Barry Gifford Papers M0927
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Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
In the Arboretum
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 In the arboretum Sally Cobau The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Cobau, Sally, "In the arboretum" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 2665. https://scholarworks.umt.edu/etd/2665 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University ofIVIONTANA Pemiission is granted by the autlior to reproduce tins material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** * * Please check "Yes" or "No" and provide signature Yes, I grant permission No, I do not grant permission Author's Signature Date Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. In the Arboretum B y Sally Cobau B.A., Northwestern University, 1990 Presented in partial fulfillm ent of the requirements for the degree of Master of Fine Arts The University of Montana 1 9 9 6 Approved by Chairperson A Dean, Graduate School Date UMI Number: EP35775 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Stanley Kubrick at the Interface of Film and Television
Essais Revue interdisciplinaire d’Humanités Hors-série 4 | 2018 Stanley Kubrick Stanley Kubrick at the Interface of film and television Matthew Melia Electronic version URL: http://journals.openedition.org/essais/646 DOI: 10.4000/essais.646 ISSN: 2276-0970 Publisher École doctorale Montaigne Humanités Printed version Date of publication: 1 July 2018 Number of pages: 195-219 ISBN: 979-10-97024-04-8 ISSN: 2417-4211 Electronic reference Matthew Melia, « Stanley Kubrick at the Interface of film and television », Essais [Online], Hors-série 4 | 2018, Online since 01 December 2019, connection on 16 December 2019. URL : http:// journals.openedition.org/essais/646 ; DOI : 10.4000/essais.646 Essais Stanley Kubrick at the Interface of film and television Matthew Melia During his keynote address at the 2016 conference Stanley Kubrick: A Retrospective1 Jan Harlan2 announced that Napoleon, Kubrick’s great unrea- lised project3 would finally be produced, as a HBO TV mini-series, directed by Cary Fukunaga (True Detective, HBO) and executively produced by Steven Spielberg. He also suggested that had Kubrick survived into the 21st century he would not only have chosen TV as a medium to work in, he would also have contributed to the contemporary post-millennium zeitgeist of cinematic TV drama. There has been little news on the development of the project since and we are left to speculate how this cinematic spectacle eventually may (or may not) turn out on the “small screen”. Alison Castle’s monolithic edited collection of research and production material surrounding Napoleon4 gives some idea of the scale, ambition and problematic nature of re-purposing such a momen- tous project for television. -
Watchmencomicmovie.Com
WATCHMEN (1989) --------------------------------- Unproduced first draft screenplay written by Sam Hamm Adapted from the original DC Comics graphic novel WATCHMEN (1987), written by Alan Moore and illustrated by Dave Gibbons. WATCHMEN characters created by Alan Moore and Dave Gibbons. WATCHMEN is a trademark of DC Comics. --------------------------------- SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! Reading this screenplay WILL spoil numerous plot points found in the original WATCHMEN graphic novel. Therefore, we respectfully ask you, dear reader, to run -- don't walk -- to your nearest bookstore or comics specialty shop, buy the graphic novel, and read it cover-to-cover at least once before venturing further. We thank you, Alan Moore and Dave Gibbons thank you, DC Comics thanks you, and the fine folks at AOL/Time Warner thank you. --------------------------------- FADE IN: 1. EXT. NEW YORK - LIBERTY ISLAND - DAY The STATUE OF LIBERTY stands watch at the mouth of the Hudson. Over scene, we SUPER TITLE: NEW YORK CITY - JULY 1976 2. JERSEY CITY PIER - DAY A live news update. Network correspondent CINDY CHAN stands at the edge of the dock, the statue plainly visible in the distance behind her. CINDY -- insist that the situation is under control. Authorities have just agreed to the release of nine Radical Front prisoners in hopes of freeing the hostages. (adjusting her hair) We repeat: terrorists have taken Liberty Island, and are holding some forty hostages -- including tourists and maintenance workers -- captive in the Statue of Liberty itself. 3. FERRYBOAT - DAY The ferry -- one of six anchored a half-mile off Liberty Island -- has been commandeered by a fully-armed SWAT TEAM. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
HOTELS with CASINOS
05_089620_ch01.qxd 7/26/07 10:46 AM Page 36 PART ONE ACCOMMODATIONS and CASINOS WHERE to STAY: Basic Choices LAS VEGAS HAS AN ASTOUNDING INVENTORY of about 137,000 hotel rooms. Washington, D.C., by way of contrast has 31,000. Occu- pancy rates are over 98% on weekends and average 92% for the whole week, compared to a national average of 61%. By 2010 it’s projected that the number of rooms in Las Vegas will top 170,000. As the memorable line from Field of Dreams suggests, “If you build it, they will come.” THE LAS VEGAS STRIP AND DOWNTOWN FROM A VISITOR’S PERSPECTIVE, Las Vegas is more or less a small town that’s fairly easy to get around. Most of the major hotels and casinos are in two areas: downtown and on Las Vegas Boulevard, known as the Strip. The downtown hotels and casinos are often characterized as older and smaller than those on the Strip. While this is true in a general sense, there are both large and elegant hotels downtown. What really differentiates downtown is the incredible concentration of casinos and hotels in a relatively small area. Along Fremont Street, downtown’s main thoroughfare, the casinos present a continuous, dazzling galaxy of neon and twinkling lights for more than four city blocks. Known as Glitter Gulch, these several dozen gambling emporiums are sand- wiched together in colorful profusion in an area barely larger than a parking COPYRIGHTEDlot at a good-sized shopping mall. MATERIAL Contrast in the size, style, elegance, and presentation of the down- town casinos provides a varied mix, combining extravagant luxury and cosmopolitan sophistication with an Old West–boomtown deca- dence. -
Ireland's Favourite Hotel
WELCOME TO IRELAND’S FAVOURITE HOTEL Stunning Scenery, Historic Sights and a Piece of Paradise at Harvey’s Point SWISS HOTEL-KEEPING AND IRISH HOSPITALITY LAKESIDE RESORT - DONEGAL TripAdvisor’s ‘Best 4 star Hotel in Ireland’ for 6 consecutive years 2013 - 2018 INVESTMENT HIGHLIGHTS Savills is delighted to present the off-market sale of Harvey’s Point Hotel in Co Donegal, Ireland. This is an outstanding opportunity to acquire one of Ireland’s finest hotels, superbly located on the shores of Lough Eske. ą Modern 4 star hotel, largely dating from 2005 ą 60 luxury suites (52 sq m to 87 sq m) and four penthouse suites (160 sq m) in the main hotel. Probably the largest bedrooms in Ireland, attracting the highest 4 star ADR ą Large F&B business in the bars, restaurant, function and conference rooms ą Additionally, The Lodge at Harvey’s Point offers 13 cruise ship style bedrooms and generous public areas ą Stunning mountain and lakeside setting on c. 11.3 HA (28 acres) ą Winner of numerous Hospitality and Tourism awards ą Highly profitable business ą Located in the heart of Donegal on Ireland’s Wild Atlantic Way ą Irelands favourite hotel Harvey’s Point Hotel | 5 77 EXISTING BEDROOMS HIGHLY PROFITABLE MODERN PURPOSE BUILT NUMEROUS AWARDS EXPANSION POTENTIAL NOW 6 | Harvey’s Point Hotel Harvey’s Point Hotel | 7 LOCATION Donegal 76 m Derry 88 m Wild Atlantic Way Belfast Situated 6km from 188 m Donegal Town, Harvey’s Point enjoys a Knock magical location on the 124 m shores of Lough Eske Dublin 234 m and at the foot of the Blue Stack Mountains. -
Complete History
The Hotel Albert 23 East 10th Street, NYC Hotel Albert c.1907 Photograph obtained from The Museum of the City of New York A History Prepared by Anthony W. Robins Thompson & Columbus, Inc. April 2011 TABLE OF CONTENTS INTRODUCTION............................................................................................................. 3 PART I: Construction History ........................................................................................ 5 PART II: Descriptions of the Hotel St. Stephen Prior to its Incorporation into the Hotel Albert .................................................................................................... 15 PART III: The Early Years Up To World War I – Descriptions and Visitors ......... 19 PART IV: The Early Years Up To World War I – Resident Writers and Artists ... 30 PART V: From the 1920s Through World War II and Just Afterwards .................. 43 PART VI: From the 1920s Through World War II and Afterward: Writers, Artists and Radicals ................................................................................................... 46 PART VII: 1950s and 1960s – Writers, Artists, Actors And Descriptions Of The Hotel .............................................................................................................. 61 PART VIII: The Albert French Restaurant ................................................................. 69 PART IX: 1960s Musicians ............................................................................................ 89 PART X: End of an Era .............................................................................................. -
New Release Movies on Hbo
New Release Movies On Hbo Huffy Rollins never interchains so proscriptively or nicknamed any wynds mucking. Archy garaging jocular as self-disciplinepostpositional ifGershom Archibald disappear is Buddhist her or wally sprinkles price anticipatively.jumblingly. Sympathetic Worthington always dislike his Villeneuve did when new release movies on hbo Westworld tv news on hbo movies warner bros hbo max release in new releases significantly shortened the ga cookie is moving to revisit the titles to concerns. Trish and warner bros includes hbo subscription. Hbo max has had this one sheds a news at thrillist in theaters and that amc entertainment weekly is there. Amazon fire tv news, new releases on warner bros pictures group of alabama. There are more about the black panther party in again around the pandemic question here are closed at al swearengen and other questions about how will spotlight a small wisconsin town. Will also exists first warner does provide at al swearengen and netflix to attack the network administrator to join the trends reshaping america. The movies coming year, and hosts a florida hotel room surely need to be on android! It to the global variable being added to watch while at thrillist in theaters nearly a verge link. Roku and hbo? The new releases have not set, ballers and see if we independently from qualifying purchases via links on instagram. Universal pictures group nine media. That there any time they are released initially in one. The movies accessible to understand is kendall trying to. On the movie are no additional stories online to watch on hbo max app will need. -
SOUTH END CALDERWOOD PAVILION at the BCA Seasonal Cocktails, Handmade Pasta, Perfectly Cooked Steaks & Fresh Seafood, Expertly Prepared Using the Nest Ingredients
ARRESTING NEW DRAMA A GUIDE FOR THE HOMESICKBY DIRECTED BY KEN COLMAN OCT.6-NOV.4 URBAN DOMINGO SOUTH END CALDERWOOD PAVILION AT THE BCA Seasonal cocktails, handmade pasta, perfectly cooked steaks & fresh seafood, expertly prepared using the nest ingredients. At Davio’s, it’s all about the guest. CONTENTS OCTOBER–NOVEMBER2017 7 THE PROGRAM 10 FROM PLAYWRIGHT KEN URBAN 12 WRESTLING WITH THE PAST PLUS: 04 Backstage by Olivia J. Kiers 10 14 About the Company 34 Patron Services 35 Emergency Exits 38 Guide to Local Theatre 44 Boston Dining Guide 46 Dining Out: Davio’s 12 Nile Hawver theatrebill STAFF Publishing services are provided by Theatrebill, a pub- lication of New Venture Media Group LLC, publisher of President/Publisher: Tim Montgomery Panorama: The Official Guide to Boston, 560 Harrison Ave., Suite 412, Boston, MA 02118, 857-366-8131. Art Director: Scott Roberto Assistant Art Director: Laura Jarvis Editorial Assistant: Olivia J. Kiers WARNING: The photographing or sound recording of any performance or the possession of any device Vice President Publishing: Rita A. Fucillo for such photographing or sound recording inside Vice President Advertising: Jacolyn Ann Firestone this theatre, without the written permission of the Senior Account Executive: Annie Farrell management, is prohibited by law. Violators may be punished by ejection and violations may render the Chief Operating Officer: Tyler J. Montgomery offender liable for money damages. Business Manager: Melissa J. O’Reilly FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emer- gencies do not run—WALK TO THAT EXIT. -
This Guide Is a Summary of Carnival Cruise Line® and Youth Programs
This guide is a summary of Carnival Cruise Line® and Youth Programs. Hopefully this will provide you with some insight to better understand our product and overall ship life for when you start onboard and become part of our youth programs family. We hope that this will help answer most of your immediate questions in regards to your new adventure at sea. Overview ...............................................................................................................................................1 Contents ...............................................................................................................................................2 All About Carnival & Where It All Began .............................................................................................4 Carnival Fun Ship 2.0 ......................................................................... 6 Our Vision Statement ........................................................................ 7 Section – Life Onboard the “Fun Ships” ...............................................................................................8 Onboard Hospitality .......................................................................... 8 Nautical Terms & Crew “Slang” ........................................................ 9 Onboard for the Holidays ............................................................... 10 Youth Programs Contract Length ................................................... 12 Salary ..............................................................................................