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NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6
ada–music.com @ada_music NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6 2021 ISSUE 19 September 3 ORDERS DUE JULY 30 SENJUTSU LIMITED EDITION SUPER DELUXE BOX SET Release Date: September 3, 2021 INCLUDES n Standard 2CD Digipak with 28-page booklet n Blu-Ray Digipak • “The Writing On The Wall” • Making Of “The Writing On The Wall” • Special Notes from Bruce Dickinson • 20-page booklet n 3 Illustrated Art Cards n 3D Senjutsu Eddie Lenticular n Origami Sheet with accompanying instructions to produce an Origami version of Eddie’s Helmet, all presented in an artworked envelope n Movie-style Poster of “The Writing On The Wall” n All housed in Custom Box made of durable board coated with a gloss lamination TRACKLIST CD 1 1. Senjutsu (8:20) 2. Stratego (4:59) 3. The Writing On The Wall (6:23) 4. Lost In A Lost World (9:31) 5. Days Of Future Past (4:03) 6. The Time Machine (7:09) CD 2 7. Darkest Hour (7:20) 8. Death of The Celts (10:20) 9. The Parchment (12:39) 10. Hell On Earth (11:19) BLU-RAY • “The Writing On The Wall” Video • “The Writing On The Wall” The Making Of • Special notes from Bruce Dickinson LIMITED EDITION SUPER DELUXE BOX SET List Price: $125.98 | Release Date: 9/3/21 | Discount: 3% Discount (through 9/3/21) Packaging: Super Deluxe Box | UPC: 4050538698114 Returnable: YES | Box Lot: TBD | Units Per Set: TBD | File Under: Rock SENJUTSU Release Date: September 3, 2021 H IRON MAIDEN Take Inspiration From The East For Their 17th Studio Album, SENJUTSU H Brand new double album shows band maintain -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
1 a Conversation with Rufus Wainwright by Frank
A Conversation with Rufus Wainwright by Frank Goodman (6/2007, Puremusic.com) Rufus Wainwright has gotten so big in recent years that he needs no introduction from us. His new CD Release The Stars debuted at #2 in the UK and #10 at iTunes. He is the brother of Martha and the son of Loudon and of Canadian Folk icon Kate McGarrigle. In Wikipedia, his genres are listed as Baroque Pop and Popera. His dad in a PM interview said that Rufus began listening to opera at a very young age. No, he doesn't sing like that, but on the other hand, no one's melodies are quite or even remotely like his. Also, his string and horn arrangements (whether handled by himself or his partners in poperatic crime) are quite unto themselves, and always one of the elements that set him immediately apart from the field, the entire field. In Michael Hill's beautiful bio at rufuswainwright.com, both the author's and especially the artist's words tell the story of Rufus's first self-produced CD and connected events in a most impressive fashion. It's reassuring that in this vapid rapid time there are still real artists in popular music. Puremusic: We haven't spoken in this way since 2003, so it's really great to have you on the phone again. Rufus Wainwright: Thank you. PM: Release the Stars, another triumph. You're in top form. RW: Thank you so much. Yeah, I'm definitely going for something-- [laughter] RW: God knows what it is, but it's something. -
Pharoah Sanders, Straight-Ahead and Avant-Garde
Jazz Perspectives ISSN: 1749-4060 (Print) 1749-4079 (Online) Journal homepage: http://www.tandfonline.com/loi/rjaz20 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman To cite this article: Benjamin Bierman (2015) Pharoah Sanders, Straight-Ahead and Avant- Garde, Jazz Perspectives, 9:1, 65-93, DOI: 10.1080/17494060.2015.1132517 To link to this article: http://dx.doi.org/10.1080/17494060.2015.1132517 Published online: 28 Jan 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjaz20 Download by: [Benjamin Bierman] Date: 29 January 2016, At: 09:13 Jazz Perspectives, 2015 Vol. 9, No. 1, 65–93, http://dx.doi.org/10.1080/17494060.2015.1132517 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman Introduction Throughout the early 1980s, Sweet Basil, a popular jazz club in New York City, was regularly packed and infused with energy as the Pharoah Sanders Quartet was slam- ming it—Sanders on tenor, John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums.1 The music was up-tempo and unflagging in its intensity and drive. The rhythm section was playing with a straight-ahead yet contemporary feel, while Sanders was seamlessly blending the avant-garde or free aesthetic and main- stream straight-ahead jazz, as well as the blues and R&B influences from early in his career.2 This band—and this period of Sanders’s career—have been largely neglected and Sanders himself has generally been poorly represented in the media.3 Sanders, as is true for many, many musicians, suffers from the fact that in critical discourses jazz styles often remain conceptualized as fitting into pre-conceived cat- egories such as straight-ahead, mainstream, and avant-garde or free jazz. -
DAVE the KARAOKE GUY Davethekaraokeguy.Com
DAVE THE KARAOKE GUY RENTAL LIBRARY davethekaraokeguy.com ARTIST SONG TITLE FOLDER SONG # .38 Special Back Where You Belong 1 1 .38 Special Hold On Loosely 1 2 10,000 Maniacs Because The Night 1 3 10,000 Maniacs Like The Weather 1 4 10,000 Maniacs These Are Days 1 5 10,000 Maniacs Trouble Me 1 6 10CC Dreadlock Holiday 1 7 10CC I'm Not In Love 1 8 10CC Things We Do For Love 1 9 112 feat. Ludacris Hot & Wet 1 10 1776 He Plays The Violin (audio only-no lyrics display) 1 11 1776 Momma Look Sharp (audio only-no lyrics display) 1 12 1975 Chocolate 1 13 1975 Love Me 1 14 2Pac Dear Mama 1 15 2Pac feat. Dr. Dre & Roger Troutman California Love 1 16 2Pac feat. Elton John Ghetto Gospel 1 17 2Pac feat. KC & Jojo How Do U Want It (clean) 1 18 3 Doors Down Every Time You Go 1 19 3 Doors Down Here Without You 1 20 3 Doors Down Kryptonite 1 21 3 Doors Down When I'm Gone 1 22 3 Doors Down When You're Young 1 23 311 All Mixed Up 1 24 3LW No More (Baby I'm-A Do Right) 1 25 3OH!3 feat. Katy Perry Starstrukk 1 26 3OH!3 feat. Kesha My First Kiss 1 27 4 Non Blondes What's Up? 1 28 4 P.M. Sukiyaki 1 29 5 Seconds Of Summer Amnesia 1 30 5 Seconds Of Summer Don't Stop 1 31 5 Seconds Of Summer She Looks So Perfect 1 32 5 Seconds Of Summer She's Kinda Hot 1 33 50 Cent In Da Club (clean) 1 34 50 Cent Straight To The Bank (clean) 1 35 5ª Estacion El Sol No Regresa 1 36 5ª Estacion La Frase Tonta De La Semana 1 37 5ª Estacion y Ednita Nazario No 1 38 5th Dimension Aquarius/Let The Sun Shine In 1 39 5th Dimension Go Where You Wanna Go 1 40 5th Dimension Last Night I -
Teacher's Guide
Teacher’s Guide the realm of imagination MAGAZINE ARTICLES The Inside Name 5 Historical Fiction 900L Venice at Sunset 12 Lyrical Poem Murik and the Magic Sack 13 Folktale 900L The Great Grasshopper Mystery 17 Narrative Nonfiction 1040L Fried Crickets, Anyone? 22 Expository Nonfiction 1170L Bugalicious Party Recipes 26 Procedure Ahimsa 27 Contemporary Realistic Fiction 720L Percy Plumb, Cowboy 34 Contemporary Realistic Fiction 850L April Rose in Charge 40 Contemporary Realistic Fiction 970L Cricket © April 2017 Contents Teacher’s Guide for Cricket: OVERVIEW the realm of imagination April 2017 In this magazine, readers will learn about different Using This Guide 2 beliefs and values and how they Skills and Standards Overview 3 influence the way characters and people Article Guides 4 behave. Cricket: April 2017 includes information about the experiences of a Jewish family living in Cross-Text Connections 13 Portugal during the Spanish Inquisition, the beauty of the setting sun in Venice, Mini-Unit 14 the benefits and drawbacks of sharing the planet with insects, and relationships between humans and animals. Graphic Organizers 17 Appendix: Meeting State and National Standards 21 ESSENTIAL QUESTION: How do beliefs and values influence the way characters behave? 1 Cricket © April 2017 Using This Guide We invite you to use this magazine as a flexible teaching tool, ideal for providing interdisciplinary instruction of social studies and science content as well as core literacy concepts Find practical advice for teaching individual articles or -
Ilan Rljp B T^ R Leutuum Ra Li Nazis Claim Capt Ure of Kharkov
Average Daily Circulation For the Month of September, 1841 The Weather Foreeaat of C. S. Weather Burenu 6,880 Fair and eonttnaed oool tonight; Sunday fair and alightly colder; Member of the Andll ilanrljPBt^r lEuTuUm rali m otlerale to frewh northw est and Bareau of Circulation* u-eot wind*. Manchentpr——A City of Village Charm VOi.. LXL, NO. 22 (Claftalfled Advertising On Page 13) MANCHESTER. CONN.. S.ATl RnAY. OCTOHER 2'>. 1011 (FOURTEEN PAGES) PRICE THREE CENTS .Action on Blhnrlix .Strike Front Arranges to Vote ' Nazis Claim Capt ure On W iping Out Ban Of Kharkov; Crimea On Ship Deliveries Attacks Are Beaten Seen initicc Kraiiy to .Ap PoAxerfiil Onsliuij'hlb To Business Ri'lfjoroH .Also ('laimed prove l,e^iHlation (riv l.aiinrlie(l .'\j'aiii<4t Pen- Britain Will Orriipipfl; Rprlih Dig* ing VetiHelh Right to After .War intxiila and .Apitroarhes patrhr* Brgin Speak* Sail on .Anv Orean». To Rfistov Re|>iilbe(i h> Give Russia • lip of Zero Hour for \Va.‘ihinKtoii. Oct. 2.").— (/P) Dislocation ^' ill Dtrarf i Red Army's (Atiinler- A id Pledged Alokrow; Roml>erg Di» —A majority of the Senate That FoUou'ihg First Allackti; (serm aii* in reel Mjrhl Attack* Foreign Relations Committee fVorld IVar; Anit^nran ^ Sm all \ illaj;e<i Close was re|)orted ready today to Eden Says Many (,eo- -Agaiiiril Alilitary and Entry Seen Ineritahle. Tf» Mozhaisk Noxx. approve legislation granting granhiral If^irnlties Eroiioniir Gen ter*. American merchant ship.q the In EnIfiUing Td\^ If ill right to sail—and if need New- Orlean*. Oct 25 vT- A Bulletin! R filin , Oct. -
Butlletí De Novetats Discogràfiques Gener-Març
BUTLLETÍDE NOVETATS DISCOGRÀFIQUES GENER-MARÇ 2008 CJCMJPUFDB QÞCMJDBBMJDBOUF ÍNDICE 1 MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES.....................................................................p.2-8 2 JAZZ..................................................................................p.9-14 3 ROCK, POP, MÚSICA LIGERA........................................p.15-29 4 MÚSICA CLÁSICA............................................................p.30-36 5 MÚSICA NEW AGE...........................................................p.37-38 6 MÚSICA FUNCIONAL. BANDAS SONORAS VARIAS....p.39-42 ÍNDICES..................................................................................p.43-46 PÁGINA 1 0 MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES. PÁGINA 2 1 AL ANDALUZ PROJECT (GRUPO MUSICAL) Deus et Diabolus [Grabación sonora] / Al Andaluz Project. -- Madrid : Galileo, p 2007. -- 1 disco compacto (ca. 61 min.) : digital ; 12 cm + 1 folleto Letras de las canciones en el folleto Contiene: 1.Morena / Sefardí, trad. ; 2. A Virgen mui groriosa / Cantiga de Santa María ; 3. Nassam Alaina Lhawa / Árabo-andalusí, trad. ; 4. Pandero / M. Aranda / E. López ; 5. De Santa María / Cantiga de Santa María, 13th century ; 6. Chamsse Lachia / Nuba kudam al-maya ; 7. La galana y el mar / Sefardí, trad. ; 8. Gran dereit / Cantiga de Santa María ; 9. Atiny naya - Solo Iman / Árabo-andalusí, trad. ; 10. Lluna / E. López ; 11. Arracha Lfatan / Nuba garnati ; 12. Las suegras de ahora / Sefardí, trad. Int.: L`Ham de Foc ; Estampie 1. Música andalusí 2. Música sefardí I. L’Ham de Foc (Grupo musical) II. Título 001 ALA 1009926 ALI R.C.D. 5492 17€ Para los seguidores de L’Ham de Foc este trabajo constituye un paréntesis biográfico pero no sonoro y estético en los trabajos de la formación, con lo que a la vez también suma continuidad en el horizonte de sus componentes. Al•Andaluz Project es la colaboración musical de los valencianos con el grupo alemán Estampie, especializado en la interpretación de la música antigua centroeuropea. -
An Historical Survey of the Development of the Vibraphone As an Alterna Tive Accompanying Instrument in Jazz
AN HISTORICAL SURVEY OF THE DEVELOPMENT OF THE VIBRAPHONE AS AN ALTERNA TIVE ACCOMPANYING INSTRUMENT IN JAZZ. BY FRANK A MALLOWS (MLLFRA002) A MINOR DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE A WARD OF THE DEGREE OF MASTER OF MUSIC. SOUTH AFRICAN COLLEGE OF MUSIC UNIVERSITY OF CAPE TOWN SOUTH AFRICA 2004 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town 11 DECLARATION This work has not been previously submitted in whole, or in part, forthe award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. SIGNATURE DATE (Frank Arthur Mallows) III ABSTRACT AN HISTORICAL SURVEY OF THE DEVELOPMENT OF THE VIBRAPHONE AS AN ALTERNATIVE ACCOMPANYING INSTRUMENT IN JAZZ. by Frank Arthur Mallows 7 Muswell Hill Road Mowbray Cape Town A minor dissertation submitted in partial fulfilment of the requirements for the award of the degree of Master of Music. South African College of Music University of Cape Town South Africa 2004 The vibraphone, a melodic percussion instrument in which metal bars are struck with mallets to produce the sound and with a chromatic range of usually three octaves, was developed in the United States of America in the early 1900s. -
Wainwright, Rufus (B
Wainwright, Rufus (b. 1973) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Rufus Wainwright. Reprinted from http://www.glbtq.com Courtesy Dreamworks Records. Singer and songwriter Rufus Wainwright has built a successful career with witty lyrics and rich melodies that have earned him comparisons to Cole Porter and George Gershwin. Wainwright cites Al Jolson, Edith Piaf, and Nina Simone as artists who were among his early inspirations. Both music critics and Wainwright's loyal fans appreciate the structural complexity and lush orchestrations of his works. Described by Advocate reviewer Anderson Jones as "the thinking gay man's sex symbol," Wainwright composes and performs songs marked by intelligence, humor, and pathos. In his rendition, his songs are at once achingly plaintive and hip, their frank romanticism only barely mediated by a light dose of irony. Wainwright comes from a distinctly musical family. His father is American folk-singer and humorist Loudon Wainwright III, and his mother is Canadian folk-singer and songwriter Kate McGarrigle. Born July 22, 1973 in Rhinebeck, New York, Rufus Wainwright grew up in Montreal, where his mother made her home after his parents separated when he was three and subsequently divorced. Music has always been at the center of Wainwright's life. He began learning to play the piano at six and by his early teens was performing on tour with his mother, his aunt Anna McGarrigle, and his sister Martha Wainwright as the McGarrigle Sisters and Family. Wainwright wrote his first song, "I'm A-Runnin'," for the children's film Tommy Tricker and the Stamp Traveller (1988, directed by Michael Rubbo), for which his mother and aunt had been engaged to provide the music. -
I Iolson's Watertown Garage
Property of the Watertown Historical Society Tiie watertownhistoricalsociety.orgWafertowfi - Oakvflla TOWN Weekly TIMES Vol. 11, No. 483 Subscription Price, $3.00 Per Year. Single Copy, 6 Cents. March 7, 1957 $7,000 Approved' For Emergency Truck Purchase Three Step Program Proposed Subject to a town meeting Development Commission And vote, the Board of Finance has approved a -request for $7,000 lor High School Construction from the Fire Department to. pur- Water Sales Hit At Meeting chase an emergency truck with A three "step program, was pro-, ties rooms and use them for equipment! The Federal Gov-_ Oakville voters at the annual water main, which, 'runs, down upper Buckingham Street from posed, March 1 in a joint meeting:' standard purposes." In their rec- eminent will reimburse the town .Fire District meeting approved of the .Board of Education and ommendations, the Board of Edu- to the extent of $2,750 of this a budget of nearly $246,000 Mon- the storage tank, located 'there*, the School Building Committee to cation had advocated doing this amount, if_ _ the purchas_ e ^ is made_^ , ."3da _ _ y ^ !f' nightX ,jL. ,« ^ »-., u^. AnecessitatinL .*m, ,**m jT ilMLi ^m. £*-mi 'm^ .f^BH .B^. g*9 IB .h* a 2% District jolhcial'^officials notednoted, 'thatnattnt thee. discuss means, of .getting the pro- until- increasing enrollment jus- ThTh,ep FederaTMAT.1l Civirswiil Defensnrf«nne pronro-- ' mill increase in, 'the tax rate, to selling of wafer in this, w ay would gram, for constructing the new tifies adding more classrooms. 1 OTam nrovides the matchine funds 8 mills, and elected District offi- cost the! District, nothing, since high school 'under way. -
LESTER BOWIE Brass Memories
JUNE 2016—ISSUE 170 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LESTER BOWIE brASS MEMories REZ MIKE BOBBY CHICO ABBASI REED PREVITE O’FARRILL Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JUNE 2016—ISSUE 170 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Rez Abbasi 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Mike Reed 7 by ken waxman General Inquiries: [email protected] On The Cover : Lester Bowie 8 by kurt gottschalk Advertising: [email protected] Encore : Bobby Previte by john pietaro Calendar: 10 [email protected] VOXNews: Lest We Forget : Chico O’Farrill 10 by ken dryden [email protected] LAbel Spotlight : El Negocito by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD Reviews 14 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Miscellany 41 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 42 Andrew Vélez, Ken Waxman Contributing Writers Tyran Grillo, George Kanzler, Matthew Kassel, Mark Keresman, Eric Wendell, Scott Yanow Jazz is a magical word.