Verity Rush Recharged

Total Page:16

File Type:pdf, Size:1020Kb

Verity Rush Recharged VERITY RUSH OF LIBERTY LANE in………. Algorithm Reactive 2 ‘The lamp of the body is the eye. It follows that if your eye is sound, your whole body will be filled with light. But if your eye is diseased, your whole body will be all darkness. If then, the light inside you is darkness, what darkness that will be!’ NEW TESTAMENT MATTHEW 7:5 3 OPENING IMAGE A MONTAGE SLUDGE CITY, TWO DECADES FROM NOW A vortex of dust and sand swirl around us as we move through Sludge City, an eerie wasteland that was once Manhattan. The only sound is the howl of a rising wind. The wind drops, and is replaced with the voice of a young woman. This is the Narrator. NARRATOR V.O. There are times when assumptions about power and influence – about who sets the rules and must follow them are challenged. Where there cannot be agreement, so begins politics. Then one discovers a desire for power, so begins war. Out of the dust storm emerges the ancient wreck of a green head, a fallen Statue of Liberty. It is decaying, its body barricaded with metal sheets. The green head is still visible and the reminder of a once free world. NARRATOR V.O. To understand the conflict you had to go back to the old world. A time before the fanatics where there was eloquence, not hectoring. Equality of all before the law, free will and the press. STREET: Hundreds of females clutching protest placards against industry leaders: ON PLACARDS WE READ: Hands off Women, Hands off Nature, Hands off our Planet. UNIFORMED POLICEMEN: Arresting women where we see them being shoved into police vans. NARRATOR V.O. It is true what they say. Men have no inclination for peace. Masked Man, head of the Brethren Crime Syndicate, tormented Sludge City in a private vendetta that came to be known as the Turbulence. To counter the brutal assaults made against innocent civilians, Sludge City’s governing body, the Vogues of Liberty Lane, challenged the Brethren’s assaults with a weapon that rose above the peak of human potential, an iron fist that carried the torch for justice, a phenomena that no man could yet understand, and her name was………..Verity Rush. 4 FADE IN INT. MINISTRY OF SCIENCE – NIGHT Through the floor to ceiling window we see night only just starting to leak into a dusk sky. We are looking at a surgically clean room. In the centre of the room is a stainless steel bench. Atop the bench is a computer with a large screen monitor displaying two intertwined columns of DNA and the vaguest hint of a white, box sized DNA sequencing machine in the background. Behind the lab bench is a man, dressed in a white coat. This is ERNST DARKSTAR, fifties, slick grey hair. A banker’s geneticist. He is speaking into a micro- recorder and looking at the screen monitor with an intensity that could conjure up a heart attack. On screen is an X-ray blow-up of the human genome sequence. A moment later Darkstar’s colleague, MORRIS MINDFUL enters the lab. He has large brown eyes, a mop of wild gray hair and is dressed in a shabby tweed coat. He suffers a facial tic under duress. Right now, the cheek muscle is moving faster than bullet speed. Mindful is carrying a letter. We READ: Professor Ernst Darkstar c/- Sludge City, Ministry of Science. MINDFUL I see you’ve gone behind my back and done a deal with a drug cartel (beat). Mindful, cut up shakes the envelope. Dupane Biotech Institute has signed off on the grant for the Ministry’s, Human Intelligence Project. Darkstar’s eyes calmly shift to the letter in Mindful’s hand then back to his screen monitor. A genius rarely feels inclined to give an explanation. DARKSTAR Don’t you know Morris? Opening other people’s mail is a federal crime. MINDFUL For the record Ernst, it was addressed to the Ministry of Science and given that I am the 5 Chief Science Officer, why not? We were supposed to be a team. Darkstar’s brain is steaming. Government had come to lean upon him with presumption. Every syllable struck a false note. DARKSTAR (cont’d) Let’s be quite clear about this. Is your story going to be you don’t believe in good breeding? Mindful knows this sizzling insult has some truth to it. He cools down. MINDFUL (cont’d) I am prepared to accept the fact that the Intelligence Project was your initiative. But I’m asking you to consider the risk. A proud, pompous Darkstar, no longer shields his ambitions from the Ministry of Science or more notably, a sentimental old fool like Mindful. DARKSTAR (cont’d) Such an advanced tool will give us unprecedented power over the natural world. As soon as Hargreaves delivers the algorithm, my dream of raising intelligence levels will become reality. MINDFUL (cont’d) The algorithm is not FDA approved. How do you intend to complete the project? DARKSTAR (cont’d) There are ways and means. If the Ministry of Science is not ready to shoulder risk, then I am prepared to sever ties and it will be my name on the IQ patent, that I can promise you. MINDFUL (cont’d) You may be a leader in the field of molecular genetics but the fact remains, the Ministry mentored that genius. Darkstar looks up, smug. DARKSTAR (cont’d) Genius is not collaborative I’m afraid. Only mediocrity. Others who have made your mistake usually die of poverty. I don’t understand where you get these socialist sympathies, Morris. As a scientist you know never to set 6 limits. MINDFUL (cont’d) (defeated) That’s right, we’re scientists. But when science conflicts with a person’s core beliefs, it usually loses. An irate Mindful, storms off. Professor Darkstar WATCHES him exit. INT. UNDERGROUND PARKING LOT - NIGHT We’re with Professor Mindful in the front seat of his white Datsun, and can see by the twitch of his cheek muscle that he is highly agitated. He scribbles the words, Hargreaves TPL, on a notepad, punches in numbers on his cell phone and scans the deserted parking lot. Sensing danger, Professor Mindful, stammers to get out the message. MINDFUL It’s….. me. I realize it’s late…..but it can’t wait. Check your emails. About that matter we discussed. I’ve sent you a highly confidential report that is of vital importance to Liberty Lane. Read it, and call me back. I’ll be waiting. Mindful FLIPS down his phone and pulls out of the parking space. After he straightens the wheel, headlights BLIND Mindful’s eyes. A car door SLAMS on a dark sedan with tinted windows. We see three THUGS from the Brethren Crime Syndicate. They answer to macabre names: Doomsday, Deadly and Midnight. The Brethren are dressed in the style of Tarantino assassins: white shirt, skinny black tie, aggressively tailored black suits. They DRAG Mindful from his vehicle and bundle him into the trunk of their vehicle. We see another body inside the trunk, a man, gagged and bound. The dark sedan GUNS the engine and quickly disappears from sight. EXT. SLUDGE CITY – DAY A foggy morning. We’re on the edge of an arched bridge looking across from Sludge City, to the Voids, that was once the borough of Queens. 7 The arch of steel SWOOPS up from the City and alights about seventeen hundred feet later on the southwestern tip of the Voids. The bridge spans the East River, and a rail track and a roadway runs across it like two slashes through a dollar sign. The East River is the color of lead, and looks beat up and hard-used. CLOSE ON sultry goth vixen VERITY RUSH, in black military grade sunglasses. She is strikingly beautiful and decked out in a type of black thermal suit. A shocking pink kerchief is wrapped around a head of platinum blonde hair, pirate style. Verity TURBOS a 360 SPIN. It’s a mini-tornado. Everything around her goes FLYING. VERITY VERITY RRRRRRUSH! In an eye blink, Verity is recharged. VERITY’S P.O.V. Ahead something looms out of the fog. PULL BACK to see an ancient wreck of a train crossing the bridge, moving at two hundred and fifty miles an hour. With spirit speed, Verity is on the move. EXT. RAILTRACKS – DAY We’ve never seen anything move so fast. Verity RACES towards the tracks, decides to have some fun and on the roadway beside the tracks, races the train. Her shocking pink head scarf FLAPS in the wind, hair flying, out of the office, she’s free! CLOSE ON Train Driver. He casts Sludge City’s white light a sidelong glance as the human meteorite comes up alongside the train. Verity SPINS in mid-air. She drops to her feet, then starts running backwards, comfortably. This is not too intimidate. This is the picture of a woman, comfortable in her own skin. The Train Driver gives Verity the THUMBS UP before the train disappears inside a tunnel. Verity SPINS like an ice skater and faces straight ahead. She PEELS off to the left having arrived at her destination. EXT. THE VOIDS – DAY The outskirts of the Voids. An arid, rocky landscape 8 surrounds a decaying, crumbling wall about one hundred feet in height. It is the gateway to the Voids, Sludge City’s ghetto. Seconds later a 1956 metallic blue Firebird III PULLS up alongside Verity.
Recommended publications
  • New Dean Named Pg. 6 New Netflix Pg. 3 Volleyball Preview Pg. 4
    N September 28, 2011 Vol. 43 • No. 2 THE OMMUTER C Your Community Compass Facebook’s Facelift Marci Sischo Webmaster kay, everyone, take a deep breath. It’s not that bad. It’s not that great, but it’s not that bad. Facebook rolled out their new Newsfeed Tuesday. I got it Tuesday evening and responded im- mediately with “DAMMIT FACEBOOK. STOP CHANGING ALL THE THINGS.” I was Onot alone in my displeasure — my shiny new unreadable Newsfeed was flooded with bile and hatred for the changes. Alethea Skinner responded to my update with, “It’s like coming home in the dark and bang- ing into stuff because someone rearranged the furniture.” The new Newsfeed and Ticker aren’t all Facebook is changing, though. Yesterday’s Facebook devel- opers conference, F8, revealed huge changes ahead. There were two big reveals at F8: your new profile, called “Timeline,” and major changes in the way your actions and information are shared across Face- book. The Timeline is already rolling out to some users. I was able to switch my profile to the new Timeline last night through my developer account, but one of my FB buddies informs me they were offered the option to switch out of the blue yesterday evening. Facebook: continued on Pg. 16 New Netflix Volleyball Preview New Dean Named pg. 3 pg. 4 pg. 6 @lbcommuter Weather Wednesday-9/28 Thursday-9/29 Friday-9/30 Saturday-10/1 Sunday-10/2 Monday-10/3 Tuesday-10/4 The Commuter 75° 82° 76° 69° 66° 68° 62° Partly Sunny Sunny Cloudy Partly Sunny Partly Cloudy Rain Rain commuter.linnbenton.edu Warning: These are only predictions.
    [Show full text]
  • New Literary Humanism and the Trope of the Daimon in William Blake's Jerusalem T
    “EVERY THING IS HUMAN, MIGHTY! SUBLIME!”: NEW LITERARY HUMANISM AND THE TROPE OF THE DAIMON IN WILLIAM BLAKE’S JERUSALEM TODD DEARING, BA(Hons I) Presented to the College of Humanities, Arts and Social Sciences of Flinders University for the degree of DOCTOR OF PHILOSOPHY FLINDERS UNIVERSITY OF SOUTH AUSTRALIA 6 July 2020 Declaration I, Todd Dearing, certify that this thesis: 1. Does not incorporate without acknowledgment any material previously submitted for a degree or diploma in any university; and 2. To the best of my knowledge and belief, does not contain any material previously published or written by another person except where due reference is made in the text. ______TWD_______ __29 January 2020__ (signed) (date) To all for whom learning is a life-long quest. Abstract William Blake’s (1757-1827) poetic statement, “every thing is Human, mighty! sublime!” suggests an extraordinarily strange idea of the human (J34:48, E180). Yet it is upon such daimonic conceptions that Blake’s sublime allegory of poetic genius, Jerusalem: The Emanation of the Giant Albion (1804-c. 1820), rests. This thesis examines the trope of the daimon in Blake’s Jerusalem. I argue that the human, and humanity, in Blake’s mythos are ontologically daimonic, a dynamic mediator between polarities such as divine and mundane, infinite and finite, eternal and temporal, spirit and matter, subject and object, conscious and unconscious. However, in doing so, I do not read Blake’s daimon literally, but literarily and humanistically. Literarily, I read Blake’s daimon as a key trope for understanding Jerusalem as humanistic mythopoetry wherein literary language plays an important, transformative role.
    [Show full text]
  • Language Resource
    Language Resource Language Resource Compiled by Chris Davis Language Said Is Dead • Words to Replace “Said” Accused Bugged Coughed Gloated Acknowledged Burst out Countered Greeted Added Cackled Cried Grimaced Addressed Called Croaked Groaned Admitted Cautioned Crowed Growled Advised Challenged Cursed Grumbled Affirmed Chatted Dared Grunted Agreed Chattered Decided Guessed Announced Cheered Declared Gulped Answered Chided Demanded Gurgled Apologized Chimed in Demurred Gushed Approved Chirped Denied Hinted Argued Chittered Described Hissed Asked Choked Disagreed Hollered Asserted Chortled Disclosed Howled Assured Chorused Divulged Huffed Avowed Chuckled Doubted Hummed Babbled Claimed Drawled Hypothesized Badgered Clarified Dribbled Imitated Barked Clucked Echoed Implied Bawled Coaxed Emphasized Informed Beamed Commanded Encouraged Inquired Began Commended Ended Insisted Begged Commented Estimated Interjected Bellowed Complained Exasperated Interrupted Bet Conceded Exclaimed Intoned Bickered Concluded Explained Jeered Bleated Confessed Exploded Jested Blurted Confided Finished Jibed Boasted Confirmed Fretted Joked Boomed Congratulated Gasped Laughed Bragged Continued Gawked Lectured Breathed Convinced Gently Lied Broke in Cooed Gibed Lisped Bubbled Corrected Giggled Maintained 2 Language Said Is Dead • Words to Replace “Said” Marvelled Purred Scoffed Surmised Mentioned Put in Scolded Taunted Mimicked Puzzled Shot Teased Moaned Quavered Shouted Tempted Mocked Queried Shrieked Tested Motioned Questioned Shrilled Thanked Mumbled Quietly Sighed Theorized
    [Show full text]
  • A STUDY in GENRE by Jeffrey L. Evans November, 2010 Chair
    FOUR STORIES: A STUDY IN GENRE by Jeffrey L. Evans November, 2010 Chair: William Hallberg Major Department: English Genre is a label of classification imposed on literary works, usually as a means to understand how to market a project. The traditional form – “literary fiction” – is the most common, but a visit to any bookstore will demonstrate that there are so many more options. This collection contains my beginning studies in crafting genre literature: a “literary” piece that was a finalist in a competition, a monster based horror story, a supernatural horror story, and a science fiction tale of initial planetary exploration. FOUR STORIES: A STUDY IN GENRE A Thesis Presented to The Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree Master of Arts in English by Jeffrey L. Evans November, 2010 © Copyright 2010 Jeffrey L. Evans FOUR STORIES: A STUDY IN GENRE by Jeffrey L. Evans APPROVED BY: DIRECTOR OF THESIS: _________________________________________________ William Hallberg COMMITTEE MEMBER: _________________________________________________ Alex Albright COMMITTEE MEMBER: _________________________________________________ C. W. Sullivan, III, PhD CHAIR OF THE DEPARTMENT OF ENGLISH: _______________________________ Jeffrey Johnson, PhD DEAN OF THE GRADUATE SCHOOL: _____________________________________ Paul Gemperline, PhD TABLE OF CONTENTS Sure Thing…………………………………………………………………………….. 1 Jack Be Nimble………………………………………………………………………. 8 Casting the Fool……………………………………………………………………… 29 Finding Atlantis (Part One): Drop Zone……………………………………………. 41 Sure Thing “What‟ll you have, buddy?” The voice is gruff, like a twenty year chain smoker. He follows his question with the same raspy cough and grunt I‟ve heard from the smokers at rehab meetings. I look up from the laminated menu into the face of a man wearing a black t-shirt and jeans.
    [Show full text]
  • Happy Christmakwanzakah and a Festivus for the Rest of Us Pg. 12
    December 1, 2010 A Weekly Student Publication Vol. 42 No. 10 Happy Christmakwanzakah and a Festivus for the Rest of Us pg. 12 Inside: SIS' New Name pg. 5 Terror Hits Home pg. 6-7 Blood Drive pg. 8 Page 2 The Commuter Wednesday, December 1, 2010 OPINION http://commuter.linnbenton.edu om yo ord fr ur lo Advice from Weiss w ca A l his week’s column is based on several questions with each of these things, but the responsibility ASG I’ve received in my office in the counseling and for all decisions is with you, the student. So please, careerT center. don’t ever take anything for granted. Go to the t is getting to be that time of the term again! Pretty soon we will I say several questions, but really, they are recommended source of information (whether have a lot of frantic students realizing that finals are coming up all different versions of the same kind of question: that’s a website or someone on campus) before andI they need to study. This is the prime motivation behind this “Who’s in charge here?” and the answer is ... You! making any big decision. article. I have some very important news regarding the Study Jam Recently a student came to see me to At a time when LBCC has 50% more this term. If you are new to campus, Study Jam is offered through the complain and try to get help. He had been told by students than we did two years ago, and less staff combined efforts of ASG and the Albany and Benton Center Learning a teacher that he could drop his classes at the end to help them, online information sources are a way of the 7th week of the term, and this is Centers.
    [Show full text]
  • ABSTRACT HICKEY, COLIN DANIEL. Punished
    ABSTRACT HICKEY, COLIN DANIEL. Punished. (Under the direction of Wilton Barnhardt.) The following collection of short stories is connected by one thematic thread; the inevitable and changing effects on interpersonal relationships of living in a violent and unpredictable world. Each of the thirteen stories, while varied in plot, setting, point of view, etc, is its own microcosmic representation of that theme. “Never That Easy” explores the effects on a family of losing a son to war. “Chicken Shit” is an illustration of a family divided by the contrast between the oppression of choices already made, and the freedom of personal ambition. “Commitment” is an investigation into the repercussions of incarceration on a relationship. “At the End of the Day” examines the potential violence that might befall an already violent couple, so as to illustrate the damage even “minor” violence between two people can cause. “Purified” investigates the possible repercussions of a pregnancy on a couple divided by what they want. “Ingrown Hair” explores the possible influences behind a philanthropic life. “Courage” reverses traditional biased gender roles in an exploration of what it means to be “courageous.” Another investigation into and representation of the vicious cycle of violence in which humans often find themselves trapped is “Stitches and Scars,” and the ends to which some will go to break the cycle. “The Drifter, the Fence, and the Tattletale,” is a description of one possible outcome of an intercultural affair. “Speedo,” shows how money can change relationships, both between people and with the self, at times for the worse. “Slingshot” is a coming of age story, when a boy’s relationship to the world is tested and altered.
    [Show full text]
  • Uhm Phd 9604153 R.Pdf
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from anytype of computer printer. The quality or this reproduction is dependent upon the quality or the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affe\.."t reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrightmaterial had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell &Howell Information Company 300 NorthZeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521-0600 THE FIREBEARER A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH AUGUST 1995 By Judith Gross Dissertation Committee: Ian Macmillan, Chairperson Nell Altizer Ruth Dawson Craig Howes John Rieder OMI Number: 9604153 UMI Microform 9604153 Copyright 1995, by UMI Company.
    [Show full text]
  • Rsxgld Rsxgld
    RSXGLD RSXGLD KEY SELLING POINTS • Debut release for Detroit veterans 14KT & Ro Spit, forming RSXGLD (Pronounced Rose Gold) • 14KT has produced and collaborated with numerous artists including Roc Marciano, Danny Brown, Black Milk, Bun B, eLZhi, Oddisee, Skyzoo, Jay Electronica & Mayer Hawthorne • Ro Spit has amassed a career spanning across 3 albums, 2 mixtapes, and countless of features • Album features include Royce Da 5’9”, Denaun Porter, Elzhi, Ronnie McNeir and more DESCRIPTION ARTIST: RSXGLD For Ro Spit and 14KT, they’ve built a small empire on their own as solo TITLE: RSXGLD artists. Ro Spit has amassed a career spanning across 3 albums, 2 CATALOG: l-FB5183 / cd-FB5183 mixtapes, and countless of features including Royce Da 5’9”, Denaun LABEL: Fat Beats Records Porter, Bun B, Freeway and Raheem DeVaughn just to name a few. Not GENRE: Hip-Hop/Rap to mention a reality TV show centered around his world famous brand BARCODE: 659123518314 / 659123518321 Burn Rubber that was produced by Eminem. The production arm of FORMAT: 2XLP Gold Vinyl / CD RSXGLD, 14KT, is 8 albums deep into his career. KT has paired with HOME MARKET: Detroit, Micigan some of the best in the game, having worked with a who’s who of today’s RELEASE: 11/3/2017 artists such as Roc Marciano, Danny Brown, Black Milk, Bun B, eLZhi, LIST PRICE: $24.98 / CT / $11.98 / AK Oddisee, Skyzoo, Jay Electronica, and even a collaboration album with his fellow Ann Arbor compadré Mayer Hawthorne as they formed the duo TRACKLISTING (Click Tracks In Blue To Preview Audio) Jaded Inc.
    [Show full text]
  • Sympathetic Lightning
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2017 Sympathetic Lightning Renee C. Branum University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Branum, Renee C., "Sympathetic Lightning" (2017). Graduate Student Theses, Dissertations, & Professional Papers. 10981. https://scholarworks.umt.edu/etd/10981 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. SYMPATHETIC LIGHTNING: ESSAYS By RENÉE CHERIE BRANUM MFA, University of Iowa, Iowa City, IA, 2013 BA, Hollins University, Roanoke, VA, 2009 Thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing The University of Montana Missoula, MT May 2017 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Judy Blunt, Chair English David Gates, First Reader English Andrew Smith, Second Reader Film © COPYRIGHT by Renée Cherie Branum 2017 All Rights Reserved ii TABLE OF CONTENTS PART I: ALL THE SAME FIRE On Burning………………………………………………………………………………...2 Smoke: A Love Story……………………………………………………………………...5 Bolt……………………………………………………………………………………….29
    [Show full text]
  • 'Write Your Novel Step by Step'. Quick Guide (Part 1. Inspiration to Exposition)
    1 'Write Your Novel Step By Step'. Quick Guide (Part 1. Inspiration to Exposition). Melanie Anne Phillips will go down in history as being THE Instructor of story assembly & story architecture. She's. a. genius. I have devoured her book 'Write Your Novel Step-by-Step' (ISBN#: 9781491032763) and the notes from that book, and from a few other sources, I've placed here, for you, the amateur story-maker. My hope for you, the Reader, is that you can use my guide quicker when assembling a story by referring to this abbreviated version-once one has a fundamental understanding of Melanie's awesome book of course, than simply by going by her book solely. But, buy Melanie Anne Phillip's book ('Write Your Novel Step-by-Step') first though, and once you've read that and need a fast, abbreviate version, use my quick guide to assist you as you assemble your story. Adam Bein June 17, 2016 2 Part 1: A. Inspiration Stage B. Development Stage C. Exposition Stage Part 2: D. Storytelling Stage (this is on another document) A. Inspiration Stage. Part One: Plot 1. Get inspired. A. Come up with an idea. 1. A concept. 2. A plot twist. 3. A thematic topic. 4. A character study. 5. A line of dialog. 6. A title. 7. Anything else that seems like it'd make for a good story. B. Come up with some ideas for/about it. 1. Specific characters 2. Specific events in the plot C. Development (plug leaks, put on a fresh coat of paint).
    [Show full text]
  • Optional Text Companion
    Ver 1.0 Dream of Genie Optional Text Companion Preamble This is a compilation of multiple notes documents, combined with half-remembered details if I didn’t write them down. As a result, there may be some discrepancies between separate sections, or what was written in threads. In any case, I hope you enjoy reading this “whatever-the-hell-this-is.” Commentary? It’s a mix of lore explanations, elaborations on casual mentions, cut content, cross-references, and just a general explanation on how the CYOA developed. Plus a heavy dose of super pretentious nonsense. You could probably cut out a few thousand words with just repeating “hey by the way she’s kind of talking about herself here” over a bunch of options, but I realized that a little too late. You’ll probably feel an equal mix of “yeah, I get it, that was obvious” and “how the hell was I supposed to figure that out?” For the latter, the truth is, you often weren’t. I think it’s sort of cheating to write something vague without having at least having a general plan of what is hiding beneath that vagueness. THAT BEING SAID, ONLY WHAT IS ACTUALLY WRITTEN IN THE CYOA TEXT IS CANONICAL, AND EVEN THEN IT IS ONLY CANONICAL INSOFAR AS SOME INDIVIDUAL SAID THOSE WORDS AT SOME POINT. Think of this as you would DVD commentary, or deleted scenes, or other “extra” material. If you’ve ever played the Dark Souls series, you know that in DS1 Andre was originally intended to be Gwyn’s firstborn.
    [Show full text]
  • Dreaming in Crisis: Angels and the Allegorical Imagination in Post-War America
    DREAMING IN CRISIS: ANGELS AND THE ALLEGORICAL IMAGINATION IN POST-WAR AMERICA by Emily Bauman BA, Northwestern University, 1993 MA, University of Pittsburgh, 1997 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2003 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCE This dissertation was presented by Emily Bauman It was defended on September 5, 2003 and approved by Ronald A.T. Judy Jonathan Arac Nancy Condee Colin MacCabe Dissertation Director ii DISSERTATION ABSTRACT DREAMING IN CRISIS: ANGELS AND THE ALLEGORICAL IMAGINATION IN POST-WAR AMERICA Emily Bauman, PhD University of Pittsburgh, 2003 This dissertation bridges literary and cultural studies in order to offer a critical reading of the fascination with angels that appears in America at the beginning and end of the Cold War. Though the contemporary wave of interest spans genres of mass entertainment, pop psychology, and high modernist literature and film, I find angelic representations to be consistent. Invested in the idea of a separated intelligence, these representations expose larger concerns with personal sovereignty and historical determinism. From fantasy to true story, the encounter with the pure and providential spectator consecrates the subject within a special temporality, a temporality of imagination and reception. Angelic illumination thus answers a crisis of attention that renders the human paralyzed. In all of the texts considered the attendant spirit confers personal chosenness and historical beginning through the act of judgment, an idea I discuss in reference to the theories of agency of Aristotle, Thomas Aquinas, and Immanual Kant.
    [Show full text]