Sir Simon Jenkins Journalist and Author
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Celebrities As Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field
Celebrities as Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field Ellen Watts Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in Politics 2018 Declaration I, Ellen Watts, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Ellen Watts September 17, 2018. 2 Abstract The ability of celebrities to become influential political actors is evident (Marsh et al., 2010; Street 2004; 2012, West and Orman, 2003; Wheeler, 2013); the process enabling this is not. While Driessens’ (2013) concept of celebrity capital provides a starting point, it remains unclear how celebrity capital is exchanged for political capital. Returning to Street’s (2004) argument that celebrities claim to speak for others provides an opportunity to address this. In this thesis I argue successful exchange is contingent on acceptance of such claims, and contribute an original model for understanding this process. I explore the implicit interconnections between Saward’s (2010) theory of representative claims, and Bourdieu’s (1991) work on political capital and the political field. On this basis, I argue celebrity capital has greater explanatory power in political contexts when fused with Saward’s theory of representative claims. Three qualitative case studies provide demonstrations of this process at work. Contributing to work on how celebrities are evaluated within political and cultural hierarchies (Inthorn and Street, 2011; Marshall, 2014; Mendick et al., 2018; Ribke, 2015; Skeggs and Wood, 2011), I ask which key factors influence this process. -
James Rowson Phd Thesis Politics and Putinism a Critical Examination
Politics and Putinism: A Critical Examination of New Russian Drama James Rowson A thesis submitted for the degree of Doctor of Philosophy Royal Holloway, University of London Department of Drama, Theatre & Dance September 2017 1 Declaration of Authorship I James Rowson hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract This thesis will contextualise and critically explore how New Drama (Novaya Drama) has been shaped by and adapted to the political, social, and cultural landscape under Putinism (from 2000). It draws on close analysis of a variety of plays written by a burgeoning collection of playwrights from across Russia, examining how this provocative and political artistic movement has emerged as one of the most vehement critics of the Putin regime. This study argues that the manifold New Drama repertoire addresses key facets of Putinism by performing suppressed and marginalised voices in public arenas. It contends that New Drama has challenged the established, normative discourses of Putinism presented in the Russian media and by Putin himself, and demonstrates how these productions have situated themselves in the context of the nascent opposition movement in Russia. By doing so, this thesis will offer a fresh perspective on how New Drama’s precarious engagement with Putinism provokes political debate in contemporary Russia, and challenges audience members to consider their own role in Putin’s autocracy. The first chapter surveys the theatrical and political landscape in Russia at the turn of the millennium, focusing on the political and historical contexts of New Drama in Russian theatre and culture. -
198J. M. Thornton Phd.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Thornton, Joanna Margaret (2015) Government Media Policy during the Falklands War. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/50411/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Government Media Policy during the Falklands War A thesis presented by Joanna Margaret Thornton to the School of History, University of Kent In partial fulfilment of the requirements for the degree of Doctor of Philosophy in the subject of History University of Kent Canterbury, Kent January 2015 ©Joanna Thornton All rights reserved 2015 Abstract This study addresses Government media policy throughout the Falklands War of 1982. It considers the effectiveness, and charts the development of, Falklands-related public relations’ policy by departments including, but not limited to, the Ministry of Defence (MoD). -
Broadcast and on Demand Bulletin Issue Number 377 29/04/19
Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Issue number 377 29 April 2019 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Contents Introduction 3 Notice of Sanction City News Network (SMC) Pvt Limited 6 Broadcast Standards cases In Breach Sunday Politics BBC 1, 30 April 2017, 11:24 7 Zee Companion Zee TV, 18 January 2019, 17:30 26 Resolved Jeremy Vine Channel 5, 28 January 2019, 09:15 31 Broadcast Licence Conditions cases In Breach Provision of information Khalsa Television Limited 34 In Breach/Resolved Provision of information: Diversity in Broadcasting Various licensees 36 Broadcast Fairness and Privacy cases Not Upheld Complaint by Symphony Environmental Technologies PLC, made on its behalf by Himsworth Scott Limited BBC News, BBC 1, 19 July 2018 41 Complaint by Mr Saifur Rahman Can’t Pay? We’ll Take It Away!, Channel 5, 7 September 2016 54 Complaint Mr Sujan Kumar Saha Can’t Pay? We’ll Take It Away, Channel 5, 7 September 2016 65 Tables of cases Investigations Not in Breach 77 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Complaints assessed, not investigated 78 Complaints outside of remit 89 BBC First 91 Investigations List 94 Issue 377 of Ofcom’s Broadcast and On Demand Bulletin 29 April 2019 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2. -
{PDF} Essential English: for Journalists, Editors and Writers Pdf Free
ESSENTIAL ENGLISH: FOR JOURNALISTS, EDITORS AND WRITERS PDF, EPUB, EBOOK Sir Harold Evans,Crawford Gillan | 320 pages | 01 Oct 2003 | Vintage Publishing | 9780712664479 | English | London, United Kingdom Essential English for Journalists, Editors and Writers by Harold Evans - Penguin Books Australia Original Title. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Essential English for Journalists, Editors and Writers , please sign up. Hello, I am in dire need of this book but I am faced with the challenge of getting a copy in Nigeria. How do I get? Any information on how to get it here in Nigeria will be very well appreciated. Thank you. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Dec 21, Hayley rated it really liked it. It's always a little disconcerting to discover a mistake in a book that's about how to write well, even if it might simply be a case of an accidental misprint. That said, this is a great book! It's an ideal read for journalists and anyone else who wants to write good copy to make a living. It will make you think about not just what you write, but how you write. And its witty quips make what could be a very dry read quite entertaining. But that's hardly a surprise when you consider Evans was one o It's always a little disconcerting to discover a mistake in a book that's about how to write well, even if it might simply be a case of an accidental misprint. -
Print Journalism: a Critical Introduction
Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved. -
THOTKG Production Notes Final REVISED FINAL
SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son. -
Jerwood Annual Reports 2009
ERWOOD J FOUNDATION charitable foundation jerwood space ANNUAL REPORTS 2009 JERWOOD FOUNDATION 22 Fitzroy Square . London . W1T 6EN Telephone: 020 7388 6287 Fax: 020 7388 6289 www.jerwood.org - JERWOOD CHARITABLE FOUNDATION 171 Union Street . London . se1 0LN Telephone: 020 7261 0279 www.jerwoodcharitablefoundation.org - JERWOOD SPACE 171 Union Street . London . se1 0LN Telephone: 020 7654 0171 Fax: 020 7654 0172 www.jerwoodspace.co.uk JE RWO OD ANNUAL REPORTS 2009 CONTENTS The Jerwood Family 2 Jerwood Foundation, 3 Chairman’s Statement Jerwood Space, 12 Chairman’s & Director’s Statement Jerwood Charitable Foundation, 16 Chairman’s & Director’s Statement Visual Arts 20 Dance 26 Theatre 27 Literature 30 Music 31 Cross-Disciplinary 34 Small Grants 37 Jerwood Charitable Foundation, 39 Financial Statement 1 THE JERWOOD FAMILY The Jerwood Foundation, Jerwood Charitable Foundation and Jerwood Space are a family of organisations committed to imaginative and responsible funding and sponsorship of the visual and performing arts. Founded in 1977, the Jerwood Foundation was established by its Chairman, Alan Grieve, for John Jerwood, an international businessman and philanthropist. Since John Jerwood’s death in 1991, Alan Grieve has created and shaped the Jerwood vision of supporting excellence. This vision has established the Jerwood name as a major contributor to the vibrancy and creativity of the arts in the UK. The Jerwood Foundation makes strategic capital grants, reflecting its passion for the arts and education, and has established the Jerwood Art and Jerwood Sculpture Collections, both significant collections of 20th and 21st century works of art. The Sculpture Collection is open to the public at Ragley Hall in Warwickshire. -
Rosh Hashanah 5753 Lying Through Gold Teeth Pl6 Orality, Wrote Sigmund Freud, Is 'Conduct System
AJR Information Volume XLVII No. 9 September 1992 £3 (to non-members) Don't miss . This Solemn Season Mea culpa p3 Talking it out p7 Rosh Hashanah 5753 Lying through gold teeth pl6 orality, wrote Sigmund Freud, is 'conduct system. Morality, on the other hand, aims for the designed to benefit society as a whole or its absolute, that which by definition is not entirely M members individually'. The same is, of course, achievable but which must still be taken and respected true of law. However, as between some legal theorists, as the measure of desirable human behaviour. there has long been in existence a basic difference of The major implications of this point of view are Gleams of opinion as to the precise relationship between morality that law making and enforcement are the prerogatives and law and their respective functions in the social of political power and official authority, while morals hope order. One school of thought holds that the tenets of are and remain a purely personal matter, subject only morality are one thing, rules of law another and that in to an individual's private conscience and concern. The ost-Cold War practice, in real life, law should not seek to enforce the law should not impose morality and neither should euphoria has moral values of the majority (or, indeed, any others). received conceptions of morality impose themselves Pnow given While both, so runs the argument, are indeed intended upon the law. way to deep to serve similar ends - the maintenance of an No such dichotomy exists in the religious and established and stable social order - they do not have philosophical traditions of Judaism. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
Feral Beast": Cautionary Lessons from British Press Reform Lili Levi University of Miami School of Law, [email protected]
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2015 Taming the "Feral Beast": Cautionary Lessons From British Press Reform Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons, and the Comparative and Foreign Law Commons Recommended Citation Lili Levi, Taming the "Feral Beast": Cautionary Lessons From British Press Reform, 55 Santa Clara L. Rev. 323 (2015). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. TAMING THE "FERAL BEAST"1 : CAUTIONARY LESSONS FROM BRITISH PRESS REFORM Lili Levi* TABLE OF CONTENTS Introdu ction ............................................................................ 324 I. British Press Reform, in Context ....................................... 328 A. Overview of the British Press Sector .................... 328 B. The British Approach to Newspaper Regulation.. 330 C. Phone-Hacking and the Leveson Inquiry Into the Culture, Practices and Ethics of the Press ..... 331 D. Where Things Stand Now ...................................... 337 1. The Royal Charter ............................................. 339 2. IPSO and IM -
Untitled-1 1 Contents Highlights New Acquisitions Lifestyle, Health & Wellbeing Non Fiction Fiction Recently Published
Untitled-1 1 Contents Highlights New Acquisitions Lifestyle, Health & Wellbeing Non Fiction Fiction Recently Published Picador Contacts Sophie Brewer, Associate Publisher: [email protected] Jon Mitchell, Rights Director: [email protected] Anna Shora, Senior Rights Manager: [email protected] Mairéad Loftus, Rights Executive: [email protected] Aisling Brennan, Rights Assistant: [email protected] Sub-Agents Brazil – Tassy Barham Baltic states – ANA Baltic Bulgaria and Serbia – ANA Sofia *China – ANA Beijing *China – Peony Literary Agency Czech & Slovak Reps – ANA Prague Greece – J.L.M. Agency Hungary & Croatia – ANA Budapest Israel – The Deborah Harris Agency *Japan – The English Agency *Japan – Tuttle-Mori *Japan – Japan Uni Korea – Eric Yang Agency Romania – Simona Kessler Russia – ANA Moscow *Taiwan – ANA Taipei *Taiwan – Peony Literary Agency Turkey – Anatolia Lit * Non-exclusive agent Highlights Lily's Promise How I Survived Auschwitz and Found the Strength to Live Lily Ebert and Dov Forman The incredibly moving and powerful memoir of an Auschwitz survivor who made headlines around the world in 2020. A heart-wrenching and ultimately life-affirming story that demonstrates the power of love to see us through the darkest of times. When Holocaust survivor Lily Ebert was liberated in 1945, a Jewish-American soldier gave her a banknote on which he’d written ‘Good luck and happiness’. And when her great-grandson, Dov, decided to use social media to track down the family of the GI in 2020, 96-year-old Lily found herself making headlines around the world. Lily had promised herself that if she survived Auschwitz she would tell everyone the truth about the camp.