Media Manifestos
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Encoding/Decoding, the Transmission Model and a Court of Law
Final Revision: Title: Encoding/Decoding, the Transmission Model and a Court of Law Keyan G. Tomaselli Abstract: Stuart Hall’s encoding/decoding model is discussed in terms of CS Peirce’s theory of the interpreter and interpretant. This historical semiotic window frames an example to which the Hall model was applied in South Africa to oppose a military dirty tricks campaign that involved a Supreme Court case brought against the Minister of Defence by the End Conscription Campaign (ECC) requiring him to cease his disinformation against the ECC. The Minister’s own expert had proposed a transmission model of communication that was defeated by the Peirce-Hall combination. The author argues that the model can be massively strengthened when combined with Peirceian semiotics. Keywords: Stuart Hall, encoding/decoding, CS Peirce, Phaneroscopy, semiotics, reception Media-society relations are best studied within the broader conceptual environment facilitated by the circuit of culture model (Du Gay et al., 1997) that mimics Karl Marx’s circle of capitalist production, distribution and exchange. The model implicitly incorporated Stuart Hall’s (1981) ground-breaking encoding-decoding relationship. My argument will be that Charles Sanders Peirce’s (Hartshorne and Weiss, 1931-5) idea of the ‘interpretant’ – the idea to which the sign gives rise - was a crucial, if unspoken, progenitor of Hall’s model. Working at the same time as Hall, Umberto Eco (1972) had proposed “aberrant decoding” on which Hall must have drawn, as his chapter refers to a semiological article on encoding. The early Stencilled Occasional Paper and Hutchinson book series’ that mapped out the early Birmingham University Centre for Contemporary Cultural Studies (CCCS) project under Stuart Hall’s leadership identified the following semiological/semiotic sources also: Roland Barthes, Jonathan Culler and V.I. -
Biological Roots of Musical Epistemology: Functional Cycles, Umwelt, and Enactive Listening
This is a post-print (author’s final draft) of an article in “Semiotica” (2001), 134, 1/4, pp. 599-633. Walter de Gruyter. [Original page numbers between square brackets]. Details of the definitive version are available at http://www.reference-global.com/toc/semi/2001/134 Biological roots of musical epistemology: Functional cycles, Umwelt, and enactive listening MARK REYBROUCK Introduction [599] This article is about musical epistemology. Rather than stating that music, as an artefact, is `out there', ready to be discovered, I claim that music knowledge must be generated, as a product of development, and that music cognition is not a path towards a true understanding of the music as an ontological category, but a tool for adaptation to the sonic world. The concept of adaptation is a biological concept, but it is possible to transpose it to the realm of cognition, as did Piaget: My central aim has always been the search for the mechanisms of biological adaptation and the analysis and epistemological interpretation of that higher form of adaptation which manifests itself as scientific thought. (Piaget 1977: xi) An organism that is `adapted' has found a way of coping with the world in which it lives. Knowledge as an instrument of adaptation is not concerned with the representation of a `real world' but is a tool in the pursuit of equilibrium and to steer clear of external perturbations and internal contradictions. This purely biological way of thinking led Piaget to a theory of knowledge that formulates the conceptual structure of knowledge as the product of active knowers who shape their thinking to fit the constraints they experience. -
A Semiotic Perspective on the Denotation and Connotation of Colours in the Quran
International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3452 & P-ISSN: 2200-3592 www.ijalel.aiac.org.au A Semiotic Perspective on the Denotation and Connotation of Colours in the Quran Mona Al-Shraideh1, Ahmad El-Sharif2* 1Post-Graduate Student, Department of English Language and Literature, Al-alBayt University, Jordan 2Associate Professor of Linguistics, Department of English Language and Literature, Al-alBayt University, Jordan Corresponding Author: Ahmad El-Sharif, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history This study investigates the significance and representation of colours in the Quran from the Received: September 11, 2018 perspective of meaning and connotation according to the semiotic models of sign interpretation; Accepted: December 06, 2018 namely, Saussure’s dyadic approach and Peirce’s triadic model. Such approaches are used Published: January 31, 2019 to analyze colours from the perspective of cultural semiotics. The study presents both the Volume: 8 Issue: 1 semantic and cultural semiotics aspects of colour signs in the Quran to demonstrate the various Advance access: December 2018 semiotic meanings and interpretations of the six basic colours (white, black, red, green, yellow, and blue). The study reveals that Arabic colour system agrees with colour universals, especially in terms of their categorization and connotations, and that semiotic analysis makes Conflicts of interest: None an efficient device for analyzing and interpreting the denotations and connotations of colour Funding: None signs in the Quran. Key words: Semiotics, Signs, Denotation, Connotation, Colours, Quran INTRODUCTION or reading, a colour ‘term’ instead of seeing the chromatic Colours affect the behaviour by which we perceive the features of the colour. -
Introduction of Low-Density Parity-Check Decoding Algorithm Design
Introduction of Low-density Parity-Check decoding Algorithm design Master thesis performed in Electronics Systems by Florent Pirou Reg nr: LiTH-ISY-EX-3529-2004 Link¨oping, 2004 Introduction of Low-density Parity-Check decoding Algorithm design Master thesis in Electronics Systems at Link¨opingInstitute of Technology by Florent Pirou Reg nr: LiTH-ISY-EX-3529-2004 Supervisor: Pascal Urard - STMicroelectronics Examiner: Kent Palmvist - LIU-ISY departement Link¨oping 25th February 2004. Avdelning, Institution Datum Division, Department Date 2004-02-23 Institutionen för systemteknik 581 83 LINKÖPING Språk Rapporttyp ISBN Language Report category Svenska/Swedish Licentiatavhandling ISRN LITH-ISY-EX-3529-2004 X Engelska/English X Examensarbete C-uppsats Serietitel och serienummer ISSN D-uppsats Title of series, numbering Övrig rapport ____ URL för elektronisk version http://www.ep.liu.se/exjobb/isy/2004/3529/ Titel Low-density Parity-Check avkodare algoritm Title Low-density Parity-Check decoding Algorithms Författare Florent Pirou Author Sammanfattning Abstract Recently, low-density parity-check (LDPC) codes have attracted much attention because of their excellent error correcting performance and highly parallelizable decoding scheme. However, the effective VLSI implementation of and LDPC decoder remains a big challenge and is a crucial issue in determining how well we can exploit the benefits of the LDPC codes in the real applications. In this master thesis report, following a error coding background, we describe Low-Density Parity-Check codes and their decoding algorithm, and also requirements and architectures of LPDC decoder implementations. Nyckelord Keyword LDPC, Low-density parity-check codes, channel coding, FEC, iterative algorithm, Gallager, message- passing algorithm, belief propagation algorithm, Abstract Recently, low-density parity-check (LDPC) codes have attracted much attention because of their excellent error correcting performance and highly parallelizable decoding scheme. -
Modeling, Dialogue, and Globality: Biosemiotics and Semiotics of Self. 2
Sign Systems Studies 31.1, 2003 Modeling, dialogue, and globality: Biosemiotics and semiotics of self. 2. Biosemiotics, semiotics of self, and semioethics Susan Petrilli Dept. of Linguistic Practices and Text Analysis, University of Bari Via Garruba 6, 70100 Bari, Italy e-mail: [email protected] Abstract. The main approaches to semiotic inquiry today contradict the idea of the individual as a separate and self-sufficient entity. The body of an organism in the micro- and macrocosm is not an isolated biological entity, it does not belong to the individual, it is not a separate and self-sufficient sphere in itself. The body is an organism that lives in relation to other bodies, it is intercorporeal and interdependent. This concept of the body finds confir- mation in cultural practices and worldviews based on intercorporeity, inter- dependency, exposition and opening, though nowadays such practices are almost extinct. An approach to semiotics that is global and at once capable of surpassing the illusory idea of definitive and ultimate boundaries to identity presupposes dialogue and otherness. Otherness obliges identity to question the tendency to totalizing closure and to reorganize itself always anew in a process related to ‘infinity’, as Emmanuel Levinas teaches us, or to ‘infinite semiosis’, to say it with Charles Sanders Peirce. Another topic of this paper is the interrelation in anthroposemiosis between man and machine and the implications involved for the future of humanity. Our overall purpose is to develop global semiotics in the direction of “semioethics”, as proposed by S. Petrilli and A. Ponzio and their ongoing research. -
H-France Review Vol. 21 (April 2021), No. 68 Evelyne Cohen, Anaïs Fléchet, Pascale Gœ
H-France Review Volume 21 (2021) Page 1 H-France Review Vol. 21 (April 2021), No. 68 Evelyne Cohen, Anaïs Fléchet, Pascale Gœtschel, Laurent Martin, and Pascal Ory, eds., Cultural History in France: Local Debates, Global Perspectives. New York: Routledge, 2020. xi +332 pp. Annex and contributors. $160.00 U.S. (cl). ISBN 9780367271879. Review by Jennifer M. Jones, Rutgers University. The essays in Cultural History in France: Local Debates, Global Perspectives provide thought- provoking snapshots of the key questions and debates with which practitioners of cultural history in France have wrestled over the past two decades. Among other virtues, the collection reminds us that historians in France probed a different set of questions about cultural history and faced different stakes than their American counterparts because of each country’s distinctive intellectual and institutional culture. English-speaking historians will recognize some familiar territory such as the tension between social history and cultural history, and will also encounter some distinctly French debates produced within the context of French intellectual and scholarly traditions. Whether returning to these debates over the meaning and practice of cultural history or encountering them the first time, many historians in France, the UK, Europe and around the globe will find this collection intellectually, methodologically, and perhaps even politically stimulating. The book was first published in French in 2011 with essays drawn from keynote addresses and thematic roundtables -
Decoding Visuals: the Social Semiotics of Make Love Not Walls
Decoding visuals: The social semiotics of Make Love Not Walls Pihla Adalmiina Raevaara Malmö University Media and Communication Studies: Master’s Thesis School of Arts & Communication K3 Supervisor: Margareta Melin Submission date: 04.11.2019 Word count: 16139 An abstract Fashion is an industry that reflects on society and comments on it through advertisement campaigns. Besides increasing brand awareness and growing sales, some fashion brands create campaigns for e.g. protesting and voicing out socio-cultural and political statements. The Italian fashion brand Diesel has taken part in discussions related to civil, social and political issues that touch upon certain issues apparent in our society. This thesis aims to investigate how Diesel's Make Love Not Walls campaign visual images construct meanings and also explore what kind of culturally coded myths are evoked in the images. The methodological foundation and approach of the study are exemplified by complementing cognitive theories that attribute the construction of images from the audience perspective and understanding of visual metaphors in certain cultural contexts. When formulating the theoretical framework for the social semiotic analysis, the concept of socio-cultural and political participation is taken into consideration. This study adopts a visual social semiotic perspective to investigate how visual images themselves are constructed to cue culturally coded metaphors. The visual realization of metaphors is elucidated based on Barthes’ theory of Myths. It is found that most types of visual myths identified by visual social semiotics can be explained within the framework. Myths in the campaign are analyzed in terms of their persuasive effects. Finally, it can be concluded that the social semiotic framework is able to provide a comprehensive account of the visual realization in the construction of meanings, and in addition, the study offers a cognitive explanation of how resources like framing, composition and image angles acquire meanings. -
The Semiosphere As a Critical Theory of Communication in Culture
Sign Systems Studies 39(1), 2011 Lotman’s scientific investigatory boldness: The semiosphere as a critical theory of communication in culture Irene Machado School of Communications and Arts, University of São Paulo Av. Prof. Lúcio Martins Rodrigues 443, Cidade Universitária, SP, Brazil e-mail: [email protected] Abstract. The main focus of this article is the analysis of the concept of semio- sphere as it has emerged from the conception of culture as information — instead of describing the transmission of messages from A to B, it is based on the general process of meaning generation. Following Lotman’s criticism on the paradoxes in communication and its theoretical domain, the article confronts the paradoxi- cal concepts on: (1) the concept of message transmission from the addresser to addressee; (2) the notion of isolated processing systems; (3) the idea that culture speaks a unique language. From the standpoint of the semiosphere, the new object for studying such controversies could be found in the concept of text. When text is taken at the centre of the analysis of culture, nothing appears in an isolated fash- ion. Lotman’s thinking does not fear the new hypothesis in proposing the concep- tual domain of semiosphere to the scientific study of culture. Our literary scholarship holds great possibili- ties: we have many serious and talented literary scholars, including young ones, and we have high scholarly traditions that have developed both in the past […]. But in spite of all this, it seems to me that our recent literary scholarship (from essentially almost all of the past decade) is, in general, neither realizing these possibilities 82 Irene Machado nor satisfying our legitimate demands. -
Technologies - Media - Hybrids / Toronto - Berlin - Paris
29th EGOS Colloquium, July 4-6 2013 HEC Montréal, Université de Montréal Sub-theme 54: Rethinking the social, technical and material foundations of organizations Technologies - media - hybrids / Toronto - Berlin - Paris Lisa Conrad [email protected] Bauhaus University Weimar, Department of Media Albrecht-Dürer-Straße 2, 99423 Weimar, Germany Abstract The observation of organizations being “variously entangled with the technologies and the material world in ways other than trivial” (cf. call for papers of subtheme 54) asks for reviewing and discussing conceptualizations of relevant terms such as technology, tool, medium and materiality. Here, media theory offers a set of sophisticated and time- tested elaborations. Actor-network theory also provides pertinent concepts drawing on terms such as non-human actor and hybrid. This paper gives an introduction to and a brief overview of concepts from media theory and actor-network-theory that seem suitable for researching the status of technology, media and materialities in organizations. It concentrates on three streams of research: early Canadian media theory, so called new German media theory, and actor-network-theory. Following their presentation (overview and exemplary study), the paper briefly maps intersections and differences between these streams of research as well as their respective outlook on the subject of organizations. 1 Introduction The observation of organizations being “variously entangled with the technologies and the material world in ways other than trivial” (cf. call for papers of subtheme 54) asks for reviewing and discussing conceptualizations of relevant terms such as technology, tool, medium and materiality. Here, media theory offers a set of sophisticated and time- tested elaborations. -
Post-Structuralist Aesthetics and the Paradoxical Nature of Language Dr
Post-Structuralist Aesthetics and the Paradoxical Nature of Language Dr. S. Karthik Kumar, Muzafar Ahmad Bhat Post-Structuralist Aesthetics and the Paradoxical Nature of Language Dr. S. Karthik Kumar*, Muzafar Ahmad Bhat** *Asstt. Prof.,, Deptt. of English, Annamalai University, Annamalai Nagar, **Ph.D Research scholar, Deptt. of English, Annamalai University, Annamalai Nagar Abstract Until the late 60’s, despite the prevalence of pluralistic approaches and multi-fanged practices, the relationship among the author, the text and the reader, and the definition of literature itself was of mutual respect and concern. Literary critics going all the way back to the days of Plato, has developed the genre, and ultimately provides us with parameters on how to study , analyze, deconstruct, interpret and evaluate literary works emphasizing the centrality of the Reference to this paper author, the reader, or the context with varying degrees. Though the term “literature” existed even before, it was only from Mathew should be made as Arnold onwards that the term that came to take on the meaning of follows: creative and imaginative literature only. David Lodge, favoring majority of contemporary critics, argues that ‘literature is language at its fullest stretch’ and its most striking feature is ‘it’s very high level Dr. S. Karthik of formal organization’. Elucidating this formulation Lodge sates Kumar, Muzafar that the extreme positions taken by Marxists ‘that art should have a content’, and by Structuralists that ‘art should be something which is Ahmad Bhat, “Post- itself of great beauty’ reveals only half-truth: the truth lies somewhere Structuralist in between because the content of literature is as important as our Aesthetics and the insistence that literature can only be judged in terms of the words of Paradoxical the page. -
Arxiv:1907.11157V1 [Quant-Ph] 25 Jul 2019 U Otepolmo Aeucinclas.I a Initiall Quantu of Was Viability It the Collapse
July 26, 2019 Quantum Error Correction: An Introductory Guide Joschka Roffe Department of Physics & Astronomy, University of Sheffield, Sheffield, S3 7RH, United Kingdom Quantum error correction protocols will play a central role in the realisation of quantum computing; the choice of error correction code will influence the full quantum computing stack, from the layout of qubits at the physical level to gate compilation strategies at the software level. As such, familiarity with quantum coding is an essential prerequisite for the understanding of current and future quantum comput- ing architectures. In this review, we provide an introductory guide to the theory and implementation of quantum error correction codes. Where possible, fundamental concepts are described using the simplest examples of detection and correction codes, the working of which can be verified by hand. We outline the construction and operation of the surface code, the most widely pursued error correction protocol for experiment. Finally, we discuss issues that arise in the practical implementation of the surface code and other quantum error correction codes. Keywords: Quantum computing; quantum error correction; stabilizer codes; surface codes 1. Introduction In place of the bits in traditional computers, quantum computers work by controlling and ma- nipulating quantum bits (qubits). Through the precise control of quantum phenomena such as entanglement, it is in principle possible for such qubit-based devices to outperform their classi- cal counterparts. To this end, efficient quantum computing algorithms have been developed with applications such as integer factorisation [1], search [2], optimisation [3] and quantum chemistry [4]. There is currently no preferred qubit technology; a variety of physical systems are being explored for use as qubits, including photons [5,6], trapped ions [7–10], superconducting circuits [11–13] and spins in semiconductors [14–16]. -
Semiotic Analysis
1 Semiotic Analysis face this assignment—explaining semiotics and showing how it can be I applied to television and popular culture to those who know little or nothing about the subject—with a certain amount of apprehension. I’m not sure whether semiotics is a subject, a movement, a philosophy, or a cult-like reli- gion. I do know that there is a large and rapidly expanding literature on the subject and that many of the writings of semioticians are difficult to under- stand and highly technical. So my mission, if not impossible, is quite challenging: Not only am I to explain the fundamental notions or elements of semiotics, but I am also to apply them to television and television productions as well as to popular cul- ture in general. It is a large undertaking, but I think it can be done. The price I must pay involves a certain amount of simplification and narrowness of focus. I am going to explain the basic principles of semiotics and discuss some sample applications. I hope that after reading this chapter and the annotated bibliog- raphy provided, those interested in semiotics will probe more deeply into it at their own convenience. A Brief History of the Subject Although interest in signs and the way they communicate has a long history (medieval philosophers, John Locke, and others have shown interest), mod- ern semiotic analysis can be said to have begun with two men: Swiss linguist Ferdinand de Saussure (1857–1913) and American philosopher Charles Sanders Peirce (1839–1914). (Peirce called his system semiotics, and that has become the dominant term used for the science of signs.