DOCSLIB.ORG

January 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
January 2021 CfllllfHlI VUFr 46IM@ICflH (W. ~W.~~) df~H'1I~ ~ 'lc;)~{l / M@lq{l~~, 361, 3lUUTT~ r d'114Qa, ~ -600018 OFFICE OF THE PRINCIPAL ACCOUNTANT GENERAL (G&SSA), TAMIL NADU AND PUDUCHERRY,LEKHA PARIKSHA BHAVAN, 361, ANNA SALAI, TEYNAMPET, CHENNAI - 600018 ~ .vm. I /No. Admn. In:rn:IT.V1Genl.V 111-41/2020-21/1.,8 ft::;Jiq;: 04.01.2021 MEMORANDUM Shri B.Suresh, SAO is informed that Earned Leave for 19 days from 15.02.2021 to 05.03.2021 with permission to prefix holidays on 13.02.2021 & 14.02.2021 and suffix holidays on 06.03.2021 & 07.03.2021 has been sanctioned by the leave sanctioning authority to enable him to visit his daughter at Dubai UAE. He is permitted to leave the country and stay abroad from 14.02.2021 to 07.03.2021 subject to production of copy of visa. (vide orders of Principal Accountant General) y.~~ ~ Senior Audit Officer 1Admn. To Shri B.Suresh, SAO Copy to Sr.DAGj AMG -II SAOj AMS 21 AAOj PC I (Leave application is enclosed) CfiillfHlI ~ q~i<PI@iCfiH ( <PI@iq:o~ - 1 ) dfIOlH'1i,§, <PI@iq~l~~, 361/3lUUlT~, cl'1iQQe;, ~ - 600 018 OFFICE OF THE PRINCIPAL ACCOUNTANT GENERAL (AUDIT-I), TAMIL NADU" LEKHA PARIKSHA BHAVAN, ~4lftl.ll'll'f~ 361, ANNA SALAI, TEYNAMPET, CHENNAI - 600 018 ~Ib!~" Pul;icMtell ~. vm.1 No. Admn.I/mm-.V/Genl.V/5-20/2020-21/26 ~: 04.01.2021 CfllllfHlI ~ / OFFICE ORDER The following Assistant supervisors, on promotion as Supervisors, are posted to the Office mentioned against their names with immediate effect. Sl Name I.D. Number Office to which posted No (S I Shri) 1. ,Sridharan.A.N. TN CH A 321 1015 0/0 PAG (Au-I) 2. Varadarajan.N TN CH A 321 1054 0/0 PAG (Au-I) 3. Sundareswaran.M -II TN CH A 321 1075 0/0 PAG (Au-I) 4. Manohar.R TN CH B 321 1154 0/0 PAG (Au-I) 5. Arunachalam.K -III TN CH A 321 1175 0/0 PAG (Au-I) 6. Shanmugham.C.G. TN CH A 321 1186 0/0 PAG (Au-I) 7. Ravikumar.M TN CH A 321 1225 0/0 PAG (Au-I) 8. Ravichandran.J -I TN CH A 321 1232 0/0 PAG (Au-I) 9. Muthu.T-I TN CH A 321 1233 0/0 PAG (Au-I) 10. Nandakumar.G TN CH B 321 1238 0/0 PAG (Au-I) 11. Thayumanavan.R TN CH B 321 1242 0/0 PAG (Au-I) 12. .Ahmed Basha.I TN CH A 321 1243 0/0 PAG (Au-I) 13. Kalaivanan.K TN CH B 321 1260 0/0 PAG (Au-I) 14. Vinayagamurthy.C.G TN CH A 321 0993 0/0 AG(Au-II) 15. Mathialagan.G TN CH A 321 1164 0/0 AG(Au-II) 16. Srinivasan.J-I TN CH A 321 1265 0/0 AG(Au-II) 17. Sekar.A.R. TN CH A 321 1316 0/0 AG(Au-II) 18. Asokan.S-II TN CH V 321 1122 0/0 PDA(C) (Vide orders of Principal Accountant General) ~.~\Q~~' Senior Audit Officer~IAd~'mn. 'CI'fuJ ~ @I q;fta,n ~ / ,;ptIH'i"1. To Individuals Copy to: 1. Secretary to PAG 9. SAO/ Admn. III 2. Sr. DAG/Admn.; % AG(Audit-II) 10.SAO/EDP - for uploading the posting 3.Dy Director/Admn.; % PDA (Central) order on the official website 4.SAO/Admn.; % AG(Audit-II) 11. SAO/OM 5.SAO/Admn; % PDA (Central) 12. ITA Section 6.SAO/Claims; % PAG(Audit-l) 13. PAO/IAD 7.SAO/Claims; % AG (Audit-II) 14. 0.0. File 8.SAO/Claims; % PDA (Central) Cf)1~rM~ VUR q~IH@ICf)H (H@IQila,u - 1 ) (1fl:1M'1I~, H@lq~la,u mi'1', 361, 3nJUTT~, d'1IQQ G, ~ - 600 018 OFFICE OF THE PRINCIPAL ACCOUNTANT GENERAL (AUDIT-I), TAMIL NADU, , LEKHA PARIKSHA BHAVAN, 361, ANNA SALAI, TEYNAMPET, CHENNAI - 600 018 ~ . 11m. I No. Admn.I/m-a:rr.V/Genl.V/S-20/2020-21/2=-f- ~: 08.01.2021 ChI(;lh~(;I mW / OFFICE ORDER In partial modification of posting order issued vide 00 No.26 dated 23.12.2020 Shri A.Vijaykumar, SAO is trfsfered from AMG III to take up "" the Performance Audit on PMAY and posted to AMG I in place of Shri S. Ravichandran-II, SAO who proceeded on leave. The posting order of Shri S. Ravichandran, SAO stands cancelled. Shri R. Kothandaraman, SAO/ AMG I is diverted and posted to AMG III temporarily until the completion of Audit Plan of that Group. (Vide orders of Principal Accountant General) To Individuals Copy to 1. Secretary to PAG 6. SAO/OM 2. DAG/ AMG-I & III 7. SAO/Admin.III 3. SAO/AMS 11 8. SAO/EDP - for uploading the posting order on the official website. 4. SAO/AMS-31 9. PAO/IAD 5. SAO/Claims 10. 0/0 File cni(;lf(1(;1 ~ "IgiH@icnH ( H@iq{la;rr - 1 ) afi:l(1"'1i<§, H@iq{la,rr~, 361, 3lUU1Tm<t, d"'li"lqe, ~ - 600 018 OFFICE OF THE PRINCIPAL ACCOUNTANT GENERAL (AUDIT-I), TAMIL NADU" LEKHA PARIKSHA BHAVAN, 361, ANNA SALAI, TEYNAMPET, CHENNAI - 600018 ~ .vm. I No.Admn.I/'mlIT.VI/Genl.VI/5-23/2020-21/40 Wticn :04.01.2021 Cfll4fH4 ~ / OFFICE ORDER Smt. J. Hemamalini, Senior Auditor (TN CH A 321 1328) on reporting back from leave is placed at the disposal of DAG/ AMG-III for further posting to Commercial Section with immediate effect. (Vide orders ofDAG /Admn. dated 04.01.2021) ~ /;/," ~./ ~Q.I~CfI ~~Iq(l&n" ~ /"srm. I Assistant Audit Officer/ Admn. I To Smt. J. Hemamalini, Senior Auditor Copy to :, 1. Secretary to PAG, % PAG (Audit-I) 7. SAO j OM 2. DAG/AMG-III 8. ITA Section 3. SAOjAMS-31 9. SAOjEDP (for uploading order on official website) 4. SAO/Commercial Section 10.PAO / lAD 5. SAO j Claims 11. 0.0 File 6. SAOjAdmn.III ChlllfHlI VUR qgIM@IChH ( H@lq~l~ - 1) dr'iH'1I~, H@lq;fta:rr~, 361, 3lU1JTT~, d'1IQQa, ~ - 600 018 OFFICE OF THE PRINCIPAL ACCOUNTANT GENERAL (AUDIT-I), ~.~ TAMIL NADU, , LEKHA PARIKSHA BHAVAN, Il!dradIoT.... i>~_ 361, ANNA SALAI, TEYNAMPET, CHENNAI - 600 018 ~. vm. I No.Admn.I/'W1rr.VI/GenI.VI/S-23/2020-21/41 fu:;rfcn :04.01.2021 CflI<:jf~<:j ~ / OFFICE ORDER The following Senior Auditors on promotion as Assistant Supervisors are posted to the Offices mentioned against their names with immediate effect. 81. Name - No. Office Posted to (8/8hri/8mt) I~ N__Q- I. Ganesan .D TN CH A 321 1270 0/0 PAG (Au-I) 2. Mohan.S - V TN CH A 321 1330 0/0 PAG (Au-I) 3. .Mohanraj.S TN CH A 321 1336 0/0 PAG (Au-I) 4. Narayanan.N TN CH A 321 1348 0/0 PAG (Au-I) 5. Dominic Xavier.P TN CH A 321 1408 0/0 PAG (Au-I) 6. Vincent Paul.T TN CH A 321 1410 0/0 PAG (Au-I) 7. Thiyagarajan.D TN CH A 321 1411 0/0 PAG (Au-I) 8. Manimaran. S TN CH A 321 1523 0/0 PAG (Au-I) 9. Rajakumar .K TN CH A 321 1518 0/0 PAG (Au-I) 10. Sankareswaran. M TN CH A 321 1522 0/0 PAG (Au-I) II. Jayakumar.K-II TN CH A 321 1615 0/0 PAG (Au-I) 12. Cecilia. A TN CH A 321 1627 0/0 PAG (Au-I) 13. Radhakrishnan.R TN CH A 321 1595 0/0 PAG (Au-I) 14. Mary Rose Nevis Betro.B TN CH A 321 1645 0/0 PAG (Au:-I) 15. Yuvaraj.M TN CH A 321 1680 0/0 PAG (Au-I) 16. Sivakumar.M TN CH A 321 1765 0/0 PAG (Au-I) 17. Arul Sundaram TN CH A 321 2041 0/0 PAG (Au-I) 18. Raveendran.L.N TN CH B 321 1287 0/0 AG(Au-II) 19. Pattabiraman.T.S. TN CH B 321 1345 0/0 AG(Au-II) 20. MD. Vasiuddin TN CH B 321 1424 0/0 AG(Au-II) 21. Ashok Kumar.K TN CH B 321 1628 0/0 AG(Au-II) 22. Prabaharan.K TN CH V 321 1318 0/0 PDA(C) 23. Maridoss.D TN CH V 321 1357 0/0 PDA(C) 24. Thinakaran.J TN CH V 321 1406 0/0 PDA(C) 25. Ashokan.R TN CH V 321 1409 0/0 PDA(C) 26. Paulraj.C.S TN CH V 321 1514 0/0 PDA(C) 27. Pechimuthu.S TN CH V 321 1636 0/0 PDA(C) 28. Ramanichandran.S TN CH V 321 1678 0/0 PDA(C) 29. Dhanalakshmi.A TN CH V 321 1681 0/0 PDA(C) 30. Vimala.N TN CH V 321 1606 0/0 PDA(C) (Vide orders of Principal Accountant General) ~. crtm #I@lq:ila:rr ~ / \JI:;JllfH. Senior Audit Officer I Admn To Individuals Copy to: 1. Secretary to PAG, % PAG(Audit-I) 2. Secretary to AG, % AG(Audit-II) 3. Secretary to PD, % PDA(Central) 4. DAG/ Admn, 0/0 PAG(Audit-I) 5. Sr. DAG/Admn, % AG(Audit-II) 6. Dy. Director / Admn, 0/0 PDA (Central) 7. SAO/Claims, % PAG(Audit-I) 8. SAO/ Admn, 0/0 AG(Audit-II) 9. SAO/Claims, % AG(Audit-II) 10. SAO/ Admn, 0/0 PDA (Central) 11. SAO/Claims, % PDA(Central) 12.
Load more

Recommended publications
  • Dr. Padma Sugavanam AIR A-Graded Carnatic Musician – Vocalist
    Dr. Padma Sugavanam AIR A-graded Carnatic Musician – Vocalist, Academic and Researcher New No 14, First floor, 3rd Avenue, Besant Nagar, Chennai – 600090 E-mail : [email protected]; Ph: +91-9949121122, 044-24910306 Experience and Credentials - Performance A-Grade artiste (AIR) specially double promoted (from B-grade, skipping B-high), since 2002 Most outstanding vocalist (junior) award from the Music Academy, Chennai in 2014, followed by promotion to the sub-senior category in 2015 Sought-after vocalist, gave 60 performances in 2016 across India, US, Canada, Singapore, Malaysia Performances in leading Sabhas (Music Academy, Krishna Gana Sabha, Parthasarathy Swami Sabha, Mylapore Fine Arts etc.) during December Margazhi music festival in Chennai Lecture-demonstrations at prestigious forums such as the Madras Music Academy, and the Ivy League institution, University of Pennsylvania (Philadelphia, USA) Six international concert tours, including an 18 concerts tour of USA and Canada (including the Cleveland Tyagaraja Aradhana), and a tour of Singapore and Malaysia, in 2016 “Pallavi Darbar” concert on advanced Pallavis (Dvinadai, Dviraga, Ettu-kalai, Chanda-taalam pallavis), with Gayathri Girish, Amritha Murali, Nisha Rajagopal, for Carnatica and Parthasarathy Swamy Sabha Performance in the Akashvani Sangeet Sammelan 2012 Regular performances in Nada Nirajanam of Sri Venkateswara Bhakti Channel (SVBC), Tirupati Performances in various TV channels such as Podhigai TV, Jaya TV, Pudu Yugam etc. Thematic programs and lecture-demonstrations such as Prahlada Bhakti Vijayam, Nauka Charitram, Sri Krishna Leela Tarangini, Raganubhava series (Carnatica Archival Centre) etc. Musical Tutelage Intensive training in gurukula style, from Sangita Kala Acharya Smt. Seetha Rajan from 1994 – 2014 Presently undergoing advanced training, under Sangita Kalanidhi Smt.
    [Show full text]
  • June 2018 (Special Edition on Ganakaladhara Madurai Mani Iyer)
    Lalitha Kala Tarangini Premier Quarterly Music Magazine from Sri Rama Lalitha Kala Mandira Volume 2018, Issue 2 June 2018 Sangeetha Kalarathna Titte Krishna Iyengar RR Keshavamurthy - The Lion of Karnataka DK Pattammal the Immortal legend Indian Music Experience (IME) Special Edition on Madurai Mani Iyer Raga Laya Prabha award felicitation Sri Rama Lalitha Kala Mandira awarded “Raaga Laya Prabha” on 13th May 2018 to Aditi B Prahalad (Vocal), BK Raghu (Violin) and Akshay Anand (Mridangam) who are the upcoming youngsters from Bangalore. This award is to commemorate the memory of the Founder-Director, Karnataka Kalashree GV Ranganayakamma, Vidushi GV Neela and her Sister, Founder-patron and Veena artiste Dr. GV Vijayalakshmi. The award carries a cash prize of Rs. Twenty Five Thousand and a citation. The award function was followed by a concert of Abhishek Raghuram (Vocal). B Vittal Rangan (Violin), NC Bharadwaj (Mridanga) and Guruprasanna (Kanjra) in presence of a capacity crowd. Left to Right Standing - Sri DR Srikantaiah - President, Akshay Anand, Sri GV Krishna Prasad - Hon. Secretary, Vidushi Neela Ramgopal,Vidwan Abhishek Raghuram, Aditi B Prahalad, BK Raghu June 2018 Titte Krishna Iyengar and RR Keshavamurthy. I am sure they will be an inspiration to the youngsters. Ganakaladhara Madurai Mani Iyer (MMI) shone like a jewel during the golden period of Karnatak music. He, Music world celebrated the centenary year of DK Pattam- along with GN Balasubramaniam (GN Sir) revolutionised mal a doyen in her own right on March 19, 2019. Vice karnatak music so much so that we talk about music in President of India, Shri M Venkaiah Naidu inaugurated the terms of before MMI, GN Sir and after MMI and GN Sir.
    [Show full text]
  • 51337-001: Tamil Nadu Industrial Connectivity Project
    Resettlement Plan Document Stage: Draft January 2021 IND: Tamil Nadu Industrial Connectivity Project Kumbakonam to Mannargudi (SH 66) Prepared by Project Implementation Unit (PIU), Chennai Kanyakumari Industrial Corridor, Highways Department, Government of Tamil Nadu for the Asian Development Bank (ADB). CURRENCY EQUIVALENTS (as of 7 January 2021) Currency unit – Indian rupee/s (₹) ₹1.00 = $0. 01367 $1.00 = ₹73.1347 ABBREVIATIONS ADB – Asian Development Bank AH – Affected Household AP – Affected Person BPL – Below Poverty Line CKICP – Chennai Kanyakumari Industrial Corridor Project DC – District Collector DE – Divisional Engineer (Highways) DH – Displaced Household DP – Displaced Person DRO – District Revenue Officer (Competent Authority for Land Acquisition) GOI – Government of India GRC – Grievance Redressal Committee IAY – Indira Awaas Yojana LA – Land Acquisition LARRU – Land Acquisition, Rehabilitation and Resettlement Unit LARRIC – Land Acquisition Rehabilitation and Resettlement Implementation Consultant PD – Project Director PIU – Project implementation Unit PRoW – Proposed Right-of-Way RFCTLARR – The Right to Fair Compensation and Transparency in Land Acquisition, Rehabilitation and Resettlement Act, 2013 R&R – Rehabilitation and Resettlement RF – Resettlement Framework RSO – Resettlement Officer RoW – Right-of-Way RP – Resettlement Plan SC – Scheduled Caste SH – State Highway SPS – Safeguard Policy Statement SoR – Schedule of Rate ST – Scheduled Tribe NOTE (i) The fiscal year (FY) of the Government of India ends on 31 March. FY before a calendar year denotes the year in which the fiscal year ends, e.g., FY2021 ends on 31 March 2021. (ii) In this report, "$" refers to US dollars. This draft resettlement plan is a document of the borrower. The views expressed herein do not necessarily represent those of ADB's Board of Directors, Management, or staff, and may be preliminary in nature.
    [Show full text]
  • RADHA KUMAR Department of History, Syracuse University
    RADHA KUMAR Department of History, Syracuse University 145, Eggers Hall, 401 S Salina Street, #513 Syracuse, NY 13244 Syracuse, NY 13202 [email protected] 609-613-6572 Employment 2014-present Assistant Professor, Department of History, Syracuse University. Education 2008-2014 Ph.D., History (Jan. 2015), Princeton University. Dissertation: “Police Matters: Law and Everyday Life in Rural Madras, c.1900-1960.” Committee Members: Profs. Gyan Prakash (Advisor), Bhavani Raman, Anson Rabinbach, Sumathi Ramaswamy. M.A., History (2010), Princeton University. Fields: Modern South Asia, Urban History, Caste in India. 2003-2005 Post Graduate Diploma in Management, Indian Institute of Management Ahmedabad, India. 2001-2003 M.A., History (specialization in Modern India), Hindu College, Delhi University, India. 1998-2001 B.A., History, Stella Maris College, Madras University, India. Publications 2017 (forthcoming) “Seeing Like a Policeman: Everyday Violence in British India, c. 1900- 1950,” in Dwyer, Nettelbeck and Ryan eds Violence, Colonialism and Empire in the Modern World, Cambridge Imperial and Post-colonial Studies, Palgrave Macmillan. 2017 “Policing Everyday Life: The FIR in the Tamil Countryside, c. 1900-1950,” Indian Economic and Social History Review, 54, 3, pp. 1-27. 2015 Review of Power, Perversion and Panic: Eunuchs, Colonialism and Modernity in North India by Jessica Hinchy in Dissertation Reviews, Nov. 2, 2015. http://dissertationreviews.org/archives/12673 2011 “India’s Spectacular Criminals,” Awaaz: the voice of South Asia, Spring 2011, vol. 3, pp. 17-21. 2007 “Conditions in which Microfinance has emerged in certain Regions.” Co-authored with M.S. Sriram, Indian Institute of Management Ahmedabad. Economic and Political Weekly, Vol. 42 No.
    [Show full text]
  • Souvenir-Articles
    Index of Articles in Souvenir Sno Title Language Author Pages Year A synopsis of the work done in its conferences and their contribution to the science of music. 1. English 1-11 1936 [Very briefly on 22 Sruti-s; breif raga lakshana-s of few raga- s] 2. The Music of India English Iyer. C.S 4-10 1939 3. Two puzzling terms in music English Ramaswami Aiyar. M.S 12-13 1939 4. The part and place of laya in music English Swaminathan. R 13-15 1939 Gopinath (Travancore 5. Indian classical dance English 16 1939 Palace Dancer) Venkatarama Iyer 6. Sa ngita kacheriyin pradana amsam Tamil 17 1939 Mudikondan 7. Sri Govinda Dikshitarum Sri Venkatamakiyum Tamil Raghavan . V 5-9 1940 8. Sri Tyagaraja Svamigal (1767-1847) Tamil Venkatrama Iyer . T.L 10-13 1940 9. Sri Muttusvami Dikshitar (1775-1835) Tamil Subba Rao. T.V 14-17 1940 10. Sri Syama Sastrigal (1762-1827) Tamil Venkataraman. K 18-21 1940 11. Mah araja Sri Svati Tirunal (1813-1847) Tamil Mutthaiya Bhagavatar. L 21-22 1940 12. Sri Arunagiriyar Tamil Krishnasvami Iyer 25-26 1940 13. Sri Gopalakrishna Bharatiyar Tamil Swaminatha Iyer. V 26-29 1940 14. Sri Kshetriyar Tamil Sambamurthy. P 30-33 1940 15. Sri Purandaradasar (1484-1564) Tamil Subba Rao. T.V 33-36 1940 Conclusions reached on Ragalakshana-s in the conferences of 16. English 37 1940 1938&1939 17. Man gudi Chidambara Bhagavatar English Krishnaswami Aiyar. K.V 3-7 1941 18. The seven lamps of Sangita English Subba Rao. T.V 12-23 1941 19.
    [Show full text]
  • Vol.74-76 2003-2005.Pdf
    ISSN. 0970-3101 THE JOURNAL Of THE MUSIC ACADEMY MADRAS Devoted to the Advancement of the Science and Art of Music Vol. LXXIV 2003 ^ JllilPd frTBrf^ ^TTT^ II “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; (but) where my Bhaktas sing, there be /, N arada !” Narada Bhakti Sutra EDITORIAL BOARD Dr. V.V. Srivatsa (Editor) N. Murali, President (Ex. Officio) Dr. Malathi Rangaswami (Convenor) Sulochana Pattabhi Raman Lakshmi Viswanathan Dr. SA.K. Durga Dr. Pappu Venugopala Rao V. Sriram THE MUSIC ACADEMY MADRAS New No. 168 (Old No. 306), T.T.K. Road, Chennai 600 014. Email : [email protected] Website : www.musicacademymadras.in ANNUAL SUBSCRIPTION - INLAND Rs. 150 FOREIGN US $ 5 Statement about ownership and other particulars about newspaper “JOURNAL OF THE MUSIC ACADEMY MADRAS” Chennai as required to be published under Section 19-D sub-section (B) of the Press and Registration Books Act read with rule 8 of the Registration of Newspapers (Central Rules) 1956. FORM IV JOURNAL OF THE MUSIC ACADEMY MADRAS Place of Publication Chennai All Correspondence relating to the journal should be addressed Periodicity of Publication and all books etc., intended for it should be sent in duplicate to the Annual Editor, The journal o f the Music Academy Madras, New 168 (Old 306), Printer Mr. N Subramanian T.T.K. Road, Chennai 600 014. 14, Neelakanta Mehta Street Articles on music and dance are accepted for publication on the T Nagar, Chennai 600 017 recommendation of the Editor. The Editor reserves the right to accept Publisher Dr.
    [Show full text]
  • Mellisai - an AI Generated Music Composer Using RNN-Lstms
    International Journal of Machine Learning and Computing, Vol. 10, No. 2, February 2020 MellisAI - An AI Generated Music Composer Using RNN-LSTMs N. Hari Kumar, P. S Ashwin, and Haritha Ananthakrishnan seeks to identify any note or rhythm patterns that give rise to Abstract—The art of composing music can be automated some extent of familiarity within. Determining whether the with deep learning along with the knowledge of a few implicit song possesses appeal, is governed by the process of solving heuristics. In this proposed paper, we aim at building a model this puzzle. Repeating patterns of note lengths play a major that composes Carnatic oriented contemporary tune, that is role in making the song familiar as it progresses. These based on the features of given training song. It implements the task of automated musical composition using a pipeline where groups of repeating note lengths are known as motifs. various key features of the resultant tune are constructed Motifs were successfully identified in the training corpora separately step by step and finally combined into a complete and were passed as one of the four main parameters which piece. LSTM models were used for creating four different determine the quality of the outcome of this experiment. modules namely, the Tune module, the Motif module, the Intuitively, a song can be split into several phrases with Endnote module, and the Gamaka module. Four models were noticeable end notes that have a prominent influence over built namely - Motif, Tune, End Note, and Gamaka whose training accuracy was 86%, 98%, 60%, and 72% respectively.
    [Show full text]
  • Volume 24 December 2014
    SRUTI RANJANI Volume 24 December 2014 Table of Contents From the President’s Desk .................................................................................................................... 1 From the Publications & Outreach Committee .................................................................................. 3 Tribute to Vainika K.S.Narayanaswamy, by Rama Varma ............................................................... 4 Zakir Hussain, R.Kumaresh and Jayanthi Kumaresh in Concert, by Balaji Raghothaman ............ 9 A Dikshithar Thematic Concert, by Rajee Raman ........................................................................... 10 Mandolin Uppalapu Shrinivas (1969 – 2014): A Humble Tribute, by Ragesh Rajan ...................... 12 When signal processing meets Carnatic music: An interview with Dr. Hema Murthy, by Balaji Raghothaman .................................................. 16 Verily, A Veena Pustaka Dharini, by Ravi & Sridhar ....................................................................... 19 Update on the 4S tool, by Balaji Raghothaman .............................................................................. 23 2014 Spring & Fall Concert Photos ..................................................................................................... 24 Sruti Youth Group Update, by Priyanka Dinakar ............................................................................ 30 My Experiences with Bharatanatyam, by Zoe Dana ......................................................................
    [Show full text]
  • Life and Contribution Vainika Sikhamani Sri Veena Seshanna
    Volume 1 Issue 1 December 2020 ISSN: LIFE AND CONTRIBUTION VAINIKA SIKHAMANI SRI VEENA SESHANNA Dr. SHOBANA Director, KALA Sangamam, Chennai, India Our mother land India has given birth to many great musicians. Some of them have also proved themselves as great vaggeyakara. Sri Veena Seshanna of Mysore is one such vaggeyakara who was himself a great performer. He was a great vainika and chief court musician of Mysore for over five decades. He could also be said to be the forerunner of the Mysore style of Veena playing. Even though he was one of the popular Vainika, he is not very much known as a composer. He has composed over fifty compositions that include Swarajathis, Varnas, Krithis and Tillanas. Life History Pachimiriam Adiyappayya is the first known ancestor in the family of Sri Veena Seshanna to have been a successful musician. He was the Raja Guru in the court of Mysore during the reign of Hyder Ali in early 18th century. Sri Adiappayya is the celebrity composer of the famous Ata tala Varna „Viribhoni‟ in Bhairavi raga, where all the dasavidha gamakas are present. He was also the guru of Sri Shyama Sastri. Besides Sri Adi Appaiyya, Veena Kuppiah, Veena Appayya and Veena Somanna were his forefathers. Genealogy 14 Pranav Journal of Fine Arts Volume 1 Issue 1 December 2020 ISSN: Vainika Sikhamani Sri Veena Seshanna belongs to the 24th generation in row from Pachimiriam Adi Appayya. He was born in the year 1852 on Karthika Bahula Panchama of the year Virodhikrithu at Mysore, hailing from a Madhva Brahmin family of Srivatsa gothra.
    [Show full text]
  • 50 Golden Years of the C.P. Ramaswami Aiyar Foundation, Chennai
    50 Years of The C.P. Ramaswami Aiyar Foundation of THE C.P. RAMASWAMI AIYAR FOUNDATION The Grove, 1 Eldams Road, Chennai 600018 www.cprafoundation.org 1 50 Years of The C.P. Ramaswami Aiyar Foundation © The C.P. Ramaswami Aiyar Foundation 2016 The C.P. Ramaswami Aiyar Foundation 1 Eldams Road Chennai 600 018 Tel : 2434 1778 / 2435 9366 Fax : 91-44-24351022 E-Mail: [email protected] Website: www.cprfoundation.org 2 50 Years of The C.P. Ramaswami Aiyar Foundation Contents 1. Sir C.P. Ramaswami Aiyar 7 2. The C.P. Ramaswami Aiyar Foundation 15 3. C.P. Art Centre 37 4. C.P.R. Institute of Indological Research 76 5. Saraswathi Kendra Learning Centre for Children 107 6. The Grove School 117 7. Rangammal Vidyalaya Nursery and Primary School, Kanchipuram 121 8. C.P. Ramaswami Aiyar Memorial Nursery and Primary School, Kumbakonam 122 9. Each One Teach One 123 10. Training Adolescent Girls in Traditional Drawing and Painting 127 11. Vocational Courses 129 12. Saraswathi Award and the Navaratri Festival of Music 131 13. Women’s Development 132 14. Shakunthala Jagannathan Museum of Kanchi, Kanchipuram 133 15. Temple of Varahishwara in Damal, Kanchipuram 139 16. Tribal Welfare 141 17. Inter-School Sanskrit Drama Competition 147 18. Revival of Folk Art Forms in Schools 148 19. Health and Nutrition 153 20. Tsunami Relief and Rehabilitation 154 21. C.P.R. Environmental Education Centre 157 22. National Environmental Awareness Campaign 176 23. Kindness Kids 178 24. Clean Chennai Green Chennai 180 3 50 Years of The C.P.
    [Show full text]
  • Sri Thyagaraja Aradhana Saturday, March 22, 2014 at 8:30 AM Hindu Temple of Delaware 760 Yorklyn Road Hockessin, DE 19707
    Sri Thyagaraja Aradhana Saturday, March 22, 2014 at 8:30 AM Hindu Temple of Delaware 760 Yorklyn Road Hockessin, DE 19707 SRUTI - The India Music and Dance Society is a non-profit 501(c)(3) organization based in the Philadelphia region and founded in 1986. Sruti’s principal mission is to promote and present Indian classical music and dance. In addition, SRUTI seeks to educate the Philadelphia community at-large about Indian arts. SRUTI is a volunteer-run organization. Its leadership comprises an elected Board of Directors and several committees. Every year, around 10 or more world class music and dance recitals are presented during the Spring and Fall seasons by SRUTI in the Greater Philadelphia area. SRUTI also collaborates and partners with other presenting organizations like the Painted Bride Arts Center, Kimmel Center for Performing Arts, Annenberg Center at the University of Pennsylvania, Drexel University, and Montgomery County Community College. SRUTI has received generous grants from private foundations and public organizations including the Pennsylvania Council on the Arts, Dance Advance and Philadelphia Music Project (funded by the Pew Charitable Trusts) and the Sam Fels Foundation in addition to a loyal and appreciative audience. SRUTI Board of Directors 2014 President Sunanda Gandham President-Elect Santi Kanumalla Treasurer Venkat Kilambi Secretary Madhavi Ratnagiri Director, Resources & Development Kishore Pochiraju Director, Publications & Outreach Suresh Tyagarajan Director, Marketing & Publicity Nari Narayanan Director
    [Show full text]
  • B. KRISHNAMOORTHY a Devoted Teacher of Carnatic Music V
    PROFILE B. KRISHNAMOORTHY A devoted teacher of Carnatic music V. Karpagalakshmi idwan B. Krishnamoorthy is a multifaceted artist – Carnatic vocalist, musicologist, researcher, and passionate teacher. He Vwas born on 24 August 1932 at Padarakudi near Karaikudi, where he lived with his maternal grandfather for a while. He had three brothers, the eldest being the late Sangita Kalanidhi B. Rajam Iyer. Krishnamoorthy’s biological mother gave him in adoption to her childless elder sister Ananthalakshmi. So it was that little Krishnamoorthy grew up in his ‘Periamma’s’ house at Paganeri. Fond of music, he liked to listen to the songs of S.G. Kittappa, Subbiah Bhagavatar and others. The Sri Rama Navami Utsavam was a grand annual celebration at home. Attracted to the bhajana paddhati, the child started learning the songs when he was five years old from Atmanatha Iyer and Tirukoshtiyur Iyengar. He knew all the songs by heart – from the Todayamangalam to the final Deepa Pradakshinam. He can remember most of it even now. After a few years, Krishnamoorthy moved to Karaikudi with his grandfather, a purohit knowledgeable in the sastras and astrology. It was in Karaikudi that the foundation for serious music and Sanskrit was laid for him. His school teacher Ramanatha Iyer, father of mridanga vidwan Karaikudi Mani, was fond of music and promoted many young musicians. A student of Mazhavarayanendal Subbarama Bhagavatar and Swaminatha Bhagavatar, he developed a liking for young Krishnamoorthy and encouraged him. In Karaikudi, Krishnamoorthy learnt music from Rama Iyengar (a disciple of Ariyakudi Ramanuja Iyengar), and Sanskrit from Sundara Sastri at Koviloor near Karaikudi.
    [Show full text]