AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA ArtsMEMORIAL ARTS CENTER MARCH 1973 American comfort, European handling. They meet in Monte Carlo.

Monte Carlo has always ment panel reflect Monte been a car unlike any other. Carlo's individuality. Yet, our 73 Monte Carlo S The new flow-through is even more unique. power ventilation system Chassis, frame and sus­ adds to its quietness. pension geometry were Power front disc brakes, extensively redesigned to power steering and a big V8 achieve special handling are standard of course. traits like those found in the A power-operated sky roof great road cars of Europe. can be added. Coach windows, molded Monte Carlo S. We think full foam seats, rich uphol­ you'll find it one of the best stery and a classic instru­ road cars you've ever driven.

1973 Chevrolet Building a better way to see the USA JGggSF Art for everyone's sake

More than a repository, The Atlanta Memorial Arts Center continues its forward thrust, its dedicated presentation of the arts as a force in today's life, an inspiration for tomorrow's. Rich's salutes the gifted men and women who have made this so. 107 Peachtree Street. N.E., Phone (404) 522-4786 Atlanta. Georgia 30303 Of Special interest AT THE CENTER

ATLANTA SYMPHONY ORCHESTRA Don’t go Annual Decorators' Show House Set for April 21 to May 13 through The Junior Committee of the Women's life Association of the Atlanta Symphony has without selected CALLANWOLDE, former Can­ dler estate in DeKalb County, as the your own Decorators’ Show House for 1973. In this annual event sponsored by the Junior personal Committee, leading Atlanta decorators life will participate by designing one room under a master plan which insures design continuity. A “before” picture is prom­ inently displayed in each room so that the public can see the transformation which has taken place. CALLANWOLDE, situated on 12 acres of land, is located at 980 Briarcliff Road, N.E. in the heart of Druid Hills and was the mansion of the late Mr. and Mrs. Charles Howard Candler and their three children from 1920 until 1959. During this time Mr. Candler was presi­ dent of the Coca Cola Company. The 24 A NEIGHBOR TO room home is now owned by the DeKalb County Department of Parks and Rec­ reation and is to be maintained as a cul­ tural center for DeKalb County and Atlanta. The Show House will be open to the public from April 21 to May 13, seven days a week and Thursday evenings. All renovation to be done by the decorators in conjunction with the Show House will benefit CALLANWOLDE, and ticket sales proceeds will benefit the Atlanta Symphony. Tickets are $3.00 at the door, 2.50 advanced sales and $2.00 for groups of 15 or more. For ticket in­ formation, call Mrs. Stoughton at 252- 0939, the Women’s Association at 892- 3600, Ext. 252, or the Arts Center Box Office at 892-2414.

Rudolph Serkin Debuts with Symphony Rudolf Serkin, one of the great pianists of the twentieth century, will perform in continued symbol of a quest

As surely as lite rose from the sea, the future of life depends on it. It is the salient feature of the globe. Its fate is ours. With population rising, some scientists talk of farming the oceans. Others speak of extracting products from igneous rock and seawater. But whatever men may evolve, the role of the sea in the chemistry and health of our planet is crucial. The better we understand it, the better our chances of protecting the ecological balance among all of earth's creatures—from marine life to man. Yet, even while fact displaces mystery, our awe of the sea endures. The pecten shell is an emblem for companies known around the world. But its beauty is no less in its origin than its form. And it reminds us to keep a sense of urgency in the quest for knowledge of our environment. AT THE CENTER, continued a special one night only concert with the Atlanta Symphony Orchestra and Chorus Tuesday, March 13th at the Civic Center. Featuring an all Beethoven program the concert will be under the baton of ASO Music Director and Conductor Robert Shaw and will spotlight Mr. Serkin in the perennial favorite “Em- porer” Concerto and Fantasia in C minor for Piano, Chorus and Orchestra. Mr. Serkin, long at the forefront of the world’s most distinguished concert pianists will make his Atlanta Symphony debut with the March 13th program and mark his first Atlanta appearance since performing here in the 1950’s under the auspices of the Atlanta Music Club All- Star Concert Series. Tickets are from $3.50 to $10.00 and are now on sale at the Arts Center Box Office. For information, call 892-2414.

ATLANTA SCHOOL OF ART

School to Have Auction There will be “dreams for sale” at Tara, the name given to the Atlanta School of Art auction which will be held in the Galleria at the Memorial Arts Center on March 26. Tara is being sponsored by Rich’s of Atlanta and is supported daily by WGKA radio. The Tara name is symbolic of Atlanta and the “dream” character of the auction, as many of the items to be auctioned cannot be purchased elsewhere. The auction will be open to the public on a reservation basis but limited to 350. Reservations will be accepted on a first- come basis. Tours and Cruises ... The cost is $50.00 per couple payable by Air and Steamship in advance. This covers the cost of the dinner and $30.00 in script which can be used in paying for items purchased dur­ ing the evening. A program listing the items with their dollar value (if this can be appraised) ATLANTA TRAVEL AGENCY will be mailed to those holding reserva­ * 217 Georgia Life & Health Building tions prior to the auction. 66 Luckie Street, N.W. continued Atlanta, Georgia 30303-Alex Hitz. Jr. You have great ideas about fashion and they come to life at Sears jftfarita) High Museum Events Junior Committee Plans Third Annual Children's Festival Spend the day at A kaleidoscopic day of performing and visual arts events has been set for Satur­ day, March 24, from 10 a.m. to 5 p.m. all over the Arts Center. Events designed to educate as well as entertain the children of the community have been planned for that day by the Junior Com­ mittee of The High Museum of Art’s Members Guild, with the cooperation of the .Women's Association of the Atlanta Symphony Orchestra. The Children’s Spring Festival is sponsored by the At­ lanta Arts Alliance. Participants in the Spring Festival in­ clude the Junior Activities Center of The High Museum of Art, the Atlanta Symphony Orchestra, the Piccadilly Pup­ pets, the Spelman College Dancers, the The full-size fashion store Vagabond Marionettes, the Atlanta at Phipps Plaza —with great Children's Theatre, the Atlanta Ballet, the Atlanta Public Schools’ Arts and Hu­ clothes for the whole family­ manities Center, the O. J. Harris Dance home fashions, too, including Troupe, the Alliance Theatre School, the Atlanta Youth Symphony, the Southwest interesting antiques. Atlanta Elementary Honor Band, and the Northside High School Chamber And marvelous gifts we found Chorus. Most events are free, all are open to the public, and refreshments will for you all over the world, be available, so why not plan to make a many available only at day of it at the Arts Center on the 24th? Lord & Taylor.

Stay for luncheon or tea ALLIANCE THEATRE COMPANY The House of Blue Leaves Continues in our enchanting Bird Cage Through March 10 The Alliance restaurant, open every Theatre Company is presenting the most striking new American play of the sea­ shopping day. son, “The House of Blue Leaves.” Writ­ ten by John Guare, the play was laurelled Lord & Taylor, Phipps Plaza by the N. Y. Drama Critics Circle as Peachtree Road between Wieuca the best new play of 1970-71. Guare uses way-out madness and and Lenox Roads—266-0600 spurts of comic invention making “The Open Monday thru Saturday House of Blue Leaves” a nut-house — the home of an amateur song-writer who 9:30 a.m. to 5:30 p.m. yearns for celebrity status. He has a Open Monday and Thursday mad wife, a zany mistress and an A.W.O.L. soldier-son who hopes to make evenings until 9:00 p.m. the front pages by assassinating the Pope. This comedy-drama throws open-hearted continued following program notes Concert Season In Europe If you cannot be in Europe this season you can still enjoy the sound of Europe’s greatest musicians performing in the Con­ tinent’s most superb concert halls. London Imports magnifi­ cent recordings offer everything might hear and more! ZCP^CDO^CIMPORTS

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Simon House RECORDS SOUTHEAST Edward Jarman Branch Manager DISTRIBUTING CORPORATION Sales Manager ATLANTA Subscription Concerts SYMPHONY Thursday, Friday and Saturday evenings 8:30 March 22, 23 and 24, 1973 ORCHESTRA ROBERT SHAW Conducting ROBERT SHAW Music Director Assisting Artist: and Conductor NATALIE HINDERAS, Piano

PROGRAM

Handel Concerto Grosso No. 12, Op. 6, in B minor (1740) Largo Allegro Larghetto e piano — Largo Allegro

Alberto Ginastera 4 Concerto for Piano and Orchestra (1961) Cadenze e varianti Scherzo allucinante Adagissimo Toccata concertata Miss Hinderas

INTERMISSION

Prokofiev Symphony No. 5 in B-flat major, Op. 100 (1944) Andante Allegro marcato Adagio Allegro giocoso

*First performance at these concerts.

The use of recording devices and cameras during concerts is strictly prohibited.

IF YOU CANNOT USE YOUR TICKETS FOR A SINGLE PERFORMANCE please call our Box Office—892-2414 NO LATER THAN 5:00 P.M. ON THE DAY OF THE CONCERT and release your location for resale for the benefit of the Symphony. Tickets thus released constitute a TAX DEDUCTIBLE CONTRIBUTION for Fed­ eral and State Income tax purposes. You may request a receipt for your tax records. The ^a/i^ Permamati c

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Concerto Grosso for Strings The Concerto Grosso No. 12 in B in B Minor, Op. 6, No. 12 Minor is basically in four movements, George Frederic Handel (1685-1759) though we encounter five different tempo markings. The work follows to a cer­ Handel’s Twelve Concerti Grossi, Op. tain extent the slow-fast-slow-fast pattern 6, constitute some of his finest instru­ of the sonata da chiesa — or “church mental music. They were composed in sonata.’’ The opening movement is a London in the remarkably short span of grand, stately Largo, in which the ripieno one month, between September 29 and alternates with solo passages by the con­ October 30, 1739, and were published certino, comprising two violins and a the following year. These “Grand Con­ cello. It leads directly into the second certos," as they were usually referred to movement, a bustling Allegro, this time in the programs and newspaper announce­ with the concertino starting things off. ments in Handel’s time, were intended The third movement, Larghetto e piano, primarily to be performed as instrumental is a noble Handelian Air with one varia­ interludes between the sections of his ora­ tion in the form of a double—that is, a torios. They were not long in finding line, in this instance alternating between general acceptance on their own merits, the bass and treble, that doubles the speed however, and were played with great of the basic pulse as a counterpoint to success in England and on the Continent. the melody of the Air. The concertino, In Handel’s day, the term “concerto” which had no passages to itself in the was used rather loosely. It was used Air. performs a Largo, only six measures to signify any instrumental composition long, which serves as a bridge to the in which two bodies of players were final Allegro for the ripieno, a fugal pitted against each other. Thus, there movement with the rhythm of a gigue— was the concerto without solo instru­ the French counterpart of the English ments, wherein two fairly large groups of and Irish jig. instruments were heard in opposition. (Copyrighted) Then there was the concerto grosso, developed by the Italian violinist and composer, Arcangelo Corelli; this was constructed so that a small group of in­ Concerto for Piano and Orchestra struments—usually in contrast with those (1961) by the rest of the orchestra—strings and Alberto Ginastera (1916- ) basso continuo (harpsichord reinforced by a cello or double-bass)—known as Alberto Ginastera, Argentina’s leading the concerto grosso or ripieno. Finally, contemporary composer, studied in his late in the seventeenth century, there native Buenos Aires, graduating in 1938 evolved the solo concerto—the concerto from the National Conservatory of Mu­ most generally in use today—with one sic, where he later became professor of instrument alternating, contrasting and composition. In addition, he founded blending with the orchestra. three other Argentine musical institutions: the Conservatory of Music and Scenic In the concerto grosso, there was a Arts of the Province of Buenos Aires, great deal of latitude regarding the num­ the Faculty of Musical Arts and Sciences ber and style of the movements. No two of the Catholic Univeresity of Argentina, of Handel's Concerti Grossi are laid out and the Telia Center for Advanced Mu­ according to the same plan, many of sical Studies, of which he is the director. their movements corresponding to those Ginastera has written music in many dif­ of the baroque dance suite. The freedom ferent forms, most of it in the modern with which Handel treated the concerto or advanced idiom. Some of his composi­ grosso form permitted him to pour into tions have been commissioned by North these twelve works an infinite variety of Americans, whom he met on a number mood and expression. of visits to the United States, the first of RIGHT HERE, IN THIS VAT of hard maple charcoal, is where Jack Daniel’s becomes a smooth, sippin’ Tennessee Whiskey. When we first make Jack Daniel’s it’s much like any good whiskey. But then, in our mellowing house, we give it an extra blessing. Here, every ■ drop is seeped through twelve feet of charcoal before aging. And this slow trip puts it CHARCOAL in a class all its own. MELLOWED Charcoal mellowing is why 6 no other whiskey achieves such rare, sippin’ DROP smoothness. And why our labels will always 6 BY DROP read: Jack Daniel’s Tennessee Whiskey.

© 1972, Jack Daniel Distillery, Lem Motlow, Prop., Inc TENNESSEE WHISKEY • 90 PROOF • DISTILLED AND BOTTLED BY JACK OANIEL DISTILLERY • LYNCHBURG (POP. 361), TENNESSEE which was on a Guggenheim Fellowship “The third movement, Adagissimo, is in 1946. Best known of his works here an intense lyrical interlude formed by are the operas Don Rodrigo and Bom- three sections recalling the ternary form arzo; the Piano Concerto on this pro­ and reaching in the central part a very gram; a Violin Concerto; the Overture to passionate climax. This movement ends the Creole “Faust;" the Variaciones Con- with a dodecaphonic chord played by certantes, and the ballets Panambi and the whole sub-divided string section un­ Estancia. til it vanishes. Some notes on the piano emphasize the feeling of distance. Surely, one of the most successful of Ginastera’s compositions is the Concerto “The fourth and last movement, Toc­ for Piano and Orchestra which he wrote cata concertata, with strong rhythms is a during the early months of 1961 on a real ‘bravura’ piece in which there is a commission from the Koussevitzky Music dialogue between piano and orchestra. Foundation. Given its world premiere on The form recalls the rondo form in seven April 22, 1961, during the Second Inter­ sections preceded by an introduction and American Music Festival in Washington, finishing with a coda.” D. C., with the Brazilian pianist Joao Carlos Martins appearing as soloist with In addition to the solo piano, the score the National Symphony Orchestra under calls for two flutes, piccolo, two oboes, Howard Mitchell, the Concerto has since English horn, two clarinets, clarinet in E been widely performed and enthusiastic­ flat, bass clarinet, two bassoons, contra­ ally received. It has also been recorded bassoon, four horns, three trumpets, three twice. For the first of these recordings, trombones, tuba, keettledrums, bass issued by Desto Records, the composer drum, snare drum, cymbals, triangle, provided his own descriptive notes. Much tambourine, tom-tom, castanets, crotales of the space is given over to the pros (antique cymbals), tam-tam, xylophone, and cons of providing analytical material glockenspiel, celesta, harp and strings. The work is dedicated to the memory in the first place. Once this has been resolved, however, he concludes with of Serge and Natalie Koussevitzky. (Copyrighted) these four highly informative paragraphs, reprinted here with the kind permission of Desto Records: “Although the Concerto is divided in Symphony No. 5 in B flat Major, Op. 100 the four traditional movements, the com­ Sergei Prokofiev (1891-1953) poser has renewed the structure of each movement. The first one, Cadenza e Prokofiev reached his peak as a sym- varianti, begins with the presentation of phonist late in his career. Of course, his a serial chord. Then the piano begins the Classical Symphony in D Major, Op. 25, cadenza, giving a melodic transposition his first work in this form, has always of the same row. On these basic ele­ been a favorite with audiences; it dates ments is based the whole movement. In from 1917. But his three succeeding the cadenza, piano and orchestra alter­ symphonies—No. 2 in D Minor, Op. 40 nate with violent contrasts. The ‘vari­ (1924), No. 3 in C Minor, Op. 44 anti’ are 10 micro-structures in different (1928) and No. 4 in C Major, Op. 47 moods. The first movement ends with a (1930, revised in 1947 as Op. 112)— coda which is a kind of amplified varia- failed to capture the public’s fancy. It ation recalling the cadenza. was only with his last three symphonies —No. 5 in B flat Major, Op. 100 (1944), “The second movement, Scherzo allu- No. 6 in E flat Minor, Op. Ill (1947) cinante, is very fast and it is played and No. 7 in C sharp Minor, Op. 131 throughout with the dynamics pianissimo. (1952)—that he attained full stature as The composer uses a pointillist instru­ a composer in this noblest of orchestral mentation and the arch form in five sec­ forms. tions: three central symmetrical sections framed by an introduction and a coda. On January 13, 1945, Prokofiev con- meet umbari

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IF YOU LIKE CHOICE SEATS . . . All season subscribers, as well as several thousand other valued patrons who attend concerts by single admission, receive advance notice of the Symphony's special attractions before public announcement. If you are a single ticket purchaser who is not already on this Advance Mailing List, we invite you to fill in the information below and mail this form to the Atlanta Symphony Orchestra, 1280 Peachtree Street, N.E., Atlanta, Georgia 30309.

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/ 2630 The Equitable Building NATALIE HINDERAS

Natalie Hinderas’ career gained mo­ fame. She continues to visit colleges in mentum in the 1970‘s with solo engage­ every section of the country where she ments with the Philadelphia Orchestra, performs and lectures. In August 1971 the New York Philharmonic, the Cleve­ she opened the University of Maryland's land Symphony, the Pittsburgh Sym­ International Piano Festival which later phony, Winston-Salem Symphony and included performances by Alicia de Lar- the Miami Beach Symphony as well as rocha, Stephen Bishop and Gina Bach- the inaugural season at the Kennedy Cen­ auer. ter in Washington, D.C. Her perform­ In addition to her concert career, she ance with the Philadelphia Orchestra of appears regularly on TV and radio— the Ginastera Concerto was called "trium­ including an appearance on NBC’s “To­ phant” and she was. immediately re­ day” Show. She is an Associate Pro­ engaged for two performances. One, an fessor of Music at Temple University, a all-Gershwin program in January of 1972 member of the Philadelphia Art Alliance, and the other for the series in 1973. a board member of the Philadelphia All- Her recording, "NATALIE HINDERAS Star Forum and on the national board of Plays Music by Black Composers,” on AAmoa, the Afro-American Music Op­ the Desto label has received acclaim portunities Association. from music lovers and reviewers. High Fidelity/Musical America summed up She is married to Lionel J. Monagas, the feeling: “Natalie Hinderas is one of Director of the Office of Minority Affairs the very finest pianist now extant.” The of the National Association of Educa­ Saturday Review selected her album as tional Broadcasters in Washington, D.C. one of the best of its kind for 1971. The They are the parents of eight-year-old vivacious pianist’s full schedule in the Michele Monagas, a student of violin and 1971-72 season attests to her growing piano.

The Women’s Association of the Atlanta Symphony Orchestra is pleased to an­ nounce that Jerry Dilts, formerly of the Lion’s Head, will be serving dinner in the Members’ Room before every subscription concert beginning with the series January 18, 19 and 20 and “Porgy and Bess” on January 25, 27 and 28. Dinner will be served promptly at 7:00 p.m. for the 8:30 p.m. concerts, 6:30 p.m. for “Porgy and Bess” which begins at 8:00 p.m. and brunch will be served at 1:15 p.m. for the 2:30 p.m. Sunday concerts. The cost of the dinner is $6.50 per person; Sunday brunch is $4.50 per person. We invite you to join us in an evening of gourmet food and exciting music by filling out the blank below and mailing it to 1280 Peachtree Street, N.E., Atlanta, Georgia 30309. Make your check payable to Women’s Association, Atlanta Symphony Orchestra. Your check is your reservation and must be received at least four days before a concert.

I would like to have □ DINNER □ BRUNCH in the Members' Room

on______Enclosed is my check for $______I to cover______meals. Phone______I I Name ______Address ______I______Ackerman & Company. We're helping turn the vi­ sions of a greater Southeast into something concrete. And steel. And glass. Whether it's brokerage or development, whether its Charlotte’s newest bank building, Orlando's newest office park, or Atlanta/Deca- tur’s West Court Square, you'll find us at work. Ackerman & Company and the new Southeast. We can't think of a nicer place to grow. ackerman & co. brokers and developers Atlanta, Charlotte and Orlando

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ROBERT SHAW Music Director and Conductor William F. Noll Ass’t to the Music Director Michael Palmer John Head Alan Balter Associate Conductor Assistant Conductor Apprentice Conductor

FIRST VIOLIN BASS TRUMPETS Martin Sauser, Dale Schmidt, John Head Concertmaster Principal Principal Robert Harrison, Jane Little, Joseph Walthall Associate Concertmaster Associate Principal Ass't Principal — David Arenz John Zuael Principal Second Trumpet Oscar Pereira Randolph Ujcich Larry Black Beniamin Picone Thomas Thoreson Patricio Salvatierra Michael Kenady TROMBONES Jaqueline Anderson Wiley Weaver Harry Maddox Barbara Beck Harvey Kaufman Principal Frank Walton Richard Hansbery Judy Berman Benedict FLUTES Donald Wells Warren Little Martha Reaves Head BASS TROMBONE Susan Pitard Principal Mary Kay Robinson Paul Brittan Donald Wells James White Benson Prichard TUBA Lorentz Otzen PICCOLO Shalom Ben-Uri Michael Moore Benson Prichard TIMPANI SECOND VIOLIN OBOES Eugene Rehm Willard Shull, Joseph Robinson Principal Principal Principal Jack Bell William Rusconi Eric A. Barr Assistant Principal Anita Cahoon Ass’t Principal- PERCUSSION Alice Oglesby Principal Second Oboe Ronda Respess Patrick McFarland Jack Bell Linda Smith Principal Karen Matthews ENGLISH HORN William Wilder Valerie Gardner Patrick McFarland HARP Richard Robinson Judy Beattie Edward Scruggs CLARINETS Frances Henrickson Alan Balter KEYBOARD Leslie Clark Principal William F. Noil Frances Arm Norman Baker Michael Palmer Stephen Horvath Associate Principal Robert Wingert PERSONNEL MANAGER VIOLAS Douglas Smith Martin Sauser Robert Jones, BASS CLARINET PERSONNEL MGR. EMERITUS Principal Douglas Smith Harry Robkin Peter Bertolino Enid Jones E-FLAT CLARINET LIBRARIAN John Detrino Norman Baker Stephen Horvath Heidi Moss Robert Parcells BASSOONS STAGE MANAGER Marion Kent Carl Nitchie Michael Destazio Principal Haskell Marrinson MASTER ELECTRICIAN Ardath Cohen Daniel Dowdakin Assistant Principal Robert Spradlin CELLOS Charles Nussbaum Donovan Schumacher CONTRA BASSOON Principal Daniel Dowdakin Edmund Basson, Ass't Principal FRENCH HORNS Jere Flint John Henigbaum Nan Barker Principal Paul Warner Jeanne Andrus Kathleen Kee John Keene Kay Lortz Brice Andrus Bonita Potts Christopher Scheufler Bruce Klingbeil Eleanor Hodges We’re sort of between the Governor’s Mansion and Neiman-Marcus, Which is precisely where erators with ice makers, and you would expect to find individual washer/dryer units Atlanta’s most convenient and are conveniences which posi­ attractive rental residences— tion The Paces far above every The Paces. other Atlanta rental property. Situated in the heart of Thus we feel confident that Northwest Atlanta, the advan­ overall convenience, privacy, tages of Paces’ living begin with and attractiveness are present its proximity to the finest throughout every aspect of life shopping areas, the most at The Paces. If you find such a distinctive residential neighbor­ lifestyle personally appealing, hoods, and downtown Atlanta. we invite you to call 237-7759 or All of this location conven­ come to visit The Paces between ience is enhanced still further by 10:00 a.m. and 5:00 p.m. week­ the quiet, relaxed atmosphere days, and on Sundays beginning and styling of The Paces. The one hour later. beautifully landscaped grounds are immaculately kept by a truly professional staff, as is the se­ cluded pool and garden house area. Two- and three-bedroom styles are ready for occupancy. Many feature large wood­ burning fireplaces and hand­ some dens,and even the smallest Paces residence offers over 1500 square feet of functional and yet graceful living space. Large separate-entrance foyers, nine- foot ceilings, frost-free refrig­ COASTAL THEATRE PRODUCTIONS, INC.

presents

JACK and SALLY JENKINS

in BRIGADOON

Book and Lyrics by Alan Jay Lerner

Music by Frederick Lowe

with

William Lacey McCrary Jim Wilkins Carolyn Hirsch Ronald Jones Ginger Hall Jim Peck

Produced by BEN SCHRIFT, President

Directed by ROBERT ENNIS TUROFF

Musical Direction by Janet Aycock Choreography by Pittman Corry

Sets by Ray Perry Lighting by Florine “Sissy” Pulley

Costumes by Brooks-Van Hom

Produced by Special arrangement with Tams-Witmark Music Library, Inc. A polished performance in aluminum with amber glass. "One nice thing after another" from

Atlanta Decorative Arts Center

From our Woodard Collection

351 PEACHTREE HILLS AVENUE, N.E. DISTINGUISHED DISTRIBUTORS OF FINE FURNITURE THROUGH YOUR INTERIOR DESIGNER, FUR. NITURE RETAILER OR ARCHITECT. ALSO IN: CHICAGO, CLEVELAND, GRAND RAPIDS, LOS ANGELES, MIAMI, NEW YORK, SAN FRANCISCO.

FOR THE FINEST IN Ury Best Wishes FOREIGN TRAVEL from ARRANGEMENTS ^Allan-Qreiyson "Ask the man who's been there" cRpalty (Company OSBORNE TRAVEL SERVICE ■■■ 3379 Peachtree Road, N.E. ■■■ Atlanta, Georgia 30326 Telephone: 404 - 261-1600 ■■■ AGI SAVE with the . iyiousandaires SPECIALIZING IN at Property Management / Office Building Development & Leasing / Industrial Development & Leasing / Commercial Development & Leasing ATLANTA Consulting Services / Investment Sales. FEDERAL SAVINGS Offices All Around Town • Mam Office Marietta at Broad CAST OF CHARACTERS Tommy Albright ...... jack Jenkins Je/J Douglas ...... William Lacey McCrary Archie Beaton ...... Ron Brandt Harry Beaton ...... Ronald Jones Angus MacGuffie ...... g. G. Fitzgerald Andrew MacLaren ...... John Talbot Fiona MacLaren ...... Sally Jenkins Jean MacLaren ...... Coby Grosbart Meg Brockie ...... Carolyn Hirsch Charlie Dalrymple ...... Jim Wilkins Maggie Anderson ...... Ginger Hall Mr. Lundie ...... jjm Peck Stuart Dalrymple ...... Carl Hazard Piper ...... Iain Lachlan Murray Jane Ashton...... Linda Sandlin

Townsfolk of Brigadoon Jerry Bowers Ronnie Childs Terri Garrison Patrick Glover Priscilla Godfrey David Hackney Ed Henn Judy Jordan Mary Jane Matheny Anna Neel Linda Sandlin Thomas Quinn

MUSICAL NUMBERS ACT I Brigadoon ...... Townsfolk Down on MacConnachy Square ...... Vendors and Townsfolk Waitin’ For My Dearie ...... Fiona and Girls I’ll Go Home With Bonnie Jean ...... Charlie and Townsfolk The Heather On The Hill ...... Tommy and Fiona The Love Of My Life ...... Meg Jeannie’s Packin’ Up ...... The Girls Come To Me, Bend To Me ...... Charlie and Girls Almost Like Being In Love ...... Tommy and Fiona Entrance of the Clans...... Townsfolk Wedding Dance ...... ____ -...... Charlie, Jean and Townsfolk Sword Dance and Reel ...... Harry and Townsfolk

ACT II The Chase ...... Tommy, Jeff, Harry and Townsfolk There But For You Go I...... Tommy and Fiona My Mother’s Wedding Day ...... Meg and Townsfolk The Funeral ...... Maggie and Piper From This Day On...... Tommy and Fiona Finale...... EntireCompany BUSINESS IS OUR ONLY BUSINESS.

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ACT I Scene 1. A forest in the Scottish Highlands, about five on a May morning. Scene 2. A road in Brigadoon, then the village square—MacConnachy Square— Later the same morning. Scene 3. The Brockie open shed, just past noon. Scene 4. The MacLaren House, mid-afternoon. Scene 5. Outside the house of Mr. Lundie—immediately following. Scene 6. Outside the Kirk of Brigadoon, at dusk.

ACT II Scene 1. A forest inside Brigadoon, later that night. Scene 2. A road in Brigadoon, later. Scene 3. Outside the Kirk of Brigadoon, soon after. Scene 4. A bar in New York City, four months later. Scene 5. The forest—(same as Act I, Scene 1)—three nights later.

The time of BRIGADOON is May of this year.

FOR COASTAL THEATRE PRODUCTIONS, INC. President BEN SCHR1FT Stage Director...... ROBERT E. TUROFF Musical Director ...... JANET AYCOCK Choreographer ...... PITTMAN CORRY Set Designer and Technical Director ...... RAY PERRY Stage Manager...... BEN FORD Company Manager ...... MARVIN H. POONS Tour Crew Chief VINCENT DIGABRIELE Property Mistress . . LINDA MARTIN Wardrobe Mistress LINDA SANDLIN

Although BRIGADOON has celebrated its twenty-fifth anniversary, the brilliance of Lerner and Loewe’s musical masterpiece has not dimmed. “It’s Almost Like Being In Love,” “Come to Me, Bend to Me,” “There But for You Go I,” are now well loved standards. The Coastal Theatre Productions, Inc. production of BRIGADOON, with the beautiful voices of the great young singing stars, JACK and SALLY JENKINS, will be one of the most elaborate ever mounted for tour­ ing. With a company of forty singers, dancers, and actors, BRIGADOON will once again enchant audiences from coast to coast. the stereo shop

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1819 Peachtree Road, Northeast / Atlanta, Georgia 404 • 351-6813 About the Stars: JACK and SALLY JENKINS have experienced success in every area of show business they have chosen to enter. They have performed in every major supper club in North and South America, including the Royal Box in New York’s Americana Hotel, The New Frontier in Las Vegas and Miami’s Fontainebleau. Five seasons ago, they entered the college, university and community concert field with unparalleled success. To date, they have performed at almost 200 colleges and universities. During the 1971-72 season, they returned to the legitimate stage to star in a nationwide tour of “I DO, I DO!”, and were highly acclaimed by both critics and audiences. One thing is certain about this pro­ duction of BRIGADOON no one will ever hear Lerner and Loewe’s magnificent music sung more beautifully. Building with Atlanta It takes more than sticks and stones to build a great city It takes foresight, planning and faith Any city is only as great as its people, their homes and communities. Since 1946. the Roy D Warren Company has helped to build Atlanta not with sticks and stones but with planning and financing We develop land, build homes, provide mortgage money and home-owner insurance to buyers all from the same source The Roy D Warren Company helping to build the greatness of Atlanta

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FRENCH, GERMAN, SPANISH OR ENGLISH • First Georgia college accredited by National TO SPEAK ANOTHER Association of Schools of Music (1934). • First college in North or West Georgia accredit­ LANGUAGE FASTER THAN YOU ed by S. Assn, of Colleges and Schools (1923). WOULD BELIEVE POSSIBLE! • Famous for 100 years for outstanding educa­ (Especially if you have tried before) tion in music and art. This Ad worth $20.00 on a ten hour introductory course. 1O__ SHORTER COLLEGE 1873 Rome, Ga. 30161 1973 /Sullivan Language For audition and scholarship information. Centennial Lecture Series and Fine Arts 3445 Peachtree Rd., N.E. Schedule, contact Director of College Relations. □ VllUUlS Suite 1010 Phone 261-3128

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Thayer Soule has been traveling all his life, taking pictures and presenting them as film lectures all over North America. His career is unique in the platform field.

He got a good start. His father was an artist, his mother a world traveler. His home is Rochester, New York, where the Kodak was also born. He sat still long enough to earn a degree at Harvard, with high honors in languages, geographical studies, and public speaking. In World War II he served as a Marine Corps Photo­ graphic Officer at Guadalcanal and Iwo Jima, winning the Bronze Star and promotion to Lieutenant Colonel.

Two great influences in his life were half a world apart — the Mountains of the Moon in central Africa; and in New York, a distinguished gentleman with a goatee. It was after seeing an illustrated lecture on the Mountains of the Moon that Thayer Soule decided, when he was only seven, to become a lecturer. And it was Burton Holmes, for half a century the world leader in travel photography, who for twenty years taught and encouraged him.

Thayer Soule’s first professional appearance was in a church basement in Cam­ bridge, Massachusetts. It was January, 1936, and the fee was five dollars — “about what it was worth,’- he says. Today, internationally known for his brilliant photography and unmatched narration, Thayer Soule is recognized as a leader in his field. He ap­ pears regularly in all parts of the country, with a record twenty-two consecutive years

for the National Geographic Society. He is a member of the International Platform Association.

With presentation and production trips filling eight months a year, there is little time for home life, but Thayer Soule has never lost his wanderlust. His favorite country: The United States to live in, Thailand for people, Mexico for variety, Switzer­ land for scenery. His current preoccupation: What is it like up there on the real

Mountains of the Moon? laughter in the face of our current dilemmas and dramatizes modern life by viewing its misery in comic terms. The “House of Blue Leaves” will be directed by Robert J. Farley. This is Mr. Farley’s second season with Alliance Theatre Company. Last year he di­ rected “The Prime of Miss Jean Brodie.” He is presently Production Manager for ATC 73 and last season served as the production stage manager. Among the cast for "The House of Blue Leaves” will be Lee Allen, Libby 3m>. Dean, and David Dean. Lee Allen has earned his share of credits on Broadway, 279 EAST PACES FERRY ROAD, N.E. London and Hollywood stages. He ap­ ATLANTA, GEORGIA 30305 peared with Barbra Streisand in “Funny 233-1179 Girl” on Broadway, in the movie in the role of Eddie Ryan and in the N. Y. production of “The House of Blue William E. Rudolph, A. I. D. Leaves.” His wife, Libby Dean has ap­ Helen J. McBrayer, N. S. I. D. peared in both on and off-Broadway pro­ ductions in featured roles. David Dean returns from California for his third season with ATC. Last year he played the prosecutor in “Brown Pelican,” one INTERIORS ANTIQUES of the leading roles in “Ah! Wilderness” and appeared in featured parts in “An­ thony Burns,” "This Way To The Rose Garden,” and “Hamlet.” Prior to that DUNCAN PEEK INC. Mr. Dean was with the Studio Company.

1270 TECHWOOD DR., N.W. 57 Tickets Available Now for ATLANTA, GA. 30318 Atlanta Hunter Jumper Classic PHONE: 404 873-1092 The fourth annual Atlanta Hunter Jumper Classic will be held April 27 through 29 at Rockridge Farms, Mari­ etta, Ga., for the benefit of the Alliance Theatre wing. This national A-rated INSURANCE FINANCIAL SERVICES horse show, which has been termed the “Madison Square Garden Show of the South” and which attracts leading horse owners and riders from around the coun­ try, will feature the $5,000 Open Jumper Stake Class. The donors of the class, Mr. and Mrs. George Montgomery, well- known horsemanship enthusiasts and own­ PINKERTON & LAWS ers of Rockridge Farms who are making BUILDS TH the grounds and facilities available for the event, will present the Alliance REMEMBER THAT. Theatre Cup to the winner. To purchase tickets for festive family tables of six un­ THE PINKERTON & LAWS COMPANY der colorful pavillions for the three-day Member Associated General Contractors of America 2700 Cumberland Parkway, N.W. show please write Atlanta Hunter Jumper Atlanta 30339 / 432-0171 Classic, P.O. Box 7416, Atlanta, Ga., 30309. MARCH AT THE CENTER SH: Symphony Hall AT: Alliance Theatre HM: High Museum HA: Hill Auditorium CALL US ST: Studio Theatre G: Galleria to acquire or dispose of Atlanta land. For ticket information, call the box office at 892-2414 It's what we do best.

Concerts

THURSDAY, FRIDAY & SUNDAY MARCH 8, 9 & 11 Galen Kilburn & Co. Atlanta Symphony, 8:30 Mar. 8 & 9; 2:30 March 11, REALTORS SH. Subscription Series. Jacques Houtmann, guest 2335 Equitable Bldg., Atlanta, Ga. 30303 conductor. Assisting Artist: Mayumi Fujikawa, violin. Telephone 404/577-8568 Cherubini: Overture to “Anacreon;” Lalo: Sym­ phonic Espagnole for Violin and Orchestra, Op. 21; Casanova: Second Symphony (1952, revised 1969); R. Strauss: Rosenkavalier Suite, Op. 59. THURSDAY, FRIDAY & SATURDAY MARCH 22, 23 & 24 Atlanta Symphony, 8:30, SH. Subscription Series. Robert Shaw conducting. Assisting Artist: Natalie* Hinderas, piano. Handel: Concerto Grosso No. 12 in G minor, Op. 6; Ginastera: Concerto for Piano and Orchestra; Prokofieff: Symphony No. 5, Op. 100. FRIDAY, MARCH 30 United Methodist Church Children's Choir Festival, 7:30, SH. SATURDAY, MARCH 31 Dave Brubeck Group, 7:00 and 10:00, SH. Famous Artists Series.

High Museum Events 4090 ROSWELL RD.

High Museum hours: Mon. thru Sat., 10:00 to 5:00; Sun., 12 noon to 5:00; Thursday evenings until 10:00. Art Shop hours: Tues, thru Sat., 10:00 to 4:00; Sun., 12 noon to 5:00; Thursday evenings un­ til 10:00; closed Mon. Jr. Art Shop hours: Mon., A better mixed drink 10:00 to 4:00; Sat. and Sun., 12 noon to 5:00; closed Tuesday thru Friday. employees who give a damn THROUGH MARCH 25 and an atmosphere both New Prints in Atlanta Collections. HM. Prints by genuine and relaxed. Frank Stella, Josef Albers, Louise Nevelson, Jasper Johns, and Helen Frankenthaler, among others. Or­ ganized by the Museum from Atlanta’s public and private collections. CONTINUING THROUGH APRIL 8 Bank's The Washington and Lee University Collection of Chinese Export Porcelain. HM. The first major show­ ing of this collection, made up of over three hundred pieces including American market wares and numerous “special order” dinner services. CONTINUING THROUGH MARCH 20 Guale: Golden Coast of Georgia. Galleria. Exhi­ bition of 300 photographs of the coast of Georgia by photographer James P. -Valentine and his as­ sistant John Earl, accompanied by sounds of the area recorded by the Cornell University Library of Natural Sounds. SUNDAY, MARCH 4 Printmaking Demonstration of Silkscreen Methods by Prof. Norman Wagner of the Atlanta School of Art. 2:00, HM. Free. Printmaking Demonstration of Collagraph Methods by Prof. James McLean of Georgia State University. 3:00, HM. Free. UNDERGROUND ATLANTA RESERVATIONS 577-1800 Printmaking Demonstration of Woodcuts by Atlanta artist Ben Smith. 4:00, HM. Free. TUESDAY, MARCH 6 Lecture by Clement Conger, Curator of the White House, Washington. 8:00, HA. Free. WEDNESDAY, MARCH 7 An Illustrated History of Landscape Design, lecture by Prof. W-lliam Mann of the University of Georg.a. 8:00, HA. Adm.: Members, $1.50; Gen., $2.00. Topic: • Ancient and Med-eval Landscape Design.” THURSDAY, MARCH 8 Program of free films, 8:00. HA. SUNDAY, MARCH 11 Tour of Washington and Lee University Collec­ tion of Chinese Export Porcelain, conducted by Mrs. Clayton H. Farnham, Curator of Decorative Arts. 2:00, HM. Free. Printmaking Demonstration of Silkscreen Methods by Prof. Norman Wagner of the Atlanta School of Art. 3:30, HM. Free. Crow, Pope and Land Enterprises... WEDNESDAY, MARCH 14 An Illustrated History of Landscape Design, lecture meeting the special needs and by Prof. Will.am Mann of the University of Georgia. 8:00, HA. Adm.: Members, $1.50; Gen. $2.00. Topic: requirements of owners and • Renaissance Landscape Design.” investors for successful THURSDAY, MARCH 15 Film, "The Seventh Seal,” by Ingmar Bergmann. development and 8:00, HA. Adm.: Members, $1.00; Students, $1.50; management of Gen. $2.00; Museum patron members free. FRIDAY, MARCH 16 • Apartments Film, “Smiles of a Summer Night,” by Ingmar Bergmann, 8:00, HA. Adm.: Members, $1.00; Stu­ • Condominiums dents, $1.50; Gen., $2.00; Museum patrons free. • Retail shopping centers SATURDAY, MARCH 17 • Office buildings and parks Film, “Persona,” by Ingmar Bergmann. 8:00, HA. Adm.: Members, $1.00; Students, $1.50; Gen., $2.00; • Hotels Museum patron members free. • Total living communities SUNDAY, MARCH 18 Tour of the New Pr.nts in Atlanta Collections exhi­ Crow, Pope & Land Condominium Enterprises bition, 2:00, HM. Free. Crow, Pope & Land Services, Inc. Film, “Through a Glass Darkly,” by Ingmar Berg­ Crow, Pope & Land Management Company mann, 3:00. HA. Adm.: Members, $1.00; students. Crow, Pope & Land Construction Company $1.50; Gen., $2.00; Museum patron members tree. Enterprise Realty & Mortgage Company Printmaking Demonstration of Collagraph Methods by Prof. James McLean of Georgia State University. CROW, POPE & LAND ENTERPRISES, INC. 3:30, H.M. Free. Executive Offices: 1100 Spring St.. N.W., Atlanta, Ga. 30309 (4041 875-7431 WEDNESDAY, MARCH 21 An Illustrated History of Landscape Design, lecture by Prof. Will.am Mann of the University ot Georg-a. 8:00, HA. Adm.: Members, $1.50; Gen. $2.00. Topic: “Informal — Oriental, European, American — Land­ scape Design, 1715-1850.”

THURSDAY, MARCH 22 HOUSE .THEBAUT Lecture and Film on Animation, presented by At­ INC. lanta filmmaker Gerald Jones. 8:00, HA. Free. HEDY THEBAUT WILLIAM L. THEBAUT MAY 17, 1971 SATURDAY, MARCH 24 We Specialize in The Third Annual Children’s Spring Festival, pre­ Beautiful Lamps and Shades sented by the Museum's Junior Committee and sponsored by the Arts Alliance. A variety of events Repairing—Custom Styling of interest to children up to 12 years of age. Throughout the Arts Center. 10 a.m. - 5 p.m. ACCESSORIES — WEDDING GIFTS CUSTOM FLORAL DESIGNS SUNDAY, MARCH 25 Telephone 261-4166 Printmaking Demonstration of Relief Printing Meth­ 3718 Roswell Road, N. W. — Atlanta, Ga. 30305 ods by Prof. Norman Wagner of the Atlanta School of Art. 2:00, HM. Free. Printmaking Demonstration of Etching Methods by Prof. Norman Wagner of the Atlanta School of Art. GIFTS * ENGRAVING* CRAFTS 3:30, HM. Free. WEDNESDAY, MARCH 28 An Illustrated History of Landscape Design, lecture by Prof. William Mann of the University of Georgia. 8:00, HA. Adm.: Members, $1.50; Gen., $2.00. Topic: ■ Victorian America." iaJ

O Theatre l/i 2 • THURSDAY AND FRIDAY m MARCH 1 & 2 3756 ROSWELL ROAD r? Sleuth, 8:30, SH. Famous Artists Series. 2.37-518fa THURSDAY, FRIDAY & SATURDAY •cAn Adu&niun in Shopping MARCH 1 THRU 3 & 15 THRU 17 The House of Blue Leaves, 8:00, AT. Alliance Theatre Company. SUNDAY, MARCH 4, 18 & 25 The House of Blue Leaves, 2:30, AT. Alliance Theatre Company. SATURDAY, MARCH 3, 10 & 17 Vagabond Marionettes present Aladdin, 11:00 and 2:00, HA. Adm. $1.00. TUESDAY THRU SATURDAY MARCH 6 THRU 10, 20 THRU 24, 27 THRU 31 THERE ARE SO MANY WAYS TO The House of Blue Leaves, 8:00, AT. Alliance COME INTO MONEY Theatre Company. ONE IS CERTAIN TO HAPPEN TO YOU. Dance SATURDAY, MARCH 3 When you Jacques D’Amboise "Ballet Encounter,’’ 8:30, SH. Famous Artists Series. come into money THURSDAY, FRIDAY, SATURDAY & SUNDAY MARCH 15, 16, 17 & 18 come into The Atlanta Ballet & The Atlanta Symphony, 8:30 March 15, 16 & 17; 2:30 March 18, SH. Ballat Series. The Atlanta Ballet, Robert Barnett, Director. The Atlanta Symphony, John Head conducting. Night & jjjk Day. To celebrate the beginning of its 45th year, the Atlanta Ballet presents two premiere works; an evening of both classical and contemporary dance.

Opera The Safe Place

TUESDAY, MARCH 27 P.O. BOX 1077 • ATLANTA. GEORGIA 30301 Opera Sampler, 8:30, SH. Sponsored by the Junior League of Atlanta.

Films

SUNDAY, MARCH 4 A Lumberjack in Alaska, 2:30 & 7:00, SH. Travelogue Series. SUNDAY, MARCH 25 The Soul of Japan, 2:30 & 7:00, SH. Travelogue Series.

Special Events

Tara Auction, Atlanta School of Art, 6:30, Mar. 26, Cotton States is insurance. Galleria, $50.00 per couple. APRIL AT THE CENTER

Concerts

Atlanta Symphony, 8:30, Apr. 5 & 6; 2:30 Apr. 8, SH. ATLANTA'S Subscription Series. James De Preist, guest con­ ductor. Kay; Stravinsky; Dvorak. Christopher Parkening (classical guitar) concert, ACREAGE 8:00, Apr. 7, SH. Gemini Agency. Classical Concert sponsored by the Atlanta Dog­ AGENTS wood Festival, 8:30, Apr. 10, SH. Atlanta Symphony, 8:30, Apr. 17, SH. Bach Cantata II. Robert Shaw conducting. Guest artists to be announced. Atlanta Symphony Chamber Chorus. Bach: Oster Oratorium (“Easter Oratorio”); Cantata No. 4, “Christ lag in Tcdesbanden.” FALK REALTY Atlanta Symphony, 8:30, Apr. 21, SH. Music Now II. Robert Snaw, Michael Palmer and Alan baiter con­ ducting. Assisting Artist: Daniel Kobialka, violin. All-contemporary program — Elliott Carter, Lukas Foss, and Ben Weber. 1064 W. Peachtree St., N.W. Atlanta Symphony, 8:30, Apr. 26, 27 & 28, SH. Sub­ scription series. Robert Shaw conducting. Assisting Specialists in investment Acreage Artist: Ronald Turini, piano. Haydn, Vaughan Wil­ liams, Tchaikovsky. 876-1947 Atlanta Symphony Young People’s Concerts, 10:30 & 12:30, Apr. 30, SH. Michael Palmer conducting. Developers of fine lake Communities High Museum Events

A Treasure for Atlanta: the Richman Collection of African Art, opening April 7. Art Shop Spring Show, opening April 8. Lecture by Brian O’Doherty, Editor of “Art in America.” April 10.

Theatre

Tobacco Road, 8:00, April 5-7, 10-14, 17-21; 2:30, April 8 & 15, AT, Alliance Theatre Company. Cinderella, 2:30, April 7, 14 & 21, AT, Atlanta Childrens Theatre. Comedy of Errors, 1:00, April 24-27; 8:30, April 27 & 28; 2:30, April 28; 10:30, April 30, AT, Alliance Theatre Company.

Home of Dance Regency, Grieco The Southern Ballet of Atlanta, 3:00 & 8:30, Apr. 14; Middleton 3:00, Apr. 15, SH. Fine Clothes for Men Frank Bros. Shoes Films B&B Clothes for Young Men Railroads Are Fun, 2:30 & 7:00, Apr. 1, SH. Trave­ logue Series. Miss B&B Sportswear for Ladies IN AND AROUND ATLANTA All listings are based on information supplied by Parks-Chambers contributing organizations. This calendar is offered as a community service and is believed to be cor­ ESTABLISHED 1I1C rect at time of printing. Organizations wishing to DOWNTOWN•LENOX SQUARE submit material for this column must send copy six weeks in advance of publication date which is the W. PACES FERRY • PERIMETER MALL first of each month. Send copy to: Mrs. Christopher Lee Marshall, 79 Roswell Ct., N.E., Atlanta, 30305. Phone: 266-0194, after 3:00 p.m., Mon.-Fri. Galleries Ule hove it! Allison Art Acres Gallery and School of Art—3940 N. Peachtree Rd., Chamblee. 457-3080. Paintings and small media; art classes. /omething Aronson Gallery—Midtown—798 Peachtree St., N.E., 873-3616. Thru March—Paintings by Motherwell, Poons, Olitski, Stella, Armen, Banard & Djubas. worth coming Artists Associates Gallery—1105 Peachtree St., N.E., 892-7681. Ceramics, graphics, sculpture, paintings by local and southwestern artists. home to Atlanta Artists Club Gallery—3099 Peachtree Rd., 237-2324. 3/16-4/15—section of North Dekalb Show. Atlantis Studios—169 Currier St., N.E., 872-4674. RtAlTOP/ Thru March—prints, paintings, & ceramics. 266-2560 3330 PEACHTREE RD N.E./ ATLANTA. GA 30326 Barclay Gallery—3500 Peachtree Rd., 233-8712. Thru March—European and American signed, limited edi­ tion graphics by Friedlander, Miro, Baskin. Sarah Brown Studio Gallery—3108 Roswell Rd., N.W., 233-1800. Drawings, paintings, art classes. Cathreen's Gallery—516 E. Paces Ferry Rd., 261- pRank aLan, me. 1960. Oils, water colors by contemporary artists. Portraits in oils, water colors, pastels by appt. Cathreen’s Gallery—516 E. Paces Ferry Rd., 261- Creative Cancer Art Gallery—133 Nassau St., N.W., 525-3600. Sculpture, oils, lithographs, prints, screen woodcuts. Professional framing. Decatur Art Center—113 Trinity Place, Decatur, 378-6441. Charles Troutt, Louise Ingram, Willow- eise, Walt Dougherty, others. The Drexel Gallery—2285 Peachtree Rd., N.E., 351- 1616. Works by Picasso, Miro, Calder, Hundertwasser, the Surrealists; contemporary graphics; 18th & 19th century oils, & water colors. Gallery lllien—123 14th St., N.E., 892-2696. Con­ temporary prints by Alvers, Nevelson, Hockney,* Ruscha, Baskin, Stela, others Gavant Gallery—2126 N. Decatur Rd., 634-2340. 115 F Hammond Dr., 255-6341. Graphics by Chagall, Picasso, Boulanger, Dali, others. The Golden Easel—60-F Kenney’s Alley, Under­ ground Atlanta, 577-3669. Thru Feb.—paintings of Jerry Hester. Haber’s Art Gallery—3493 Northside Pkwy., N.W., W. Paces Ferry Plaza, 261-9691. Original oils and graphics. Art classes, custom framing. Heath Gallery—34 Lombardy Way, N.E., 892-2277. Functional and decorative European crystal Thru March—Exhibition of Navaho blankets. is our forte. We have contemporary footed Image South Gallery—1931 Peachtree St., N.W., egg jars and traditionally cut fruit bowls . . . 351-3179 Thru 3/14—paintings by Jim Herbert. napkin rings, knife rests, stemware, and 3/15-4/5—drawings & constructions by Andrew decanters . . . Crystal for any occasion, Tomsik; spray paintings by David Lewis. or no occasion. Ann Jacob Gallery—8 Woodlawn Dr., Marietta. 971- 8302. Thru 3/15—Group show: Ferdinand Warren, NORTHLAKE MALL PHIPPS PLAZA James Yarborough, Jack Mason, Pat Pickering. 934-2957 233-2809 Manuel Carbonell, George Garner & Leland Staven. 3/15-5/15—signed Tiffany lamps. Ray Ketcham Gallery—3232 Roswell Rd., N.W., 237- 0700. Pre-1930 paintings by Bensell, Bridgman, B. L. Brown, Harrison, Herzog, Inness Jr., others. Eugene O’Karma, Inc.—1050 Spring St., N.W., 874- 9461. 18th and 19th century water colors. Period Pictures, Ltd.—2277 Peachtree Rd., N.E., 355-2431. 17th, 18th, & 19th century paintings. Picture House, Inc.—1109 West Peachtree Rd., N.E,. 875-9341. Antique paintings & prints by Audubon, Gould, Redmore, Watson & Schwanfelcer; contem­ porary graphics by Coudrain, Dali, Cleveland, others. Reflections—3445 Peachtree Rd., N.E., 262-3800. Thru March—American landscapes by Thomas Locker. Scott Gallery—325 Pharr Rd., N.E., 233-4994. Thru March—exhibition of Russian prints. GOURMET DINNER 7:00 P.M. - SHOWTIME 8:30 P.M. TERRELL MILL RD. OFF MARIETTA 4 LANE HWY. 41 The Signature Shop—3269 Roswell Rd., N.W., and 225 Peachtree St., N.E., 237-4426. Continuation of BY RESERVATIONS ONLY - TELEPHONE 436-6262 Eskimo 4; pottery, hand blown glass, jewelry, toys. Swan Coach House Gallery—3130 Slaton Dr., N.W., 261-0224. Continuous gallery open to public; juried show of 24 of best Georgia artists. Twentieth Century Gallery—2289 Peachtree Rd., plant lovers N.E., 355-0275. Custom framing, original art, graphics. Old and new prints. Widens Galleries—349 Peachtree Hills Ave., N.E., rejoice 237-2991. Oils, contemporary and antique.

Now, you can select beautiful Special Exhibitions live plants and trees from Agnes Scott College—Dana Fine Arts Bldg., E. College Ave., Decatur, 377-1200. Thru 3/21 — Plantscape House, Atlanta's Georgia Artists’ Exhibition—Barbara Boren, Joe Strother, paintings; John Kehoe, sculpture. completely professional indoor Arts Festival of Atlanta—3/11—2 p.m., Phipps Plaza, planting specialist. Be sure Annual Art Auction, benefiting the Arts Festival of Atlanta. to see our plants performing Dekalb College—Fine Arts Bldg., 555 N. Indian Creek Dr., Clarkston, 292-1520. 3/25-4/6—paintings in the main lobby. by Barbara Weatherly. Georgia Institute of Technology—Student Center Art Gallery—Thru 3/17—works by Joan Stabler & Bev­ erly Guthrie. 3/11—Georgia Tech Student Center- Architecture in Atlanta Tour, by The North Georgia Chapter of the American Institute of Architects. Lenox Square Association—3393 Peachtree Rd., N.E., Atlanta. 3/19-3/30—Exhibition of "Scrap Metal" Art Show.

Plantscape House Theatre 432-7157 Barn Dinner Theatre—1690 Terrell Mill Rd., S.E., Marietta, 436-6262. Dinner at 7:00, performance at 8:30. Teahouse of the August Moon, 2/21-3/18; The Solid Gold Cadillac, 3/21-4/15. Georgia State U.—Student Activities Bldg. Bieder- mann and the Firebugs, by Max Frisch, 3/3, 8:00. Winter Play Season—Peachtree Playhouse, 1150 Peachtree St., 252-8960. The Country Girl, starring Jack Klugman—2/27-3/4. Performances Tues.-Fri. 8:30, Sat. 3:00 & 8:30, Spn. 3:00 & 8:00. Drama Tech—Old Church of God, 869 Hemphill Ave. The Crucible—3/1-3/2, 8:30; 3/3, 2 & 8:30. 894-2730 or 894-2731.

Opera

Academy Theatre—3213 Roswell Rd., N E., 261-8550. Shadows: A Dream Opera, developed by the new experimental opera company under the direction of Paul and Martha Boesing. 3/15-31, every Thurs.- Sat., 8:30.

STRIKE A HEALTHY sNOTE

The Atlanta Nutrition Centers, Inc. 571 Peachtree St., N.E. 872-2297 1385 Oxford Rd., N.E. South DeKalb Mall 373-2032 243-1681 Concerts

Georgia State University—Recital Hall. GSU Choir, IT PAYS TO BUY “BLUE CHIP” 3-1, 8:15; 10th annual Brass Symposium: New York Brass Quintet, GSU Brass Ensemble, William Hill, Known for more than a director—3/2, 8:30; 3/3-10, 3:30 & 8:30; 3/4—2:30. Pianist Ruth Duncan McDonald—3/6, 8:15, GSU century for its personal­ Faculty Series. Chamber Music—3/27, 8:15, GSU Faculty Series. ized service to policyhold­ Emory University’s Festival of Music—All perform­ ers, Connecticut Mutual ances at Glenn Memorial Auditorium. 3/2—violinist Life is the “Blue Chip” Alice Oglesby, pianist, Beverly Gibbons, 8:15; 3/3 —Choral Seminar Concert, 7:30; 3/6—soprano Reri Company. Our sole pur­ Grist, 8:15, Flora Glenn Candler Concert Series; 3/30—Candler Choraliers, 8:15. pose is to provide the Atlanta Symphony Orchestra—3/4, 3:00. Civic finest possible life insur­ Center. ance at the lowest pos­ Lawrence Welk—3/5, 8:00. The Omni. sible cost. Bamberg Symphony Orchestra^ Eugene Jochum, con­ So when you think of ductor—3/5, 8:30. Civic Center. All Star Concert. life insurance, think “Blue Marietta Community Symphony, Betty Shipman Ben­ nett, conducting. Powers Ferry Methodist Church Chip” . . . think Con­ 3/10, 8:30. necticut Mutual. Rudolph Serkin—3/13, 8:30. Civic Center. Atlanta Symphony Orchestra Pension Fund. General Agent 1950’s Rock & Roll Review—3/17, 8:00. Municipal James T. Mills, Auditorium. Famous Artists. 705 Fulton Federal Bldg., Gina Bachauer, pianist—3/28, 8:30. Civic Center. Atlanta, Georgia 30303 All Star Concert Series. Connecticut Mutual Life Dance THE BLUE CHIP COMPANY • SINCE 1846

Les Ballets Africains—3/10, 8:30. Civic Center. Famous Artists.

Children

Shapes: Adventure and Discovery—Junior Activities Jfc WRECKING BAK Center, Memorial Arts Center. Exhibition giving INC. young people a chance to experience how shapes affect space. Open to the public Sat. and Sun., 12-5. Adults 50c; children 25c. Fernbank Science Center—156 Heaton Park Dr., N.E. Planetarium program, “Panorama 1973,’’ con­ tinuing through March 4; "Quasars: The Ends of the Universe?”, a look at galaxies, 3/6—4/1. Sat. 11 & 3, Sun. 2 & 4., Tues.-Fri. 8, closed Mon. Adults $1.00, students 50c. Also, observatory, library; exhibit hall. Information: 378-4311. Vagabond Marionettes present “Aladdin,” March 3, 10, 17. Hill Audit., Memorial Arts Center. $1.00. Arc hitectupal Antiques

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