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Untitled-1 1 Contents Highlights New Acquisitions Non Fiction Lifestyle, Health & Wellbeing Fiction Recently Published
Untitled-1 1 Contents Highlights New Acquisitions Non Fiction Lifestyle, Health & Wellbeing Fiction Recently Published Picador Contacts Sophie Brewer, Associate Publisher: [email protected] Jon Mitchell, Rights Director: [email protected] Anna Shora, Senior Rights Manager: [email protected] Mairéad Loftus, Rights Executive: [email protected] Aisling Brennan, Rights Assistant: [email protected] Sub-Agents Brazil – Tassy Barham Baltic states – ANA Baltic Bulgaria and Serbia – ANA Sofia *China – ANA Beijing *China – Peony Literary Agency Czech & Slovak Reps – ANA Prague Greece – J.L.M. Agency Hungary & Croatia – ANA Budapest Israel – The Deborah Harris Agency *Japan – The English Agency *Japan – Tuttle-Mori *Japan – Japan Uni Korea – Eric Yang Agency Romania – Simona Kessler Russia – ANA Moscow *Taiwan – ANA Taipei *Taiwan – Peony Literary Agency Turkey – Anatolia Lit * Non-exclusive agent Highlights Lily's Promise How I Survived Auschwitz and Found the Strength to Live Lily Ebert and Dov Forman The incredibly moving and powerful memoir of an Auschwitz survivor who made headlines around the world in 2020. A heart-wrenching and ultimately life-affirming story that demonstrates the power of love to see us through the darkest of times. When Holocaust survivor Lily Ebert was liberated in 1945, a Jewish-American soldier gave her a banknote on which he’d written ‘Good luck and happiness’. And when her great-grandson, Dov, decided to use social media to track down the family of the GI in 2020, 96-year-old Lily found herself making headlines around the world. Lily had promised herself that if she survived Auschwitz she would tell everyone the truth about the camp. -
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
I Wanna Be Yours - John Cooper Clarke
Edexcel English Literature GCSE Poetry Collection: Relationships i wanna be yours - John Cooper Clarke This work by PMThttps://bit.ly/pmt-edu-cc Education is licensed under https://bit.ly/pmt-ccCC BY-NC-ND 4.0 https://bit.ly/pmt-cc https://bit.ly/pmt-edu https://bit.ly/pmt-cc I WANNA BE YOURS John Cooper Clarke Brief Summary The poem features an unknown speaker addressing their lover, who is also unknown to the reader. The speaker asks to be let into every aspect of their lover’s life by listing the different mundane, everyday objects they want to replace. As well as asking to be needed and adored by their lover, the speaker demonstrates their devotion to their lover and the consistency of their affection. The exact relationship between the speaker and the object of their affection is unknown, but it is clear that the speaker wants to be closer to the person they are addressing. The poem is full of simplistic language, word play, and innuendo. Synopsis ● The speaker is talking directly to an unknown subject and we never hear their response to the speaker ● The speaker asks their lover if they will “let” them take the place of various everyday objects in their life ● The speaker makes it clear that their lover is in control ● The only thing the speaker desires is to belong to their lover ● The list of mundane objects continues as the speaker makes it clear that they want to make their lover’s life better and be with them everywhere ● The final stanza finishes with a grander, more metaphysical (deep) image than the mundane objects previously used to show the extent of the speaker’s devotion ● The speaker concludes by clarifying they want no one else other than the lover they are addressing in this poem Context John Cooper Clarke (1949 - present) John Cooper Clarke was born in Salford, Lancashire, in the north of England. -
Warkah Berita Persama
1 WARKAH BERITA PERSAMA Bil 16 (2) 2011/1432 H/1933 S (Untuk Ahli Sahaja) PERSATUAN SAINS MATEMATIK MALAYSIA (PERSAMA) (Dimapankan pada 1970 sebagai ―Malayisan Mathematical Society‖ , tetapi dinamai semula sebagai ―Persatuan Matematik Malaysia (PERSAMA) ‖ pada 1995 dan diperluaskan kepada ―Persatuan Sains Matematik Malaysia (PERSAMA)‖ mulai Ogos 1998) Terbitan ―Newsletter‖ persatuan ini yang dahulunya tidak berkala mulai dijenamakan semula sebagai ―Warkah Berita‖ mulai 1994/1995 (lalu dikira Bil. 1 (1&2) 1995) dan diterbitkan dalam bentuk cetakan liat tetapi sejak isu 2008 (terbitan 2010) dibuat dalam bentuk salinan lembut di laman PERSAMA. 2 WARKAH BERITA PERSAMA (PERSAtuan SAins MAtematik MAlaysia) http://www.persama.org.my __________________________________________________________________ Bil. 16 (2 ) 2011 M/1432 H/1933 S (Julai 2011– Dis 2011/Rejab – Dzulh 1432 H/ Aswina/Asvina - Falgana/Phalgana/Phalguna 1933 S)+ Untuk Ahli Sahaja Terbitan sebegini yang pertamanya ialah 1994/1995 (dikira Bil.1 (1&2) 1995) Berkala dwitahunan ___________________________________________________________________ Penerbit: PERSAMA d/a Pusat Pengajian Sains Matematik UKM Tel. 03-8292728; faks. 03-8293289; http:www.tmsk.itm.edu.my/~persama; http://www.persama.org.my © PERSAMA 2012 Pendapat yang terkandung di dalam Warkah Berita ini tidak semestinya mewakili pandangan PERSAMA 3 + Nama bulan orang Pascabima/Malayonesia sebelum Islam ialah mengikut bulan Hindu dalam bahasa Sanskrit: Caitya/Chaitra/Caitra (30 / 31* hari) mulai Mac/Maret 22 / 21*, Waisyaka/Vaisakha (31 hari) mulai April 21, Jesta/Yaistha (31 hari) mulai Mei 22, Asadha (31 hari) mulai Jun/Juni 22, Syrawana/Shravana (31 hari) mulai Julai/Juli 23, Badra/Bhadra (31 hari) mulai Ogos/ Augustus 23, Aswina/Asvina (30 hari) mulai September 23, Kartika/Karttika (30 hari) mulai Oktober 23, Agrahayana (30 hari) mulai November 22, Pausa (30 hari) mulai Disember/Desember 22, Margasirsya/ Margasirsha/Magha (30 hari) mulai Januari/Januarius 21, dan Falgana/Phalgana/Phalguna (30 hari) mulai Februari/Februarius 20. -
Hazel Grove Musical Festival Committee
91st Season 2018 Competitive Est. 1921 Affiliated to The British and International Federation of Festivals for Music, Dance and Speech of which Her Majesty the Queen is Patron PROGRAMME Price £4.00 Registered Charity 505911 INDEX FRIDAY 23rd FEBRUARY 2018 SPEECH & DRAMA Room Page VOCAL Room Page CLASS 100 Verse Speaking, NC YR ………………….… M4 … .9 CLASS 301 British Composers, 10 yrs & under………….. M1…..23 CLASS 101 Verse Speaking, NC Y1…………………....... M4… ..9 CLASS 302 British Composers, 11 & 12 yr……………… M1…..23 CLASS 102 Verse Speaking, NC Y2 …………………….. M4… 9 CLASS 303 British Composers, 13 &14 yrs …………….. M1…..25 CLASS 103 Verse Speaking, NC Y3 …………………….. M5…. 13 CLASS 304 British Composers, 15 & 16 yrs……………... M3…..27 CLASS 104 Verse Speaking, NC Y4 ……………………. M5…..13 CLASS 305 British Composers, 17 & 18 yrs……………... M3…..26 CLASS 105 Verse Speaking, NC Y5 …………………….. M4….. 9 CLASS 307 Vocal Solo, 10 yrs & under………………….. M1…..23 CLASS 108 Verse Speaking, NC Y7 & Y8 ……………… M5…..14 CLASS 308 Vocal Solo, 11 & 12 yrs……………………... M3…..26 CLASS 111 Verse Speaking, NC Y9 & Y10 …………….. M5…..14 CLASS 309 Vocal Solo, 13 & 14 yrs……………………... M1…..25 CLASS 112 Verse Speaking, NC Y11 & above ………….. M5 ….14 CLASS 310 Vocal Solo, 15 & 16 yrs……………………... M3…..27 CLASS 121 Verse Speaking, NC Y1 & Y2………………. M4… 9 CLASS 311 Vocal Solo, 17 & 18 yrs ……………………. M3 ….26 CLASS 123 Verse Speaking, NC Y3 …………………….. M5 … 13 CLASS 125 Verse Speaking, NC Y5 & Y6………………. M5…..13 CLASS 313 Traditional Folk Song, 18 yrs & under……... M1…..25 CLASS 140 Mime, NC Y6 & under ……………………… M4… 9 CLASS 314 Musical Shows, 10 yrs & under…………….. -
ID Lecture 7 Fossils 2014
Intelligent Design vs. Evolution Defending God’s Creation Genesis 1:1, 21, 25 1 In the beginning God created the heavens and the earth ! 21 So God created great sea creatures and every living thing that moves, with which the waters abounded, according to their kind, and every winged bird according to its kind. And God saw that it was good. ! 25 And God made the beast of the earth according to its kind, cattle according to its kind, and everything that creeps on the earth according to its kind. And God saw that it was good. Intelligent Design Critics “The argument for intelligent design basically depends on saying, ‘You haven’t answered every question with evolution.’ Well, guess what? Science can’t answer every question.” ! Kenneth Miller Brown University biologist Houston Chronicle, 10-22-05 Fossilization • Animal or plant must be buried quickly – Catastrophic event – Before decay or consumed • Buried with right mixture of minerals – Everything is replaced slowly with minerals and becomes hard as rock ! • Study of fossils is paleontology Nested Hierarchy • Biology classification developed by Carolus Linnaeus (pre-Darwin) • Organisms grouped by similarities and differences Humans Kingdom Animals Phylum Chordates Class Mammals Order Primates Family Hominids Genus Homo Species sapiens Fossil Record • Cambrian Explosion – “Biology’s Big Bang” • Transitional Fossils – Archaeopteryx • Reptile to mammal evolution • Whale evolution • Fish to Amphibian evolution Characteristics of Fossil Record ! • Sudden Appearance (Saltation) ! • Stasis ! • -
SUMMER 2016 Www
Box Office 0504 90204 SUMMER 2016 www.thesourceartscentre.ie www. thesourceartscentre.ie The Source Arts Centre Summer 2016 Programme The days are finally getting brighter and a little warmer so it’s a good time to get out of the house and come to the Source to see a few events. We’ve got a good selection of musical acts – the highly tipped Dublin songwriter Anderson who became famous for selling his album door-to-door, arrives for a solo show; Cork-born songwriter Mick Flannery presents his new album in another solo gig and we’ve opened up the auditorium for some tribute shows like Live Forever and Roadhouse Doors to give a more concert-type feel, so check these out on our brochure. Legendary Manchester poet John Cooper Clarke comes to visit us on May 4th; we have theatre with ‘The Corner Boys’, God Bless The Child’ and Brendan Balfe reminisces about the golden days of Irish radio in early June. Summer is a time for the kids and again we have a series of arts workshops and classes running over the summer months to keep them all occupied. Keep a lookout for our website: www.thesourceartscentre.ie for updates to our programme as we regularly add new events. Addtionally we put updates on our Facebook page. If you wish to be included on our mailing list, just get in contact with us at: boxoffice @sourcearts.ie We look forward to seeing you at The Source during the summer Brendan Maher Artistic Director Buy online Stef Hans open at You can choose your preferred seat when you The Source Arts Centre buy online 24/7 via your laptop, tablet or smart Fine day-time cuisine from award winning phone at www.thesourceartscentre.ie. -
Feral Beast": Cautionary Lessons from British Press Reform Lili Levi University of Miami School of Law, [email protected]
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2015 Taming the "Feral Beast": Cautionary Lessons From British Press Reform Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons, and the Comparative and Foreign Law Commons Recommended Citation Lili Levi, Taming the "Feral Beast": Cautionary Lessons From British Press Reform, 55 Santa Clara L. Rev. 323 (2015). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. TAMING THE "FERAL BEAST"1 : CAUTIONARY LESSONS FROM BRITISH PRESS REFORM Lili Levi* TABLE OF CONTENTS Introdu ction ............................................................................ 324 I. British Press Reform, in Context ....................................... 328 A. Overview of the British Press Sector .................... 328 B. The British Approach to Newspaper Regulation.. 330 C. Phone-Hacking and the Leveson Inquiry Into the Culture, Practices and Ethics of the Press ..... 331 D. Where Things Stand Now ...................................... 337 1. The Royal Charter ............................................. 339 2. IPSO and IM -
Untitled-1 1 Contents Highlights New Acquisitions Lifestyle, Health & Wellbeing Non Fiction Fiction Recently Published
Untitled-1 1 Contents Highlights New Acquisitions Lifestyle, Health & Wellbeing Non Fiction Fiction Recently Published Picador Contacts Sophie Brewer, Associate Publisher: [email protected] Jon Mitchell, Rights Director: [email protected] Anna Shora, Senior Rights Manager: [email protected] Mairéad Loftus, Rights Executive: [email protected] Aisling Brennan, Rights Assistant: [email protected] Sub-Agents Brazil – Tassy Barham Baltic states – ANA Baltic Bulgaria and Serbia – ANA Sofia *China – ANA Beijing *China – Peony Literary Agency Czech & Slovak Reps – ANA Prague Greece – J.L.M. Agency Hungary & Croatia – ANA Budapest Israel – The Deborah Harris Agency *Japan – The English Agency *Japan – Tuttle-Mori *Japan – Japan Uni Korea – Eric Yang Agency Romania – Simona Kessler Russia – ANA Moscow *Taiwan – ANA Taipei *Taiwan – Peony Literary Agency Turkey – Anatolia Lit * Non-exclusive agent Highlights Lily's Promise How I Survived Auschwitz and Found the Strength to Live Lily Ebert and Dov Forman The incredibly moving and powerful memoir of an Auschwitz survivor who made headlines around the world in 2020. A heart-wrenching and ultimately life-affirming story that demonstrates the power of love to see us through the darkest of times. When Holocaust survivor Lily Ebert was liberated in 1945, a Jewish-American soldier gave her a banknote on which he’d written ‘Good luck and happiness’. And when her great-grandson, Dov, decided to use social media to track down the family of the GI in 2020, 96-year-old Lily found herself making headlines around the world. Lily had promised herself that if she survived Auschwitz she would tell everyone the truth about the camp. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
Your Inner Fish : a Journey Into the 3.5-Billion-Year History of the Human Body / by Neil Shubin.—1St Ed
EPILOGUE As a parent of two young children, I find myself spending a lot of time lately in zoos, museums, and aquaria. Being a visitor is a strange experience, because I’ve been involved with these places for decades, working in museum collections and even helping to prepare exhibits on occasion. During family trips, I’ve come to realize how much my vocation can make me numb to the beauty and sublime complexity of our world and our bodies. I teach and write about millions of years of history and about bizarre ancient worlds, and usually my interest is detached and analytic. Now I’m experiencing science with my children—in the kinds of places where I discovered my love for it in the first place. One special moment happened recently with my son at the Museum of Science and Industry in Chicago. We’ve gone there regularly over the past three years because of his love of trains and the fact that there is a huge model railroad smack in the center of the place. I’ve spent countless hours at that one exhibit tracing model locomotives on their little trek from Chicago to Seattle. After a number of weekly visits 263 to this shrine for the train-obsessed, Nathaniel and I walked to corners of the museum we had failed to visit during our train-watching ventures or occasional forays to the full-size tractors and planes. In the back of the museum, in the Henry Crown Space Center, model planets hang from the ceiling and space suits lie in cases together with other memorabilia of the space program of the 1960s and 1970s. -
Download Winter 2011
2011Winter_Cover_finalrev_Winter05Cover 7/6/10 5:05 PM Page 1 Grove Press Grove Press Celebrates Its 60th Anniversary Celebrating 60 Years of Groundbreaking Publishing 1951–2011 n 1951 Barney Rosset took over a small reprint publisher, Grove Atlantic Monthly Press IPress. Over the next three-and-a-half decades, he and his colleagues Richard Seaver, Gilbert Sorrentino, Fred Jordan, Kent Carroll, Nat Sobel, Herman Graf, and many others created what was one of the Black Cat and Granta most important publishing enterprises of the late-twentieth century. Grove published many of the Beats, including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. Grove became the preeminent pub- lisher of drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press introduced American readers to the work of international authors including Jorge Luis Borges, Mikhail Bulgakov, Jean Genet, Pablo Neruda, Kenzaboro Oe (Nobel Prize for Literature 1994), Octavio Paz (Nobel Prize for Literature 1990), Elfriede Jelinek (Nobel Prize for Literature 2004), and Juan Rulfo. In the late 1950s thly Pr and early 1960s, Barney Rossett challenged the U.S. obscenity laws by on es A publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry A M s Miller’s Tropic of Cancer. His landmark court victories changed the t t c l l i American cultural landscape. Grove Press went on to publish literary t erotic classics like The Story of O and groundbreaking fiction like John n Rechy’s City of Night, as well as the works of the Marquis de Sade.