DOCSLIB.ORG

2012 年 3月 Bunka-Cho

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2012 年 3月 Bunka-Cho 文化庁では、魅力ある総合芸術であり、かつ海外への日本文化発信の有効な媒体である日本映画の振興に、様々な観点 から取り組んでいます。その一環として、映画をあらゆる角度から取り上げる「文化庁映画週間」を東京国際映画祭期間 中に開催し、あらゆる立場の人々が映画を通じて集う場を提供しています。 今回、8 回目となる「文化庁映画週間」は、優れた文化記録映画作品および永年にわたり日本映画を支えてこられた方々 を顕彰する「文化庁映画賞贈呈式」や受賞作品による「受賞記念上映会」をはじめ、様々な映画人による「シンポジウム ― MOVIE CAMPUS ―」、映画関係者以外の著名人をナビゲーターに迎えた「映画ナビゲーターズ」を実施しました。 2012 年 3 月 Bunka-Cho (Agency for Cultural Affairs) supports promotion of Japanese films from various viewpoints, including supporting film production, facilitating distribution and exhibition, as well as human resource development. As part of such efforts, Bunka-Cho holds the “Bunka-Cho Film Week” during the period of the Tokyo International Film Festival. It considers “films” from multiple angles and provides opportunities for many people involved with “films” to participate in the Film Festival. This year, at the eighth occasion of the Bunka-Cho Film Week, the following events were held: an awards presentation ceremony to commend excellent documentaries and individuals who have supported Japanese films for many years, a commemorative screenings for prizewinners, and a symposium (“MOVIE CAMPUS”) with various people from the film industry. There was also a talk show event (“Film Navigators”) in which non-filmmaker guests served as “movie navigators.” March, 2012 「第 8 回文化庁映画週間 ̶ Here & There 」チラシ “Bunka-Cho Film Wee k 2011 ̶ Here & There” Flyer 2 Bunka-Cho Film Week 2011 目次 Contents 平成 23 年度 The Bunka-Cho 文化庁映画賞 Film Awards 2011 文化記録映画部門 6 Documentary Film Category 『ショージとタカオ』 Shoji & Takao 『里湖 八郎潟物語』 Satoumi Story of Hachiro Lake さ と う み け い じ 『夢と憂鬱 ～吉野馨治と岩波映画～』 Dream & Melancholy ̶ Yoshino Keiji and Iwanami Productions 映画功労部門 12 Film Merit Category 岡安和子（フィルムネガ編集） ／金田 正（スチール） ／ Kazuko Okayasu（ Negative Cutter） ／ Tadashi Kanada 兼松熈太郎（映画撮影監督） ／ （Stills Photographer） ／ Kitaro Kanematsu（ Cinematographer） ／ 小林七郎（アニメーション美術） ／ Shichiro Kobayashi（ Animation Art Director） ／ 笹竹利行（映画美術文字デザイン） ／ Toshiyuki Sasatake（ Artwork Type Designer） ／ 髙嶋利雄（映画照明） Toshio Takashima（ Film Lighting） シンポジウム Symposium ― MOVIE CAMPUS — ― MOVIE CAMPUS ― 第 一 部： 20 Session 1： 「今、日本のアニメーション映画の The Japanese Animation Industry 未 来を考える」 — Present and Future パネリスト：布川郁司（一般社団法人日本動画協会 理事長／ Panelists: Yuji Nunokawa (Board Chairperson, The Association of 株式会社ぴえろ 代表取締役社長／東北芸術工科大学 客員教授） ／ Japanese Animations / President, PIERROT Co., Ltd. / Visiting Professor, 風早完次（東映アニメーション株式会社 取締役 経営戦略本部 Tohoku University of Art and Design) ／ Kanji Kazahaya (President and 海外ライセンス事業部長兼海外戦略推進部長） ／ COO, in addition to director of the International Department of TOEI 沖浦啓之（アニメーション映画監督） ／ ANIMATION CO., LTD.) ／ Hiroyuki Okiura (Animation Film Director) ／ 鈴木亜矢（アニメーター） ／氷川竜介（アニメ評論家） Aya Suzuki (Animator) ／ Ryusuke Hikawa (Animation Critic) モデレーター：岡本美津子（プロデューサー／ Moderator: Mitsuko Okamoto (Producer / Professor, 東京藝術大学 映像研究科アニメーション専攻 教授） Department of Animation, Graduate School of Film and New Media, Tokyo University of the Arts) 第 二 部： 46 Session 2： 「映画でつながるために。 The Challengers that Continue to Make ―風穴をあけつづける映画業界の挑戦者たち」 a Breakthrough in the Film Industry パネリスト：阿部秀司（映画プロデューサー／株式会社阿部秀司事務所 Panelists: Shuji Abe (Producer / Executive Producer, Abe Shuji, Inc. / 代表取締役／株式会社 ROBOT 創業者・顧問） ／ Founder and Adviser, ROBOT COMMUNICATIONS INC.) ／ 川村元気（映画プロデューサー） ／ Genki Kawamura (Producer) ／ 梅津 文（ GEM Partners 株式会社 代表取締役 CEO ） Aya Umezu (President and CEO, GEM Partners Inc.) モデレーター：斉藤守彦（映画ジャーナリスト／アナリスト） Moderator: Morihiko Saito (Film Journalist / Analyst) 映画ナビゲーターズ Film Navigators 『本田直之流・レバレッジ映画術』 74 “Honda Naoyuki-Ryu: Leverage Eiga-Jutsu” ゲスト：本田直之（レバレッジコンサルティング株式会社 (Naoyuki Honda-Style Leverage Filmmaking) 代表取締役社長兼ＣＥＯ ） Guest: Naoyuki Honda (President and CEO, Leverage Consulting, Inc.) モデレーター：Sascha ＜サッシャ＞（ J-WAVE ナビゲーター） Moderator: Sascha (J-WAVE Navigator) 『忘れられない女たち』 88 Unforgettable Women ゲスト：小島慶子（ラジオパーソナリティ） Guest: Keiko Kojima (Radio Personality) モデレーター：松岡ひとみ（映画パーソナリティ） Moderator: Hitomi Matsuoka (Movie Personality) 第 8 回文化庁映画週間 3 平成 23 年度文化庁映画賞 The Bunka-Cho Film Awards 2011 主催：文化庁 Organized by: Agency for Cultural Affairs (Bunka-Cho) ［写真上］ ＜前段左より＞ ＜後段左より＞ 岩崎雅典氏、小松弥生氏（文化庁文化部長）、迫本淳一氏（ JAPAN 岡安和子氏、金田 正氏、兼松熈太郎氏、 国際コンテンツフェスティバル実行委員会 副委員長）、近藤誠一氏 小林七郎氏、笹竹利行氏、髙嶋利雄氏 （文化庁長官）、依田 氏（第 24 回東京国際映画祭 チェアマン）、 井手洋子氏、桂 俊太郎氏 ［写真下］ ＜写真左より＞ 贈呈式で挨拶をする、迫本淳一氏（ JAPAN 国際 コンテンツフェスティバル実行委員会 副委員長）、 近藤誠一氏（文化庁長官）、依田 氏（第 24 回 東京国際映画祭 チェアマン） 文化庁映画賞贈呈式 Presentation Ceremony 日時：2011 年 10 月 22 日（土） 18 時 00 分～ Date: Oct. 22, 2011 (Sat) 18:00 会場：六本木ヒルズ「グランドハイアット東京」 Venue: Grand Hyatt Tokyo, Roppongi Hills 文化庁映画賞受賞記念上映会 Commemorative Screenings 日時：2011 年 10 月 23 日（日） 10 時 30 分～ Date: Oct. 23, 2011 (Sun) 10:30 会場：シネマート六本木 Screen 1 Venue: Cinemart Roppongi Screen 1 文化庁映画賞（優れた文化記録映画作品を顕彰する文化記録映画 The awards presentation of the Bunka-Cho Film Awards (six 部門 3 作品および映画界で顕著な業績を挙げた者を顕彰する映画 people in the Film Merit Category, which recognizes the 功労部門 6 名）の贈呈式を 10 月 22 日に、また翌 10 月 23 日に outstanding achievements of those working in the film industry, は文化記録映画部門受賞作品の記念上映会を開催した。 as well as three films for the Documentary Film Category, which recognizes outstanding cultural documentary films) took place on October 22. Commemorative screenings of the award- winning films were held on October 23. 4 Bunka-Cho Film Week 2011 平成 23 年度文化庁映画賞 受賞一覧 The Bunka-Cho Film Awards 2011 Winners 文化庁では、我が国の映画の向上とその発展に資するため、文化 The Agency for Cultural Affairs (Bunka-Cho) has established 庁映画賞として、優れた文化記録映画作品（文化記録映画部門） the Bunka-Cho Film Awards in order to contribute to the および我が国の映画界で顕著な業績を挙げた者（映画功労部門） progress and the development of Japanese film. There are に対する顕彰を実施している。 two award categories: one is the Documentary Film Category, それぞれの選考委員会における慎重な審査の結果、文化記録映 which recognizes outstanding cultural documentary films. The 画部門では 3 作品（文化記録映画大賞 1 作品、文化記録映画優 other is the Film Merit Category, which recognizes those who 秀賞 2 作品）を受賞作品として決定し、各作品の製作団体に対し have contributed greatly to Japanese cinema. て文化庁映画賞として賞状および賞金（文化記録映画大賞 200 万 Based on the deliberations of the respective selection committees, 円、文化記録映画優秀賞 100 万円）が贈られた。また映画功労 in the Documentary Film Category there were three films that 部門では 6 名が選定され、受賞者に対して文化庁長官から文化庁 received awards (one for the Documentary Grand Prize and two 映画賞が贈られた。 for the Documentary Award). Each film’s producer was given a certificate of merit and a cash prize (2,000,000 yen for the Grand Prize and 1,000,000 yen each for the other two). In the Film Merit Category, six people were selected and given awards by the chief of the Agency for Cultural Affairs. Bunka-Cho Film Awards: 文化庁映画賞 文化記録映画部門受賞作 Winners of the Documentary Film Category 文化記録映画大賞 Documentary Grand Prize 『ショージとタカオ』 Shoji & Takao 監督：井手洋子 Director: Yoko Ide 製作：井手洋子 Producer: Yoko Ide 文化記録映画優秀賞 Documentary Award 『里湖 八郎潟物語』 Satoumi Story of Hachiro Lake さとうみ Director: Masanori Iwasaki 監督：岩崎雅典 Production company: 製作：株式会社群像舎 GUNZOSHA PUBLISHING CO., LTD. けい じ 『夢と憂鬱 ～吉野馨治と岩波映画～』 Dream & Melancholy 監督：桂 俊太郎 ̶ Yoshino Keiji and Iwanami Productions 製作：記録映画「夢と憂鬱 ̶ 吉野馨治と岩波映画」 Director: Shuntaro Katsura 製作委員会 Production company: Documentary Film“ Dream & Melancholy: Yoshino Keiji and Iwanami Productions” Production Committee Bunka-Cho Film Awards: 文化庁映画賞 映画功労部門受賞者 Winners of the Film Merit Category 岡安和子（フィルムネガ編集） Kazuko Okayasu (Negative Cutter) 金田 正（スチール） Tadashi Kanada (Stills Photographer) 兼松熈太郎（映画撮影監督） Kitaro Kanematsu (Cinematographer) 小林七郎（アニメーション美術） Shichiro Kobayashi (Animation Art Director) 笹竹利行（映画美術文字デザイン） Toshiyuki Sasatake (Artwork Type Designer) 髙嶋利雄（映画照明） Toshio Takashima (Film Lighting) 平成 23 年度文化庁映画賞 選考委員 The Bunka-Cho Film Awards 2011 Selection Committee 文化記録映画部門 Documentary Film Category 明智惠子（キネマ旬報 編集長） ／勝田友巳（毎日新聞社 記者） Keiko Akechi (Editor-in-chief, Kinema Junpo) ／ Tomomi Katsuta (Journalist, ／谷川建司（早稲田大学政治経済学術院 客員教授／映画ジャー Mainichi Newspapers) ／ Takeshi Tanikawa (Visiting Professor Graduate School ナリスト） ／中嶋清美（公益社団法人映像文化製作者連盟 事務 of Political Science, Waseda University / Film Journalist) ／ Kiyomi Nakajima 局長） ／野村正昭（映画評論家） ／藤久ミネ（放送評論家） ／ (Secretary General, Japan Association of Audiovisual Producers, Inc.) ／ 山名 泉（すかがわ国際短編映画祭 実行委員） Masaaki Nomura (Film Critic) ／ Mine Fujihisa (Broadcast Critic) ／ Izumi Yamana 映画功労部門 (Executive Committee Member, Sukagawa International Short Film Festival) 掛尾良夫（キネマ旬報映画総合研究所 エグゼクティブ・ディレ Film Merit Category クター） ／華頂尚隆（一般社団法人日本映画製作者連盟 事務局 Yoshio Kakeo (Executive Director, Kinema Junpo Film Institute) ／ Naotaka Kacho 長） ／出川三男（協同組合日本映画・テレビ美術監督協会 前理 (Secretary General, Motion Picture Producers Association of Japan, Inc.) ／ 事長） ／前田米造（撮影監督／日活芸術学院 専任講師） ／ Mitsuo Degawa (Former Director, Association of Production Designers in Japan) ／ 山口康男（アニメーション評論家） Yonezo Maeda (Director of Photography / Lecturer, Nikkatsu Visual Arts Academy) （敬称略・氏名 50 音順） ／ Yasuo Yamaguchi (Animation Critic) 第 8 回文化庁映画週間 5 文化記録映画部門：文化記録映画大賞／ Documentary Film Category: Documentary Grand Prize 『ショージとタカオ』 Shoji & Takao (2010 /158 min.) 監督：井手洋子 製作：井手洋子 Director: Yoko Ide Producer: Yoko Ide 井手洋子監督 ©「ジョージとタカオ」上映委員会 贈賞理由 Selection Committee Comments 1967 年に茨城県・布川で起こった強盗殺人事件。その罪に問わ The small town of Fukawa, Ibaraki suffered a robbery-murder れ、29 年間を獄中で過ごした桜井昌司さん（ショージ）と杉山卓 in 1967. Accused of the murder, Shoji Sakurai and Takao 男さん（タカオ）が仮出所してからの 14 年間をカメラに収めたド Sugiyama spent 29 years in prison. This documentary follows キュメンタリー。このふたりが再審公判を勝ち取るまでの過程を軸 the 14 years since they were released on parole. Revolving に、社会にコミットしてゆく中年男の等身大がゆるやかに立ち上が around their journey for a retrial, we witness the gradual る。冤罪、司法のあり方、失われた時間 ─ 等、深刻な問題を孕 emergence of two middle-aged men committed to their society. みながらも、それを決して声高に掲げることなくふたりに寄り添い、 While it handles a variety of serious themes, including wrongful み つ ふたりを凝視める視線が想定外の人間像を浮き彫りにするさまが
Load more

Recommended publications
  • Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
    Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings.
    [Show full text]
  • Notes for Chapter Re-Drafts
    Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 Jonathan Wroot PhD Thesis Submitted to the University of East Anglia For the qualification of PhD in Film Studies 2013 1 Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 2 Acknowledgements Thanks needed to be expressed to a number of people over the last three years – and I apologise if I forget anyone here. First of all, thank you to Rayna Denison and Keith Johnston for agreeing to oversee this research – which required reining in my enthusiasm as much as attempting to tease it out of me and turn it into coherent writing. Thanks to Mark Jancovich, who helped me get started with the PhD at UEA. A big thank you also to Andrew Kirkham and Adam Torel for doing what they do at 4Digital Asia, Third Window, and their other ventures – if they did not do it, this thesis would not exist. Also, a big thank you to my numerous other friends and family – whose support was invaluable, despite the distance between most of them and Norwich. And finally, the biggest thank you of all goes to Christina, for constantly being there with her support and encouragement. 3 Abstract The thesis will examine how DVD distribution can affect Japanese film dissemination in the UK. The media discourse concerning 4Digital Asia and Third Window proposes that this is the principal factor influencing their films’ presence in the UK from 2008 to 2010.
    [Show full text]
  • Abitur-Beilage 2014 1
    BERLIN, SONNTAG, 6. JULI 2014ABITUR 201470. JAHRGANG / NR. 22095 BERLINER ABITURIENTEN AUF EINEN BLICK Bestanden Wie Berliner Schüler ihren Abschluss feierten – und ihre Pläne für die Zeit danach WÖCHENTLICHE INFO- VERANSTALTUNGEN! B2 DER TAGESSPIEGEL ABITUR 2014 NR. 22 095 / SONNTAG, 6. JULI 2014 EDITORIAL Herzlichen Glückwunsch! Ohne Hartnäckigkeit geht es nicht! Das gilt für die Abiturprü- fungen, aber auch für diese Bei- lage, denn es war mal wieder nicht leicht, an die Namen der glückli- chen Absolventen heranzukom- men. Jedes Jahr gibt es Lücken, und auch 2014 haben sich leider nicht alle Schulen gemeldet. Ein- mal haben wir uns selbst auf den Weg gemacht, um den Abiturien- ten eine Enttäuschung beim Auf- schlagen der Beilage zu ersparen. Wenn dennoch Namen fehlen, sei als kleiner Trost darauf hingewie- sen, dass die fehlenden Schüler on- line unter www.tagesspiegel.de/ schule nachgetragen werden, so- bald sie uns vorliegen. Nun aber die Hauptsache: Eine herzliche Gratulation allen Absol- venten und die besten Wünsche „Schlauer Bursche“. Der 19-jährige Schirin ist einer der ersten Abiturienten der Gemeinschaftsschule auf dem Campus Rütli – angefangen für die kommenden aufregenden hatte er als Hauptschüler. „Doch es gab Lehrer, die an mich geglaubt haben.“ Sein Studienwunsch: Maschinenbau. Foto: Kitty Kleist-Heinrich Jahre zwischen Ausbildung, Stu- dium und hoffentlich vielen Rei- sen. Susanne Vieth-Entus An 178 Berliner Schulen wurde 2014 das Abitur abgelegt. Erstmals dabei: die Rütli-Schule. 12000 Abiturienten könnten tolle Geschichten erzählen. Wir fangen schon mal an CNACHRICHT D Neues Stipendium für Abiturienten auf Sinnsuche Voll im Leben Nach dem Abi keine Lust, gleich mit Ausbildung oder Studium zu starten? In diesem Fall kann das neue Pfad.finder-Stipendium der Von Susanne Vieth-Entus privaten Universität Witten-Her- decke helfen.
    [Show full text]
  • Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
    Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col.
    [Show full text]
  • 学生の方は当日券が500円でご購入いただけます。 Advance Tickets Go on Sale from Saturday October 8 Via Ticket PIA and Lawson Ticket! Same Day Tickets Available to Students for Only 500 Yen!
    世界中から最新の話題作・注目作を一挙上映！ あなたの観たい映画はココにある。 The latest and most talked-about films from around the world! All the films you want to see are right here! 前売券は10月8日（土）より チケットぴあ・ローソンチケットにて発売！ 学生の方は当日券が500円でご購入いただけます。 Advance tickets go on sale from Saturday October 8 via Ticket PIA and Lawson Ticket! Same day tickets available to students for only 500 yen! Believe! The power of films. How to purchase tickets 信じよう。映画の力。 チケット購入方法 今年、第24回を迎える東京国際映画祭は、引き続き「エコロジー」をテーマとした取り組みを展開します。今回の震災によって、日 本は課題先進国として世界中から大きな関心を集めています。そして、この課題に立ち向かう姿は、世界中から注目を集めています。 地球のために何ができるかをテーマとする東京国際映画祭は、「映画祭だからできる」「映画を通じてできる」ことを真摯に考え、日 本の未来に対して、夢や希望を持てる機会を提供することが役割だと思っています。 This year marks the 24th edition of Tokyo International Film Festival (TIFF). After the March 11th earthquake and tsunami, the whole world is watching Japan to see how we will remain strong and overcome the challenges we face. As a festival that asks how people and nature can co-exist, TIFF must consider its role in this time of crisis チラシや公式サイト（ ）などで、観たい作品と日時が決まったら、チケットを買おう！ and use the power of ­lms to encourage and support the people and reassure them of Japan's future. www.tiff-jp.net 公式オープニング OFFICIAL OPENING 3D上映 3D screening 当日券にはオトクな学生料金（500円） 前売券完売の上映も当日券を 三銃士／王妃の首飾りとダ・ヴィンチの飛行船 （ドイツ＝フランス＝イギリス） もあります（。劇場窓口で学生証要提示） 若干枚数販売いたします。 THE THREE MUSKETEERS (Germany=France=UK) ■監督：ポール・W・S・アンダーソン ［2011/111min./English］ 10/8（土）から一般販売 （土）ー （日） ■出演：ローガン・ラーマン、ミラ・ジョヴォヴィッチ、 当日券を買う 10/22 10/30 オーランド・ブルーム、クリストフ・ヴァルツ 10.22 Sat 16:30 at Roppongi 2 ※公式&特別オープニング・公式クロージング作品の当日学生料金はございません。 ■Director：Paul W.S. Anderson 10.22 Sat 20:30 at Roppongi 2 ※詳細はP19をご参照ください。 ■ ： Cast Logan Lerman, Milla Jovovich, 10.22 Sat 20:40 at Roppongi 5 Orlando Bloom, Christoph Waltz ●ゲスト：ポール・W・S・アンダーソン、ローガン・ラーマ © 2011 Constantin Film Produktion GmbH, NEF ン、ミラ・ジョヴォヴィッチ、ガブリエラ・ワイルド Productions, S.A.S.
    [Show full text]
  • Catalogue Festival International Ciné
    sommaire / summary PRÉSENTATION GÉNÉRALE PRESENTATION GENERALE 48 Monstres / Monsters 3 Sommaire / Summary 51 Soirée courts métrages « Attaque des PsychoZombies » / 4 Editos / Forewords "PsychoZombies’ Attack" short films night 12 Jurys officiels / Official juries 16 Invités / Guests 18 Cérémonies d'ouverture et de palmarès / Opening and HOMMAGE ANIME AU STUDIO GHIBLI palmares ceremonies 52 Conférence / Conference 20 Fête des enfants / Kids party 52 Rétrospective Studio Ghibli / Retrospective 55 Exposition - « Hayao Miyazaki en presse » / Exhibition COMPETITIONS INTERNATIONALES 22 Longs métrages inédits / Unreleased feature films AUTOUR DES FILMS 32 Courts métrages ados / Teenager short films 56 Séminaire « Les outils numériques dans l’éducation à 34 Courts métrages d'animation / Short animated films l’image » / Seminar 57 Ateliers et animations / Workshops and activities 60 Rencontres et actions éducatives / Meetings and educational INEDITS ET AVANT-PREMIERES HORS actions COMPETITION 65 Décentralisation / Decentralization 38 Ciné-bambin / Toddlers film 38 Séances scolaires et familles / School and family screenings 43 Séances scolaires et ado-adultes / Youth and adults screenings INFOS PRATIQUES 66 Equipe et remerciements / Team and thanks 68 Contacts / Print sources THEMATIQUE «CINEMA FANTASTIQUE» 70 Lieux du festival / Venues 44 Ciné-concert / Concert film 72 Réservations et tarifs / Booking and prices 45 Robots et mondes futuristes / Robots and futuristic worlds 74 Grille programme à Saint-Quentin / Schedule in Saint-Quentin 46 Magie, contes et mondes imaginaires / Magic, tales and 78 Index / Index imaginary worlds 79 Partenaires / Partnerships and sponsors éditos / foreword Une 33ème édition sous le Haut-Patronage de Madame Najat VALLAUD- BELKACEM, Ministre de l'éducation nationale, de l'enseignement supérieur et de la recherche. Ciné-Jeune est fantastique ! L’édition 2015 du Festival s’est donné pour thème le « Cinéma fantastique ».
    [Show full text]
  • Pdf • Cynthia Breazeal
    © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Human{Robot Interaction An Introduction Christoph Bartneck, Tony Belpaeme, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, Selma Sabanovi´cˇ This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Contents List of illustrations viii List of tables xi 1 Introduction 1 1.1 About this book 1 1.2 Christoph
    [Show full text]
  • Fukushima 50” at New York’S “Japan Cuts” Film Festival, July 17-30
    Weekly Cultural News, substitute for monthly Cultural News July 13 - 19, 2020 US online premiere of film “Fukushima 50” at New York’s “Japan Cuts” film festival, July 17-30 New York – Japan Society announces the full Fukushima 50 lineup for the 14th annual JAPAN CUTS: Directed by Setsuro Festival of New Japanese Film, the largest Wakamatsu, 2020, 122 min. festival of its kind in North America, set for July 17-30 as an entirely online experience. When the magnitude 9.0 Great East Japan Earthquake Continuing its annual mission to showcase the struck off the coast of the best and most exciting films coming out of Japan Tohoku region in northeast- Fukushima 50 © 2020 “FUKUSHIMA 50” today, the summer festival will expand its reach ern Japan at 2:46 PM on Production Committee beyond New York to introduce 30 features and March 11, 2011, it caused a 12 short films to audiences across the U.S. massive tsunami that soon reached the Fukushima Daiichi Nuclear Power Plant. The festival’s Centerpiece Presentation is the online premiere of Fukushima 50 , a blockbuster In Fukushima 50, as waves penetrate the facili- drama that details the heroic actions of workers ties, shift supervisor Toshio Izaki (Koichi Sato) at the Fukushima Daiichi Nuclear Power Plant assesses the overheating reactors while coordi- who stayed behind to avert a catastrophe of nating with plant manager Masao Yoshida (Ken global magnitude. Watanabe), who mediates with Tepco (Tokyo Electric Power Company) headquarters amidst Virtual tickets go on sale Friday, July 10 at 10:00 micro-management and government inaction.
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
    [Show full text]
  • Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952),
    [Show full text]
  • SRS Deliverable 1.2 Due Date: 30 April 2010
    SRS Deliverable 1.2 Due date: 30 April 2010 SRS Multi-Role Shadow Robotic System for Independent Living Small or medium scale focused research project (STREP) DELIVERABLE D1.2 Technology Assessment Contract number : 247772 Project acronym : SRS Project title : Multi-Role Shadow Robotic System for Independent Living Deliverable number : D1.2 Nature : R – Report Dissemination level : PU – Public Delivery date : 27 May 2010 Author(s) : Georg Arbeiter Partners contributed : CU, CLMI-BAS, Fraunhofer, HdM, HPIS, INGEMA, PROFACTOR, ROBOTNIK and BED Contact : Georg Arbeiter, Fraunhofer IPA, Nobelstrasse 12, 70569 Stuttgart Phone: +49(0)711/970-1299, Fax +49(0)711/970-1008 Email: [email protected] The SRS project was funded by the European Commission under the 7th Framework Programme (FP7) – Challenges 7: Independent living, inclusion and Governance Coordinator: Cardiff University FP7 ICT Contract No. 247772 1 February 2010 – 31 January 2013 Page 1 of 89 SRS Deliverable 1.2 Due date: 30 April 2010 Table of Contents 1. Introduction ........................................................................................................................ 4 1.1. Assistive technologies and daily life difficulties......................................................... 4 1.2. Summary of the technology assessment...................................................................... 8 2. Telerobotics Control Model ............................................................................................... 9 2.1. Introduction.................................................................................................................
    [Show full text]
  • SCMS 2019 Conference Program
    CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others.
    [Show full text]