Book RETHINK

Total Page:16

File Type:pdf, Size:1020Kb

Book RETHINK Proportion & Urbanism & Environment EDITORS Professor António Castelbranco Professor Oksana Turchanina This project has been funded with support from the European Comission. This publication reflects the views only of the author, and the Comission cannot be held responsible for any use which may be made of the information contained therein. TABLE OF CONTENTS PROPORTION & URBANISM & ENVIRONMENT PART 1 076 CHAPTER 3: URBAN SEISMIC RISK REDUCTION AND ITS MANAGEMENT IN HISTORICAL CITY CENTER RETHINK- A NEW TRANSDISCIPLINARY INTELLECTUAL FRAMEWORK - MOVING TOWARDS SUSTAINABILITY • Introduction 3.1 The process of studying the building stock seismic risk based on the functional properties of buildings CHAPTER 1: SUSTAINABLE DEVELOPMENT, AN INTELLECTUAL FRAMEWORK 007 Authors: Prof. Antonio Castelbranco & Prof. Oksana Turchanina 080 CHAPTER 4: RECONSTRUCTION AS A TOOL OF SEISMIC RISK • Introduction Redution reconstruction as a tool of seismic risk mitigation • Conclusion 1.1 Carbon dioxide (CO2) and interdependence in the biosphere - the rules of the system 1.2 Consequences of perceived environmental impacts - Conferences on the environment 1.3 Environmental oriented experiences in planning and architecture • Conclusion PART 3 THE ISSUES OF URBAN ECONOMICS CHAPTER 2: EVALUATION OF THE EMISSION AND ABSORPTION OF CO2 IN DBNA 016 Authors: Nino Pailodze, Zviad Archuadze, Giorgi Sulashvili, Malkhaz Sulashvili, Salome Kipiani, Iasha Murvanidze, Jana Gabaraevi Authors: Prof. Antonio Castelbranco & Prof. Oksana Turchanina • Introduction 085 CHAPTER 1: THE ANALYSIS OF URBAN IMPORT-EXPORT OPERATIONS 2.1 A brief overview on the theme of urban and territorial sustainability • Introduction 1.1 General overview of the problem 2.2 Evaluation of the emission and absorption of CO2 in DBNA 2.3 Calculation Methods of CO emissions 1.2 Development of economic activities 2 • Conclusion 2.4 CO2 emissions in DBNA 2.4.1 Forest fires 2.4.2 Value of CO2 emissions from human breath 2.4.3 CO2 emissions caused by human activity in DBNA PART 4 2.4.4 Accounting of CO emissions caused by the use of internal combustion vehicles SOCIALIST DISTRICTS EXPOSED. SOCIOCULTURALURBAN ISSUES 2 Authors: N. Lekveishvili & A. Andghuladze 2.4.5 Accounting for emissions of CO2 by use of liquid gas 093 CHAPTER 1: THE INICIATIVE GROUPS AND PHASED ACTIVITIES AS A TRIGGER OF TRANSFORMATION AND REVIVAL. CHAPTER 3: CO2 ABSORPTION IN DBNA 042 Authors: Prof. Antonio Castelbranco & Prof. Oksana Turchanina A CASE STUDY OF GLDANI (TBILISI). THE FORMATION OF TIMEBANK COMMUNITY • Introduction • Introduction 3.1 CO absorption by forests and agricultural areas 1.1 Historical layout of housing in Georgia in the 20th century 2 1.2 Urban layering of Tbilisi, a capital of Georgia 3.2 Absorption of CO2 by water area in DBNA 3.3 Analysis of the results of the emission and absorption in DBNA 1.3 “Gldani”– An experimental district 1.4 Problem Statement CHAPTER 4: CALCULATION METHODS OF ECOLOGICAL FOOTPRINT 050 1.5 Case study Authors: Prof. Antonio Castelbranco & Prof. Oksana Turchanina 1.5.1. Creative class – Gentrification • Introduction 1.5.2. Development 4.1 The ecological footprint in Biosphere 2 1.5.3. Time banking community 4.2 The ecological footprint in Canada 1.6 Interviews with the social movements of Georgia 4.3 The ecological footprint in the Netherlands 1.7 Philosophy of form. Plato’s interpretation of the one and the whole 4.4 Ecological footprint in DBNA • Conclusion 4.5 Ecological footprint in comparative terms • Conclusion PART 5 URBAN DESIGN PART 2 Authors: Nino Khabeishvili, Mariam Khabeishvili PROTECTION OF URBAN SETTLEMENTS LOCATED IN THE SEISMIC PRONE AREAS BY THE METHODS OF URBAN PLANNING Authors: Nino Chachava, Zurab Kiknadze, Vladislav Zaalishvili, Sergo Gogmachadze, Nino Tsereteli, 111 CHAPTER 1: URBAN DESIGN Nikoloz Arevadze, Malkhaz Lekveishvili, Tamar Khoshtaria, Igor Timchenko 1.1 Social mood indicator – Modern graffiti • Conclusion CHAPTER 1: OVERVIEW OF THE IMPACT OF URBAN SETTLEMENTS BY THE NATURAL DISASTERS. 061 THE ISSUES OF SEISMIC VULNERABILITY AND RISK ASSESSMENT THROUGHOUT THE URBAN TERRITORY • Introduction PART 6 1.1 Scientific Background in seismic hazard and seismic risk assessment GEOGRAPHICAL INFORMATION SYSTEMS (GIS) IN URBANISM 1.2 Tectonics and Seismicity of Tbilisi Author: ZurabLaoshvili 1.3 Creation elements of risk inventory databases in GIS system 1.4 Local mapping of soil classes 115 CHAPTER 1: CONCEPT OF GIS GEOGRAPHIC INFORMATION SYSTEM 1.5 Seismic hazard probabilistic assessment • Introduction 1.6 Urban Seismic Rısk Study and its methodological basis 1.1 Classification of GIS • Conclusion 1.2 GIS subsystems CHAPTER 2: THE WAYS OF URBAN SEISMIC RISK REDUCTION. SEISMIC RISK STUDY 072 124 CHAPTER 2: GEOGRAPHIC INFORMATION SYSTEMS IN GEORGIA FOR TBILISI CITY AND ITS HISTORICAL CENTER 2.1 GIS development 2.1 The ways of Urban Seismic Risk Reduction. Seismic Risk Study for Tbilisi City and its historical Center. Conclusions • Conclusion 138 CONCLUSIONS 4 5 CHAPTER 1 PROPORTION & URBANISM & ENVIRONMENT Sustainable Development, an Intellectual Framework Professor António Castelbranco & Professor Oksana Turchanina Lisbon School of Architecture - FAUL, Portugal [email protected] [email protected]. PART 1 Synthesis of Part 1 Introduction The idea of saving mankind is a recurring theme in the history of In order to deal with the new complexities, both in architecture, civilization, the prophets of doom invariably based their theories on this and the planning of urban settlements and their drainage basins, it assumption. However, the work presented here is not so much about the is necessary to create a more inclusive intellectual framework and idea of the salvation of the humanity as such, but in the reinterpretation RETHINK methodology than what is available now, which only conveys of our relationship with the environment that sustains us. At the traditional reductionist approach to problems. Herein, we review beginning of this new millennium, humanity is, in environmental terms, some of the history and influences that have produced our current A New Transdisciplinary facing unprecedented challenges. The pressures on the biosphere and view of the world, or paradigm. on its ecosystems are at the root of the environmental crisis which is becoming undeniably evident with time. Intellectual Framework “When I was born, the expressions and phrases which are to save humanity had already been written, one thing was missing: - to Indeed, “in 1950 the world population was about three billion; save humanity”.1 after only fifty years the number has more than doubled. It was predicted and it is true that in 2008, 50% of the world’s population Almada Negreiros Moving Towards will live in cities”3. The population flow to the cities has further increased the pressure on the environment to the extent that in “The causes of the collapse of Rome, were studied thoroughly, the cities, energy consumption is more pronounced. The resulting Sustainability and one of the lessons that can be assimilated is that everything wastes and residues of these population concentrations now have is connected to everything else, not only in its consequences, but large proportions. The result of the detachment of the urban population also in its causes”.2 from the countryside and nature is the lack of understanding and the perception of the complexity of the cause/effect underlying Jane Jacobs environmental problems. “You never change things by fighting the existing reality. To Therefore, it is the responsibility of planners and architects to design, change something, build a new model that makes the existing build and implement the new or renewed urban areas in order to model obsolete”. install and house these human flows. However, these projects will need to be executed/built according to a new holistic intellectual Buckminster Fuller framework, which will insure their sustainability. 7 SUSTAINABLE DEVELOPMENT, AN INTELLECTUAL FRAMEWORK PROPORTION & URBANISM & ENVIRONMENT In this sense, the concept of sustainability and its understanding Underlying the idea of sustainability - in the context of this book - is that David Keeling, a young American researcher at the Scripps one of the most compelling evidence of climate change that have should be clearly defined. the concept of holism (a word that comes from the Greek word Holos, Institution of Oceanography in California, set up a permanent carbon occurred in a short time. meaning “all, whole, entire”). In fact, this book intends to follow the dioxide monitoring system, during the International Geophysical In general, the term sustainability refers to the ability of an ecosystem concept of holism not only in its organizational scheme but also in Year, thirty years later, that same unit, on top of Mount Mauna James Lovelock, wrote: “us being, the only organized form of intelligence, of a corporation/firm or of any other system, to remain in operation the matters addressed here. Loa in Hawaii, is still one of the most important sources of data we have the duty, if not the right, to take care of the Earth and for an indefinite period, without going into decay because of the for research on the greenhouse effect”8. to govern responsibly? But how can we manage if we do not know exhaustion of its resources. Holism is the theory that states that the properties of a system, what it is? We must first ask: what is the earth? It may seem a trivial whether it is an ecosystem of humans or other organisms cannot be In 1972, the Club of Rome announced in its book, the Limits to matter - everyone knows what the Earth is - but unfortunately For Phil Hawes, “the term sustainability should be understood as the seen, analyzed and explained solely by the sum of its components, i.e., Growth, that concentrations of CO2 in the atmosphere will double. this does not seem to be a common perspective. It is by seeing ability of a given culture to continue support the activities to which in any complex system the whole is greater than the sum of its parts.
Recommended publications
  • O Designer De Comunicação Como Mapeador Do Território De Imagens Ligadas Ao - -
    O DESIGNER DE COMUNICAÇÃO COMO MAPEADOR DO TERRITÓRIO DE IMAGENS LIGADAS AO - - - MESTRADO DE DESIGN DE COMUNICAÇÃO - - - MESTRANDO ANA RITA OLIVEIRA LEITE DE PINHO - - - ORIENTADOR ELIAS AUGUSTO MARQUES - - - DEDICATÓRIA - - - Dedico esta tese de mestrado, a toda a minha família, amigos e colegas de turma pelo apoio que me transmitiram ao longo de todo este processo de trabalho. A todos muito obrigada! III DEDICATÓRIA - - - AGRADECIMENTOS - - - Manifesto os meus sinceros agradecimentos : Ao meu orientador e Professor Elias Marques por todo o tempo, apoio e dedicação que me deu para a realização deste projeto; Aos meus amigos e colegas de turma, Mariana, Diogo e Sara, por me ajudarem e se preocuparem comigo; Aos writers, Inácio, Mário e Carlos que me auxiliaram na compreensão da cultura do graffiti; Aos meus entrevistados, pela paciência e tempo disponibilizado; Aos meus pais e irmã, por tudo aquilo que fizeram para a concretização do curso de mestrado; À Fátima, por me ter ajudado na revisão de textos; E ao meu namorado João, pois sem ele não teria sido possível a concretização desta tese. V AGRADECIMENTOS - - - RESUMO ABSTRACT - - - - - - No contexto contemporâneo urbano em que vivemos, o designer de In a urban contemporary context that we living, the communication de- comunicação tem contribuído cada vez mais para a melhoria do espaço signer has contributed more and more to the improvement of the public público, através da imagem. Este procura integrá-la em locais, espaços space through the image. He intents to blend and integrate it in locals, e ambientes, que vão informar, dinamizar, embelezar e mudar a nossa spaces, environments, that will inform and improve the looks of our city.
    [Show full text]
  • Quartier Libre
    [CaMpuS] [SoCiété-MondE] ! [CulturE] soccer féminin: anticosti 123Klan: Top shape les carabins en finale en danger? depuis 1992 page 10 ! page 15 page 22 Vol. 18 • numéro 14 23 mars 2011 []www.quartierlibre.ca QuartiErle journal indépendant des étudiants de l’uniVersitlé de Montréal!brE • Quartierlibre.ca droits de scolarité Verrat ! Encoreunehausse ! pages3,4et5 N’attendez pas qu’on vous donne la parole, prenez-la ! QUARTIERLE JOURNAL INDÉPENDANT DES ÉTUDIANTS DE L’UNIVERSITÉL DE MONTRÉAL!BRE • QUARTIERLIBRE.CA VOTRE SONDAGE ! VOTRE JOURNAL VOTRE VOIX 2ème TIRAGE 4 AVRIL MIDI 1 ATELIER DE TON CHOIX AUX ACTIVITÉS CULTURELLES (SAC) 1 PAIRE DE BILLETS CONCERT + RENCONTRE avec GAËTAN ROUSSEL LE 16 AVRIL 35 ALBUMS À GAGNER Rendez-vous sur quartierlibre.ca pour en savoir plus Encore plus d’articles en ligne!@ sur quartierlibre.ca offres d’emplois QuartiErl!brE ! est à la recherche de: • rédacteur en chef • chef de pupitre culture • chef de pupitre société-monde envoyez votre CV et une lettre de motivation à [email protected] avant le 6 avril. page2 • QuartiErl!brE • Vol. 18 • numéro 14 • 23 mars 2011 QuartiErl!brE é d i t o rédaCtriCE EnChEf Christine Berger ! Es-tuétudiant? [email protected] ChEfSdEpupitrE caMpus: Personnellement, je ne le suis plus. Québec stagne depuis plusieurs années. Gel, Je ne voulais pas vraiment aborder ce sujet. Vincent Allaire [email protected] dégel, hausse, manifs, grève, hausse, manifs, société/Monde En ce qui concerne la hausse des droits de sco- grève, hausse, manifs, grève. Il est possible Si Charest ne s’était pas encore acharné sur les Charles Lecavalier larité de 75 % sur cinq ans annoncée par le gou- d’évoquer l’épisodique déjà-vu, ou la Révolution étudiants, d’autres sujets fondamentalement plus [email protected] vernement Charest, ce statut ne m’exclut pas du tranquille.
    [Show full text]
  • Notre Comédie Coup De Cœur
    L’HEBDO GRATUIT DES SPECTACLES DU 19.02 AU 10.03.20 / N°984 CINÉMA 8 STREET ART 11 MUSIQUE 15 NUMÉRO OMAR SY PEINTURE DANIEL SPÉCIAL À l’instinct FRAÎCHE JOHNSTON VACANCES DE On épluche la prog' Icône pop barrée 3 SEMAINES LE PETIT BULLETIN EN MARGE ! JORIS MA THIEU EN C OMP AGNIE DE HA UT ET C OURT CRÉA TION DU 1 0 AU 2 0 MARS WWW .TNG -LYON .FR 20 20 AU TNG V AISE 04 72 53 15 15 © F F Fr F rä rän räne ränec räneck r ä n e 04 72 53 15 15 WWW.TNGLYON.FR c Divin k À LA UNE JOHN WATERS ET LE FESTIVAL ÉCRANS MIXTES ÉDITO PAR SÉBASTIEN BROQUET Comédies One woman show ndrew Weatherall n'était pas cette épiphanie : c'est lui qui pris en sur laquelle on se branchait les es - Scène ouverte un DJ commun. Pas mains - main un groupe de pop complète - gourdes pour récupérer le numéro de Familial tream pour un bitcoin, et ment largué qui tentait en vain de pis - l'infoline de la rave du soir... Ancré pourtant architecte d'un ter le succès pour en faire une sorte de dans le feeling madchester, Weathe - Impro pont qui allait propulser définitive - Rolling Stones sous ecstasy, en produi - rall a aussi produit New Order et Contemporain ment la révolution rapprochant le rock sant le grandiose Screamadelica de Happy Mondays, a sorti un mix fabu - Coup de coeur des musiques électroniques. Porté sur Primal Scream, l'un des meilleurs leux de post rockab' baptisé Sci-Fi-Lo- Avignon les raretés lorsqu'il passait derrière les disques de l'histoire de la pop.
    [Show full text]
  • Crowdspring-12Questions-Ebook.Pdf
    1 In our 12 Questions blog series, we feature interviews with someone from the crowdSPRING community. For these interviews, we pick people who add value to our community – in the blog, in the forums, in the projects. Plainly – activities that make crowdSPRING a better community. Be professional, treat others with respect, help us build something very special, and we’ll take notice. 2 Meet Dragan Lončar Graham Smith Cyrene Quiamco Aleksandar Macanović Sarah Urbanak Page 5 Page 45 Page 85 Page 125 Page 165 Angus Griffin Kai Edoardo Gioe Clara Garnier Shawndra Renée Cox Page 9 Page 49 Page 89 Page 129 Page 169 Ann Lowe Keith Woodruff Jon Moore Dana Svetlana Page 13 Page 53 Page 93 Page 133 Page 173 Cibi Perez Lewis Agrell Jeff Quigley Dave Porter Tammy Collins Page 17 Page 57 Page 97 Page 137 Page 177 Denis Wong Maximilian Constance Semler Edward Laurin Troy Tessalone Page 21 Page 61 Page 101 Page 141 Page 181 Carmen Tsang Michael Irby Audree Rowe Ivan Fedorowich Vicky Willingham Page 25 Page 65 Page 105 Page 145 Page 185 Chrissy Richards Rommel Rojas Tiffany Reed Jamie Vijayaraghavan Rod MacGregor Page 29 Page 69 Page 109 Page 149 Page 189 David W. Nees Shannon Perry Mircea Constantinescu Marc Köhlbrugge Tin Bačić Page 33 Page 73 Page 113 Page 153 Page 193 Fred Kylander Shubho Roy Pamela Harvey MJ zaxgarner Page 37 Page 77 Page 117 Page 157 Page 197 Grace Conlon Allen Tiffanie Davis Mon Paningbatan Raoul Camion Page 41 Page 81 Page 121 Page 161 Page 201 3 12 Questions Meet Dragan Lončar (Belgrade, Serbia) Dragan Loncar, known on crowdSPRING as “dragonfly”, lives and works in Belgrade, Serbia.
    [Show full text]
  • Facets of Graffiti Art and Street Art Documentation Online: a Domain and Content Analysis Ann Marie Graf University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Facets of Graffiti Art and Street Art Documentation Online: A Domain and Content Analysis Ann Marie Graf University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Library and Information Science Commons Recommended Citation Graf, Ann Marie, "Facets of Graffiti Art and Street Art Documentation Online: A Domain and Content Analysis" (2018). Theses and Dissertations. 1809. https://dc.uwm.edu/etd/1809 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FACETS OF GRAFFITI ART AND STREET ART DOCUMENTATION ONLINE: A DOMAIN AND CONTENT ANALYSIS by Ann M. Graf A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Information Studies at The University of Wisconsin-Milwaukee May 2018 ABSTRACT FACETS OF GRAFFITI ART AND STREET ART DOCUMENTATION ONLINE: A DOMAIN AND CONTENT ANALYSIS by Ann M. Graf The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Richard P. Smiraglia In this dissertation research I have applied a mixed methods approach to analyze the documentation of street art and graffiti art in online collections. The data for this study comes from the organizational labels used on 241 websites that feature photographs of street art and graffiti art, as well as related textual information provided on these sites and interviews with thirteen of the curators of the sites.
    [Show full text]
  • 123Klan Nombre: Stevens Walter Molina V
    1 Diseñadores: 123klan Nombre: Stevens Walter Molina V. Clase: Computación. 2 Índice Pág.1 Ilustraciones Pág.2 Biografía Pág.3 ¿Qué es el graffiti para ellos? Pág.4 Algunas exposiciones que han visitado. Pág.5 Sus miembros Pág.6 Algunas marcas para las que han trabajo Pág.7 Marcas Pág.8 Algunos diseños para las marcas anteriores Pág.9 Nike Pág.10 Coca-cola y Sony Pág.11 Lo que ellos opinan de ellos mismos. Pág.12 Conclusión 3 4 Biografía 123Klan es un grupo de grafiteros franceses, fundada en 1992 por Scien y Klor su pareja. Desde 1994, han trabajado en el diseño gráfico, inspirado en la obra de Neville Brody, y comenzaron a aplicarlo en el graffiti (y viceversa). Ellos describen su arte como "como la unión del graffiti y la tecnología que se unen para crear el Diseño”. Dean, Sper, Skam, Meric, y Reso 1 son los miembros de la tripulación. 5 ¿Qué es el graffiti para 123klan? "La gran cosa sobre el graffiti es su impacto en las calles. Pero la mayoría de gente no le gusta el graffiti, simplemente porque no lo entiendo. En una ciudad que tiene pintada probablemente menos de la publicidad, y la mayor parte es ciertamente más feo que algunas piezas pintadas - para llegar a algo que tiene un impacto en la gente en esta jungla visual, es un verdadero reto” Scien. 6 ¿Algunas Exposiciones que han realizado? Han realizado exposiciones en todo el mundo, incluyendo Lille, Dunkerque, Toulouse, Estrasburgo, París, Bruselas, Londres, Eindhoven, Roma, Munich, Barcelona, Nueva York, Singapur y Zurich.
    [Show full text]
  • Badanie I Projektowanie Komunikacji 3 Badanie I Projektowanie Komunikacji 3 Seria Projektowanie Komunikacji
    badanie i projektowanie komunikacji 3 badanie i projektowanie komunikacji 3 seria projektowanie komunikacji pod redakcją mariusza wszołka © instytut dziennikarstwa i komunikacji społecznej uniwersytet wrocławski Wrocław 2014 ISBN 978-83-64275-85-2 redaktor naczelny serii: Michael Fleischer redaktorzy serii: Michał Grech Annette Siemes Mariusz Wszołek rada naukowa serii: prof. Michael Fleischer prof. Aleksy Awdiejew prof. Grażyna Habrajska prof. Andrzej Zawada prof. Jerzy Jastrzębski prof. Dariusz Doliński prof. Christian Sappok prof. Gabriel Altman prof. Siegfried J. Schmidt Publikacja sfinansowana ze środków Instytutu Dziennikarstwa i Komunikacji Społecznej Uniwersytetu Wrocławskiego recenzent: prof. dr hab. Adam Nobis redakcja i korekta: Gabriela Niemiec projekt okładki: Mariusz Wszołek skład: LIBRON Wydawnictwo LIBRON – Filip Lohner al. Daszyńskiego 21/13, 31-537 Kraków tel. 12 628 05 12 e-mail: [email protected] www.libron.pl Spis treści Aleksy Awdiejew Logika komunikacji: kategorie prawdy, prawdopodobieństwa i słuszności 7 Grażyna Habrajska Co może komunikacja werbalna, a co wizualna (badania pilotażowe) 17 Joanna Ślósarska Przemoc skryptów. Sterowniki losu i interakcji w opowieściach etnicznych 29 Tomasz Stępień Fragmenty dyskursu „górskiego” 45 Annette Siemes Koncept prawdy w reklamie i wypowiedziach o markach i produktach 61 Dorota Płuchowska Paradoksy komunikacji w ramach doradztwa w ujęciu teorii systemów 83 Wiesław Czechowski Komponowanie sensu w filmach animowanych 109 Michał Grech Obraz pracowników uniwersytetów w opinii mieszkańców
    [Show full text]
  • Flying Förtress Part of Rebellion Series # 1 Flying Förtress
    Part of Rebellion # 1 Flying Förtress Part # 1 Flying of Rebellion Part of Rebellion Series # 1 Flying Förtress by C100 Flying Förtress: Munich based artist Flying Fortress borrows his catchy name from the heavily armed World War II bomber planes that fascinated him ever since putting together model aircraft as a child. Today he assembles his signa- ture cartoon characters as well as ads and logos for big business. His background as a graffiti artist allows him to fulfill corporate demands while never giving up his own artistic independence. by C100 by The Author: Teddy Troopers are Flying Fortress’ most famous creation. Not finished! Christian Hundertmark aka C100 ,graphic They have invaded cities around the world, attracting attention designer and graffiti artist himself, is the editor of best- not only by their sheer abundance but mainly by their friendly selling global street art guides „The Art of Rebellion, yet ambiguous looks. Being featured on stickers, walls, canvas, Vol. 1 and 2“. This book on Flying Förtress is a natural t-shirts and vinyl figures, the Teddy Troopers have become a spin-off, shifting the focus on individual artists that brand of their own that easily fulfill their creator’s mission: have had a special impact and deserve more space for make people think and smile! expression. ZqZ`v@ 7qWn@MtMWtWEooMZoM@ 03 Hello Troops – sticker design – 2003 12 Part of Rebellion Series #1 Flying Förtress 13 26 Part of Rebellion Series #1 Flying Förtress 27 Previous page 14 top: RESS – Fribourg/CH – 2007 15 bottom: RESS – Basel/CH – 2008 16 top: RESS – Saint Brieuc/FR – 2007 17 bottom: RESS – NewYork/US – 2007 18 Hands At Work – Barcelona/ES – 2004 19 Lonesome Trooper – Hamburg/DE – 2008 28 Part of Rebellion Series #1 Flying Förtress 29 20 Aufkleber Über Alles – sticker designs feat.
    [Show full text]
  • La Scène Comme Nouvelle Culture Visuelle : Entre Effervescence Urbaine, Visibilité Et Circulation Des Images Numériques Scene As New Visual Culture
    Document generated on 09/27/2021 2:36 a.m. Cahiers de recherche sociologique La scène comme nouvelle culture visuelle : entre effervescence urbaine, visibilité et circulation des images numériques Scene as new visual culture. Between urban effervescence, visibility and circulation of digital images La escena como nueva cultura visual : entre la efervescencia urbana, la visibilidad y la circulación de las imágenes numéricas Hela Zahar and Jonathan Roberge La notion de « scène », entre sociologie de la culture et sociologie Article abstract urbaine : genèse, actualités et perspectives The study of cultural scenes in the early 1990s has rapidly been assimilated to Number 57, Fall 2014 the field of popular music studies, in an attempt to find an alternative to the notions of counter-culture and subculture. The polysemy and plasticity of the URI: https://id.erudit.org/iderudit/1035278ar term have given way to often disparate efforts at thematizing the sonority or DOI: https://doi.org/10.7202/1035278ar « sound » of a city. Whereas sound does provide rhythm and effervescence to urbanity, doesn’t images also provide, beyond a mere decor, a proper life to, and embodiement of, the city ? This article provides a reflection on the concept See table of contents of scene from the somewhat neglected angle of the visual culture studies. How does images become performative, and come to stage in forming a cultural overproduction ? How does the circulation of images generate new Publisher(s) experiences of sociality ? Taking examples from street art and calligraffiti in Montreal – together with echoes in Paris, Beyruth and Tunis. As an articulation Athéna éditions of the local, the translocal and of the virtual, these emergent practices allow us to understand how the circulation and visibility of images can generate new ISSN political and cultural codes and stakes, in the new contemporary context of 0831-1048 (print) cultural heterogeneity, artistic hybridization and social controversies.
    [Show full text]