DOCSLIB.ORG

Timeline / 1850 to After 1930 / FINE and APPLIED ARTS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Timeline / 1850 to After 1930 / FINE and APPLIED ARTS Timeline / 1850 to After 1930 / FINE AND APPLIED ARTS Date Country Theme 1850 - 1860s Spain Fine And Applied Arts Rafael Contreras begins to make models from the Alhambra that are shown in international exhibitions and acquired by many museums and schools of design. The models are used as examples of wall decoration in the Alhambresque style. 1850 - 1929 Spain Fine And Applied Arts The style of the Neo-Mudéjar artistic movement is used in buildings and artworks, especially ceramic and metalware. These pieces are displayed in different international exhibitions (e.g. London 1851, Paris 1878). Circa 1850 - Circa 1900 France Fine And Applied Arts The Realist movement, which emerges as a reaction to Classicism, focuses on the faithful reproduction of the “reality” of daily life in both town and country. This movement, which affected literature and painting in particular, shocked some people. Orientalism (i.e. the painters Fromentin, Ingres and Gérôme) favoured subjects inspired by travel to the Near East. 1850 France Fine And Applied Arts A Burial At Ornans by the Realist painter Gustave Courbet. 1850 - 1900 Germany Fine And Applied Arts The painting by Max Liebermann, Die Gänserupferinnen (1872), exemplifies Impressionism in art at this time. 1850 - 1855 Italy Fine And Applied Arts The painters of the School of Posillipo (Naples) develop a new style of more natural observation of landscapes and everyday life. 1850 Spain Fine And Applied Arts First photography of Arab monuments such as the Alhambra and the Great Mosque of Córdoba. The development of photography sheds new light on these monuments and these first photographs are important documents on Arab remains in Spain. 1854 Italy Fine And Applied Arts Leopoldo Alinari, with his brothers Romualdo and Giuseppe, opens in Florence one of the first photography workshope – Fratelli Alinari. 1855 Italy Fine And Applied Arts Date Country Theme The Caffé Michelangelo in Florence becomes a meeting place for artists and republican intellectuals close to Giuseppe Mazzini, in opposition to academic and official environments. 1857 France Fine And Applied Arts The Angelus, by the Realist painter Jean-François Millet. 1860 Spain Fine And Applied Arts The Manises pottery begins to produce objects in lustreware. 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1860 - 1870 Italy Fine And Applied Arts In opposition to academic painting, the Macchiaioli movement (Telemaco Signorini, Vincenzo Cabianca and Silvestro Lega) experiments with “spot painting”, based on the strong contrast between light and shadow. 1860 Republic of Macedonia Fine And Applied Arts (FYROM) The icon “Seven Holy Teachers” (Sedmochislenitzi) is painted by the most significant representative of Christian religious art in Macedonia, Dicho Krstevic Zograph, at the peak of his creativity. It represents the Slav missionaries Sts Cyril and Methodius and their disciples Clement, Nahum, Gorazd, Sabbas and Angelarij in a solo composition. His icons are distinguished by bright colour and baroque features. 1860 - 1910 Germany Fine And Applied Arts Realism (a backlash to both Classicism and Romanticism) is exemplified by French artist Gustave Courbet’s Die Steinklopfer (1849), although long before then Albrecht Dürer had painted his highly realistic Junger Feldhase (1502). 1860 - 1865 Greece Fine And Applied Arts Both Nikolaos Gyzis and Nikiphoros Lytras win scholarships to the Royal Academy of Fine Arts, Munich. Circa 1870 - Circa 1900 France Fine And Applied Arts Impressionist painters capture the effects of light in outdoor and everyday scenes. 1860 - 1918 Jordan Fine And Applied Arts Newcomers to Transjordan, whether from neighbouring Arab countries such as Syria, Palestine and Hijaz or from further afield such as Caucasus, bring with them not only artefacts of their home culture, including personal ornaments, weapons, Date Country Theme costumes and treasured items, but also the necessary skills and social habits that help them to adapt in their new homeland. 1862 France Fine And Applied Arts The Picnic on the Grass by Édouard Manet marks a transition from Realism to Impressionism 1863 Spain Fine And Applied Arts The painters Mariano Fortuny y Marsal and Francisco Lameyer travel to North Africa. Fortuny buys different artworks and textiles for his collection. 1863 - 1885 Italy Fine And Applied Arts Opening of applied art schools, often attached to museums: Industrial Museum of Turin (1863), Artistic Industrial Museum of Rome (1873), Naples (1882) and Palermo (1885). 1864 Romania Fine And Applied Arts Dimitrie Bolintineanu, the Minister of Religion and Public Instruction, organises in Bucharest an exhibition displaying works of contemporary Romanian artists, the most important of the time being painters Theodor Aman, Gheorghe Tattarescu and Carol Popp de Szathmari. 1864 Romania Fine And Applied Arts 14 November: a School of Fine Arts (which today is the National University of Art) is founded in Bucharest by painters Gheorghe Tattarescu and Theodor Aman. 1865 Romania Fine And Applied Arts The first showing of the “Living Artists Exhibition” (for painters and sculptors), organised by painter Theodor Aman, takes place in Ia#i. The annual organisation of such an exhibition is established by a decree issued in December 1864. 1865 Portugal Fine And Applied Arts The stuccoes of the corridor of the Monserrate Palace are inspired by those of Alhambra Palace in Granada. The profusion of columns is considered to recall those in the Hypostyle Hall of the Cordova Mosque. 1866 Greece Fine And Applied Arts Nikiphoros Lytras takes up a professorship at the School of the Arts in Athens. 1867 - 1885 Germany Fine And Applied Arts King Ludwig II of Bavaria sets in motion the building of his second palace, Linderhof (1869–85), the smallest of the large palaces he had built, and the only one he lived to see completed. The king’s penchant for the so called Moorish style can be seen in several elements, such as the Moorish Kiosk (1867) and the Moroccan House (1878). The King’s House on the Schachen (1869–72), built with Date Country Theme a Turkish Hall by Georg von Dollmann, further attests to Ludwig’s admiration for the “Oriental” style. 1867 Austria Fine And Applied Arts The Austrian Museum of Applied Arts purchases the minbar from the Ibn Tulun Mosque in Cairo. 1872 France Fine And Applied Arts Impression, Sunrise by the Impressionist painter Claude Monet. 1872 - 1874 Portugal Fine And Applied Arts O Desterrado (The Outcast), a sculpture by António Soares dos Reis (1847–89) is an idealised self-portrait. It conveys the collective feelings of his contemporary intellectuals and the feelings of loneliness and longing common to those who had left their homeland. The sculptor’s romantic sensibility enabled him to shape feelings and psychological tensions in the marble. 1873 Turkey Fine And Applied Arts First art exhibition in #stanbul, organised by #eker Ahmed Pa#a. 1874 Austria Fine And Applied Arts Kasper von Zumbusch (1830–1915) begins work on a monument to Empress Maria Theresia, situated on Maria-Theresien-Platz at the Ringstrasse in Vienna. 1876 Romania Fine And Applied Arts 19 February: birth of the great Romanian sculptor Constantin Brâncu#i, author of sculptures such as Mademoiselle Pogany, The Kiss, Bird in Space, and The Endless Column. His works are today exhibited in museums in France, the USA and Romania. 1876 France Fine And Applied Arts Dance at Le moulin de la Galette by the Impressionist painter Pierre-Auguste Renoir. 1877 - 1882 Romania Fine And Applied Arts Ion Georgescu, considered to be the first Romanian modern sculptor, studies in Paris, where he exhibits his first works. 1877 Austria Fine And Applied Arts The Viennese Stock Market is completed to a design by Theophil Hansen. 1877 Austria Fine And Applied Arts Date Country Theme The Austrian glass manufacture Lobmayr produces glass cups in the Oriental Style. 1879 Austria Fine And Applied Arts Hans Makart (1840–84) designs the “Makart Parade” to celebrate the Silver wedding anniversary of the Imperial couple, Emperor Franz Joseph I of Austria and Empress Elisabeth (“Sisi”). 1880 - 1890 Tunisia Fine And Applied Arts It was the era of eclecticism. The French Protectorate builds the regency’s infrastructure in the European classical tradition, constructing monuments in the impressive Greco-Roman style. Late 19th century - Early 20th France Fine And Applied Arts century Art Nouveau, a movement of the so-called Belle Époque, favours curves and decoration inspired by plant forms, and media such as stained glass. Art Deco, which followed in the so called Golden Twenties, affected architecture and the arts and crafts in particular on account of its preponderance for symmetry. 1880 - 1900 Germany Fine And Applied Arts The painting by Franz von Stuck, Die Sünde (1893), exemplifies the period in art known as Post-Imperialism and Symbolism. 1880 - 1900 France Fine And Applied Arts Trends in painting in this period include: "Post-Impressionism" (i.e. Cézanne, Gauguin, Toulouse-Lautrec, van Gogh); Pointillism (i.e. Seurat, Signac); Symbolism (i.e. Moreau, Puvis de Chavannes, Redon); Les Nabis (i.e. Bonnard, Denis, Sérusier, Vuillard) and Primitivism (i.e. Matisse, Rousseau). 1881 Spain Fine And Applied Arts Birth of Pablo Picasso in Málaga. In Spain Picasso’s birth date would be established as the boundary between works of art in the Academic style and the avant-garde style. 1882 Italy Fine And Applied Arts Brera Picture Gallery, originally created by Maria Teresa of Austria in 1776, becomes an independent museum. 1882 Portugal Fine And Applied Arts White Houses of Capri by naturalist painter António Carvalho da Silva Porto (1850– 93) represents the new interest in travelling and other cultures. 1882 Turkey Fine And Applied Arts Date Country Theme Birth of #brahim Çall# (d. 1960). He was a prominent painter who was sent to Paris between 1910 and 1914 where he studied in the workshop of Fernand Cormon.
Load more

Recommended publications
  • Contemporary Art Magazine Issue # Sixteen December | January Twothousandnine Spedizione in A.P
    contemporary art magazine issue # sixteen december | january twothousandnine Spedizione in a.p. -70% _ DCB Milano NOVEMBER TO JANUARY, 2009 KAREN KILIMNIK NOVEMBER TO JANUARY, 2009 WadeGUYTON BLURRY CatherineSULLIVAN in collaboration with Sean Griffin, Dylan Skybrook and Kunle Afolayan Triangle of Need VibekeTANDBERG The hamburger turns in my stomach and I throw up on you. RENOIR Liquid hamburger. Then I hit you. After that we are both out of words. January - February 2009 DEBUSSY URS FISCHER GALERIE EVA PRESENHUBER WWW.PRESENHUBER.COM TEL: +41 (0) 43 444 70 50 / FAX: +41 (0) 43 444 70 60 LIMMATSTRASSE 270, P.O.BOX 1517, CH–8031 ZURICH GALLERY HOURS: TUE-FR 12-6, SA 11-5 DOUG AITKEN, EMMANUELLE ANTILLE, MONIKA BAER, MARTIN BOYCE, ANGELA BULLOCH, VALENTIN CARRON, VERNE DAWSON, TRISHA DONNELLY, MARIA EICHHORN, URS FISCHER, PETER FISCHLI/DAVID WEISS, SYLVIE FLEURY, LIAM GILLICK, DOUGLAS GORDON, MARK HANDFORTH, CANDIDA HÖFER, KAREN KILIMNIK, ANDREW LORD, HUGO MARKL, RICHARD PRINCE, GERWALD ROCKENSCHAUB, TIM ROLLINS AND K.O.S., UGO RONDINONE, DIETER ROTH, EVA ROTHSCHILD, JEAN-FRÉDÉRIC SCHNYDER, STEVEN SHEARER, JOSH SMITH, BEAT STREULI, FRANZ WEST, SUE WILLIAMS DOUBLESTANDARDS.NET 1012_MOUSSE_AD_Dec2008.indd 1 28.11.2008 16:55:12 Uhr Galleria Emi Fontana MICHAEL SMITH Viale Bligny 42 20136 Milano Opening 17 January 2009 T. +39 0258322237 18 January - 28 February F. +39 0258306855 [email protected] www.galleriaemifontana.com Photo General Idea, 1981 David Lamelas, The Violent Tapes of 1975, 1975 - courtesy: Galerie Kienzie & GmpH, Berlin L’allarme è generale. Iper e sovraproduzione, scialo e vacche grasse si sono tra- sformati di colpo in inflazione, deflazione e stagflazione.
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • The Maria at Honfleur Harbor by George-Pierre Seurat
    The Maria at Honfleur Harbor By George-Pierre Seurat Print Facts • Medium: Oil on canvas • Date: 1886 • Size: 20 ¾” X 25” • Location: National Gallery Prague • Period: • Style: Impressionism • Genre: Pointillism • Prounounced (ON-flue) • Seurat spent a summer painting six landscapes at Honfleur Harbor. They, for the most part, convey the idea of peaceful living that Seurat must have been experiencing during the summer vacation in which he created these pieces. In none of the paintings are waves crashing to shore nor is the wind forcefully blowing something. Another strange thing to note is that in none of the Honfleur paintings is there the easily recognizable shape of a human being. Maybe Seurat sees crowds of people as causes of stress and therefore never incorporates them into his Honfleur works. It is possible that this is the reason why there's an innate calmness to the six paintings. Artist Facts • Pronounced (sir-RAH) • Born December 2, 1859 • Seurat was born into a wealthy family in Paris, France. • Seurat died March 29, 1891 at the age of just 31. The cause of his death is unknown, but was possibly diphtheria. His one-year-old son died of the same disease two weeks later. • Seurat attended the École des Beaux-Arts in 1878 and 1879. • Chevreul, who developed the color wheel, taught Seurat that if you studied a color and then closed your eyes you would see the complementary color. This was due to retinal adjustment. He called this the halo effect. Thus, when Seurat painted he often used dots of complementary color.
    [Show full text]
  • Housing Policies, Market and Home Ownership in Portugal Beyond the Cultural Model
    Cidades Comunidades e Territórios 39 | 2019 Queering the city Housing policies, market and home ownership in Portugal Beyond the cultural model Teresa Costa Pinto and Isabel Guerra Electronic version URL: http://journals.openedition.org/cidades/1638 ISSN: 2182-3030 Publisher DINÂMIA’CET-IUL Electronic reference Teresa Costa Pinto and Isabel Guerra, « Housing policies, market and home ownership in Portugal », Cidades [Online], 39 | 2019, Online since 31 December 2019, connection on 10 January 2020. URL : http://journals.openedition.org/cidades/1638 This text was automatically generated on 10 January 2020. Cidades. Comunidades e Territórios is licensed under a Creative Commons Atribuição-Uso Não- Comercial-Proibição de realização de Obras Derivadas 4.0 International. Housing policies, market and home ownership in Portugal 1 Housing policies, market and home ownership in Portugal Beyond the cultural model Teresa Costa Pinto and Isabel Guerra Introduction 1 In previous articles (Pinto, 2017 ; Pinto and Guerra, 2013) on the dynamics of the Portuguese housing system, the specificity of the Portuguese case in the context of Southern European countries was pointed out, according to the literature on this subject, suggesting the formation of a cluster, characterized by an incipient welfare state, high rates of housing ownership, supported by a “welfare society”, and a residual sector of social housing (Allen et al, 2004). It was argued that the specificity of the Portuguese system was, on the one hand, a late but intense urbanization process, exerting strong constructive pressures on cities (especially since the 1960s), combined with an insufficient supply of housing, both private and public. On the other hand, a late and fragile development of a welfare state, in counter cycle, in the context of a general questioning of its sustainability.
    [Show full text]
  • National Strategies to Fight Homelessness and Housing Exclusion
    EUROPEAN SOCIAL POLICY NETWORK (ESPN) National strategies to fight homelessness and housing exclusion Portugal Pedro Perista Social Europe EUROPEAN COMMISSION European Social Policy Network (ESPN) ESPN Thematic Report on National strategies to fight homelessness and housing exclusion Portugal 2019 Pedro Perista Directorate-General for Employment, Social Affairs and Inclusion 2019 The European Social Policy Network (ESPN) was established in July 2014 on the initiative of the European Commission to provide high-quality and timely independent information, advice, analysis and expertise on social policy issues in the European Union and neighbouring countries. The ESPN brings together into a single network the work that used to be carried out by the European Network of Independent Experts on Social Inclusion, the Network for the Analytical Support on the Socio-Economic Impact of Social Protection Reforms (ASISP) and the MISSOC (Mutual Information Systems on Social Protection) secretariat. The ESPN is managed by the Luxembourg Institute of Socio-Economic Research (LISER) and APPLICA, together with the European Social Observatory (OSE). For more information on the ESPN, see: http:ec.europa.eusocialmain.jsp?catId=1135&langId=en Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE This document has been prepared for the European Commission, however it reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
    [Show full text]
  • ENVIRONMENT of CULTURE and ART in the OTTOMAN EMPIRE in 19Th CENTURY
    The Online Journal of Science and Technology - April 2018 Volume 8, Issue 2 ENVIRONMENT OF CULTURE AND ART IN THE OTTOMAN th EMPIRE IN 19 CENTURY Nesli Tuğban YABAN Baskent University, Department of Public Relations and Publicity, Ankara-Turkey [email protected] Abstract: Westernisation and modernisation of the Ottoman Empire began to burgeon in the 17th century; it became evident in the 18th century and the 19th century witnessed the most intense interaction and the exact reconstruction process. New way of living which was originated in Europe and representatives thereof became influential as guides and determinants of reconstruction process in the Ottoman Empire. It is possible to point out that the Ottoman Empire which got closer to France for handling military problems, to England for industrialisation purposes and to Italy for architecture and arts had intense communication and the resulting interaction with European states in the course of reconstruction process. This study aims to give information about the social, cultural and artistic environment in the Ottoman Empire during the reign of Sultan Abdul Hamid II (1876-1909). Key Words: Culture, Art, Ottoman Empire, Sultan Abdul Hamid II. General View of the Environment of Culture and Art in 19th Century in the Ottoman Empire It is clear that sultans had a very important role in the ruling of the country as a part of state system of the Ottoman Empire thus, good or bad functioning of the state and events and actions which might affect the society from various aspects were closely connected to personality, behaviours and mentality of the sultan.
    [Show full text]
  • State-Subsidised Housing and Architecture in 20Th-Century Portugal: a Critical Review Outlining Multidisciplinary Implications
    challenges Project Report State-Subsidised Housing and Architecture in 20th-Century Portugal: A Critical Review Outlining Multidisciplinary Implications Rui Jorge Garcia Ramos * , Eliseu Gonçalves * , Gisela Lameira * and Luciana Rocha * Center for Studies in Architecture and Urbanism, Faculty of Architecture, University of Porto, Via Panorâmica, s/n, 4150-564 Porto, Portugal * Correspondence: [email protected] (R.J.G.R.); [email protected] (E.G.); [email protected] (G.L.); [email protected] (L.R.); Tel.: +351-22-605-71-00 (L.R.) Abstract: Stable access to affordable quality housing is a core feature of public health principles and practices. In this report, we provide an update on the research project “Mapping Public Housing: A Critical Review of the State-subsidised Residential Architecture in Portugal (1910–1974)” (MdH), developed between 2016 and 2019 at the Faculty of Architecture of the University of Porto (FAUP) in Portugal. This funded research project (PTDC/CPC-HAT/1688/2014) brought together an international and multidisciplinary team composed of architects, sociologists, historians, an economist, an anthro- pologist, information scientists and archivists, from different academic levels (senior researchers, postdoctoral, PhD and Master’s degree students), adopting a variety of approaches and operating in a range of different contexts. The aim of the research undertaken was to investigate the reality of social and state-subsidised housing in terms of its architecture, while, at the same time, seeking to broaden our understanding of this phenomenon and of the transition to a democratic regime. Furthermore, this research project was designed to contribute towards the development of common ground for supporting decisions in the environmental, social and economic fields relating to housing Citation: Ramos, R.J.G.; Gonçalves, E.; Lameira, G.; Rocha, L.
    [Show full text]
  • Timeline / 1890 to 1930 / ALL COUNTRIES / FINE and APPLIED ARTS
    Timeline / 1890 to 1930 / ALL COUNTRIES / FINE AND APPLIED ARTS Date Country Theme 1890 - 1900 Tunisia Fine And Applied Arts Construction of public and private buildings in the arabisance style, which proposes a synthesis of European architectural styles with Arab and Spanish-North African architecture. 1890 Turkey Fine And Applied Arts Müfide Kadri is born (d. 1912). One of the early female painters, she took private classes from Osman Hamdi Bey. 1890 - 1910 Germany Fine And Applied Arts The paintings by Heinrich Vogeler, Das Konzert (Sommerabend) (1893), and Gustav Klimt, Der Kuss (1908), exemplify the period in art known as Jugendstil or Art Nouveau. 1891 Austria Fine And Applied Arts The Museum of Applied Arts in Vienna purchases the Karabakh carpet in Istanbul. 1891 Turkey Fine And Applied Arts Fausto Zonaro (1854–1929) arrives in #stanbul as an independent artist. He receives the title of court painter in 1896. 1894 - 1900 France Fine And Applied Arts The Salon des Cent (Salon of the One Hundred) neither focused on any one school of art nor paid attention to any of the official bodies. 1895 France Fine And Applied Arts The Maison de l'Art nouveau by Samuel Bing. 1895 France Fine And Applied Arts Castel Béranger by Hector Guimard is in the Art Nouveau style. 1897 Romania Fine And Applied Arts The National School of Architecture is founded as a section of the School of Fine Arts in Bucharest. It becomes an independent institution in 1904, under the name the Superior School of Architecture. 1897 Austria Fine And Applied Arts Gustav Klimt (1867–1918) founds, along with other Viennese artists, the Viennese Secession, a society of Austrian Art Nouveaux artists.
    [Show full text]
  • EUROPEAN ARCHITECTURAL HISTORY NETWORK Fifth
    CONTENTS PROGRAMME AND ABSTRACTS 2 Committees 3 Preface EUROPEAN 4 Practical Information and Maps ARCHITECTURAL 8 Programme HISTORY NETWORK ABSTRACTS WEDNESDAY 30 Interest Group Meetings Fifth 34 Opening Keynote International THURSDAY 38 First Paper Session Meeting 66 Second Paper Session FRIDAY 96 Third Paper Session 13–16 June 2018 122 Keynote 124 Fourth Paper Session Tallinn SATURDAY 152 Fifth Paper Session 181 Closing Keynote 184 Lunch Tours 192 Post-Conference Tours 195 Satellite and Lunch Events 198 Conference Venues 207 Index of Speakers Contact and Credits 1 EAHN 2018 PREFACE International Scientific Committee Welcome to the fifth international meeting of witness to the recent turbulent history of the European Architectural History Network in the country. Designed by architect Raine Howayda Al-Harithy, American University of Tallinn! After biennial meetings in Guimarães, Karp in the late Soviet period (1984), it Beirut Brussels, Turin, and Dublin, this will be the first was completed in 1992 when Estonia had Ljiljana Blagojević, Independent Scholar, EAHN conference in northeastern Europe, already regained independence. Receptions Belgrade demonstrating the organization’s continuing for EAHN conference participants will Mark Crinson, University of London aspiration to enlarge its geographical reach introduce other significant public buildings Hilde Heynen, Catholic University Leuven and critically address the centre-periphery in Tallinn, including the KUMU Art Museum, Stephan Hoppe, Ludwig-Maximilians- relations inside Europe. built after a winning entry in an international Universität München Founded in 2005, EAHN operates across architecture competition in 1994 (architect Merlijn Hurx, Utrecht University national boundaries and is open to scholars Pekka Vapaavuori; the building was completed Kathleen James-Chakraborty, University from all countries.
    [Show full text]
  • The Future of Social Housing Is Considered to Be Crucial.” Summary Report
    United Nations Economic Commission for Europe Committee on Human Settlements ”The future of social housing is considered to be crucial.” summary report Imprint Published by City of Vienna, MA 50 Project Management Wolfgang Förster, Division for Housing Research and International Relations in Housing and Urban Renewal Edited by Europaforum Wien Siegrun Herzog, Johannes Lutter Grafic design clara monti grafik, Vienna Photos Gisela Ortner, Vienna Printed by Leukauf?, Vienna © City of Vienna, 2005 All rights reserved 1 Foreword by Kaj Bärlund, Director, 2 Starting from scratch in Kosovo – the institutional context for new social 52 Environment and Human Settlements Division, UNECE, Geneva housing in Kosovo and the experience of Wales, Malcolm Boorer Foreword by Werner Faymann, City Councillor 3 Responsibilities for housing development at different institutional levels 54 for Housing, Housing Construction and Urban Renewal, Vienna in the Slovak Republic, Alena Kandlbauerova Social housing in Latvia – reality (or current situation) 56 Programme of the Symposium 4 and future perspective, Inara Marana and Valdis Zakis Field Visit 8 “Wohndrehscheibe” – a housing information system for the disadvantaged, 58 Christian Perl Introduction to the summary report 10 Macro-economic framework and social housing finance. Financing systems, 61 Stephen Duckworth Presentations and debates Financing non-profit housing in Switzerland, Ernst Hauri 63 Session 1: The role and evolution of social housing in society 12 Funding for social housing, Jorge Morgado Ferreira
    [Show full text]
  • 402022005.Pdf
    İSTANBUL TEKNİK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ PERA’DA RESİM ÜRETİM ORTAMI 1844-1916 DOKTORA TEZİ Seza SİNANLAR Anabilim Dalı: SANAT TARİHİ Programı: SANAT TARİHİ TEMMUZ 2008 İSTANBUL TEKNİK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ PERA’DA RESİM ÜRETİM ORTAMI 1844-1916 DOKTORA TEZİ Seza SİNANLAR 402022005 Tezin Enstitüye Verildiği Tarih : 30 Mayıs 2008 Tezin Savunulduğu Tarih : 17 Temmuz 2008 Tez Danışmanı Prof. Dr. Günkut AKIN Diğer Jüri Üyeleri Prof.Dr. Ayla ÖDEKAN Prof.Dr. Semra GERMANER (MSGSÜ) Prof.Dr. Zeynep İNANKUR (MSGSÜ) Prof. Dr. Uşun TÜKEL (İÜ) TEMMUZ 2008 ÖNSÖZ Doktora programına başladığım sırada Pera’da Resim Üretim Ortamı’nın konu edildiği bir araştırma yapma fikri aklımda yoktu. Yurtdışında bulunduğum sırada (2005-2006) Paris’te tanıştığım, Frédéric HITZEL* bana dönemin gazetelerinde resimle ilgili olarak çok fazla veri bulunabileceğini, ancak Fransızca olmaları sebebiyle araştırmacıların ulaşmakta güçlük çektiğini, bu yayınlara göz atmamın fikir verebileceğini söylemişti. Bunun üzerine BNF**’e giderek, Pera’da basılmış, yabancı dildeki gazetelerden biri olan Stamboul gazetesini seçip, incelemeye başladım. Bir ay kadar sonra 1880’lerin gündemini takip eder, gazetede sıkça bahsedilen bazı kişilerin yaşamlarını izler olmuştum. Duyduğum heyecanı hemen danışmanım Prof. Dr. Günkut AKIN ile paylaştım. Durumu birlikte değerlendirdikten sonra tez konusunda değişikliğe gitmeye karar verdik. Böylece bir hayli heyecan dolu, bir o kadar da zorlu geçecek bir süreç başlamış oldu. Gazetelerden sağlanan bilgiler üstüste geldikçe, konunun hatları ortaya çıkıyordu. Ancak malzemenin içerdiği detaylar, bazen bütünü görmeye engel oluyor, konu içinde yönümü şaşırdığım durumlar oluşuyordu. Bu aşamada beni yönlendiren, detayların sınıflandırılmasında yol gösteren, konuya nereden bakmak gerektiğini birlikte irdelediğimiz değerli hocalarım Prof. Dr. Semra GERMANER, Prof. Dr. Ayla ÖDEKAN ve Prof.
    [Show full text]
  • What Do We Recommend?
    While travelling, we like feeling the city, wake up early with the sun rise, visit all the cultural and historical places and taste the city’s special flavors. According to that concept, we preapared the “Eat, Love, Pray in Istanbul Guide” which is all about our suggestions with little tips. We hope you could benefit from the hand book. Have a good stay and enjoy the city. Ramada Istanbul Grand Bazaar Family SOPHIA PITA RESTAURANT &TAPAS Offers a fusion of authentic and modern Spanish tapas accompanied by a distinguished selection of Turkish wines and selected international wines and liqours, also open for breakfast and dinner with a relaxing atmosphere at the Aya Sofya’s backyard. Adress;Boutique St. Sophia Alemdar Cad. No.2 34122 Sultanahmet / Istanbul Phone;009 0212 528 09 73-74 PS:How to get there;The nearest tram station is Sultanahmet or Gulhane tram station. BALIKÇI SABAHATTİN “Balıkçı Sabahattin” ( Fisherman Sabahattin) was at first running a traditional restaurant left by his father some streets behind which not everyone knew but those who knew could not give up, before he moved to this 1927 made building restored by Armada... Sabahattin, got two times the cover subject of The New York Times in the first three months in the year 2000… Sabahattin, originally from Trilye (Mudanya, Zeytinbag), of a family which knows the sea, fish and the respect of fish very well, know continues to host his guest in summer as in winter in this wooden house...His sons are helping him... In summer some of the tables overflow the street.
    [Show full text]