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(12) United States Patent (10) Patent No.: US 8,932,565 B2 Ilekti Et Al
US008932565B2 (12) United States Patent (10) Patent No.: US 8,932,565 B2 Ilekti et al. (45) Date of Patent: Jan. 13, 2015 (54) THERMAL COSMETIC TREATMENT 3.65 A 1 & E. E. 1 PROCESS USING ASEM-CRYSTALLINE 5,082,706- - - A 1/1992 Tangneyolfgruber et al. POLYMER 5,110,890 A 5/1992 Butler 5,156,911 A 10, 1992 Stewart (75) Inventors: Philippe Ilekti, Maison-Alfort (FR): 5,171,096 A 12/1992 Perrotti Sylvie Boulogne, L'hays les Roses (FR) 5,248,7395,221,534 A 9/19936/1993 SchmidtDesLauriers et al. et al. 5,302,685 A 4, 1994 Tsumura et al. (73) Assignee: L'Oreal, Paris (FR) 5.319,040 A 6/1994 Wengrovius et al. 5,500,209 A 3, 1996 Mendolia et al. (*) Notice: Subject to any disclaimer, the term of this 5,519,063 A 5/1996 Mondet et al. patent is extended or adjusted under 35 5,736,125 A 4, 1998 Morawsky et al. U.S.C. 154(b) by 312 days 5,750,723 A 5, 1998 Eldin et al. M YW- y yS. 5,783,657. A 7/1998 Pavlin et al. 5,817,302 A 10, 1998 Berthiaume et al. (21) Appl. No.: 12/988,465 5,847,156 A 12/1998 Eldin et al. 5,874,069 A 2f1999 Mendolia et al. (22) PCT Filed: Jul. 22, 2009 5,919,441 A 7/1999 Mendolia et al. 5,981,680 A 11, 1999 Petroffetal. 5.998,547 A 12/1999 Hohner (86). PCT No.: PCT/FR2009/051474 5.998.570 A 12/1999 Pavlin et al. -
Appendix Wuthering Heights Screen Adaptations
Appendix Wuthering Heights Screen Adaptations Abismos de Pasión (1953) Directed by Luis Buñuel [Film]. Mexico: Producciones Tepeyac. Arashi Ga Oka (1988) Directed by Kiju Yoshida [Film]. Japan: Mediactuel, Saison Group, Seiyu Production, Toho. Cime Tempestose (2004) Directed by Fabrizio Costa [Television serial]. Italy: Titanus. Cumbres Borrascosas (1979) Directed by Ernesto Alonso and Karlos Velázquez [Telenovela]. Mexico: Televisa S. A. de C. V. Dil Diya Dard Liya (1966) Directed by Abdul Rashid Kardar [Film]. India: Kary Productions. Emily Brontë’s Wuthering Heights (1992) Directed by Peter Kosminsky [Film]. UK/USA: Paramount Pictures. Emily Brontë’s Wuthering Heights (1998) Directed by David Skynner [Television serial]. UK: ITV, Masterpiece Theatre, PBS. Hihintayin Kita Sa Langit (1991) Directed by Carlos Siguion-Reyna [Film]. Philippines: Reynafilms. Hurlevent (1985) Directed by Jacques Rivette [Film]. France: La Cécilia, Renn Productions, Ministère de la Culture de la Republique Française. Ölmeyen Ask (1966) Directed by Metin Erksan [Film]. Turkey: Arzu Film. ‘The Spanish Inquisition’ [episode 15] (1970). Monty Python’s Flying Circus [Television series]. Directed by Ian MacNaughton. UK: BBC. Wuthering Heights (1920) Directed by A. V. Bramble [Film]. UK: Ideal Films Ltd. Wuthering Heights (1939) Directed by William Wyler [Film]. USA: United Artists/ MGM. Wuthering Heights (1948) Directed by George More O’Ferrall [Television serial]. UK: BBC. Wuthering Heights (1953) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1962) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1967) Directed by Peter Sasdy [Television serial]. UK: BBC. Wuthering Heights (1970) Directed by Robert Fuest [Film]. UK: American International Pictures. Wuthering Heights (1978) Directed by Peter Hammond [Television serial]. -
Rachel Barker and Alison Bracker
Tate Papers - Beuys is Dead: Long Live Beuys! Characterising Volition,... http://www.tate.org.uk/research/tateresearch/tatepapers/05autumn/barker.htm ISSN 1753-9854 TATE’S ONLINE RESEARCH JOURNAL Beuys is Dead: Long Live Beuys! Characterising Volition, Longevity, and Decision-Making in the Work of Joseph Beuys Rachel Barker and Alison Bracker Fig.1 Joseph Beuys Felt Suit 1970 (photographed on acquisition, 1981) Felt Edition 27, no. 45 Tate Archive. Purchased by Tate 1981, de-accessioned 1995 © DACS 2005 View in Tate Collection For over four decades, artists have used organic or fugitive materials in order to instigate and interrogate processes of stasis, action, permanence, and mortality. Joseph Beuys (1921-1986), along with his contemporary, Dieter Roth (1930 –1998), pioneered this practice, probing concepts of energy, warmth, and transformation through the intelligent use of organic materials such as fat. But unlike Roth, who consistently advocated the unconstrained decomposition of his work, Beuys’ position on decay, change, and damage varied from statement to statement, and from piece to piece. As one conservator familiar with the artist’s work noted, in order to understand Beuys’ personal philosophy regarding conservation, ‘it would be necessary to read all his interviews and statements ... and even after this, one still might be restricted to speculation as to what he ... meant in this special case.’1 Unsurprisingly, museums housing Beuys sculptures and installations generally lack consistent counsel from the artist pertaining to preventive conservation, intervention, and restoration of his work. Together with codified conservation principles, artists’ statements and documentation (ideally, recorded at the time of acquisition, and at vital points in the work’s lifespan) greatly inform conservation decision- making. -
(12) Patent Application Publication (10) Pub. No.: US 2010/0197805 A1 CASSIN (43) Pub
US 20100 197805A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2010/0197805 A1 CASSIN (43) Pub. Date: Aug. 5, 2010 (54) COMPOSITION FOR IMPROVING THE (30) Foreign Application Priority Data SURFACE APPEARANCE OF THE SKN Jan. 27, 2009 (FR) ...................................... O95O491 (75) Inventor: Guillaume CASSIN, Villebon Sur Publication Classification Yvette (FR) (51) Int. Cl. A6II 47/30 (2006.01) Correspondence Address: A61O 19/00 (2006.01) NEUSTADT,OBLON, SPIVAK, L.L.P. MCCLELLAND MAIER & (52)52) U.S. Cl.C ..................................................... 514/772.1 194O DUKE STREET (57) ABSTRACT ALEXANDRIA, VA 22314 (US) The present invention relates to a cosmetic composition in the form of a paste, containing, in a physiologically acceptable (73) Assignee: LOREAL, Paris (FR) medium, at least 10% by weight, relative to its total weight, of filler(s), at least one silicone polyamide block copolymer (21) Appl. No.: 12/694,345 (PSPA) and at least one wax having a starting melting point of greater than or equal to 50° C. The present invention also (22) Filed: Jan. 27, 2010 relates to a cosmetic treatment method for improving the 9 Surface appearance of the skin, and in particular for reducing Related U.S. Application Data the visible and/or tactile irregularities of the skin, for instance the cutaneous microrelief, comprising at least the application (60) Provisional application No. 61/152,976, filed on Feb. of at least one composition as defined above to skin exhibiting 17, 2009. said irregularities. US 2010/O 197805 A1 Aug. 5, 2010 COMPOSITION FOR IMPROVING THE relative to its total weight, of filler(s), a silicone polyamide SURFACE APPEARANCE OF THE SKN block copolymer (PSPA) and at least one wax having a start ing melting point of greater than or equal to 50° C. -
The-Cat's-Dispatch
The-Cat’s-Dispatch Walnut Ridge, Arkansas Lawrence County School District www.bobcats.k12.ar.us January 29, 2020 Vol. 45 Issue No. 4 ~ Walnut Ridge High School supplement to The Times Dispatch since 1976 ~ Augustine Soars Past 1000 Points Crowning Moments By Olivia Ford WB 2019 and Hoco 2020 Bailey Augustine has made a habit WinterBall of setting her personal bests on the basketball King and court. She leads the state in total points this Queen, season and is ranked 4th nationally in overall Chloe points. Bounds and Logan Augustine, a junior for the Lady Sain Bobcats, hit a special milestone by scoring her Homecoming 1000th career point Queen and during a victory Sweetheart against Piggott on King, December 16. Maddie On January Flippo and 13, in a 72-68 Nash Gill overtime victory against the Osceola Winter Ball 2019 Lady Seminoles, Bailey takes the court she eclipsed before a home crowd. A Winter Stroll Down Main her single game By Grady Privett scoring record by pouring in 49 points. escorted by Gavin Davis and According to Chloe Bounds and escort, Logan Sain were crowned King Kennedie Weldon, and her escort, MaxPreps, she Austin Rushing. Bailey makes every and Queen at Winter Ball 2019. leads the state in Student Council, advised basket look easy. scoring and is where they were crowned by last year’s King and Queen Nash Gill by Jerry Haynes, sponsored and ranked in the top decorated the winter wonderland. five nationally. and Katie Kersey. The annual event was held at The Studio on Saturday, Dinner was provided by H & H December 14. -
AMSA Meat Color Measurement Guidelines
AMSA Meat Color Measurement Guidelines Revised December 2012 American Meat Science Association http://www.m eatscience.org AMSA Meat Color Measurement Guidelines Revised December 2012 American Meat Science Association 201 West Springfi eld Avenue, Suite 1202 Champaign, Illinois USA 61820 800-517-2672 [email protected] http://www.m eatscience.org iii CONTENTS Technical Writing Committee .................................................................................................................... v Preface ..............................................................................................................................................................vi Section I: Introduction ................................................................................................................................. 1 Section II: Myoglobin Chemistry ............................................................................................................... 3 A. Fundamental Myoglobin Chemistry ................................................................................................................ 3 B. Dynamics of Myoglobin Redox Form Interconversions ........................................................................... 3 C. Visual, Practical Meat Color Versus Actual Pigment Chemistry ........................................................... 5 D. Factors Affecting Meat Color ............................................................................................................................... 6 E. Muscle -
01 Methods of Cooking
Food Production Foundation -II BHM -201T UNIT: 01 METHODS OF COOKING Structure 1.1 Introduction 1.2 Objectives 1.3 Heat and Cooking 1.3.1 What is heat? 1.3.2 Effect of Heat on food 1.3.3 Method of heat transfer 1.4 Methods of cooking 1.5 Moist heat Methods of Cooking 1.5.1 Boiling 1.5.2 Poaching 1.5.3 Steaming 1.5.4 Stewing 1.5.5 Braising 1.6 Dry heat Methods of Cooking 1.6.1 Baking 1.6.2 Roasting 1.6.3 Grilling 1.7 Frying 1.8 Modern Methods of cooking 1.8.1 Paper Bag (en papillotte) 1.8.2 Microwave Cooking 1.8.3 Infra-red Cooking 1.9 HACCP Standards and Professional Kitchens 1.9.1 Introduction 1.9.2 What is HACCP? 1.9.3 Food Preparation Hazard and Control Rules 1.10 Summary 1.11 Key Terms 1.12 References and Bibliography 1.13 Review Questions 1.1 Introduction This chapter deals with basic principles. You will learn about what happens to food when it is heated, about how food is cooked by different methods, and about rules of seasoning and flavouring. It is important to understand the science of food and cooking so you can successfully use these principles in the kitchen. 1.2 Objectives After reading this unit the learner will be able to understand: • Methods of heat transfer Uttarakhand Open University 1 Food Production Foundation -II BHM -201T • Effect of heat on food • Moist heat Methods of Cooking • Dry heat Methods of Cooking • Frying • Modern Methods of cooking 1.3 Heat and Cooking To cook food means to heat it in order to make certain changes in it. -
Torched Penny Repair Paint Application Guideline-Admila
xB RS 4.0 is out and looks to be a hit with our customers. We have noticed some chatter on the web regarding the special Torched Penny paint and its repairability. I wanted to provide you with some first hand information and dispel some of the rumors. • Yes, the paint does cost more than normal paint Why = It is due to the special color changing characteristics (high pigmentation) of the paint • No, you do not need to re-paint the whole car if you get into an accident or get a scratch. Why = Due to the color changing paint it is actually easier to blend and match than traditional paints (its harder to see the painting mistakes). Spot painting instructions are attached. • No, the color is not difficult to match Why = Due to the color changing paint it is actually easier to blend and match than traditional paints (it’s harder to see the painting mistakes). • Yes, there are paint companies offering this paint for repairs. I am pleased to announce that all of the paint companies listed below have successfully achieved color matches for the Scion xB 3R2 "Torched Penny" color. • PPG - 10/6/06 - completed with successful color match • BASF - 9/4/06 - completed with successful color match • Sherwin Williams - 10/17/06 - completed with successful color match • DuPont - 11/10/06 - completed with successful color match • Akzo Nobel - 11/09/06 - completed with successful color match See attached paint repair application guide that was produced by Nippon Paint, the manufacturer of Maziora. See attached marketing information that was created by Nippon Paint that helps to explain the Maziroa paint (please excuse some of the grammar, the info is good though). -
(12) Patent Application Publication (10) Pub. No.: US 2012/0134941 A1 Cassin Et Al
US 2012O134941A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2012/0134941 A1 Cassin et al. (43) Pub. Date: May 31, 2012 (54) METHOD FOR SMOOTHING OUT THESKIN (30) Foreign Application Priority Data BY FILLING IN RECESSED PORTIONS Jul. 7, 2009 (FR) ....................................... O954673 (75) Inventors: Guillaume Cassin, Villebon Sur Publication Classification Yvette (FR); Henri Samain, (51) Int. Cl. Bievres (FR); Jean-Thierry A6IR 8/8 (2006.01) Simonnet, Cachan (FR) A61O 19/08 (2006.01) A61O 1704 (2006.01) (73) Assignee: L'Oreal, Paris (FR) C {" 30.8 A6IR 8/73 (2006.01) (21) Appl. No.: 13/382,438 (52) U.S. Cl. ........................... 424/59: 424/78.03: 514/57 (57) ABSTRACT (22) PCT Filed: Jun. 29, 2010 The invention relates to a method for smoothing out the skin by filling in recessed portions of the skin, said method com (86). PCT No.: PCT/EP2010/059173 prising filling the recessed portions by means of a filling-in product which has an elastic modulus of greater than 20 000 S371 (c)(1), Pascals at 25°C. for a stress frequency of 1 Hertz, a flow point (2), (4) Date: Feb. 3, 2012 of greater than 500 Pascals, and, for applied stresses of less than the yield stress, a viscosity of greater than 100000 Pa.s. Related U.S. Application Data the product being Such that, once applied in said recessed portions of the skin, its mechanical properties change Subse (60) Provisional application No. 61/242,016, filed on Sep. quent to a reaction other than an evaporation reaction or a 14, 2009. -
Man of La Mancha
STUDY GUIDE MAN OF LA MANCHA DIRECTED BY JULIA RODRIGUEZ-ELLIOTT MAR.5 – MAY 20, 2017 Study Guides from A Noise Within A rich resource for teachers of English, reading arts, and drama education. Dear Reader, We’re delighted you’re interested in our study guides, designed to provide a full range of information on our plays to teachers of all grade levels. A Noise Within’s study guides include: • General information about the play (characters, synopsis, timeline, and more) • Playwright biography and literary analysis • Historical content of the play • Scholarly articles • Production information (costumes, lights, direction, etc.) • Suggested classroom activities • Related resources (videos, books, etc.) • Discussion themes • Background on verse and prose (for Shakespeare’s plays) Our study guides allow you to review and share information with students to enhance both lesson plans and pupils’ theatrical experience and appreciation. They are designed to let you extrapolate articles and other information that best align with your own curricula and pedagogic goals. More information? It would be our pleasure. We’re here to make your students’ learning experience as rewarding and memorable as it can be! All the best, Alicia Green Pictured: Donnla Hughes, Romeo and Juliet, 2016. PHOTO BY CRAIG SCHWARTZ. DIRECTOR OF EDUCATION Man of La Mancha TABLE OF Character List ...........................4 CONTENTS Musical Numbers ........................................5 Synopsis ...............................................6 Playwright, Lyricist, Composer -
2021 Proxy Statement | 1 [THIS PAGE INTENTIONALLY LEFT BLANK] PROXY STATEMENT SUMMARY
974 Centre Road Wilmington, DE 19805 March 26, 2021 LETTER FROM CHAIRMAN AND CHIEF EXECUTIVE OFFICER Dear Investor: On behalf of the Board of Directors (the “Board”), we invite you to attend the Annual Stockholder Meeting of Corteva, Inc. (“Annual Meeting”), which will be held on May 7, 2021 at 10:00 a.m. Eastern Daylight Time. Please see instructions below regarding how to attend and vote your shares. Our Plan Is Working Since Corteva was launched as a leading global agriculture company in June 2019, our strategy has focused on delivering value to our stockholders by generating advanced innovations for growers through our industry-leading pipeline, leveraging our unparalleled route-to-market, enhancing our product mix, advancing cost and productivity actions, and maintaining a balanced approach to capital allocation. Our strong results for the fourth quarter and the full year 2020 demonstrate that our plan is working. We know we have more work to do and 2021 is the year we expect our top line and cost initiatives will accelerate their impact on earnings, and put us fully on-track to achieve mid-term targets. Sustainability is Our Foundation As an agriculture company, our innovation on behalf of customers and our commitment to help them do more with less is the foundation of our ability to deliver long-term value for our stockholders and help sustain the planet. We are proud to contribute concretely to the many communities where we operate and to dedicate our scientific resources to generating a safe, secure food supply now and for the future. -
1 RON CARTER NEA Jazz Master (1998) Interviewee: Ron Carter
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. RON CARTER NEA Jazz Master (1998) Interviewee: Ron Carter (May 4, 1936 - ) Interviewer: Devra Hall Levy with recording engineer Ken Kimery Date: May 16, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 47 pp. Levy: It's May 16th, we're sitting in the home of Ron Carter, Jazz Master, to get the oral history for the Smithsonian Jazz Oral History Project. Ron, this is your story so please feel free to take it in any direction that you want as I go. Carter: I'll follow the questions. Levy: Okay. Well, we might as well start at the beginning. I know that you were born on May 4th of 1937 near Detroit. Tell us … you came from a large family … Carter: I'm from a family of six girls and two boys. I'm in the middle, I guess. Several of them have passed away in the intervening years. I have a sister who plays piano and flute. I have a sister who played viola, one who played violin, who passed away. I'm the only one who decided to try to make a living at this foolishness. Family of ten. Levy: That's a big family. Was it a struggle in those times financially? Was it comfortable? Carter: I think when you're that age – ten, twelve – you don't know those issues. I can assure you that my father, who had to work around the clock in those jobs given the racial tenor of the times, managed always to make sure we had plenty to eat, healthy foods.