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English String Miniatures, Vol Englische Miniaturen für Streicher • Folge 5 Albert Cazabon (1883–1970) wurde in London als Searle drei Sätze aus einer Kollektion von fünfzehn Vo- Sohn des französischen Geigers Alphonse Cazaubon ge- luntaries und Fugen für Orgel oder Cembalo für Streich- Pamela Harrison (1915–1990) wurde in Kent geboren, geführt wurde. An eigener Musik schrieb er unter ande- boren, der an der Karmeliterkirche in der Kensington orchester ein. Es mag dies auch mit Blick auf die Bach- wo sie auch aufwuchs, bevor sie am Royal College of Mu- rem Lieder und Chöre sowie Orchesterminiaturen und Church Street als Musikdirektor tätig war. Mit vier Jahren Transkriptionen seines Lehrers Webern geschehen sein – ENGLISH STRING sic bei Gordon Jacob (Komposition) und Arthur Ben- Suiten. Des weiteren schuf er mindestens zwei Klassi- war Albert ein Wunderkind auf der Geige; später studierte wenngleich Searle die Musik des 18. Jahrhunderts weit jamin (Klavier) studierte. 1943 heiratete sie den Cellis- ker für Blechbläser, die sich nach wie vor im Repertoire er in Paris und London unter anderen bei Gustav Holst. Er konformistischer behandelt hat. ten Harvey Phillips; ihre Suite for Timothy entstand fünf halten, regelmäßig für Wettbewerbe benutzt werden und arbeitete als Dirigent und Arrangeur – auch für den John Ireland (1876–1962) wurde in Cheshire als Sohn MINIATURES • 5 Jahre später zum ersten Geburtstag ihres Sohnes. Neben sich gut neben späteren Stücken berühmterer Kompo- Stummfilm – und war Musikdirektor am Everyman The- gelehrter Eltern geboren und kam mit 14 Jahren ans Ro- einer Concertante für Klavier sowie Liedern für Tenor nisten behaupten können. Mit Ausnahme seines Dauer- atre von Hampstead. Seine Ehefrau hatte in ihrer Kindheit yal College of Music, wo er von 1913 bis 1939 selbst un- John Ireland • Francis Chagrin und Streicher nach Baudelaire, Dowson, Herrick und brenners Bal Masqué wird der überwiegende Teil seines Tür an Tür mit Percy Grainger gewohnt und war seitdem terrichtete. Der Schüler Stanfords schuf mehr als neunzig Thomas ist diese vorliegende Suite eines von ganz we- Schaffens jedoch nicht gespielt. Folksong und Fiddle mit ihm befreundet. Dank dieser Beziehung kam Cabazon Lieder, viele delikate Klavierminiaturen und eine kleine nigen Stücken, die nicht zur Kammermusik gehören, für Dance mit dem merkwürdigen Untertitel „Suite“ bilden nach Australien und wurde, nachdem Basil Cameron den Zahl an Orchesterwerken – wobei sich unter den reinen Percy Fletcher • Paul Lewis die sich Pamela Harrison fast ausschließlich interessiert ein kurzes, charmantes und lebendiges Diptychon, Posten aufgegeben hatte, Musikdirektor des Prince Streicherstücken einige seiner eloquentesten Schöpfun- hat. deren Frische und Spontaneität viele seiner Werke aus- Edward Theatre von Sydney. Dort schrieb er seinerzeit gen finden. Die Concertante Pastorale ist ein Original- Royal Ballet Sinfonia • Gavin Sutherland Francis Chagrin (1905–1972) wurde als Alexander zeichnet. sogar ein Lied zur feierlichen Einweihung der berühmten werk, während anderes aus verschiedenen Quellen Paucker in Rumänien geboren. Seinen neuen Namen Paul Lewis (geb. 1943) wurde in Brighton geboren. Hafenbrücke im Jahre 1932. Nach dem Krieg lebte er stammt: The Holy Boy [English String Miniatures, Vol. 2, nahm er an, als er über Frankreich nach England ging. Er machte einen Bogen um Universitäten und Musik- wieder in England, wo er während der vierziger Jahre die Naxos 8.555068] ist eigentlich das dritte von vier Kla- 1943 gründete er in London das Committee (später: So- schulen und ging seinen eigenen Weg als Komponist. Musik in Stratford leitete und in den Fünfzigern mit vierpreludes, und die hier eingespielte Downland Suite ist ciety) for the Promotion of New Music, das viele Werke Den Auftrag zu seiner ersten Fernsehmusik erhielt er als seinem eigenen Orchester regelmäßig in Sendungen der ursprünglich eine Komposition für Blechbläser, die 1932 bekannter und weniger bekannter Komponisten urauf- Zwanzigjähriger. Seither hat er viele Stücke für dieses BBC zu hören war. Das Giocoso dürfte aus dieser Zeit als Prüfungsstück für einen Wettbewerb geschrieben führte. Zu seinen eigenen Kreationen gehören zwei Sin- Medium geschrieben. Besonders bekannt wurden sein stammen, da er es 1955 auf Ersuchen von Billy Mayerl für wurde. Neun Jahre später begann Ireland damit, dieses fonien, zahlreiche Kammermusiken, Lieder und kon- Arthur of the Britons, später dann Woof! und Bernard’s kleines Orchester arrangierte. Stück für Streicher einzurichten; er stellte allerdings nur zertante Stücke – unter anderem eine Rumänische Rhap- Watch. Die Suite Navarraise entstand nach einem Ur- Thomas Roseingrave (1690–1766) war Komponist die beiden mittleren Sätze fertig, bevor er vor den deut- sodie für Larry Adler, Filmmusiken wie The Colditz Sto- laub im französischen Baskenland und ist davon inspi- und wirkte als begabter Organist an St. George’s, Hanover schen Invasoren von den Kanalinseln in die Heimat floh. ry und An Inspector Calls, ferner Musik für die vielen riert, dass hier im Jahre 1553 Henri de Navarre, der spä- Square. Nach einer unglücklichen Liebesaffaire mit ei- Anscheinend hatte er dann das Interesse an dem Projekt Hoffnung-Cartoons von Halas und Batchelor sowie zu tere Heinrich IV. von Frankreich, geboren wurde: Hein- ner Schülerin ging es mit seiner Karriere bergab. Die Har- verloren; das Arrangement wurde schließlich 1978 von Fernsehserien (The Four Just Men u.a.). Die Renais- richs Mutter unternahm im letzten Stadium ihrer monik seines äußerst wagemutigen musikalischen Stils seinem Schüler Geoffrey Bush vollendet. Bei der Über- sance Suite sieht als Besetzung „Streichorchester (und/ Schwangerschaft eine lange, mühevolle Reise zum Her- erschien den Zeitgenossen als zu schroff. Er hatte nichts tragung wurden etliche Veränderungen vorgenommen: oder Bläserquartett)“ vor und enthält Bearbeitungen zogssitz von Pau, und auf dem gesamten Weg sang sie für den nationalen Stil Händels oder der Scarlattis übrig, Das Prelude und das Minuet wurden gekürzt, die Elegy anonymer Stücke aus dem 16. und 17. Jahrhundert; be- Lieder, um das ungeborene Kind mit ihrem Geist zu entwickelte vielmehr die chromatischen Fantasien Pur- erweitert. Das Thema dieses Satzes erklingt noch einmal sonders beeindruckend ist die Gagliarda mit ihren un- erfüllen. In Arrive à Pau (Ankunft in Pau) erklingen Fan- cells und der elisabethanischen Madrigalisten weiter. in dem abschließenden Rondo, das wiederum geringfügig regelmäßigen Phrasenlängen. Das gesamte Werk stellt faren, während sich die Prozession nähert, und wenn die Kein Wunder also, dass diese unangepasste Haltung die modifiziert wurde. eine gelungene Mischung aus historischer Authentizität werdende Mutter, immer noch singend, ihr Ziel erreicht, Sympathie von Humphrey Searle (1915–1982) fand, der Philip Lane und Moderne dar. hören wir eine volksliedartige Melodie. Berceau d’un zeitweilig bei Anton Webern studiert hatte. Zum zweihun- Deutsche Fassung: Cris Posslac Percy Fletcher (1879–1932) wurde in Derby gebo- prince (Die Wiege eines Prinzen) meint den alten, im dertsten Todestag von Roseingrave im Jahre 1966 richtete ren. Mit praktischer Erfahrung als Geiger, Pianist und Schloss von Pau aufbewahrten Schildkrötenpanzer, der Organist verbrachte er einen großen Teil seines Lebens Heinrich als Wiege diente. Le vert galant (Der galante als Musikdirektor verschiedener West End-Theater. Wind) war der im umgangssprachlichen Französisch Den Höhepunkt dieser Karriere erreichte er 1915, als er sehr bezeichnende Spitzname, den man Heinrich ver- an das Theater His Majesty’s kam. Einer von Fletchers lieh, als er zum Frauenhelden wurde. Dementsprechend frühesten Erfolgen war Chu Chin Chow, das lange auf- ist der Satz treffend als Allegro vigoroso bezeichnet. 8.557752 5 6 8.557752 English String Miniatures • 5 as music director at Sydney’s Prince Edward Theatre, one say, a great deal more conformist. Royal Ballet Sinfonia (Orchestra of the Birmingham Royal Ballet) after Basil Cameron had turned the job down, even John Ireland was born in Cheshire to literary As the most regularly contracted ballet orchestra in the country, the Royal Ballet Sinfonia enjoys a full touring Pamela Harrison was born and brought up in Kent wheeled out for contests and stand up well against later writing a song for the grand opening of Sydney Harbour parents, and entered the Royal College of Music at the schedule, appearing with Birmingham Royal Ballet in its home town, in London and around the United before studying at the Royal College of Music with examples from more distinguished hands. However, the Bridge in 1932. Back in England after the War, he age of fourteen, teaching there himself from 1913 to Kingdom and frequently with the Royal Ballet at the Royal Opera House and on tour. The Royal Ballet Sinfonia Gordon Jacob (composition) and Arthur Benjamin vast majority of his output, apart from the perennial Bal directed music at Stratford in the 1940s, and in the 1939. A pupil of Stanford, his output included over has appeared with many of the world’s other leading ballet companies, including the Paris Opéra Ballet, New (piano). In 1943 she married the cellist Harvey Phillips, Masqué, remains unheard. The Folksong and Fiddle 1950s gave regular BBC broadcasts with his own ninety songs, many delicate piano miniatures, and a York City Ballet, Australian Ballet, Les Grands Ballets Canadiens, the Kirov, Norwegian Ballet, Atlanta Ballet, and her Suite for Timothy was written for the first Dance, curiously subtitled ‘suite’,
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