, ©2002. Courtesy of Miramax. Kill Bill, Vol. 1, ©2003. Courtesy of Miramax. Lincoln, ©2012. Courtesy of 20th Century Fox. Mary Poppins, ©1964. Courtesy of For high-resolution images, contact the Academy Communications Department images, contact the at high-resolution For The Walt Disney Company. Moulin Rouge, ©2001. Courtesy of 20th Century Raiders of the Lost Ark, ©1981. Courtesy of Fox. Lucasfilm Ltd. Shakespeare in Love, ©1998. Courtesy of Miramax. The Amazing Spider-Man 2, ©2014 Columbia Pictures Industries, Inc. and LSC Film Corporation. Marvel, Spider-Man and all related character names and their distinctive likenesses: TM & © 2014 Marvel Entertainment, LLC and its subsidiaries. [email protected] or via e-mail at The Social Network, ©2010. Courtesy of Columbia The Twilight Saga: New Moon, ©2009. Courtesy of Pictures Industries, Inc. and Beverly Blvd LLC. Summit Entertainment, LLC. (310) 247-3090 (310) Titanic, ©1997. Courtesy of Paramount Pictures and Titanic, ©1997. Courtesy of Paramount Pictures and 20th Century Fox. 20th Century Fox. The Wizard of Oz, ©1939. Courtesy of Warner For high-resolution images, contact the Academy Communications Department images, contact the at high-resolution For Bros. Entertainment Inc. The Academy of Motion Picture Arts & Sciences and the Victoria and Albert Museum, London present “Hollywood Costume” sponsored by Swarovski, on view October 2, 2014 - March 2, 2015 at the Wilshire May Company building.
    [Show full text]
  • Cineeco2009 XV Festival Internacional De Cinema E Vídeo De Ambiente Serra Da Estrela Seia Portugal
    cineeco2009 XV festival internacional de cinema e vídeo de ambiente serra da estrela seia_portugal PRÉMIO NACIONAL DO AMBIENTE 2006 atribuido pela Confederação Portuguesa de Associações de Defesa do Ambiente membro fundador da ASSOCIAÇÃO DE FESTIVAIS DE CINEMA DE MEIO AMBIENTE (EFFN - ENVIRONMENTAL FILM FESTIVAL NETWORK) juntamente com cinemambiente . environmental film festival . turim . itália festival internacional del medi ambient sant feliu de guíxols . barcelona . espanha ecocinema . festival internacional de cinema ambiental . grécia parceiro dos festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema do ambiente washington . eua vizionária . international video festival . siena . itália wild and scenic environmental film festival . nevada city . eua em formação plataforma atlântica de festivais de ambiente de colaboração com festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema e vídeo ambiental do mindelo . cabo verde extensões do cineeco centro das artes . casa das mudas . calheta . madeira dep. ambiente da câmara municipal de lisboa sec. regional do ambiente . ponta delgada . horta . praia da vitória . açores inatel . albufeira . vidigueira. quarteira . beja biblioteca municipal . braga centro de ciência viva . bio blitz . semana de cultura cientifica . tavira quinzena do comércio justo . almada Edição: CineEco Título: Programa do CineEco’2008 XV Festival Internacional de Cinema e Vídeo de Ambiente da Serra da Estrela Coordenação, textos e design gráfico: Lauro António (os textos assinados são da responsabilidade dos seus autores) Capa segundo imagem de Yann Arthus-Bertrand (Lusomundo Audiovisuais) Tiragem: 1000 exemplares Impressão: DPI · Cromotipo Depósito Legal: 116857/97 | 3 | cineeco2009 A cidade de Seia acolhe com orgulho e satisfação a 15ª edição do CineEco Por isso, em meu nome e em nome da Empresa Municipal de Cultura e Recreio – EMCR de Seia, apraz-me receber com simpatia e afecto os convidados do Festival, formulando-lhe votos de bom trabalho.
    [Show full text]