Cine Universitario Programación Noviembre 2016
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Poaching Incident Ends in Crash with Cruiser
HOAG I SONS* BOOK BlUDER/1 25 m,CH,CA SPRINGPORT, 5[9284 The Grand Valley Ledger Volume 9, Issue 2 Serving LOIVPII Area Readers Since 1893 November 14, 1984 Poaching incident ends in crash with cruiser A poaching ' complaint re- reached speeds of 45 m.p.h. sengers in the vehicle, Neal Ray sulted in a near head-on crash while traveling erratically eas- Fonger. 21, of 908 E. Main ^when the suspected poacher's terly along the sharp curves and Street. Lowell and Paul Micheal vehicle attempted to flee units of gravel surface of Foreman Road. Farley, 22, of 1294 Laurie Gail. the Lowell Police Department at While in pursuit Martin radioed Lowell were both treated at the about 11:30 P.M. Saturday. ahead to Lowell Reserve Officer scene for bmisesand lacerations. Kent County Sheriffs Deputies Brian Anderson. Anderson pro- Fonger was then lodged in the requested assistance from the ceeded west on Foreman from Kent County Jail. All three oc- Lowell Police Department con- the comer of Gee Drive, and was cupants were cited by Kent cerning a poaching complaint on unable to avoid a collision when County Sheriffs Deputies for Foreman Road east of Alden the suspect vehicle slid across "bunting after hours with an arti- Nash. Officer Michael Martin the centerline at this cruiser. ficial light". Klien was also cited responed and pulled up behind Anderson and all three occup- for "fleeing and elluding a police the suspect vehicle with his ants of the suspect vehicle were officer." Other charges may yet t flights off. -
Introduction: Approaching Performance in Spanish Film
Introduction: approaching performance in Spanish film Dean Allbritton, Alejandro Melero and Tom Whittaker The importance of screen acting has often been overlooked in studies on Spanish film. While several critical works on Spanish cinema have centred on the cultural, social and industrial significance of stars, there has been relatively little critical scholarship on what stars are paid to do: act. This is perhaps surprising, given the central role that acting occupies within a film. In his essay ‘Why Study Film Acting?’, Paul McDonald argues that acting is not only crucial to understanding the affective charge of mov- ies, but integral to the study of film as a whole (2004: 40). Yet, despite its significance, performance remains one of the most elusive and difficult aspects of film analysis. One of the reasons for this, according to Pamela Robertson Wojcik, is its apparent transparency (2004: 1). A ‘good’ actor supposedly renders their performance ‘invisible’, thereby concealing the process of acting from the audience, and engaging us within the emo- tional universe of the character. To this effect, discussion on acting is all too frequently evaluative: we think in terms of how convincing or natu- ralistic a given performance is, or are invited to appreciate the actorly skills and techniques that are brought to bear on the film. Yet, when it comes to writing about performance academically, it can prove altogether more challenging. It requires us to single out and momentarily freeze the flow of specific moments of performance within a film, and to break them down to their tiniest details. We need to pay attention to what Paul McDonald has called the ‘micromeanings of the voice and body’ (2004: 40), intricately drawing out the ways in which gesture, body, facial expression and vocal delivery work together to cre- ate meaning. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Revista Del Cine Español Nº 176 MARZO 2011 4 €
ACADEMIA Revista del Cine Español nº 176 MARZO 2011 4 € A CADEMIA DE LAS A RTES Y LAS C IENCIAS C INEMATOGRÁ FICAS DE E SPAÑA Ilustración: Augusto Costhanzo ACADEMIA REVISTA DEL CINE ESPAÑOL DIRECTOR: ARTURO GIRÓN [email protected] PRODUCCIÓN: ANA ROS [email protected] 4 La gala en el Teatro Real. La Academia REDACCIÓN ([email protected]): corona a Pa negre con nueve Goyas, entre JEFA DE REDACCIÓN: CHUSA L. MONJAS [email protected] ellos los de mejor película, dirección y ELOÍSA VILLAR [email protected], ANA ROS, JUAN GARCÍA [email protected] actriz protagonista 16 El ‘abc’ del DOCUMENTACIÓN: PATRICIA VIADA [email protected] backstage 23 El último discurso de Álex DISEÑO: ALBERTO LABARGA [email protected] de la Iglesia24 Entrevista con Isona IMPRIME: Gráficas 82 D.L. BU–217/95. ISSN 1136–8144 Passola, productora de Pa negre 26 Los ACADEMIA, REVISTA DEL CINE ESPAÑOL, NO SE SOLIDARIZA NECESARIAMENTE CON LAS Goya desde la calle desde la OPINIONES EXPUESTAS EN LOS ARTÍCULOS QUE PUBLICA, CUYA RESPONSABILIDAD 28 CORRESPONDE EXCLUSIVAMENTE A LOS AUTORES. televisión Belleza, y EDITA: 29 glamour evasión. La moda, por Lorenzo Caprile 34 Palmarés 38 Discurso de Mario Camus, Goya de Honor 39 Mis primeros Goya, por el director de C/ Zurbano, 3. 28010 Madrid producción Emiliano Otegui y la Tel. 91 5934648 y 91 4482321. Fax: 91 5931492 Internet: www.academiadecine.com directora y guionista Azucena Rodríguez E-mail: [email protected] 43 Sabela Correa, el mejor espectador PRESIDENTE: ÁLEX DE LA IGLESIA 25 premios honoríficos, por Jesús de VICEPRESIDENTES: ICÍAR BOLLAÍN, EMILIO A. -
20 Films on Politics and the Media | Thecommentary.Ca Page 1 of 5
20 films on politics and the media | thecommentary.ca Page 1 of 5 thecommentary.ca » • Home • About • Biography • Links Search... Home » The Commentary 20 films on politics and the media 29 December 2009 | Email This Post | Print This Post BY JOSEPH PLANTA VANCOUVER – A few weeks ago, Sean Holman, the talented and prodigious editor of Public Eye Online was on the program to discuss the year that was and the year to come in provincial politics. We got to talking movies, when I’d asked him if he’d seen State of Play, the fine American film based on the British miniseries of the same name. He suggested two other films: The Candidate and Shattered Glass. This got me thinking about what films had the best depictions of politics, media, journalism and the writing process. I came up with a few, and limited myself to twenty which seemed a workable number. Twenty favourites, as it were. Of course the list is subjective, and is in no particular order. I suspect if I ever get to watching Dr. Strangelove, or The Front Page, or Bob Roberts, or Silver City, they might be added to the list, perhaps even bumping off something already here. There’s nothing on this list that was made for television, otherwise the House of Cards trilogy would be here, as well as the original British miniseries State of Play, The Thick of It, The West Wing, and of course, the Yes, Minister/Yes, Prime Minister tandem. Perhaps Mr. Holman or others would like to add to or debate my choices. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 27 - July 3, 2021 American Graffiti (1973) Cinemax Mon. 4:12 a.m. The Exorcist (1973) TMC Sun. 8 p.m. Father of the Bride (1950) TCM Sun. 3:15 p.m. Finding Nemo (2003) Freeform Sat. 3:10 p.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Wed. 4 p.m. VH1 Wed. 7:30 p.m. Giant (1956) TCM Mon. 3 a.m. Glory (1989) Encore Sun. 11:32 a.m. Encore Sun. 9 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 3:30 p.m. L.A. Confidential (1997) Encore Sun. 7:39 a.m. Encore Sun. 11:06 p.m. The Lady Vanishes (1938) TCM Sun. 3:30 a.m. The Man Who Knew Too Much (1956) TCM Sun. 10:45 a.m. The Man Who Knew Too Much (1934) TCM Sun. 11:15 p.m. Monsieur Hulot's Holiday (1953) TCM Mon. 8:30 p.m. North by Northwest (1959) TCM Sat. 12:15 p.m. Once (2006) Cinemax Mon. 2:44 a.m. Ordinary People (1980) EPIX Tues. 3:45 p.m. Psycho (1960) TCM Sun. 5 p.m. Rear Window (1954) TCM Sat. 7:15 p.m. Saving Private Ryan (1998) BBC America Wed. 8 p.m. BBC America Thur. 4 p.m. Shadow of a Doubt (1943) TCM Sat. 9:15 p.m. -
100 Movies to See Before You Die: the All-Time Greats
New User? Register Sign In Help Trending: Jerry Lewis Yahoo! Mail Search Web Search MOVIES DVD MY MOVIES In Theaters Showtimes & Tickets Coming Soon Photo Galleries Trailers & Clips News Box Office Kids Videos Search All Movies Trending Now: Cars 2 Bad Teacher Green Lantern Transformers 3 Harry Potter 100 Movies to See Before You Die: The All-Time Greats by The Yahoo! Movies Editorial Staff Many movies are good, some are great, but only a select few can be called truly "essential." After heated discussions, long negotiations, and a shouting match or two, the staff at Yahoo! Movies has put together this list of the 100 films you must see before you die. To choose the titles for the list, we considered factors like historical importance and cultural impact. But we also selected films that we believe are the most thrilling, most dramatic, scariest, and funniest movies of all time. Some of these films Printable "100 Movies" List you've seen, and some you may not have heard of, but we believe that each one is a timeless classic that you absolutely have to see. Print out the list of "The 100 Movies to See Before You Die" For a look at the movies from the more recent past we also think are worthy of acclaim, make sure you also see " 100 Movies to See Before You Die: The Modern Classics ." It highlights the greatest films from across the globe made during the last two decades. Share This Post WHY YOU SHOULD SEE IT Jump to a Letter (rollover where y ou see the icon for more information ) '100 Movies' Photo Galleries 0-9 The All-Time Greats 12 Angry Men (1957) (102 Photos) DIRECTED BY: Sidney Lumet STARRING: Henry Fonda, Lee J. -
Citizen Kane Handout.Pdf
Areas of study covered include narrative structure, industry and institution and understanding the language of film. Citizen Kane: Certificate U. Running Time 119 minutes. MAJOR CREDITS FOR CITIZEN KANE Citizen Kane 1941 (RKO/Mercury) Producer: Orson Welles Director: Orson Welles Screenplay: Herman J. Mankiewicz, Orson Welles [Joseph Cotten, John Housemani Director of’ Photography: Gregg Toland Editor: Robert Wise, [Mark Robson] Music: Bernard Herrmann Art Directors: Van Nest Polgiase, Perry Ferguson Cast: Orson Welles Joseph Cotten Everett Sloane Dorothy Comingore Agnes Moorehead Ray Collins Paul Stewart George Coulouris Ruth Warrick Oscars 1941: Best Original Screenplay Oscar Nominations 1941: Best Picture Best Director Best Actor (Orson Welles) Best B/W Cinematography Best B/NV Art Direction Best Editing Best Scoring of’ a Dramatic Picture Best Sound Cast and characters[edit] The cast of Citizen Kane is listed at the American Film Institute Catalog of Feature Films.[3] Orson Welles as Charles Foster Kane, the titular "Citizen Kane", a wealthy, megalomaniacal newspaper publisher whose life is the film's subject. His name actually appears last in the closing credits. Joseph Cotten as Jedediah Leland, Kane's best friend and the first reporter on Kane's paper. Leland continues to work for Kane as his empire grows, although they grow apart over the years. Kane fires Leland after he writes a negative review of Susan Alexander Kane's operatic debut (which, ironically, Kane himself finished when a drunk Leland fell unconscious). Dorothy Comingore as Susan Alexander Kane, Kane's mistress, who later becomes his second wife. Everett Sloane as Mr. Bernstein, Kane's friend and employee who remains loyal to him to the end. -
Newspaper Movies.Pdf
Newspaper movies Looking to escape the rigors of a day at the newsroom? How about a nice newspaper movie? That's sick! You need to get a life. We can't help you with that, but if you haven't had your fix for the day, here are some of the best newspaper movies of all time (and a few clinkers) to help you unwind -- if that's what you call it. (It seems that a certain amount of obsessiveness can be an occupational hazard.) Are we missing one of your favorites? Tell us. Citizen Kane A classic, not just among newspaper movies, but among all American movies ever made. In June, 1998, a panel of the American Film Institute chose it as the best American feature film ever. Orson Welles directs this parallel to the life of William Randolph Hearst. The flashbacks and camera angles were ahead of the times for the 1940s. Starring Welles and Joseph Cotten. Black and white, 1941, 119 minutes FOUR PACK The Front Page The first of four comedic takeoffs on the 1928 Hecht and If you need a Macarthur play. The serious hit of formula is simple and newspaper movies, true: ace reporter and check out Richard editor battle with each R. Ness' "From other and with Headline Hunter to corruption. This classic Superman." This stars Pat O'Brien, 808-page tome, Adolphe Menjou and published in 1997, Mary Brian. The first three end with one of the play's best catalogues 2,100 lines. But you won't read it here. You'll have to wait for feature films the movie. -
Maquetación 1
La Gala Blancanieves NOS DEJA SIN PALABRAS Chusa L. Monjas a versión muda, torera y en blanco y negro dirigida por Pablo Berger con- virtió sus dieciocho candidaturas en diez Goyas. Lo impo- sible, la película más taquillera de Lla historia del cine español, logró cinco premios, entre ellos el de mejor director. Maribel Verdú, por su primer papel de mala “malísi- ma”, y el veterano José Sacristán, los mejores actores del año. 8 ACADEMIA FOTO: MARINO SCANDURRA ACADEMIA 9 La Gala l cuento acabó bien. La Blancanie- ves muda, torera y en blanco y negro que vive en Andalucía de Pablo Ber- Eger “habló” en la 27 edición de los Premios Goya al lograr diez de los dieciocho premios a los que aspiraba. Una decena de veces se pronunció Blancanieves en el Centro de Congresos Príncipe Felipe de Madrid, re- cinto que se estrenó como marco de una ga- la en la que el segundo largometraje de Ba- yona, Lo imposible, consiguió cinco reconoci- mientos, entre ellos el de mejor director, es- tatuilla que ‘Jota’ entregó a María Belón, la española en cuya experiencia real se basa la película que en la gran pantalla interpreta Naomi Watts. La británica era finalista al Goya a la Mejor Interpretación Femenina “El cine español necesita películas grandes, medianas y pequeñas” J.A.Bayona Protagonista, reconocimiento que se llevó FOTO: MARINO SCANDURRA Maribel Verdú por encarnar “a la mala más Arriba izda.: Los productores de Las aventuras de Tadeo Jones –Ghislain Barrois, Edmon Roch, Nico Matji y Jordi mala” del cuento: la madrastra. -
Memorias Del Club De Cine: Más Allá De La Pantalla 2008-2015
Memorias del Club de Cine: Más allá de la pantalla 2008-2015 MAURICIO LAURENS UNIVERSIDAD EXTERNADO DE COLOMBIA Decanatura Cultural © 2016, UNIVERSIDAD EXTERNADO DE COLOMBIA Calle 12 n.º 1-17 Este, Bogotá Tel. (57 1) 342 0288 [email protected] www.uexternado.edu.co ISSN 2145 9827 Primera edición: octubre del 2016 Diseño de cubierta: Departamento de Publicaciones Composición: Precolombi EU-David Reyes Impresión y encuadernación: Digiprint Editores S.A.S. Tiraje de 1 a 1.200 ejemplares Impreso en Colombia Printed in Colombia Cuadernos culturales n.º 9 Universidad Externado de Colombia Juan Carlos Henao Rector Miguel Méndez Camacho Decano Cultural 7 CONTENIDO Prólogo (1) Más allá de la pantalla –y de su pedagogía– Hugo Chaparro Valderrama 15 Prólogo (2) El cine, una experiencia estética como mediación pedagógica Luz Marina Pava 19 Metodología y presentación 25 Convenciones 29 CUADERNOS CULTURALES N.º 9 8 CAPÍTULOS SEMESTRALES: 2008 - 2015 I. RELATOS NUEVOS Rupturas narrativas 31 I.1 El espejo - I.2 El diablo probablemente - I.3 Padre Padrone - I.4 Vacas - I.5 Escenas frente al mar - I.6 El almuerzo desnudo - I.7 La ciudad de los niños perdidos - I.8 Autopista perdida - I.9 El gran Lebowski - I.10 Japón - I.11 Elephant - I.12 Café y cigarrillos - I.13 2046: los secretos del amor - I.14 Whisky - I.15 Luces al atardecer. II. DEL LIBRO A LA PANTALLA Adaptaciones escénicas y literarias 55 II.1 La bestia humana - II.2 Hamlet - II.3 Trono de sangre (Macbeth) - II.4 El Decamerón - II.5 Muerte en Venecia - II.6 Atrapado sin salida - II.7 El resplandor - II.8 Cóndores no entierran todos los días - II.9 Habitación con vista - II.10 La casa de los espíritus - II.11 Retrato de una dama - II.12 Letras prohibidas - II.13 Las horas.