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MICHAEL MEDICO Director DIRECTING - TELEVISION ATYPICAL 3 Episodes #306, 402, & SONY/NETFLIX 410 SERIES FINALE GREY’S ANATOMY 3 Episodes: #1603, 1611, 1712 ABC STATION 19 2 Episodes #405, #407 ABC GOOD TROUBLE 3 Episodes: #1004, 2011, 3018 FREEFORM/HULU THE FOSTERS 3 Episodes: #4015, 5016, 5020 FREEFORM PARTY OF FIVE Episode #1006 SONY/FREEFORM DIRECTING - OTHER DIVORCE: THE GREATEST HITS Short, W. Krista Vernoff LA Int’l Shorts Film Fest, Miami Short Film Fest WALK IT OUT* Short Palm Springs Int’l ShortFest PAIGE A DAY Web Series, W. Michaela Watkins Outfest, Philly Q Fest, Seattle BITCH.** Short LBGT Fest, Torino GLBT Fest, Fresno Reel Pride Fest, British Film Fest LA SUNDANCE Short MISS MARCH MISHAP Digital Shorts-Promos 20th Century Fox VAMPIRES SUCK Digital Shorts-Promos 20th Century Fox FIRST LOVE Music Video, W. Noah Centineo FATHER TIGER HIS ORCHESTRA & CAR WASH Anti-Piracy Campaign Spots A2YM SHADOWING Mark Mylod (Shameless), Erin O’Malley (New Girl), John Fortenberry (Instant Mom), Debbie Allen, Rob Corn & Tony Phelan (Grey’s Anatomy), Ian Toynton (Bones), Michael McDonald (Benched), Peter Paige & Norman Buckley (The Fosters), Michael Grossman (Life Sentence) & Kevin Chamberlin (Jessie) ACTING (PARTIAL LIST) TV: Grace and Frankie, Grey’s Anatomy, Will & Grace, Bones, Two and a Half Men, House MD, The New Adventures of Old Christine, Frasier, Sex and the City (+more) FILM: Day Out of Days, For A Good Time Call…, Kiss the Bride THEATRE: LAMAMA, Old Globe Theatre, The Shakespeare Theatre, McCarter Theatre, Huntington Theatre Co, Rubicon Theatre OTHER RELATED EXPERIENCE Creator and Exec Producer of Hot in Hollywood, an AIDS benefit raising over half a million dollars in 3 years, starring America Ferrera, Neil Patrick Harris, Jane Lynch, Paula Malcolmson, Glenn Howerton, Sara Ramirez, Jesse Tyler Ferguson and over 40 other celebrities. Acting Training: Boston University***: BFA Acting, The British American Drama Academy in Oxford, The Groundlings, and Howard Fine Master Class *WINNER: Audience Award – USC “Don Thompson” Film Festival **Best Short of 2009 – Frontiers LA Magazine ***The 2009 Distinguished Alumni Award – Boston University.

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LELAND SEXTON Editor !
! LELAND SEXTON Editor ! Television PROJECTS DIRECTOR STUDIO/PRODUCTION CO. LANGDON (season 1) Various NBC / Imagine Entertainment Prod: Anna Culp, Samie Kim Falvey, Brian Grazer, Ron Howard GOTHAM (seasons 2-5) Various Fox Prod: Danny Cannon, John Stephens, Bruno Heller ONCE UPON A TIME IN WONDERLAND Various ABC (season 1) Prod: Edward Kitsis, Jane Espenson, Adam Horowitz, Zack Estrin BENCHED (season 1) Various USA Prod: Michaela Watkins, John Enbom, Damon Jones, Andrea Shay WEDDING BAND (season 1, 1 episode) Peter Lauer TBS Prod: Josh Lobis, Mile Tollin, Darin Moiselle, Jon Wallace NTSF:SD:SUV PSA’s (digital series) Curtis Gwinn Funny or Die Prod: Paul Scheer, Jon Stern Assistant Editor PROJECTS DIRECTOR STUDIO/PRODUCTION CO. A MILLION LITTLE THINGS (season 3) Various ABC LIMITLESS (season 1) Various CBS HOME SWEET HELL* Anthony Burns Darko Entertainment / Vertical Entertainment Editor: Robert Hoffman OUTSIDERS (season 1) Various WGN America GOTHAM (pilot/season 1) Various Fox ONCE UPON A TIME IN WONDERLAND Various ABC (season 1) GO ON (season 1) Various NBC WEDDING BAND (season 1) Various TBS FREE AGENTS (season 1) Various NBC NTSF:SD:SUV (season 1) Various Adult Swim / Funny or Die FUNNY OR DIE PRESENTS… (season 2) Various HBO HUMAN TARGET (season 2) Various Fox CHILDRENS HOSPITAL (seasons 1-2) Various Adult Swim PARTY DOWN* (seasons 1-2) Various TBS SECRET GIRLFRIEND (season 1) Various Comedy Central HEAD CASE (season 3) Various Starz CHASING THE LIGHT (documentary) Louie Schwartzberg PBS * 1st Assistant Editor 1645 Vine Street #402, Los Angeles, CA 90028 | p 323.856.3000 | [email protected] | www.easterntalent.net !.
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City of Charleston Municipal Court
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The Queer" Third Species": Tragicomedy in Contemporary
The Queer “Third Species”: Tragicomedy in Contemporary LGBTQ American Literature and Television A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Lindsey Kurz, B.A., M.A. March 2018 Committee Chair: Dr. Beth Ash Committee Members: Dr. Lisa Hogeland, Dr. Deborah Meem Abstract This dissertation focuses on the recent popularity of the tragicomedy as a genre for representing queer lives in late-twentieth and twenty-first century America. I argue that the tragicomedy allows for a nuanced portrayal of queer identity because it recognizes the systemic and personal “tragedies” faced by LGBTQ people (discrimination, inadequate legal protection, familial exile, the AIDS epidemic, et cetera), but also acknowledges that even in struggle, in real life and in art, there is humor and comedy. I contend that the contemporary tragicomedy works to depart from the dominant late-nineteenth and twentieth-century trope of queer people as either tragic figures (sick, suicidal, self-loathing) or comedic relief characters by showing complex characters that experience both tragedy and comedy and are themselves both serious and humorous. Building off Verna A. Foster’s 2004 book The Name and Nature of Tragicomedy, I argue that contemporary examples of the tragicomedy share generic characteristics with tragicomedies from previous eras (most notably the Renaissance and modern period), but have also evolved in important ways to work for queer authors. The contemporary tragicomedy, as used by queer authors, mixes comedy and tragedy throughout the text but ultimately ends in “comedy” (meaning the characters survive the tragedies in the text and are optimistic for the future).
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Skullduggery and Seduction Abound in Adult Stop-Motion Animation by GEORGE DICKIE Birthday Clown
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Holla Back Girl
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Jon Stewart Hosts COMEDY CENTRAL's On-Air Charity Special
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Why Stonewall Still Matters…
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MISCELANEA 60.Indb
FRASIER: A CULTURAL HISTORY Joseph J. Darowski and Kate Darowski Lanham, MD: Rowman & Littlefield, 2017 ROBERT MURTAGH Universidad de Almería [email protected] 177 Part of independent publisher Rowman & Littlefield’s “Cultural History of Television” series that (according to their website) “will focus on iconic television shows” from the 1950s to the present that have had a lasting impact on world culture, Frasier: A Cultural History joins a collection of extant publications on defining sitcoms such as Mad Men, Breaking Bad and Star Trek. The authors of the text in question, Joseph J. Darowski and Kate Darowski, are self-confessed Frasier fans with a background in different ambits of cultural study (the former as editor of the “Ages of Superheroes” essay series and author of X-Men and the Mutant Metaphor: Race and Gender in the Comic Books and the latter having researched the history of decorative arts and design). Above all, they share a mutual appreciation for all things Crane. From a structural perspective, the book is divided into two parts: “Part I: Making A Classic” and “Part II: Under Analysis”. Each section is further subdivided into four separate topics. The first deals with: the evolution of Cheers to the emergence of Frasier Crane; the story behind the eclectic cast; character profiles of Frasier, Niles, Martin and Eddy; and finally, a discussion of Daphne and Roz. The second part, as the name suggests, is more academically inclined with chapters examining ongoing character development in the Crane household; an in-depth look at Frasier’s apartment from structural and aesthetic perspectives, as well as in contrast to Niles’s home at the Montana; an analysis of set decoration, particularly chairs; and lastly, the representation of women, gender and race.
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NYTVF Overall PR 092215 11
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CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
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