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Interpretação Em Tempo Real Sobre Material Sonoro Pré-Gravado
Interpretação em tempo real sobre material sonoro pré-gravado JOÃO PEDRO MARTINS MEALHA DOS SANTOS Mestrado em Multimédia da Universidade do Porto Dissertação realizada sob a orientação do Professor José Alberto Gomes da Universidade Católica Portuguesa - Escola das Artes Julho de 2014 2 Agradecimentos Em primeiro lugar quero agradecer aos meus pais, por todo o apoio e ajuda desde sempre. Ao orientador José Alberto Gomes, um agradecimento muito especial por toda a paciência e ajuda prestada nesta dissertação. Pelo apoio, incentivo, e ajuda à Sara Esteves, Inês Santos, Manuel Molarinho, Carlos Casaleiro, Luís Salgado e todos os outros amigos que apesar de se encontraram fisicamente ausentes, estão sempre presentes. A todos, muito obrigado! 3 Resumo Esta dissertação tem como foco principal a abordagem à interpretação em tempo real sobre material sonoro pré-gravado, num contexto performativo. Neste caso particular, material sonoro é entendido como música, que consiste numa pulsação regular e definida. O objetivo desta investigação é compreender os diferentes modelos de organização referentes a esse material e, consequentemente, apresentar uma solução em forma de uma aplicação orientada para a performance ao vivo intitulada Reap. Importa referir que o material sonoro utilizado no software aqui apresentado é composto por músicas inteiras, em oposição às pequenas amostras (samples) recorrentes em muitas aplicações já existentes. No desenvolvimento da aplicação foi adotada a análise estatística de descritores aplicada ao material sonoro pré-gravado, de maneira a retirar segmentos que permitem uma nova reorganização da informação sequencial originalmente contida numa música. Através da utilização de controladores de matriz com feedback visual, o arranjo e distribuição destes segmentos são alterados e reorganizados de forma mais simplificada. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Maid of Orleans Hintergründe Von S
Maid Of Orleans Hintergründe von S. Radic Maid of Orleans (The Waltz Joan of Arc) ist ein Lied der britischen Synthie-Pop-Band Orchestral Manoeuvres in the Dark (kurz „OMD“) aus dem Jahre 1982. Es war nach Souvenir und Joan of Arc die dritte Single-Auskopplung aus dem Studio-Album Architecture & Morality. Um Verwechselungen mit der Single Joan of Arc zu vermeiden, wählten OMD den Titel Maid of Orleans. Es ist im deutschsprachigen Raum die bis heute erfolgreichste Single der Band. Architecture & Morality ist das dritte Studio- album der britischen Pop-Band Orchestral Manoeuvres in the Dark. Es wurde im und Paul Humphreys eine der besten Elektropop-Bands November 1981 veröf- der 80er Jahre heranreifen würde. 18 Hits später zieht fentlicht. das Duo aus Liverpool Bilanz, und die Songs funkeln wie eh und je: die vornehme "Maid Of Orleans" ebenso wie die stürmischen "Tesla Girls". Am meisten fällt in dieser hochkarätigen Umgebung die letzte Single "Dreaming" ab - doch zum Trost gibt's auf CD vier Hintergrund. Der Text wurde von Andy McCluskey Stücke mehr, darunter "We Love You" und "La Femme geschrieben und handelt von der französischen Accident" im vorzüglichen Maxi-Mix. Nationalheldin Jeanne d’Arc. Ursprünglich wurde das © Stereoplay Lied zum 550. Todestag von Jeanne d’Arc, den 30. Mai 1981, geschrieben. Die Melodie ist ein, im Synthesizer Bei OMD hat sich in den letzten Jahren nicht viel getan. entstandenes, Dudelsack-Stück, welches von einem Auf ihrem "neuen" Album, das die Höhepunkte der walzerähnlichen 6/8-Takt unterlegt ist. Das etwa letzten neun Jahre enthält, verlässt die Gruppe nur einminütige Intro besteht aus elektronischen Klängen, selten seichte Elektronik-Niederungen. -
Facharbeit Alexandra Einspanier Kraftwerk
Die Band Kraftwerk – Avantgardisten der elektronischen Musik? Facharbeit im Rahmen des Seminarfaches Verfasserin: Alexandra Einspanier Klasse 11b/SF 4 Gymnasium Haren, Schuljahr 2017/2018 Fachlehrerin: Frau Bülter Abgabedatum: 16.03.2018 Inhaltsverzeichnis 1. Einleitung ............................................................................................................................... 3 2. Werdegang der Band .............................................................................................................. 3 2.1 Anfänge, Gründungsmitglieder und weitere Entwicklung der Band ................................... 3 2.2 Wichtigste Alben und Erfolge der Band .............................................................................. 4 3. Anfänge elektronischer Musik und zeitgeschichtliche Hintergründe .................................... 5 3.1 Anfänge elektronischer Musik ............................................................................................. 5 3.2 Zeitgeschichtliche Hintergründe in Deutschland für die Entstehung der Band Kraftwerk . 6 4. Experimente der Band Kraftwerk .......................................................................................... 6 4.1 Eingesetzte Technik ............................................................................................................. 6 4.2 Das Kling Klang Studio ....................................................................................................... 8 4.3 Coverlayouts und Bühnenshows ......................................................................................... -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
HOUSE of COMMONS Rt Hon Boris Johnson MP Prime Minister 10
HOUSE OF COMMONS LONDON SW1A 0AA Rt Hon Boris Johnson MP Prime Minister 10 Downing Street London SW1A 2AA Sent by email 8 February 2021 cc: Rt Hon Oliver Dowden MP, Secretary of State for Digital, Culture, Media and Sport Dear Prime Minister Time for Europe-wide Visa-free work permits for UK Touring Professionals and Artists Today we gathered in support of Tim Brennan’s petition to call on the UK Government to act. It is clearly time for clarity and to negotiate and secure a free cultural work permit that gives visa free travel throughout the 27 EU states for music touring professionals, bands, musicians, artists, TV and sports celebrities. Touring professionals now face the problem of having to navigate the differing requirements of 27 Sovereign EU states. To get working permits for crews (including dancers & performers, techs, video, sound and lighting crew, the riggers, special effects, set carpenters, & automation, wardrobe, makeup and hair, the production team, catering, the drivers, and anyone else working behind the scenes) for each country they visit is a huge barrier and cost. We would like to see the creation of reciprocal arrangements for specified work between the EU and the UK, which could in theory be established through a similar system to ETIAS which the EU will bring into place on the 1st of January next year. As you know, musicians will be required to fill out a carnet that will come at “a significant cost” to touring professionals. We would like the Government to ensure that complicated and costly Carnets will not be required for portable musical instruments and also provide grant support for the additional costs of Carnets that may be incurred by bands and groups of musicians and touring professionals travelling together. -
At BIMM Manchester
PROSPECTUS 2019/20 YOUR MUSIC CAREER STARTS HERE BIMM.CO.UK/MANCHESTER LONDON BERLIN HAMBURG DUBLIN BIRMINGHAM MANCHESTER BRISTOL BRIGHTON DEAR APPLICANT, As College Principal for BIMM Manchester, on his development label, Blue Noise. As a I’ve had the privilege of helping to start studio and live session guitarist and vocalist young musicians on their path to success in I’ve worked with major labels, such as the music industry. Like them, I started out 20 Polydor, EMI and Island, and have performed years ago as a music undergraduate, joining on many live shows including Royal Gala the first ever year of students at a prestigious Performances, stage shows (Rent, War of the music college in the North West of England. Worlds) and even classical performances. It was there that I first developed my love for music education, and the idea of studying In 2007 I returned to education as a Music contemporary popular music at degree level and Music Technology lecturer, before was really exciting to me. Those three years progressing into educational management as THE SECRET TO SUCCESS were among the best of my life, and I have a Head of Quality Assurance for Teaching and passion for creating a similar experience for Learning and then later as Head of Faculty the students here at BIMM Manchester. for Creative Arts. IS NO SECRET Since leaving university, I’ve worked I’ve spent my working life in the North West professionally as a songwriter and session of England and I believe that this part of musician, spending the last 18 years the world, and in particular Manchester, has experiencing the highs and the lows of produced some of the greatest modern music If you want to make it You’ll cross paths with everything the music industry has to offer. -
Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark Mp3, Flac, Wma
Orchestral Manoeuvres In The Dark Orchestral Manoeuvres In The Dark mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Orchestral Manoeuvres In The Dark Country: UK Released: 1980 Style: Electro, Synth-pop MP3 version RAR size: 1692 mb FLAC version RAR size: 1304 mb WMA version RAR size: 1211 mb Rating: 4.8 Votes: 621 Other Formats: MP2 ASF AUD XM MIDI MOD AA Tracklist Hide Credits 1 Bunker Soldiers 2:54 2 Almost 3:44 Mystereality 3 2:45 Saxophone – Martin Cooper 4 Electricity 3:39 5 The Messerschmitt Twins 5:41 Messages 6 4:12 Guitar – Dave Fairbairn Julia's Song 7 4:41 Guitar – Dave FairbairnLyrics By – Julia KnealePercussion – Malcolm Holmes 8 Red Frame/White Light 3:12 9 Dancing 2:59 10 Pretending To See The Future 3:46 Companies, etc. Phonographic Copyright (p) – Virgin – DICD 2 Copyright (c) – Virgin Records Ltd. Recorded At – The Gramophone Suite Mixed At – The Gramophone Suite Glass Mastered At – DADC Austria Credits Engineer – Paul Collister Photography By [Foto] – Trevor Key Producer – Chester Valentino, Orchestral Manoeuvres In The Dark Voice, Bass, Keyboards, Percussion [Electronic], Drum Programming – Andy McCluskey Voice, Keyboards, Percussion [Electronic & Acoustic], Drum Programming – Paul Humphreys Written-By, Arranged By, Performer – Andy McCluskey, Paul Humphreys Notes Recorded and mixed at The Gramophone Suite, Liverpool. ℗ 1980 Dindisc Ltd./© Virgin Records Ltd. Manufactured in Austria "Mastered by DADC Austria" credit on matrix. Barcode and Other Identifiers Barcode: 0 7777860172 2 SPARS Code: AAD -
Synths Our Fathers | News
Synths our fathers | news http://www.blacklink.me/news/?p=20368&utm_source=rss&utm_med... news home Synths our fathers 19 November 2010 Posted by mr-vip news ostentatiously intellectual and scornful of rock and roll clichés like to get out of OMD and Heaven 17 set short-80s pop – and now they are back in favor. The original ideas men talk to Dorian Lynskey ‘It’s funny how things go, “says Orchestral maneuvers in the Dark Andy McCluskey, suggesting the reunited band of the last successful tour.” You are sitting in a hotel bar? Please be write me € Vision hit for Jedward ‘, reveling in the fact that you go even in the situation and make intellectual pop music, and Louis Walsh comes and says: “One of the McCluskey eyebrows shot north, he enjoys a good anecdote. “This is really happened to me yesterday.” had In 1978, McCluskey and Paul Humphreys his bandmates a vision of the sound of tomorrow and they are not tone-deaf twins from a TV talent show. A touch of this vision is in the pointed title OMD excellent comeback album, given the history of modernism. “When we started we thought naively that one day all music would sound like, and rock ‘n’ roll clichés would be away,” Humphreys says wistfully McCluskey characteristic hyperbolic, explains: “.. The last modernist movement was English electronic pop music in the late 20th Century “ Next year marks the 30th anniversary of synthpop annus mirabilis, the release of Architecture & Morality OMD, Depeche Mode’s Speak & Spell, Soft Cell Non Stop Erotic Cabaret, Japan’s Tin Drum, The Human League’s and dare Heaven 17′s Penthouse and Pavement Hailing from different parts of the saw, the country put the bands so much a scene as a common sensibility. -
MUSIC & VIDEO WEEK SEPTEMBER 12, 1981 Edited by CHRIS WHITE
MUSIC & VIDEO WEEK SEPTEMBER 12, 1981 Edited Edited by by CHRIS WHITE illlF SFe! SUE FRANCIS Cherry Red Music Orchestral Manoeuvres touting three bands put faith in orginality TALKING TO the protagonists tracks, co-produced with the band by Richard Mainwaring. This will be of Orchestral Manoeuvres In released at the end of October, The Dark - Paul Humphreys though a single — with vocals and Andy McCluskey — it is unusually by Paul Humphreys — easy to realise that they are Souvenir, is out now, produced by disappointed with the current Mike Hewlett. state of the pop scene and are "Everybody at the moment is doing their best to add some of rehashing old ideas," says their own originality. McCluskey. "The charts are full of Emerging from Merseyside the old material and while Shakin' band first made an impact through Stevens and the latest funk is all Factory Records on the crest of very good, it's nothing new." BLANCMANGE — two guys with a lot of sound — seek major deal. the electronic wave but has since "Record companies seem to be had success in the UK and abroad following the path of least resistance THEO CHALMERS has been The Time. through DinDisc, with the single and appealing to the lowest ORCHESTRAL MANOEUVRES In running lain McNay's Cherry Also from Liverpool is Systems, a Enola Gay and the album common denominator," agrees The Dark. Red Music (a division of Cherry band highly touted by critics in Organization going gold, plus Humphreys. attempted in the pop field before." Red Records for over a year and papers from Sounds to The notable success in France, Spain "Our own breadth of material has While Orchestral Manoeuvres In says: "I've been signing acts for Guardian as a young, bright, six- and Italy. -
Smash Hits Volume 48
PAULWELLER ROBERT PALMER GARY NUNAN in colour BAD MANNERS ROCKPILE -*' October 2-15 1980 Vol. 2 No. 20 irchestral Manoeuvres in The I GOT YOU Split Enz 10 THE QUARTER MOON The VIPs 10 I TOLD YOU SO The Tourists 11 MY OLD PIANO Diana Ross 17 IF YOU'RE LOOKING FOR A WAY OUT Odyssey 17 D.I.S.C.O. Ottawan 23 THREE LITTLE BIRDS Bob Marley & The Wailers ..26 AMIGO Black Slate 26 Enola Gay YOU SHOOK ME ALL NIGHT LONG AC/DC 31 By Orchestral Manoeuvres In the Dark on Dindisc Recor" ANOTHER ONE BITES THE DUST Queen 33 WHITE RIOT The Clash 35 Enola Gay You should have stayed at home yesterday SPECIAL BREW Bad Manners 38 Aha, words can't describe TEMPORARY SECRETARY Paul McCartney 41 The feeling and the way you lied KILLER ON THE LOOSE Thin Lizzy 47 These games you play They're gonna end in tears someday Aha, Enola Gay GARYNUMAN: Photo Feature 4/5/6 It shouldn't ever have to end this way ROCKPILE: Feature 18/19 It's 8.15 PAUL WELLER: Colour Poster 24/25 And that's the time that it's always been BAD MANNERS: Feature 36/37/38 We got your message on the radio Conditions normal and you're coming home ROBERT PALMER: Colour Photo 48 Enola Gay Is mother proud of little boy today? CARTOON 9 Aha, this kiss you give It's never ever gonna fade away NEWSDESK 9 BITZ 12/13/14 Enola Gay INDEPENDENT BITZ 20 It shouldn't ever have to end this way Aha, Enola Gay KORG SYNTHESIZER COMPETITION 21 It shouldn't fade in our dreams away DISCO 23 It's 8.15 CROSSWORD 27 And that's the time that it's always been REVIEWS 28/29 We got your message on the radio Conditions normal and you're coming home FACT IS 30 PENPALS 30 Enola Gay STAR TEASER 32 Is mother proud of little boy today? Aha, this kiss you give COMPETITION 40 It's never ever gonna fade away LETTERS 43/44 Words and music by Andy McCluskey GIGZ 46 Reproduced py permission Dinsong Ltd.