Teacher Guide: Cut- Designers/Screenplays

Total Page：16

File Type：pdf, Size：1020Kb

Teacher Guide: Cut- Designers/Screenplays Costume designers featured in CUT! /Screenplays/Resources compiled by Frank W Baker Designer’s Other Links to Screenplays Costumer Designer / Films/ Whose Costumes Link to Bio TV Credits Are in the Exhibit Ever After, 1998; Casanova, 2005; Mad Max, Fury Road, Sense & Sensibility 1995; Jenny Beavan 2015 Jane Eyre, 1996; The King’s Speech, Sherlock Holmes 2009; 2011 Howards End 1992; Gosford Park, 2001; Defiance 2008 The Revenant 2015, Jacqueline West The New World, 2006 Argo, 2013 The Last King, 2003-2004 Mike O’Neill BBC Press Packet Pirates of the Pirates of The Caribbean, 2003; Penny Rose Caribbean: On Stranger In Love and War, 1997 Tides, 2012 (production notes) The Invisible Woman, The Duchess 2008; Michael OConnor 2014 Miss Pettigrew, 2008 Jane Eyre, 2012 Yvonne Blake There Be Dragons, 2011 Goya’s Ghost 2006 Barbara Kidd Doctor Who, 2010-2011 Little Dorrit, 2008 Paddington, 2014; Philomena, 2013; Iron Lady, 2011; War Horse, Marion Weise 2011; Ghost Writer, Little Dorrit, 2008 2010; Munich, 2005; Finding Neverland, 2004 102 Dalmatians, 2000; The Avengers, 1999; Anthony Powell Indiana Jones & The Miss Potter, 2006 Last Crusade, 1989; Ishtar, 1987 Avengers Age of Ultron, 2015, Guardians of the Phantom of the Opera, 2004; Galaxy, 2014; Alexandra Byrne Finding Neverland, 2004; The Avengers, 2012, Hamlet 1996 Thor, 2011, Elizabeth The Golden Age, 2007 Far from the Madding Crowd, 2015; Bright Janet Patterson /Obituary Star, 2009; Portrait of a Lady, 1996 Peter Pan, 2003; The Piano, 1993 Veronica Guerin, 2003; In The Name of The Joan Bergin The Prestige, 2006 Father, 1993; My Left Foot, 1989 Jane Eyre (TV Series) The Golden Bowl, 2000; 2006, Magnificent Howards End 1992; John Bright Ambersons (TV Movie) The White Countess 2005 2002 (press kit) The Green Grass (TV) Judy Pepperdine Mrs. Dalloway, 1997 2007-2009 The Musketeers (TV) Phoebe de Gaye Land of the Blind, 2006 2014-2015.

Copy Link

Recommended publications

Best Picture Best Director Best Actor Best Actress Best Supporting
Best picture Black Panther BlacKkKlansman Bohemian Rhapsody The Favourite Green Book – WINNER! Roma A Star is Born Vice Best director Alfonso Cuarón (Roma) – WINNER! Adam McKay (Vice) Yorgos Lanthimos (The Favourite) Spike Lee (BlacKkKlansman) Pawel Pawlikowski (Cold War) Best actor Rami Malek (Bohemian Rhapsody) – WINNER! Christian Bale (Vice) Viggo Mortensen (Green Book) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity’s Gate) Best actress Glenn Close (The Wife) Lady Gaga (A Star Is Born) Olivia Colman (The Favourite) – WINNER! Melissa McCarthy (Can You Ever Forgive Me?) Yalitza Aparicio (Roma) Best supporting actress Emma Stone (The Favourite) Rachel Weisz (The Favourite) Amy Adams (Vice) Regina King (If Beale Street Could Talk) – WINNER! Marina De Tavira (Roma) Best supporting actor Mahershala Ali (Green Book) – WINNER! Richard E Grant (Can You Ever Forgive Me?) Sam Elliott (A Star Is Born) Adam Driver (BlacKkKlansman) Sam Rockwell (Vice) Best original song Shallow (A Star Is Born) – WINNER! All the Stars (Black Panther) I’ll Fight (RBG) The Place Where Lost Things Go (Mary Poppins Returns) When a Cowboy Trades his Spurs for Wings (The Ballad of Buster Scruggs) Best documentary Free Solo – WINNER! Minding the Gap RBG Hale County This Morning, This Evening Of Fathers and Sons Best costume design Black Panther (Ruth E Carter) – WINNER! The Favourite (Sandy Powell) Mary Poppins Returns (Sandy Powell) Mary Queen of Scots (Alexandra Byrne) The Ballad of Buster Scruggs (Mary Zophres) Best makeup and hair Border Mary Queen of Scots
[Show full text]
C U R R I C U L U M G U I
C U R R I C U L U M G U I D E NOV. 20, 2018–MARCH 3, 2019 GRADES 9 – 12 Inside cover: From left to right: Jenny Beavan design for Drew Barrymore in Ever After, 1998; Costume design by Jenny Beavan for Anjelica Huston in Ever After, 1998. See pages 14–15 for image credits. ABOUT THE EXHIBITION SCAD FASH Museum of Fashion + Film presents Cinematic The garments in this exhibition come from the more than Couture, an exhibition focusing on the art of costume 100,000 costumes and accessories created by the British design through the lens of movies and popular culture. costumer Cosprop. Founded in 1965 by award-winning More than 50 costumes created by the world-renowned costume designer John Bright, the company specializes London firm Cosprop deliver an intimate look at garments in costumes for film, television and theater, and employs a and millinery that set the scene, provide personality to staff of 40 experts in designing, tailoring, cutting, fitting, characters and establish authenticity in period pictures. millinery, jewelry-making and repair, dyeing and printing. Cosprop maintains an extensive library of original garments The films represented in the exhibition depict five centuries used as source material, ensuring that all productions are of history, drama, comedy and adventure through period historically accurate. costumes worn by stars such as Meryl Streep, Colin Firth, Drew Barrymore, Keira Knightley, Nicole Kidman and Kate Since 1987, when the Academy Award for Best Costume Winslet. Cinematic Couture showcases costumes from 24 Design was awarded to Bright and fellow costume designer acclaimed motion pictures, including Academy Award winners Jenny Beavan for A Room with a View, the company has and nominees Titanic, Sense and Sensibility, Out of Africa, The supplied costumes for 61 nominated films.
[Show full text]
PICNIC PLAYBOOK on the Flip Side of This Letter
PLAYBOOK / MEMORABLE PICNICS ON FILM Dear Picnic in the Park supporters Gosford Park (2001) Call Me By Your Name (2017) and friends of The Picture House, Any fan of Downton Abbey will love this upstairs/ Nominated for Academy Awards for both Best Pic- downstairs whodunnit that was also an Academy ture and Best Actor and the winner of Best Adapted As summer fades into fall and the anticipation of Award nominee for Best Picture. At a lavish picnic lunch Screenplay, this love story takes place in rural Italy in the back-to-school season sets in, we at the Picture following a fox hunt, the mystery takes quite a turn. A the summer of 1983. The breathtaking Italian backdrop House are usually busy planning one of our favorite terrific film for the amateur detective in your home. is used throughout the film for multiple al fresco dining events of the year - Picnic in the Park. Coming scenes. Just keep a box of tissues handy for the end. together with old friends and new to celebrate film The Stepford Wives (1975) and community is something we look forward to all Life in the suburbs sometimes maybe feel too perfect? To Catch a Thief (1955) year. In Stepford, it just might be. Based on the novel by Ira Can a notorious cat burglar change his stripes? Escape Levin, The Stepford Wives is a perfect blend of sci-fi, to the French Riviera in this Hitchcock classic to see But if there’s one thing we know for sure, this year has satire, and dark comedy that brought a whole new Gary Grant attempt to woo Grace Kelly with a scenic been NO picnic.
[Show full text]
Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple
’Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple To cite this version: James Dalrymple. ’Gosford Park, the ”Altmanesque” and Narrative Democracy’. ”Narrative Democ- racy in 20th- and 21st-Century British Literature and Visual Arts”, SEAC 2018 conference, Nov 2018, Université Toulouse Jean Jaurès, France. hal-01911889 HAL Id: hal-01911889 https://hal.archives-ouvertes.fr/hal-01911889 Submitted on 25 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. James Dalrymple (ILCEA4) – Gosford Park, the ‘Altmanesque’ and democracy Gosford Park, the ‘Altmanesque’ and democracy James Dalrymple, Institut des langues et cultures d'europe, amérique, afrique, asie et australie (ILCEA4), Université Grenoble-Alpes, France. Often working with large casts of actors—and many featuring on screen simultaneously, with dialogues frequently overlapping one another and given little hierarchy in the sound design—US director Robert Altman (1925–2006) came to be associated with a signature style despite working in a range of genres, mostly in order to subvert their conventions. The adjective ‘Altmanesque’ has come to apply to this aesthetic, one in which much is also left to chance, with actors given space to improvise and create their own characters within a larger tableau or ‘mural’ (del Mar Azcona 142).
[Show full text]
On This Date Daily Trivia Happy Birthday! Quote Of
THE SUNDAY, AUGUST 1, 2021 On This Date 1834 – The Emancipation Act was Quote of the Day enacted throughout the British “Study as if you were going to Dominions. Most enslaved people were live forever; live as if you re-designated as “apprentices,” and were going to die tomorrow.” their enslavement was ended in stages over the following six years. ~ Maria Mitchell 1941 – The first Jeep, the army’s little truck that could do anything, was produced. The American Bantam Happy Birthday! Car Company developed the working Maria Mitchell (1818–1889) was the prototype in just 49 days. General first professional female astronomer Dwight D. Eisenhower said that the in the United States. Born in Allies could not have won World Nantucket, Massachusetts, Mitchell War II without it. Because Bantam pursued her interest in astronomy couldn’t meet the army’s production with encouragement from her demands, other companies, including parents and the use of her father’s Ford, also started producing Jeeps. telescope. In October 1847, Mitchell discovered a comet, a feat that brought her international acclaim. The comet became known as “Miss Mitchell’s Comet.” The next year, the pioneering stargazer became the first woman admitted to the Daily Trivia American Academy of Arts and Sciences. The Jeep was probably named after Mitchell went on to Eugene the Jeep, a Popeye comic become a professor strip character known for its of astronomy at magical abilities. Vassar College. ©ActivityConnection.com – The Daily Chronicles (CAN) UNDAY UGUST S , A 1, 2021 Today is Mahjong Day. While some folks think that this Chinese matching game was invented by Confucius, most historians believe that it was not created until the late 19th century, when a popular card game was converted to tiles.
[Show full text]
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
[Show full text]
DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art.
[Show full text]
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
[Show full text]
Kleidung / Mode / Couture / Kostümdesign Im Film: Eine Erste Bibliographie 2011
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie 2011 https://doi.org/10.25969/mediarep/12753 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 122). DOI: https://doi.org/10.25969/mediarep/12753. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0122_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 122, 2011: Mode im Film. Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek, Hans J. Wulff. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0122_11.html Letzte Änderung: 20.2.2011. Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Zusammengest. v. Hans J. Wulff u. Ludger Kaczmarek Inhalt: da, wo die Hobos sind, er riecht wie einer: Also ist er Einleitung einer. Warum sollte man jemanden für einen anderen Bibliographien halten als den, der er zu sein scheint? In Nichols’ Direktoria Working Girl (1988) nimmt eine Sekretärin heimlich Texte für eine Zeit die Rolle ihrer Chefin an, und sie be- nutzt auch deren Garderobe und deren Parfüm.
[Show full text]
Revenant - Redivivo
REVENANT - REDIVIVO Titolo originale: The Revenant Regia: Alejandro González Iñárritu Sceneggiatura: Mark L. Smith, Alejandro González Iñárritu Fotografia: Emmanuel Lubezki Montaggio: Stephen Mirrione Costumi: Jacqueline West Scenografia: Jack Fisk Interpreti: Leonardo DiCaprio (Hugh Glass), Tom Hardy (John Fitzgerald), Domhnall Gleeson (il capitano Andrew Henry), Will Poulter (Bridger), Forrest Goodluck (Hawk), Paul Anderson (Anderson), Kristoffer Joner (Murphy) Produzione: Alejandro González Iñárritu, Steve Golin, Dave Kanter, Arnon Milchan, Mary Parent, Keith Redmon, James W. Skotchdopole, Alexander Dinelaris, Nicolás Giacobone, Dluglas Jones, Scott Robertson, Alex G. Scott per New Regency Pictures/Anonymous Content/Appian Way/RatPac Entertainment Distribuzione: 20th Century Fox Durata: 156 min. Origine: USA, 2015 ALEJANDRO GONZÁLEZ IÑÁRRITU: DAL MESSICO ALL’INDUSTRIA HOLLYWOODIANA Nato a Città del Messico nel 1963, Alejandro González Iñárritu cresce a Narvarte, quartiere vicino al centro della capitale. Figlio del banchiere Héctor González Game e di Luz María Iñárritu, trova nel padre una grandissima fonte di ispirazione: dopo aver dichiarato bancarotta, infatti, l’uomo riesce a ricostruire la sua vita diventando rivenditore di frutta e verdura. Di fronte a un tale esempio, tra i 17 e i 19 anni si imbarca in una nave da carico in rotta attraverso l’Atlantico, lavorando come mozzo. Questo viaggio lo forma molto a livello intellettuale e culturale e gli offre l’opportunità di visitare l’Europa e l’Africa e di arricchire il proprio bagaglio di esperienza. Rientrato in Messico, Iñárritu si iscrive al corso di comunicazione dell’Universidad Iberoamericana e comincia a lavorare come annunciatore in una stazione radio, della quale diventa successivamente direttore. Il primo approccio con il cinema avviene nel 1987: partendo dalla sua passione per la musica, si reinventa compositore, firmando le colonne sonore dei film messicani girati da Victor Manuel Casto e Hernando Name.
[Show full text]
Zahraniční Tituly V České Kinodistribuci V Roce 2020
Úvod Kompilací Zahraniční filmy v české kinodistribuci 2020 předkládá Národní filmový archiv široké veřejnosti přehled všech zahraničních audiovizuálních děl, která v období od 1. ledna do 31. prosince 2020 byla v premiéře uvedena distribučními společnostmi v kinech na území České republiky. Jednotlivé tituly byly zpracovány na základně přístupných údajů Unie filmových distributorů a samotných distribučních společností. Získaná data byla revidována, zpřesňována, ověřována a doplňována podle zákonné oznamovací povinnosti (zákon o audiovizi číslo 496/2012 Sb. s účinností od 1. ledna 2013), úvodních a závěrečných filmových titulků, tisku, zahraničních internetových databází a dalších relevantních materiálů, pramenů a zdrojů. Po úvodním přehledu všech sto šestnácti v kinodistribuci nasazených filmů (pokud není uvedeno jinak, jde o dlouhometrážní díla) následuje hlavní část, abecedně seřazený soupis snímků v podobě hesel s filmografickými, technickými, produkčními a distribučními údaji a s informativními texty. V závěru publikace je přehled distribuovaných filmů seřazený chronologicky podle data české premiéry, dále podle země původu, podle distribučních společností. A zvláštní přehled tvoří filmy, které byly v kinech uvedeny v národní úpravě – v dabované verzi (zbylým snímkům bylo zpravidla ponecháno původní znění a byly opatřeny českými podtitulky). V jednotlivých seznamech jsou dále vedeny údaje, zda se jedná o součást pásma, obnovenou premiéru, film krátkometrážní či středometrážní a u koprodukčních snímků jsou zmíněny rovněž všechny zúčastněné země. Pro úplnost připojujeme taktéž soupis českých a českých koprodukčních snímků uvedených ve sledovaném roce v tuzemské kinodistribuci. Jejich podrobné údaje jsou k dohledání rovněž v internetové databázi Filmový přehled (www.filmovyprehled.cz). Výjimečný distribuční rok 2020 v českých kinech nelze – ať již celkovým množstvím filmových premiér, počtem projekcí, či jejich návštěvností – porovnávat s předcházejícími (a zřejmě ani s následujícími) lety.
[Show full text]
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN ....................................................................................................
[Show full text]