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Prayer Machines in Japanese Buddhism
九州大学学術情報リポジトリ Kyushu University Institutional Repository Dharma Devices, Non-Hermeneutical Libraries, and Robot-Monks : Prayer Machines in Japanese Buddhism Rambelli, Fabio University of California, Santa Barbara : Professor of Japanese Religions and IFS Endowed Chair Shinto Studies https://doi.org/10.5109/1917884 出版情報:Journal of Asian Humanities at Kyushu University. 3, pp.57-75, 2018-03. 九州大学文学 部大学院人文科学府大学院人文科学研究院 バージョン: 権利関係: Dharma Devices, Non- Hermeneutical Libraries, and Robot-Monks: Prayer Machines in Japanese Buddhism FABIO RAMBELLI T is a well-documented fact—albeit perhaps not their technologies for that purpose.2 From a broader emphasized enough in scholarship—that Japa- perspective of more general technological advances, it nese Buddhism, historically, ofen has favored and is interesting to note that a Buddhist temple, Negoroji Icontributed to technological developments.1 Since its 根来寺, was the frst organization in Japan to produce transmission to Japan in the sixth century, Buddhism muskets and mortars on a large scale in the 1570s based has conveyed and employed advanced technologies in on technology acquired from Portuguese merchants.3 felds including temple architecture, agriculture, civil Tus, until the late seventeenth century, when exten- engineering (such as roads, bridges, and irrigation sive epistemological and social transformations grad- systems), medicine, astronomy, and printing. Further- ually eroded the Buddhist monopoly on technological more, many artisan guilds (employers and developers advancement in favor of other (ofen competing) social of technology)—from sake brewers to sword smiths, groups, Buddhism was the main repository, benefciary, from tatami (straw mat) makers to potters, from mak- and promoter of technology. ers of musical instruments to boat builders—were more It should come as no surprise, then, that Buddhism or less directly afliated with Buddhist temples. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
University of Nevada, Reno American Shinto Community of Practice
University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice. -
The Moon Bear As a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan
Catherine Knight Independent Scholar The Moon Bear as a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan The Asiatic black bear, or “moon bear,” has inhabited Japan since pre- historic times, and is the largest animal to have roamed Honshū, Shikoku, and Kyūshū since mega-fauna became extinct on the Japanese archipelago after the last glacial period. Even so, it features only rarely in the folklore, literature, and arts of Japan’s mainstream culture. Its relative invisibility in the dominant lowland agrarian-based culture of Japan contrasts markedly with its cultural significance in many upland regions where subsistence lifestyles based on hunting, gathering, and beliefs centered on the mountain deity (yama no kami) have persisted until recently. This article explores the significance of the bear in the upland regions of Japan, particularly as it is manifested in the folklore of communities centered on hunting, such as those of the matagi, and attempts to explain why the bear, and folklore focused on the bear, is largely ignored in mainstream Japanese culture. keywords: Tsukinowaguma—moon bear—matagi hunters—yama no kami—upland communities—folklore Asian Ethnology Volume 67, Number 1 • 2008, 79–101 © Nanzan Institute for Religion and Culture nimals are common motifs in Japanese folklore and folk religion. Of the Amammals, there is a wealth of folklore concerning the fox, raccoon dog (tanuki), and wolf, for example. The fox is regarded as sacred, and is inextricably associated with inari, originally one of the deities of cereals and a central deity in Japanese folk religion. It has therefore become closely connected with rice agri- culture and thus is an animal symbol central to Japan’s agrarian culture. -
The Making of an American Shinto Community
THE MAKING OF AN AMERICAN SHINTO COMMUNITY By SARAH SPAID ISHIDA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2007 Sarah Spaid Ishida 2 To my brother, Travis 3 ACKNOWLEDGMENTS Many people assisted in the production of this project. I would like to express my thanks to the many wonderful professors who I have learned from both at Wittenberg University and at the University of Florida, specifically the members of my thesis committee, Dr. Mario Poceski and Dr. Jason Neelis. For their time, advice and assistance, I would like to thank Dr. Travis Smith, Dr. Manuel Vásquez, Eleanor Finnegan, and Phillip Green. I would also like to thank Annie Newman for her continued help and efforts, David Hickey who assisted me in my research, and Paul Gomes III of the University of Hawai’i for volunteering his research to me. Additionally I want to thank all of my friends at the University of Florida and my husband, Kyohei, for their companionship, understanding, and late-night counseling. Lastly and most importantly, I would like to extend a sincere thanks to the Shinto community of the Tsubaki Grand Shrine of America and Reverend Koichi Barrish. Without them, this would not have been possible. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT.....................................................................................................................................7 -
Kamidana a Kamidana Houses an Ofuda (Symbol of Kami)
A Brief History of the kamidana A kamidana houses an ofuda (symbol of kami). In the edo period, ise-kô (ise shrine fraternal groups) formed in every part of Japan. When a pilgrimage was made to ise jingu, an amulet or "oharai-taima" was taken home. These amulets were also distributed throughout Japan by the various ise-kô. A "daijingu-dana" or house shrine was set up to enshrine these amulets of the Grand Shrine of ise. This practice was the origin of the kamidana. Setting Up a kamidana Before setting up a kamidana you must cleanse (purify) your home. Choose a site that is pure, light, quiet and high. Also it should be where the family gathers, convenient for making offerings to kami, convenient for daily prayers, and on a North or West wall (so the kamidana's doors open to the South or East) If there is a floor above the kamidana it is best to write the word "kumoi" 雲井 (sky) on a piece of paper and place it above the kamidana so any people upstairs will not be walking over the kamidana. Place the kamidana just above head height. On each side of the kamidana place evergreen branches in the sakaki tate (special vases). A shimenawa (straw rope) with shide (paper shapes) should be hung above the kamidana. shinki shinki are ritual implements. Sets are available online (http://www.tsubakishrine.org/omamori/kamidana.html), or you can assemble your own – plain white china and unfinished wood are preferred. At a minimum, you will need: two tall vases (for evergreen branches); two shallow bowls (one for rice and one for salt); two covered, short vases or glasses (one for water and one for sake); and a holder or hinged box (for the ofuda). -
Arising of Faith in the Human Body: the Significance of Embryological Discourses in Medieval Shingon Buddhist Tradition Takahiko Kameyama Ryukoku University, Kyoto
Arising of Faith in the Human Body: The Significance of Embryological Discourses in Medieval Shingon Buddhist Tradition Takahiko Kameyama Ryukoku University, Kyoto INTRODUCTION It was on the early Heian 平安 time period that the principal compo- nents of the Buddhist embryological knowledge, such as the red and white drops (shakubyaku nitei 赤白二渧) or the five developmental stages of embryo (tainai goi 胎内五位) from kalala (karara 羯剌藍) to praśākha (harashakya 鉢羅奢佉), were adopted into Japanese Esoteric Buddhist traditions.1 Since then, as discussed in the works of James H. Sanford2 or Ogawa Toyoo 小川豊生,3 these discourses with regard to the reproductive substances of a mother and father or the stages of fetal development within the womb were the indispensable interpreta- tive tools for both doctrine and practices of Shingon 眞言 and Tendai 天台Esoteric Buddhism.4 After being fully adopted, the embryological 1. As Toyoo Ogawa 小川豊生 points out, Enchin 円珍 (814–891), the Tendai Esoteric Buddhist monk during the early Heian time period, refers to the red and white drops and kalala, the mixture of these reproductive substances, in his Bussetsu kanfugenbosatsugyōbōkyō ki 佛説觀普賢菩薩行法經記 (Taishō, vol. 56, no. 2194). See Ogawa Toyoo, Chūsei nihon no shinwa moji shintai 中世日本の 神話・文字・身体 (Tokyo: Shinwasha 森話社, 2014), 305–6 and 331n6. 2. See James H. Sanford, “Wind, Waters, Stupas, Mandalas: Fetal Buddhahood in Shingon,” Japanese Journal of Religious Studies 24, nos. 1–2 (1997). 3. See Ogawa, Chūsei nihon no shinwa moji shintai. 4. For example, the fundamental non-dual nature between the womb realm mandala (taizōkai mandara 胎藏界曼荼羅) and that of diamond realm (kongōkai mandala 金剛界曼荼羅) was frequently represented by sexual intercourse and the mixture of the red and white drops. -
Prayer Beads in Japanese Soto Sect
4 Prayer Beads in Japanese Sōtō Zen Michaela Mross WHen a lay parishioner visits a Buddhist temple, he or she usually car- ries a Buddhist rosary.1 It marks a parishioner versus the occasional visi- tor and is considered a necessary item of proper attire. For most Japanese, not wearing a rosary when putting the hands in prayer or reverence seems to be improper.2 Likewise, the official webpage of the Sōtō Zen school instructs lay followers to not forget prayer beads when attending funerals or memorial services. Parishioners should further put a rosary on the lowest shelf of their home altar, ready to be used during prayers.3 Also, the members of the choirs singing Buddhist hymns at Sōtō tem- ples wear short rosaries while singing and playing a bell. Thus, prayer beads serve “as sources of identification,” to borrow John Kieschnick’s words.4 The rosary is an especially interesting object because— besides the robe or o- kesa— “prayer beads are kept closer to the practitioner than any other ritual object. They become physical evidence of faith, devotion, and practice.”5 In contrast to Tendai, Shingon, or Pure Land clerics, Sōtō clerics rarely use prayer beads in ritual settings. Moreover, images of Zen masters usu- ally do not depict monks or nuns holding prayer beads; instead, a fly-whisk or another kind of staff signifies their status as a Zen cleric. Therefore, Buddhist rosaries are typically not associated with Zen. Nevertheless, prayer beads have been used for various purposes in the Sōtō school as well. This chapter aims to illuminate some of the functions and interpre- tations of the rosary in Japanese Sōtō Zen. -
Talismans and Amulets in the Japanese Collection1
ANNALS OF THE NÁPRSTEK MUSEUM 35/1 • 2014 • (p. 39–68) TALISMANS AND AMULETS IN THE JAPANESE COLLECTION1 Alice Kraemerová2 ABSTRACT: This article describes all types of amulets and talismans present in the Náprstek Museum Japanese collection and uncovers their symbolic meaning. These are mostly talismans from shrines and temples dating to the beginning of the 20th century, traditional hand-crafted items from famous places of pilgrimage and toys used as talismans. KEY WORDS: Japan – Buddhist temple – Shintǀ shrine – shamanism – talisman – amulet– ofuda – ema – omamori – collecting – Náprstek Museum of Asian, African and American Cultures (Prague) 1. Defining terminology Amulet is considered to have protective or otherwise salutary effects while talisman primarily attracts fortune. Various authors describe different classifications of amulets and talismans according to their functional principles: homeopathic principle, contact principle, the principle of the magic of the written word, principle of colour magic, the principle of magic substances, the principle of the personifies higher power and the combinatorial principle (Nuska 2012). In this article we shall not use this division as for such a detailed analysis it would be necessary to acknowledge all types of amulets and talismans, not just those collected by the Czech travellers and brought into the NpM collections. Most of the available literature deals with the European view on amulets and talismans; the furthest it gets is the Near East. The Far East is usually not that well mapped due to the geographical distance and the language barrier. For the Japanese talismans, there are several often used terms: mayoke (㨱 㝖ࡅ) or yakuyoke (གྷ㝖ࡅ), omamori (࠾Ᏺࡾ) and ofuda (ᚚᮐ) or gofu (ㆤ➢). -
On Japanese Mikkyõ and the Formation of the Shingon Discourse
Japanese Journal of Religious Studies 1994 21/4 True Words, Silence, and the Adamantine Dance On Japanese Mikkyõ and the Formation of the Shingon Discourse Fabio RAMBELLI This paper deals with Japanese esoteric Buddhism (Mikkyõ), in particular the Shingon tradition, as it relates to the emergence of new and peculiar epistemological concerns. Through a discussion of the kenmitsu system outlined by Kuroda Toshio, the paper ³rst situates Mikkyõ within the reli- gious and institutional framework of medieval Japan, underlining its lim- inal and heterological nature as both an institutionalized discourse and a reservoir of oppositional possibilities. The paper then analyzes the forma- tion of Shingon orthodoxy as an attempt to systematize the Tantric ³eld in Japan through a re-organization of preexisting religious doctrines and practices. Special attention is given to the actual articulation of the ken- mitsu episteme and its orders of signi³cance. Finally, the paper outlines some fundamental epistemological tenets of Mikkyõ discourse. Though it focuses on Shingon discourse and orthodoxy, this paper confronts basic epistemic assumptions and discursive practices common to the multi- farious forms of esoteric Buddhism in Japan. THE PURPOSE OF THIS PAPER is to describe the discourse of Japanese esoteric Buddhism (particularly the Shingon Oí tradition) as it developed in conjunction with the emergence of a distinctive form of philosophical reµection on signs and the formation of a corpus of * An earlier draft of this essay, entitled “Kenmitsu Episteme and Mikkyõ Heterology: On the Semiotic Doctrines and Practices in Medieval Japan,” was presented at the 45th Annual Meeting of the Association for Asian Studies, Los Angeles, March 1993. -
The Way of the Gods in Japan
KAMI- NO - M IC H I TH E WAY O F THE GO DS IN jA PAN H O P E H UN T LY LO N D O N R E B M A N LI M I T E D SH A FT ESBURY A EN E w c U . V , . 1 9 1 0 [A H RQML&W W M] KAM I- NO - M IC H I TH E WAY O F T H E GO DS IN JA PA N H O P E H U N T LY LO N D O N R E B M A N LI M I T E D SH A FT ESBU RY A VEN U E w c , . 1 9 1 0 [A 11 Rights Reserv ed ] D E D I C A T E D T O ALLASP IRING SOULS E R RAT A . Pa 2 1 l e 1 f a e n o r En l sh ead Pers i n e . g 4 , i , g i poet r po t “ ” “ Pa e 6 lin f m b m for H am - K i read H a - K i g 7 , e 9 ro otto , ir ri ir Pa e 2 l ne 8 f m to d o d g 7 4 , i ro p , itt itto Pa e 2 l nes — f m to d d g 7 7 , i 4 5 ro p , itto itto Pa e 2 8 l n f m bo m d o d o g 7 , i e 5 ro tto , itt itt Pa e 2 8 6 l ne 6 f m b m d t d g , i ro otto , it o itto P UBLISH ER’S P REFAC E THE desire of the author is to guide her readers - faithfully along this time honoured , half ” obliterated Way of the Gods , clearing the path with reverent , not iconoclastic hands , because recognising it as the Way by which the J apanese were divinely led to their present Th e is mental altitude .