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Sorted by Volumes Author Name of the Article Pages Year of Number the of the Volume Volume Levine Lee I. Figural Art in Ancient Judaism 9-26 2005 1 Poseq Avigdor Toward a Semiotic Approach to 27-50 2005 1 W.G. Jewish Art Friedman Mira The Meaning of the Zodiac in 51-62 2005 1 Synagogues in the Land of Israel during the Byzantine Period Rodov Ilia Dragons: A Symbol of Evil in 63-84 2005 1 European Synagogue Decoration? Cohen Evelyn M. Gallico’s Identity Exposed: Revealing 85-90 2005 1 an Erased Colophon from a Renaissance Prayer Book Zirlin Yael Discovering the Floersheim Haggadah 91-108 2005 1 Rajner Mirjam Chagall’s Fiddler 117-132 2005 1 Kampf Avram Art and the Early Zionist Movement: 109-116 2005 1 Controversy and Discord Heyd Milly Arnold Schoenberg’s Self-portraits 133-146 2005 1 between “Iconism” and “Anti- Iconism”: The Jewish-Christian Struggle. Special Item Shaked Shaul and An Early Torah Pointer from 147-152 2005 1 Jacoby Ruth Afghanistan. Special Item Jacoby Ruth and An Early Torah Pointer from 147-152 2005 1 Shaked Shaul Afghanistan. Special Item Goldberg- Jerzy Malinowski, Painting and 153-155 2005 1 Mulkiewicz Olga Sculpture of Polish Jews in the 19th and 20th Centuries (Polish). Book Review Amishai-Maisels Moshe Barasch (1920–2004). In 156-158 2005 1 Ziva Memoriam Sabar Shalom Joseph Gutmann (1923–2004). In 159-161 2005 1 Memoriam Lindwer Willy Rafi Grafman (1939–2001). 162-163 2005 1 Revel-Neher Seeing the Voice: Configuring the 7-24 2006 2 Elisheva Non-Figurable in Early Medieval Jewish Art Meyer Mati Harlot or Penitent: The Figure of 25-34 2006 2 Rahab in Byzantine Illuminated Manuscripts Kogman-Appel Picture Bibles and the Re-written 35-52 2006 2 Katrin Bible: The Place of Moses dal Castellazzo in Early Modern Book History Sperber Daniel Moses’ Shoes at the Burning Bush 53-58 2006 2 Amishai-Maisels Menasseh Ben Israel and the 59-82 2006 2 Ziva ‘Wandering Jew’ Yaniv Bracha Praising the Lord: Discovering a Song 83-102 2006 2 of Ascents on Carved Torah Arks in Eastern Europe Miller Irit Hebraism and Hellenism in An 103-116 2006 2 Allegory – A Painting by Solomon Joseph Solomon Klein Rudolf Oriental-Style Synagogues in Austria- 117-134 2006 2 Hungary: Philosophy and Historical Significance Baigell Matthew Spiritualism and Mysticism in Recent 135-150 2006 2 Jewish American Art Nashman-Fraiman “Joy and Gladness, Happy Festivals 151-162 2006 2 Susan for the House of Judah”: A Unique Parokhet from Alessandria della Paglia. Special Item Rodov Ilia Pro arte judaicae Kalman P. Bland, 163-164 2006 2 The Artless Jew: Medieval and Modern Affirmations and Denials of the Visual. Book Review Rosman Moshe Resplendent BookThomas C. Hubka, 165-168 2006 2 Resplendent Synagogue: Architecture and Worship in an Eighteenth-Century Polish Community. Book Review Kessler Katrin Jewish Identity in Contemporary 169-171 2006 2 Architecture, eds. Angeli Sachs and Edward van Voolen. Book Review Whitfield Stephen SamanthaBaskind,Raphael Soyer and 172-173 2006 2 J. the Search for Modern Jewish Art. Book Review Revel-Neher Naphtali G. Deutsch (1931–2005). In 177-178 2006 2 Elisheva Memoriam Harel Hoshen Zussia Efron (1911–2002). In 179-181 2006 2 Sarah Memoriam Weiss Zeev Reconstructing and Deconstructing 7-18 2007 3 Jewish Art: Between Rome and Byzantium Halperin Dalia- A Jew among Us: The Catalan 19-30 2007 3 Ruth Micrography Mahzִor Artist and the Ferrer Bassa Atelier Kadish Sharman Sha‘ar ha-Shamayim: London’s Bevis 31-52 2007 3 Marks Synagogue and the Sephardi Architectural Heritage Dukhan Igor El Lissitzky – Jewish as Universal: 53-72 2007 3 From Jewish Style to Pangeometry Baskind Samantha Midrash and the Jewish American 73-90 2007 3 Experience in Jack Levine’s Planning Solomon’s Temple Aldouby Hava Miniature Tombstones from the 91-100 2007 3 Cyprus Detention Camps. Special Item Litvak Olga Review Essay. Art Criticism for the 101-110 2007 3 Blind: New Approaches to the Life and Work of Marc Chagall. Book Review Klein Rudolf Fredric Bedoire, The Jewish 111-115 2007 3 Contribution to Modern Architecture, 1830–1930. Book Review Rajner Mirjam A New Look at Jewish Art Edward 116-118 2007 3 van Voolen, My Grandparents, My Parents and I: Jewish Art and Culture. Book Review Lenowitz Harris Hebrew Script in the Works of 7-20 2008 4 Bartolome Bermejo Sperber Daniel A Note on Moses’ Tar-Box 21-24 2008 4 Kravtsov Sergey Reconstruction of the Temple by 25-42 2008 4 R. Charles Chipiez and Its Applications in Architecture Kotlyar Eugeny The Making of a National Art: Boris 43-60 2008 4 Schatz in Bulgaria Rajner Mirjam Chagall’s Jew in Bright Red 61-80 2008 4 Friedman Mira Oskar Kokoschka’s Saul and David 81-92 2008 4 Kantor-Kazovsky Vladimir Yakovlev in the Grobman 93-112 2008 Lola Collection in Tel Aviv: A Jewish Interpretation of the Avant-garde Myth of Artistic Creation Poseq Avigdor Igael Tumarkin’s Sixteen Tributes to 113-136 2008 4 W.G. Goya Rodov Ilia Journey along the Cyclic Path. 137-140 2008 4 Shalom Sabar in collaboration with Ella Arazi, Avriel Bar-Levav, and Roni Weinstein, Ma‘agal Ha-.hayyim (The Life Cycle): Jewish Communities in the East in the Nineteenth and Twentieth Centuries. Book Review Sperber Daniel Were the Medieval Spanish Haggadot 141-143 2008 4 Ever Read at the Seder? Katrin Kogman-Appel, Illuminated Haggadot from Medieval Spain: Biblical Imagery and the Passover Holiday. Book Review Deluga Waldemar Exhibition of Gela Seksztajn’s 144-146 2008 4 Drawings at the Jewish Historical Institute in Warsaw. Exhibition Review Kogman-Appel Kurt (1923–2007) and Ursula (1927– 147-149 2008 4 Katrin 1999) Schubert. In Memoriam Revel-Neher Gabrielle Sed-Rajna (1927–2008). In 150-152 2008 4 Elisheva Memoriam Meyer Mati The Personification of Zion in 7-22 2009 5 Byzantine Psalters with Marginal Illustrations: Between Eschatological Hopes and Realia Englard Yaffa The Creation of Eve in Art and the 23-36 2009 5 Myth of Androgynous Adam Contessa An Uncommon Representation of the 37-58 2009 5 Andreina Temple Implements in a Fifteenth- century Hebrew Sephardi Bible Bland Kalman P. A Jewish Theory of Jewish Visual 59-66 2009 5 Culture: Leon Modena’s Concepts of Images and Their Effect on Locative Memory Adi´c Vesna The Tragic Story of Leon Koen, the 67-84 2009 5 First Sephardi Painter from Belgrade: A Symbolist and Admirer of Nietzsche Laderman The Unique Significance of the 85-106 2009 5 Shulamit Hebrew Alphabet in the Works of Mordecai Ardon and Michael Sgan- Cohen Baigell Matthew Richard McBee’s Akedah Series: 107-120 2009 5 Reimagining and Reconfiguring Jewish Art Klauzin´ska Colored Tombstones in the Jewish 121-128 2009 5 Kamila Cemetery in Zdun´ska Wola. Special Item Amishai-Maisels Kiev and Cracow: Modern Jewish Art 129-134 2009 5 Ziva Kultur-Lige. Artistic Avant-Garde of the 1910s and the 1920s; Jewish Artists in Kraków 1873–1939. Book Review Kessler Herbert L. Bezalel Narkiss (1926–2008). In 137-139 2009 5 Memoriam Yuval-Hacham “You Shall Not Make for Yourself 7-22 2010 6 Noa Any Graven Image…”: On Jewish Iconoclasm in Late Antiquity Stern David “Jewish” Art and the Making of the 23-44 2010 6 Medieval Prayerbook Halperin Dalia- Maiestas Domini Converted 45-68 2010 6 Ruth Shadmi Tamar From Functional Solution to 69-80 2010 6 Decorative Concept: Stages in the Development of Inscribing Liturgical Texts on Synagogue Walls Kravtsov Sergey Jewish Identities in Synagogue 81-100 2010 6 R. Architecture of Galicia and Bukovina Apter-Gabriel El Lissitzky’s Self-portrait 101-114 2010 6 Ruth (Constructor), 1924: Paradoxes and Possible Sources Goldman The Birthing Chair: The Chair of 115-132 2010 6 Batsheva Ida Rabbi Nah.man of Bratslav, a Phenomenological Analysis. Special Item Revel-Neher An Inverted Path. Beyond the Yellow 143-146 2010 6 Elisheva Badge: Anti-Judaism and Antisemitism in Medieval and Early Modern Visual Culture, ed. Mitchell B. Merback. Book Review Schwartz Joshua A Woman for All Seasons. Between 139-142 2010 6 Judaism and Christianity: Art Historical Essays in Honor of Elisheva (Elisabeth) Revel-Neher, eds. Katrin Kogman-Appel and Mati Meyer. Book Review Goldberg- Life in the Shtetl in Paintings and 150-154 2010 6 Mulkiewicz Olga Narrative. Mayer Kirshenblatt and Barbara Kirshenblatt-Gimblett, They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland before the Holocaust. Book Review Charvit Yossef Jewish Identity and Modern 147-149 2010 6 Philanthropy. Dominique Jarassé, Osiris: Mécène Juif et nationaliste français. Book Review Sztyma- “Pole, Jew, Artist: Identity and Avant- 133-138 2010 6 Knasciecka Garde”. Exhibition Review Tamara Offenberg Sara Illuminations of Kol Nidrei in Two 7-16 2011 7 Ashkenazi Mahzorim Singer Rachel Maurice Sendak’s Where the Wild 17-32 2011 7 Things Are: An Exploration of the Personal and the Collective Cohen Richard I. The Return of the Wandering Jew(s) 33-56 2011 7 and Rajner in Samuel Hirszenberg’s Art Mirjam Rajner Mirjam The Return of the Wandering Jew(s) 33-56 2011 7 and Cohen in Samuel Hirszenberg’s Art Richard I. Piatkowska A Sense of Togetherness: The Jewish 57-66 2011 7 Renata Society for the Encouragement of the Fine Arts in Warsaw (1923–1939) Washton Long Modernity as Anti-Nostalgia: The 67-82 2011 7 Rose-Carol Photographic Books of Tim Gidal and Moshe Vorobeichic and the Eastern European Shtetl Jarrasse Orientalism, Colonialism, and Jewish 83-104 2011 7 Dominique Identity in the Synagogues of North Africa under French Domination Heyd Milly Hans Richter: Universalism vis-a-vis 105-122 2011 7 Particularism Nashman Fraiman Of Provenance and Providence: On 123-136 2011 7 Susan the Reappearance of David Playing the Harp for Saul by Moritz Oppenheim.
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    Yad VaJerusalemhem QUARTERLY MAGAZINE, Special Edition, December 2013 Yad Vashem Marks 60Years and 20 Years of the International School Yad VaJerusalemhem QUARTERLY MAGAZINE, VOL. 71, Tevet 5774, December 2013 SPECIAL EDITION Contents Published by: “Not Just a History Lesson” ■ 2-5 “Not Just a History Lesson” Yad Vashem Avner Shalev Speaks about the Achievements The Holocaust Martyrs’ and Heroes’ Remembrance Authority and Challenges of Yad Vashem in the 21st Century ■ Leah Goldstein Chairman of the Council: Rabbi Israel Meir Lau Message from Rabbi Israel Meir Lau, ■ 5 Vice Chairmen of the Council: Chairman of the Yad Vashem Council Dr. Yitzhak Arad "So That Future Generations Dr. Moshe Kantor ■ Avner Shalev assumed his position as Will Know…" ■ 6-7 Prof. Elie Wiesel Chairman of the Yad Vashem Directorate some Public Commemoration and Guiding Activities Chairman of the Directorate: Avner Shalev two decades ago, in an era of great change Director General: Dorit Novak Our Partners in Making and volatility worldwide. A man with a clear Head of the International Institute for Holocaust the Vision a Reality ■ 8-9 vision and a resolute mission, he has undoubtedly Research: Prof. Dan Michman The Archives ■ 10-11 changed the face, scope and pace of the Holocaust Chief Historian: Prof. Dina Porat From Collection to Accessibility Remembrance Authority, building upon the Academic Advisors: foundations laid in its formation by Shoah Prof. Yehuda Bauer The Photo Collection ■ 11 Prof. Israel Gutman z"l survivors, establishing it as a world-class center ■ 11 Members of the Yad Vashem Directorate: The Footage Collection of archival and research expertise, and placing education at the “very center of its enterprise” Yossi Ahimeir, Edna Ben-Horin, Michal Cohen, The Names Database ■ 12-13 Matityahu Drobles, Abraham Duvdevani, Unto Every Person There is a Name for the sake of the generations to follow.
  • Copyright by Lane Brad Relyea 2004

    Copyright by Lane Brad Relyea 2004

    Copyright by Lane Brad Relyea 2004 The Dissertation Committee for Lane Brad Relyea certifies that this is the approved version of the following dissertation: MODEL CITIZENS AND PERFECT STRANGERS: AMERICAN PAINTING AND ITS DIFFERE NT MODES OF ADDRESS, 1958 -1965 Committee: Richard Shiff, Supervisor Jeffrey Barnouw Michael Charlesworth John Clarke Linda Henderson Ann Reynolds MODEL CITIZENS AND PERFECT STRANGERS: AMERICAN PAINTING AND ITS DIFFERE NT MODES OF ADDRESS, 1958 -1965 by Lane Brad Relyea, B.F.A., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosop hy The University of Texas at Austin August 2004 MODEL CITIZENS AND PERFECT STRANGERS: AMERICAN PAINTING AND ITS DIFFERENT MODES OF ADDRESS, 1958 -1965 Publication No. s Lane Brad Relyea, Ph.D. The University of Texas at Austin, 2004 Super visor: Richard Shiff Artworks made in New York between 1958 and 1965, the heyday of color -field painting, minimalism and pop art, comprise different responses to the perceived crisis embroiling advanced art at the time -- namely, the threat of misinterpret ation posed by a rapidly expanding consumer audience. It is possible to see the general concern over art's relation to its audience in terms of a crisis of metaphor; pivotal innovations during this period, especially in painting, mark a move beyond metaphor in search of alternative modes of address. These different modes can be characterized using the categories provided by rhetorical analysis, in particular the schema of the four master tropes as proposed by Kenneth Burke and Hayden White.