George Orwell's FARM a STUDY GUIDE
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The-Raven-Abridged.Pdf
The Raven Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore. By Edgar Allen Poe Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door - Once upon a midnight dreary, while I pondered weak and weary, Perched upon a bust of Pallas just above my chamber door - Over many a quaint and curious volume of forgotten lore, Perched, and sat, and nothing more. While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Then this ebony bird beguiling my sad fancy into smiling, `'Tis some visitor,' I muttered, `tapping at my chamber door - By the grave and stern decorum of the countenance it wore, Only this, and nothing more.' `Though thy crest be shorn and shaven, thou,' I said, `art sure no craven. Ghastly grim and ancient raven wandering from the nightly shore - Ah, distinctly I remember it was in the bleak December, Tell me what thy lordly name is on the Night's Plutonian shore!' And each separate dying ember wrought its ghost upon the floor. Quoth the raven, `Nevermore.' Eagerly I wished the morrow; - vainly I had sought to borrow From my books surcease of sorrow - sorrow for the lost Lenore - `Prophet!' said I, `thing of evil! - prophet still, if bird or devil! For the rare and radiant maiden whom the angels named Lenore - By that Heaven that bends above us - by that God we both adore - Nameless here for evermore. -
The Raven by Edgar Allan Poe Narration by Michael Douglas Jones Music Composed and Performed by Donald Knaack
A Never-Before Heard Version of “Nevermore”! FOR IMMEDIATE RELEASE CONTACT: [email protected] The Raven by Edgar Allan Poe narration by Michael Douglas Jones music composed and performed by Donald Knaack Duration: 00:10:47 Moo Records, a division of The Moo Group, LLC announces the release of the new realization of The Raven, the famous poem by Virginia’s Edgar Allan Poe. The Raven has amassed a huge fan base. It’s taught at most schools and colleges worldwide, yet there has never been an extended-orchestral musical composition created to accompany the vocal performance of the poem - until now. The Single will be available on CD as well as through all major digital distributors worldwide in multiple formats. “The Raven is the first entry in my new POE PROJECT, in which numerous Poe stories and poems will be set to a very diverse group of my music compositions.” said Knaack. The Raven is ripe for live performances and plans are under way for touring, including stops in clubs and venues, as well as collaborations with full symphony orchestras, especially their Pops Series. About the Poem: First published in January, 1845, this brilliant narrative poem became widely known for its melodic, rhythmic, and dramatic qualities, its other-worldly atmosphere, and Poe’s omnipresent use of alliteration (dreaming dreams, whispered word, ghastly grim, et al). This complex and carefully crafted work actually has a simple story line: A raven pays a mysterious visit to a distraught lover. As the poem progresses, the Raven’s constant repetition of the word Nevermore coincides with the lover’s painful lamenting over his undying love for the lost Lenore, which gradually engulfs the lover into a state of madness. -
Pictorial Imagery, Camerawork and Soundtrack in Dario Argento's Deep
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 11 (2015) 159–179 DOI: 10.1515/ausfm-2015-0021 Pictorial Imagery, Camerawork and Soundtrack in Dario Argento’s Deep Red Giulio L. Giusti 3HEFlELD(ALLAM5NIVERSITY5+ E-mail: [email protected] Abstract. This article re-engages with existing scholarship identifying Deep Red (Profondo rosso, 1975) as a typical example within Dario Argento’s body of work, in which the Italian horror-meister fully explores a distinguishing pairing of the acoustic and the iconic through an effective combination of ELABORATECAMERAWORKANDDISJUNCTIVEMUSICANDSOUND3PECIlCALLY THIS article seeks to complement these studies by arguing that such a stylistic and technical achievementINTHElLMISALSORENDEREDBY!RGENTOSUSEOFASPECIlC art-historical repertoire, which not only reiterates the Gesamtkunstwerk- like complexity of the director’s audiovisual spectacle, but also serves to TRANSPOSETHElLMSNARRATIVEOVERAMETANARRATIVEPLANETHROUGHPICTORIAL techniques and their possible interpretations. The purpose of this article is, thus, twofold. Firstly, I shall discuss how Argento’s references to American hyperrealism in painting are integrated into Deep Red’s spectacles of death through colour, framing, and lighting, as well as the extent to which such references allow us to undertake a more in-depth analysis of the director’s style in terms of referentiality and cinematic intermediality. Secondly, I WILLDEMONSTRATEHOWANDTOWHATEXTENTINTHElLM!RGENTOMANAGESTO break down the epistemological system of knowledge and to disrupt the reasonable -
Character Metaphors in George Orwell's Animal Farm
Character Metaphors in George Orwell’s Animal Farm p-ISSN 2355-2794 e-ISSN 2461-0275 Dian Fajrina* University of Syiah Kuala, Banda Aceh, INDONESIA Abstract Animal Farm was written by George Orwell in 1944 to criticize the Soviet Union leaders and their administration represented by animal characters. The objective of this study was to find out the resemblances between the character of Soviet Union leaders at the time the novel was written and those depicted in the novel. In analysing the objective of this study, content analysis was used. The data are the dialogues and other information in the novel concerning the metaphors of characters between the Soviet Union leaders of the 20th century and those in Animal Farm. The writer finds out that Jones metaphors Nicholas II, the last Tsar of Russian Monarchy, Old Major with his speech metaphors Karl Marx with his Communist Manifesto, Napoleon as Stalin, Snowball as Trotsky, Squealer as Pravda, the Russian Newspaper at that time, Frederick as German and Boxer as the type of gullibility proletariat. Indeed, George Orwell‟s timeless work reminds us that totalitarianism could be harmful to one society. Keywords: Animal characters, metaphors, critics. 1. INTRODUCTION George Orwell, a pen name for Eric Arthur Blair, was a British novelist, essayist and critic. He was born in India in the nineteenth century (1903-1950), and grew up in a war and military atmosphere. His experienced joining the Indian Imperial Police from 1922 to 1927 had changed his character into a rebel in terms of literature and politic. In 1936, Orwell already knew where he stood when he said that, “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it” (Orwell, 2014, p. -
Master's Dissertation/ Trabajo Fin De Máster
UNIVERSIDAD DE JAÉN Centro de Estudios de Postgrado Master’s Dissertation/ Trabajo Fin de Máster A STORY COME TRUE: AN ANALYSIS OF GEORGE ORWELL’S ANIMAL FARM (1945) Student: Balbuena Jurado, Juana Tutor: Dr. Pilar Sánchez Calle Dpt.: English Philology Centro de Estudios de Postgrado de Centro de Estudios December, 2017 1 ABSTRACT AND KEY WORDS Nowadays, we are living in an age in which people are losing their critical thought and are easily influenced by other people. This situation can be connected to George Orwell‘s eclipsed work Animal Farm (1945). This story starred by naïve farm animals seems to provide a lighter criticism on politics than the one offered in Orwell‘s most famous work Nineteen Eighty-four (1949). Nevertheless, this Master‘s Dissertation aims to prove the relevance of this work as a social criticism. With this purpose, this MD will study literature as a social criticism, Animal Farm‘s literary genre, its context, formal aspects and the critical reflections that it displays such as manipulation through language or indoctrination. Additionally, there will be a section devoted to analyse the influence of Animal Farm in our modern world: literature, music, cinema, TV and even our current way to approach politics. This work will be ended by drawing some conclusions about the influence of Animal Farm and the impact of its criticism. Key words: Animal Farm, George Orwell, Russia, communism, manipulation, social criticism. RESUMEN Y PALABRAS CLAVE Actualmente estamos en medio de un periodo en el que la gente está perdiendo su pensamiento crítico y es influenciada fácilmente por otros. -
“The Raven” by Edgar Allan Poe
“The Raven” by Edgar Allan Poe 1 Once upon a midnight dreary, while I pondered, weak and weary, 31 Back into the chamber turning, all my soul within me burning, 2 Over many a quaint and curious volume of forgotten lore — 32 Soon again I heard a tapping somewhat louder than before. 3 While I nodded, nearly napping, suddenly there came a tapping, 33 "Surely," said I, "surely that is something at my window lattice; 4 As of some one gently rapping, rapping at my chamber door. 34 Let me see, then, what thereat is, and this mystery explore — 5 "'Tis some visiter," I muttered, "tapping at my chamber door — 34 Let my heart be still a moment and this mystery explore;— 6 Only this and nothing more." 36 'Tis the wind and nothing more!" 7 Ah, distinctly I remember it was in the bleak December; 37 Open here I flung the shutter, when, with many a flirt and flutter, 8 And each separate dying ember wrought its ghost upon the floor. 38 In there stepped a stately Raven of the saintly days of yore; 9 Eagerly I wished the morrow; — vainly I had sought to borrow 39 Not the least obeisance made he; not a minute stopped or stayed he; 10 From my books surcease of sorrow — sorrow for the lost Lenore — 40 But, with mien of lord or lady, perched above my chamber door — 11 For the rare and radiant maiden whom the angels name Lenore — 41 Perched upon a bust of Pallas just above my chamber door — 12 Nameless here for evermore. -
Literacy and Literature in School and Non-School Settings. Report Series 7.6
DOCUMENT RESUME ED 401 550 CS 215 558 AUTHOR Brandau, Deborah TITLE Literacy and Literature in School and Non-School Settings. Report Series 7.6. INSTITUTION National Research Center on English Learning and Achievement, Albany, NY. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. PUB DATE 96 CONTRACT R117G10015; R305A60005 NOTE 59p. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS *Academic Achievement; Cultural Context; *Educational Attitudes; Elementary Education; Ethnography; *Literacy; *Low Income; Reading Attitudes; Social Influences; *Socioeconomic Status IDENTIFIERS *Literacy as a Social Process; *New York (Upstate) ABSTRACT An ethnographic study examined and compared schooled and non-schooled uses of literacy and literature in a small, rural, all white, Adirondack Mountain community in upstate New York to explicate the way in which low social class and economic status constrain school achievement. More than 75 interviews were conducted over a 3-year period with students, teachers, school administrators, former students, parents, community members, and local employers. Observations were also conducted at graduations, holiday celebrations, faculty meetings, and the non-school classroom of hunters' safety training and snowmobile safety training. Results indicated that most of the families in the town are literate and are often involved with literacy during the course of their daily lives. Literacy is seen to exist within a social and cultural context, and its definitions are varied and changeable. People in the town understand what is required for academic achievement, but often choose not to pursue it. In both school and non-school settings, literacy is used for particular purposes, and there are specific demands placed by the community upon its members regarding specific texts. -
Animal Farm by George Orwell
ANIMAL FARM BY GEORGE ORWELL IV Semester Bsc English Notes George Orwell Novella Prepared by Ravikumar A Department of English GFGC Yalahanka Bengaluru ANIMAL FARM Old Major, the old boar on the „Manor Farm‟, calls the animals on the farm for a meeting, during which he refers to humans as parasites, cruel and teaches the animals a revolutionary song called „Beasts of England‟. When Major dies, two young pigs, Snowball and Napoleon, assume command and consider it a duty to prepare for the Rebellion. The animals revolt and drive the drunken and irresponsible farmer Mr Jones from the farm, renaming it "Animal Farm". They adopt Seven Commandments of Animalism, the most important of which is, "All animals are equal." Snowball teaches the animals to read and write, while Napoleon educates young puppies on the principles of Animalism. Food is plentiful, and the farm runs smoothly. The pigs elevate themselves to positions of leadership and set aside special food items, separately for their personal health. Napoleon and Snowball struggle for supremacy. When Snowball announces his plans to build a windmill, Napoleon has his dogs chase Snowball away and declares himself leader of Animal Farm. Napoleon enacts changes to the governance structure of the farm, replacing meetings with a committee of pigs who will run the farm. Through a young pig named Squealer, Napoleon claims credit for the windmill idea. The animals work harder with the promise of easier lives with the windmill. When the animals find the windmill collapsed after a violent storm, Napoleon and Squealer convince the animals that Snowball is trying to damage their project. -
Why Does Boxer Die in Animal Farm
1 Why Does Boxer Die In Animal Farm Boxer is a loyal supporter of Napoleon, and he listens to everything the self-appointed ruler of the farm says and assumes, sometimes with doubt, that everything Napoleon tells the farm animals is true, hence Napoleon is always right. in cartoons for many years before Orwell began to write Animal Farm. Boxer fights in the Battle of the Cowshed and the Battle of the Windmill. should live on in all the animals; ergo another excuse to make the animals work even harder. Boxer is based on a coal miner named Alexey Stakhanov who was famous for working over his quota. He is shown as the farm s most dedicated and loyal laborer. Boxer was the only close friend of Benjamin, the cynical donkey. He is described as faithful and strong ; 1 and he be- lieves any problem can be solved if he works harder. Squealer concocts a sentimental tale of the death of Boxer, saying that he was given the best medical care possible, paid for by the compassionate Napoleon. Boxer supported Stalin and also was very loyal to his kind. citation needed The Joseph Stalin Regime built a cult of personality around him that rewarded workers who showed a similar heroic dedication to production and efficiency. Boxer s strength plays a huge part in keeping Animal Farm together prior to his death the rest of the animals trusted in it to keep their spirits high during the long and hard laborious winters. Squealer says that his sayings, Comrade Napoleon is always right and I will work harder. -
Animal Farm Teacher Guide & Student Worksheets
GCSE ENGLISH LITERATURE: ANIMAL FARM TEACHER GUIDE & STUDENT WORKSHEETS This booklet is a companion to the online curriculum available at www.yourfavouriteteacher.com. It includes the content from the ‘Animal Farm’ course. © Copyright 2020 Your Favourite Teacher To be used in conjunction with online resources at www.yourfavouriteteacher.com Modern Text: Animal Farm, by George Orwell This pack covers context, plot outline, character and theme analysis, together with some exam style questions and answers. This booklet contains: • Suggested teaching order • Learning objectives for each session • Questions or activities that teachers could use in their lessons • A worksheet for each session • Exam style questions Suggested Teaching Order and Learning Objectives Lesson Focus Learning Objectives 1 Plot Overview & To consolidate understanding of the plot and detail Context key events. To be able to show an understanding of the relationships between the text and the context in which it was written 2 Napoleon To be able to identify key characteristics and analyse quotes linked to the character. 3 Snowball To be able to develop an informed response to Snowball and make connections between this character and key themes. 4 Squealer To be able to analyse the language used by Squealer in the novel. To be able to identify key events that link Squealer to power and education. 5 Minor Characters To be able to identify the key events linked to minor characters and analyse how they link to the main characters. 6 Theme: Animalism To be able to use textual references to show an understanding of the theme and develop interpretations. 7 Theme: Education To be able to be able to link key events from this theme to the historical context in which the text was written. -
The Raven by Edgar Allan Poe 1 Once Upon a Midnight Dreary, While I Pondered, Weak and Weary, 2 Over Many a Quaint and Curi
1 The Raven By Edgar Allan Poe 2 Once upon a midnight dreary, while I pondered, weak and weary, 3 Over many a quaint and curious volume of forgotten lore— 4 While I nodded, nearly napping, suddenly there came a tapping, 5 As of some one gently rapping, rapping at my chamber door. 6 “’Tis some visiter,” I muttered, “tapping at my chamber door— 7 Only this and nothing more.” 8 9 Ah, distinctly I remember it was in the bleak December; 10 And each separate dying ember wrought its ghost upon the floor. 11 Eagerly I wished the morrow;—vainly I had sought to borrow 12 From my books surcease of sorrow—sorrow for the lost Lenore— 13 For the rare and radiant maiden whom the angels name Lenore— 14 Nameless here for evermore. 15 16 And the silken, sad, uncertain rustling of each purple curtain 17 Thrilled me—filled me with fantastic terrors never felt before; 18 So that now, to still the beating of my heart, I stood repeating 19 “’Tis some visiter entreating entrance at my chamber door— 20 Some late visiter entreating entrance at my chamber door;— 21 This it is and nothing more.” 22 23 Presently my soul grew stronger; hesitating then no longer, 24 “Sir,” said I, “or Madam, truly your forgiveness I implore; 25 But the fact is I was napping, and so gently you came rapping, 26 And so faintly you came tapping, tapping at my chamber door, 27 That I scarce was sure I heard you”—here I opened wide the door;— 28 Darkness there and nothing more. -
Video Guide: the Animal Farm ---Study Questions
Video Guide: The Animal Farm ------ Study Questions KEY As you watch the movie for the next 2 days, answer the following questions. 1. What is the original name of the farm? MANOR FARM 2. Who does Old Major declare to be the enemy of all animals? MAN 3. How does Napoleon describe the enemy of the animals? HE MISTREATS ANIMALS, DOSEN’T FEED THEM, AND OVER WORKS THEM 4. List two reasons why the animals to rebel against Mr. Jones? THE ANIMALS ARE HUNGARY, JONES IGNORES THEIR NEEDS (MARCH REVOLUTION) 5. Why do most animals dislike Mr. Jones? HE WAS CRUEL, BRUTAL AND UNRESPONSIVE TO THEIR NEEDS 6. What are two of the rules that "Old Major" sets for the animals? 1. Whatever goes upon two legs is an enemy. 2. Whatever goes upon four legs, or has wings, is a friend. 3. No animal shall wear clothes. 4. No animal shall sleep in a bed with sheets. 5. No animal shall drink alcohol in excess. 6. No animal shall kill any other animal without cause. 7. All animals are equal. 7. How does Napoleon gain control of the farm? USES DOGS TO ENFORCE RULES, MOSES, AND SQUEALER TO HELP CONTROL, KILLS ENEMIES 8. What does Napoleon have the television used for? PRO-LENIN (NAPOLEON) PROPAGANDA, ENJOYMENT – RELAXATION 9. Who gets the milk and apples? THE PIGS 10. Explain WHY this group gets the milk and apples. TO FEED THEIR BRAINS BECAUSE THEY ARE MOST IMPORTANT 11. How does Napoleon get rid of Snowball? HE IS BANISHED BY NAPOLEON – CHASED AWAY BY THE DOGS AS A TRAITOR AND CRIMINAL 12.