St. Paul's United Methodist Church
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Choral Evensong
CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day. -
DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16. -
Oursaviournyc.Org 2 February 2020
T HE P ARISH OF O UR S AVIOUR S AINT S TEPHEN AND O UR L ADY OF THE S CAPULAR C HAPEL OF THE S ACRED H EARTS OF J ESUS AND M ARY in the City of New York oursaviournyc.org CHURCH OF OUR SAVIOUR CHAPEL OF THE Fifty-nine Park Avenue SACRED HEARTS OF JESUS AND MARY (at East Thirty-eighth Street) 325 East Thirty-third Street New York, NY 10016 (between First and Second Avenues) Parish Office: (212) 679–8166 New York, NY 10016 Chapel Office: (212) 213–6027 Our Saviour and Sacred Hearts are both handicapped accessible. v Rev. Robert J. Robbins, K.C.H.S., Pastor Parish Trustees: Rev. Andrew E. Kurzyna, Parochial Vicar Leilani Siri, M.D. Rev. Msgr. Kevin Sullivan, In Residence Mr. Thomas J. Travers, K.C.H.S. Rev. Msgr. Hilary C. Franco, Honorary Associate Mr. Paul J. Murray, K.C.H.S., Director of Music & Organist MASS FOR THE LORD’S DAY OUR SAVIOUR SACRED HEARTS Saturday Vigil: 5:00 p.m. (Sung) Sunday: 12:45 p.m. (Sung), Sunday: 9:00 a.m., 11:00 a.m. (Choral), 5:00 p.m. 3:00 p.m. (Korean-English bilingual), 5:30 p.m. (Sung) DAILY MASS OUR SAVIOUR SACRED HEARTS 7:45 a.m. (Monday–Friday) 5:15 p.m. (Monday–Friday) 12:05 p.m. (Monday–Saturday) SACRAMENT OF PENANCE (CONFESSION) OUR SAVIOUR SACRED HEARTS Sunday: 10:30–10:50 a.m. Sunday: 5:00–5:15 p.m. Monday– Friday: 7:20–7:40 a.m. -
16 November 2018 Page 1 of 12
Radio 3 Listings for 10 – 16 November 2018 Page 1 of 12 SATURDAY 10 NOVEMBER 2018 Aufforderung zum Tanz : rondo brillant for piano Op.65 of Lent, settings of texts from the Old Testament Book of Artur Schnabel (Piano) Lamentations. SAT 01:00 Through the Night (m000127l) Rhapsodie espagnole 05:18 AM Although modestly scored for one and two voices and organ, Music for two pianos by Debussy, Ravel & Bartok performed Wolfgang Amadeus Mozart (1756-1791) the music makes a deeply expressive and satisfying sequence, by Yuka Oechslin & Anton Kernjak. Presented by John Shea. Mentre ti lascio, o figlia - aria for bass and orchestra (K.513) by turns meditative, dramatic and contemplative as it deals with Robert Holl (Bass), Netherlands Radio Philharmonic Orchestra, the captivity of the Jews and the destruction of the temple of 01:01 AM Kenneth Montgomery (Conductor) Jerusalem in 587 BC and demands top-flight singers. Claude Debussy (1862-1918) En Blanc et Noir 05:26 AM 10.20am New Releases Yuka Oechslin (Piano), Anton Kernjak (Piano) Erik Satie (1866-1925), Darius Milhaud (Arranger) Jack-in-the-box pantomime (Prelude; Entr'acte; Finale) Mozart: ‘Les Trois Derniers Symphonies’ 01:18 AM CBC Vancouver Orchestra, Mario Bernardi (Conductor) Ensemble Appassionata Maurice Ravel (1875-1937) Mathieu Herzog (conductor) La Valse 05:33 AM NAÏVE V 5457 (2CDs) Yuka Oechslin (Piano), Anton Kernjak (Piano) Jean-Philippe Rameau (1683-1764) Les Indes Galantes (excerpts) Mozart: ‘Sonatas for fortepiano & violin’ Vol.1 01:33 AM Norwegian Chamber Orchestra, Terje Tønnesen -
Services and Music List
Services and Music List March and April 2018 WELCOME Much of our attention, both in Church and in the world, is given to what is extraordinary; to anything which is unusual or which stands out. The daily round of prayer and praise at the Cathedral reminds us that our access to God, and our privilege to begin and end each day begun and ended in God – is far from ordinary. The gold of word and sacrament is supported here at Wells through sensitively chosen and performed music, which for many, is the very ‘language of God.’ It enables us to reflect our world and its triumphs and tribulations back to God creatively and so to experience our share in the divine life. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE February 25 – March 3: The Very Reverend Dr John Davies, DL, Dean March 4 – 10: The Reverend Canon Andrew Featherstone, Chancellor March 11 – 17: The Reverend Canon Nicholas Jepson-Biddle, Precentor March 18 – 24: The Venerable Anne Gell, Archdeacon of Wells March 25 – 31: The Reverend Canon Nicholas Jepson-Biddle, Precentor April 1 – 7: The Reverend Canon Andrew Featherstone, Chancellor April 8 – 14: The Very Reverend Dr John Davies, DL, Dean April 15 – 21: The Reverend Canon Andrew Featherstone, Chancellor April 22 – 28: The Reverend Canon Nicholas Jepson-Biddle, Precentor April 29 – May 5: The Very Reverend Dr John Davies, DL, Dean WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. -
Preces and Responses
6 ?# Evensong ˙ œ œ paraclete press PPM01512 Give peaceinour time,OLord. $1.70 mf ° # ™ œ œ œ œ œ œ & œ œ™ œ œ œ œ œ œ œ œ œ nœ œ Be - cause there is none oth - er thatfight - eth for us, but ™ œ œ œ œ œ œœ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ œ œ œ mf f ° Preces and # œ œ œ œ œ™ ˙ & nœ œ œ œ œ œ ˙ Œ on - ly thou, O God. Responses œ œ œ œ ˙ ¢?# œ œ Œ f ?# ˙ œ œ OGod,make clean ourhearts with- in us. Slower p pp David Halls ° # œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œœ œ œ And take not thy Ho - ly Spir - it from us. œ œ œ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ p pp DO SATBNOT a cappella COPY Collects Very slow 1. p 2. p 3. pp ° # ° # ° # U & ˙ ˙ & ˙ ˙ & œ œ œb œ œ œ w b˙ ˙ ˙ ˙ ˙ ˙ nw A - men. A - men. A --men. b˙ n˙ #˙ ˙ U ?# œ b ˙ ˙ ?# ˙ ˙ ?# n˙ ˙˙w ¢ ¢ ¢ b ˙ w p p pp PPM01512 5 ?# ˙n œ œ OLord, save the Queen. mf ° # œ œ œ œ bœ œ œ Œ & œ œ œ œ œ œ œ œ œ œ nœ œn œœ #˙ And merc- i - ful - ly hear us when we call up - on thee. ?# œ #œ œ œ œ œ bœ #œ œb œ œ #œ œ ˙ David Halls ¢ œ œ œ œ œ œ œ bœ œ œ ˙ Œ mf Born in 1963, David Halls was taught the piano from the age of four. -
The Choir of Men and Boys ∙ the Parish of All Saints, Ashmont
The Choir of Men and Boys ∙ The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617–436–3520 [email protected] FAX 617–436–7320 FREDERICK BACKHAUS, Organist & Master of Choristers CHORAL MUSIC – Advent to Last Epiphany, 2008-09 (Year B) YEAR B Advent I The Gentlemen of the Choir November 25, 2008 The Great Litany in Procession (Thanksgiving weekend) Missa brevis (TTBB) – Denis Bedárd Psalm 122 (Tone I) Ecce advenit – William Byrd Remember me, O Lord – Thomas Tomkins Advent II The Choir of Men & Boys December 7, 2008 Matin Responsory and ‘Come, thou Redeemer of the earth’ Communion Service in F – William H. Harris Psalm 72:1-8 (Tone I) There is no rose – Joel Martinson O come, O come, Emmanuel – Andrew Carter Advent III The Choir of Men & Boys December 14, 2008 The Great Litany in Procession Communion Service in F – Herbert Sumsion Psalm 146:4-9 (Tone VII) This is the record of John – Orlando Gibbons Lessons & Carols (7:00 pm - Saturday) The Choir of Men & Boys December 20. 2008 St. John the Evangelist R.C. Church, Winthrop Advent IV Chamber Choir December 21, 2008 Missa brevis – Leslie Betteridge (SSA) Psalm 24:1-7 (Tone I) Ave Maria – Claudio Monteverdi (SSA) Lessons & Carols (4:00 pm - Sunday) The Choir of Men & Boys December 21, 2008 The Parish of All Saints, Ashmont Hymn: Once in royal David’s city (Irby) – David Willcocks This is the truth sent from above – Philip Moore Jesus Christ the apple tree – Anthony Piccolo There is no rose – Joel Martinson Up! good Christen folk, and listen – G.R. -
2021-2022 Music Season Brochure
UPLIFT YOUR SPIRIT Music at Christ Church Cathedral 2021-22 About Richards, Fowkes & Co. Opus 24 In December 2013, Christ Church Cathedral commissioned Richards, Fowkes & Co. to design, build, and install a new organ for the primary worship space. Opus 24, completed in March 2021, is a three-manual, 58-stop mechanical-action instrument designed to accompany congregational singing and choral music, in addition to playing solo organ repertoire with a wide palette of colorful sounds. Join us as we celebrate Opus 24’s inaugural season! UPLIFT YOUR SPIRIT with Christ Church Cathedral’s 2021-22 Season of Music! Friends of Music Most of the concerts in our 2021-22 season are offered at no charge, thanks, in part, to generous contributions to the cathedral’s Friends of Music Fund. Friends of Music donations support music programming outside the cathedral’s annual budget. You can become a Friend of Music today by donating online (text GIVECCC to 73256 or visit abundant.co/ccc/friendsofmusic) or send a check to Christ Church Cathedral with “Friends of Music” written on the memo line. Subscribe To have a copy of the season brochure mailed to you annually, visit cincinnaticathedral.com/music or contact Kathy Noe (knoe@cccath. org or 513.842.2051) with your street address. You may also ask to receive our monthly music e-news. Programming All programming is subject to change. See cincinnaticathedral.com/ music for updated information. See the calendar at the bottom of the music webpage for add to calendar links for concerts and worship services. Weekly Sunday Worship 8:00 AM, 10:00 AM, 12:00 PM 3 September 2021 Sunday, September 26 | 5:30 PM Kory Caudill and Wordsmith The Concert for the Human genre-bending original music to launch conversation around Family is an inspiring collaboration that bridges jazz, hip-hop, reconciliation, healing, and between award-winning and bluegrass, performed by justice in the communities we call musicians and church leaders a multicultural team led by home. -
Finzi Bagatelles
Gerald Finzi (1901-1956): Five Bagatelles for clarinet and piano, Opus 23 (1945) Prelude: Allegro deciso Romance: Andante tranquillo Carol: Andante semplice Forlana: Allegretto grazioso Fughetta: Allegro vivace Better known for his vocal music, Finzi also wrote well for the clarinet: these Five Bagatelles and his later Clarinet Concerto are frequently played. Born to a German/Italian Jewish family in London, the teenage Finzi was taught composition in Harrogate by Ernest Farrar, a pupil of Stanford, and by Edward Bairstow, Master of Music at York Minster. His subsequent friends and colleagues included Vaughan Williams, R.O.Morris, Holst, Bliss, Rubbra and Howard Ferguson; his music is firmly within this English tradition. He was attracted to the beauty of the English countryside and to the poetry of Traherne, Hardy and Christina Rosetti. The Five Bagatelles had a tortuous birth. In the summer of 1941, increasingly confident in his powers as a composer, Finzi completed three character pieces for clarinet and piano before being drafted into the Ministry of War Transport. He used “20-year-old bits and pieces”, which he had been working on since 1938. A fourth was added in January 1942 and the whole group performed at a wartime National Gallery lunchtime concert. Leslie Boosey wanted to publish the pieces separately, but in July 1945 Finzi persuaded him to publish them as a group, together with an additional fast finale. Somewhat to Finzi's chagrin, they became his most popular piece: ‘they are only trifles... not worth much, but got better notices than my decent stuff’. The first movement shows Bach's influence on Finzi and contains a slow central section with characteristically wistful falling minor 7ths. -
CHOIR MUSIC ANDREW NUNN (Dean)
PETER WRIGHT (Organist) STEPHEN DISLEY (Assistant Organist) FEBRUARY 2019 SOUTHWARK CATHEDRAL RACHEL YOUNG (Succentor) GILLY MYERS (Canon Precentor) CHOIR MUSIC ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTINGS ANTHEMS 1 Friday 5.30pm Evensong Smith 62 157 Stanford in B flat Look up, sweet babe (Lennox Berkeley) 3 SUNDAY 11.00am Eucharist 24 (7-end) 336; 44; SP 13 Missa Aeterna Christi munera O thou, the central orb (Charles Wood) CANDLEMAS (Palestrina) O nata lux (Thomas Tallis) Nunc dimittis (Dyson in F) 3.00pm Evensong Smith 132 (1-10) 156 (t. 288); CP 65 (t. 33) Stanford in A When to the temple Mary went (Johannes Eccard) 6.00pm Eucharist (Trad Rite) (men’s voices) 157; 57; 373 (t. CP 466); Missa Aeterna Christi munera Tout puissant (Francis Poulenc) 338 (Palestrina) Seigneur, je vous en prie (Francis Poulenc) 4 Monday 5.30pm Evensong Rawsthorne 4 457 (ii) Rubbra in A flat Mother of God, here I stand (John Tavener) 5 Tuesday 5.30pm Evensong Smith 9 (1-12) 346 Wise in F Hail, gladdening light (Charles Wood) 6 Wednesday 5.30pm Evensong (Cranleigh Voices) Byrd 34 373 (t. Coe Fen) Stanford in G And I saw a new heaven (Edgar Bainton) 7 Thursday 5.30pm Evensong (treble voices) Plainsong 118 (19-end) 338 (omit *) Rawsthorne in F Auf meinen lieben Gott (J. S. Bach) 8 Friday 5.30pm Evensong (men’s voices) Moore 22 245 Tonus peregrinus (Plainsong) Laudem dicite Deo (John Sheppard) 10 SUNDAY 11.00am Eucharist 138 377; CP 390; Darke in F Let all mortal flesh keep silence (Edward Bairstow) IV BEFORE 353 (omit v.3); CP 470 Ave verum corpus (William Byrd) LENT 3.00pm Evensong Shephard 2 254 (t. -
A Meditative and Musical Guide to by John Rutter
A Meditative and Musical Guide to Magnificat by John Rutter The Magnificat, the outpouring of spirit that Mary proclaimed when she visited her cousin Elizabeth and shared her news of the miraculous birth of the Messiah, is the quintessential liturgical text for the Advent Season. Mary’s words, patterned closely from those of Hannah as she gave thanks for the birth of her son Samuel (Samuel 2:1-10) and a close parallel to Psalm 113, are at once a joyous outburst of praise and thanksgiving, an expression of humility, a recognition of the glory of God and his mercy for humankind, a strong statement of God’s love for the humble and poor, and news of the fulfillment of God’s promise of a savior. John Rutter characterizes the text as “a canticle of praise, trust, and joy.” Movement 1 – Mary Sings Praises to God (Luke 1:46-48) Magnificat anima mea Dominum: My soul doth magnify the Lord: et exsultavit spiritus meus in Deo salutari meo. and my spirit hath rejoiced in God my Saviour. Quia respexit humilitatem ancillae suae: For he hath regarded the lowliness of his hand-maiden: ecce enim ex hoc beatam me dicent omnes for behold, from henceforth all generations shall call me generationis. blessed. The first movement is divided into 2 large sections that express contrasting perspectives of Mary’s joy. Rutter looked to the strong musical heritages of Spain and Mexico to derive the rhythmic motors for this joy. The first section begins with an orchestral fanfare that sets the stage for the clearly joyful, festive text of the first part of Mary’s Song. -
John Rutter: Choral Ambassador
October 2017 Issue 56 Hemiola St George’s Singers JOHN RUTTER: CHORAL AMBASSADOR INSIDE THIS ISSUE: BY NEIL TAYLOR Rachmaninov Vespers 2 Chanting Russia’s history 3 To my mind, John Rutter is a He’s also a thoroughly engag- Verdi Requiem review 4 skilled craftsman, a gifted com- ing, warm and generous man. I Christmas with Rutter 5 poser and a classy interpreter. first met him when, as a student, I had a call one Saturday after- Letter from the Editor 5 Let’s look: a definitive version of noon asking if I could come and SGS News 6 the Fauré Requiem in its original make drinks at a Cambridge scoring; many brilliant record- Singers’ recording session in Kath Dibbs remembered 6 ings with his own group, The Robert Brooks: interview 7 Hampstead, North London. Everybody tells me, who has sung in a choir, I hopped on the tube, arrived Costa Rica: final memories 8 that they feel better for doing it. Whatever the Song for Diana 9 at University College cares of the day, if they meet after a School, listened to the ses- long day’s school or work, somehow Beethoven’s Fantasy 10 they leave their troubles at the door. sions with that amazing Carol concert and Messiah 11 group and the wonderful Jill White as producer, and Cambridge Singers over the past brewed up. 35 years; such an accomplished Since then, I’ve had the privi- eye and ear for instrumental and vocal colours; beautifully hand- lege of working with John and ST GEORGE’S SINGERS whilst he is charming and anec- written music notation; well- dotal, he does demand much of PRESIDENT: crafted melodies; skilled and apt use of texts; a brilliant interpreter his fellow musi- Choral music is not one of life’s frills.