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Dr. Padma Sugavanam AIR A-Graded Carnatic Musician – Vocalist
Dr. Padma Sugavanam AIR A-graded Carnatic Musician – Vocalist, Academic and Researcher New No 14, First floor, 3rd Avenue, Besant Nagar, Chennai – 600090 E-mail : [email protected]; Ph: +91-9949121122, 044-24910306 Experience and Credentials - Performance A-Grade artiste (AIR) specially double promoted (from B-grade, skipping B-high), since 2002 Most outstanding vocalist (junior) award from the Music Academy, Chennai in 2014, followed by promotion to the sub-senior category in 2015 Sought-after vocalist, gave 60 performances in 2016 across India, US, Canada, Singapore, Malaysia Performances in leading Sabhas (Music Academy, Krishna Gana Sabha, Parthasarathy Swami Sabha, Mylapore Fine Arts etc.) during December Margazhi music festival in Chennai Lecture-demonstrations at prestigious forums such as the Madras Music Academy, and the Ivy League institution, University of Pennsylvania (Philadelphia, USA) Six international concert tours, including an 18 concerts tour of USA and Canada (including the Cleveland Tyagaraja Aradhana), and a tour of Singapore and Malaysia, in 2016 “Pallavi Darbar” concert on advanced Pallavis (Dvinadai, Dviraga, Ettu-kalai, Chanda-taalam pallavis), with Gayathri Girish, Amritha Murali, Nisha Rajagopal, for Carnatica and Parthasarathy Swamy Sabha Performance in the Akashvani Sangeet Sammelan 2012 Regular performances in Nada Nirajanam of Sri Venkateswara Bhakti Channel (SVBC), Tirupati Performances in various TV channels such as Podhigai TV, Jaya TV, Pudu Yugam etc. Thematic programs and lecture-demonstrations such as Prahlada Bhakti Vijayam, Nauka Charitram, Sri Krishna Leela Tarangini, Raganubhava series (Carnatica Archival Centre) etc. Musical Tutelage Intensive training in gurukula style, from Sangita Kala Acharya Smt. Seetha Rajan from 1994 – 2014 Presently undergoing advanced training, under Sangita Kalanidhi Smt. -
June 2018 (Special Edition on Ganakaladhara Madurai Mani Iyer)
Lalitha Kala Tarangini Premier Quarterly Music Magazine from Sri Rama Lalitha Kala Mandira Volume 2018, Issue 2 June 2018 Sangeetha Kalarathna Titte Krishna Iyengar RR Keshavamurthy - The Lion of Karnataka DK Pattammal the Immortal legend Indian Music Experience (IME) Special Edition on Madurai Mani Iyer Raga Laya Prabha award felicitation Sri Rama Lalitha Kala Mandira awarded “Raaga Laya Prabha” on 13th May 2018 to Aditi B Prahalad (Vocal), BK Raghu (Violin) and Akshay Anand (Mridangam) who are the upcoming youngsters from Bangalore. This award is to commemorate the memory of the Founder-Director, Karnataka Kalashree GV Ranganayakamma, Vidushi GV Neela and her Sister, Founder-patron and Veena artiste Dr. GV Vijayalakshmi. The award carries a cash prize of Rs. Twenty Five Thousand and a citation. The award function was followed by a concert of Abhishek Raghuram (Vocal). B Vittal Rangan (Violin), NC Bharadwaj (Mridanga) and Guruprasanna (Kanjra) in presence of a capacity crowd. Left to Right Standing - Sri DR Srikantaiah - President, Akshay Anand, Sri GV Krishna Prasad - Hon. Secretary, Vidushi Neela Ramgopal,Vidwan Abhishek Raghuram, Aditi B Prahalad, BK Raghu June 2018 Titte Krishna Iyengar and RR Keshavamurthy. I am sure they will be an inspiration to the youngsters. Ganakaladhara Madurai Mani Iyer (MMI) shone like a jewel during the golden period of Karnatak music. He, Music world celebrated the centenary year of DK Pattam- along with GN Balasubramaniam (GN Sir) revolutionised mal a doyen in her own right on March 19, 2019. Vice karnatak music so much so that we talk about music in President of India, Shri M Venkaiah Naidu inaugurated the terms of before MMI, GN Sir and after MMI and GN Sir. -
51337-001: Tamil Nadu Industrial Connectivity Project
Resettlement Plan Document Stage: Draft January 2021 IND: Tamil Nadu Industrial Connectivity Project Kumbakonam to Mannargudi (SH 66) Prepared by Project Implementation Unit (PIU), Chennai Kanyakumari Industrial Corridor, Highways Department, Government of Tamil Nadu for the Asian Development Bank (ADB). CURRENCY EQUIVALENTS (as of 7 January 2021) Currency unit – Indian rupee/s (₹) ₹1.00 = $0. 01367 $1.00 = ₹73.1347 ABBREVIATIONS ADB – Asian Development Bank AH – Affected Household AP – Affected Person BPL – Below Poverty Line CKICP – Chennai Kanyakumari Industrial Corridor Project DC – District Collector DE – Divisional Engineer (Highways) DH – Displaced Household DP – Displaced Person DRO – District Revenue Officer (Competent Authority for Land Acquisition) GOI – Government of India GRC – Grievance Redressal Committee IAY – Indira Awaas Yojana LA – Land Acquisition LARRU – Land Acquisition, Rehabilitation and Resettlement Unit LARRIC – Land Acquisition Rehabilitation and Resettlement Implementation Consultant PD – Project Director PIU – Project implementation Unit PRoW – Proposed Right-of-Way RFCTLARR – The Right to Fair Compensation and Transparency in Land Acquisition, Rehabilitation and Resettlement Act, 2013 R&R – Rehabilitation and Resettlement RF – Resettlement Framework RSO – Resettlement Officer RoW – Right-of-Way RP – Resettlement Plan SC – Scheduled Caste SH – State Highway SPS – Safeguard Policy Statement SoR – Schedule of Rate ST – Scheduled Tribe NOTE (i) The fiscal year (FY) of the Government of India ends on 31 March. FY before a calendar year denotes the year in which the fiscal year ends, e.g., FY2021 ends on 31 March 2021. (ii) In this report, "$" refers to US dollars. This draft resettlement plan is a document of the borrower. The views expressed herein do not necessarily represent those of ADB's Board of Directors, Management, or staff, and may be preliminary in nature. -
RADHA KUMAR Department of History, Syracuse University
RADHA KUMAR Department of History, Syracuse University 145, Eggers Hall, 401 S Salina Street, #513 Syracuse, NY 13244 Syracuse, NY 13202 [email protected] 609-613-6572 Employment 2014-present Assistant Professor, Department of History, Syracuse University. Education 2008-2014 Ph.D., History (Jan. 2015), Princeton University. Dissertation: “Police Matters: Law and Everyday Life in Rural Madras, c.1900-1960.” Committee Members: Profs. Gyan Prakash (Advisor), Bhavani Raman, Anson Rabinbach, Sumathi Ramaswamy. M.A., History (2010), Princeton University. Fields: Modern South Asia, Urban History, Caste in India. 2003-2005 Post Graduate Diploma in Management, Indian Institute of Management Ahmedabad, India. 2001-2003 M.A., History (specialization in Modern India), Hindu College, Delhi University, India. 1998-2001 B.A., History, Stella Maris College, Madras University, India. Publications 2017 (forthcoming) “Seeing Like a Policeman: Everyday Violence in British India, c. 1900- 1950,” in Dwyer, Nettelbeck and Ryan eds Violence, Colonialism and Empire in the Modern World, Cambridge Imperial and Post-colonial Studies, Palgrave Macmillan. 2017 “Policing Everyday Life: The FIR in the Tamil Countryside, c. 1900-1950,” Indian Economic and Social History Review, 54, 3, pp. 1-27. 2015 Review of Power, Perversion and Panic: Eunuchs, Colonialism and Modernity in North India by Jessica Hinchy in Dissertation Reviews, Nov. 2, 2015. http://dissertationreviews.org/archives/12673 2011 “India’s Spectacular Criminals,” Awaaz: the voice of South Asia, Spring 2011, vol. 3, pp. 17-21. 2007 “Conditions in which Microfinance has emerged in certain Regions.” Co-authored with M.S. Sriram, Indian Institute of Management Ahmedabad. Economic and Political Weekly, Vol. 42 No. -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
Vol.74-76 2003-2005.Pdf
ISSN. 0970-3101 THE JOURNAL Of THE MUSIC ACADEMY MADRAS Devoted to the Advancement of the Science and Art of Music Vol. LXXIV 2003 ^ JllilPd frTBrf^ ^TTT^ II “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; (but) where my Bhaktas sing, there be /, N arada !” Narada Bhakti Sutra EDITORIAL BOARD Dr. V.V. Srivatsa (Editor) N. Murali, President (Ex. Officio) Dr. Malathi Rangaswami (Convenor) Sulochana Pattabhi Raman Lakshmi Viswanathan Dr. SA.K. Durga Dr. Pappu Venugopala Rao V. Sriram THE MUSIC ACADEMY MADRAS New No. 168 (Old No. 306), T.T.K. Road, Chennai 600 014. Email : [email protected] Website : www.musicacademymadras.in ANNUAL SUBSCRIPTION - INLAND Rs. 150 FOREIGN US $ 5 Statement about ownership and other particulars about newspaper “JOURNAL OF THE MUSIC ACADEMY MADRAS” Chennai as required to be published under Section 19-D sub-section (B) of the Press and Registration Books Act read with rule 8 of the Registration of Newspapers (Central Rules) 1956. FORM IV JOURNAL OF THE MUSIC ACADEMY MADRAS Place of Publication Chennai All Correspondence relating to the journal should be addressed Periodicity of Publication and all books etc., intended for it should be sent in duplicate to the Annual Editor, The journal o f the Music Academy Madras, New 168 (Old 306), Printer Mr. N Subramanian T.T.K. Road, Chennai 600 014. 14, Neelakanta Mehta Street Articles on music and dance are accepted for publication on the T Nagar, Chennai 600 017 recommendation of the Editor. The Editor reserves the right to accept Publisher Dr. -
Mellisai - an AI Generated Music Composer Using RNN-Lstms
International Journal of Machine Learning and Computing, Vol. 10, No. 2, February 2020 MellisAI - An AI Generated Music Composer Using RNN-LSTMs N. Hari Kumar, P. S Ashwin, and Haritha Ananthakrishnan seeks to identify any note or rhythm patterns that give rise to Abstract—The art of composing music can be automated some extent of familiarity within. Determining whether the with deep learning along with the knowledge of a few implicit song possesses appeal, is governed by the process of solving heuristics. In this proposed paper, we aim at building a model this puzzle. Repeating patterns of note lengths play a major that composes Carnatic oriented contemporary tune, that is role in making the song familiar as it progresses. These based on the features of given training song. It implements the task of automated musical composition using a pipeline where groups of repeating note lengths are known as motifs. various key features of the resultant tune are constructed Motifs were successfully identified in the training corpora separately step by step and finally combined into a complete and were passed as one of the four main parameters which piece. LSTM models were used for creating four different determine the quality of the outcome of this experiment. modules namely, the Tune module, the Motif module, the Intuitively, a song can be split into several phrases with Endnote module, and the Gamaka module. Four models were noticeable end notes that have a prominent influence over built namely - Motif, Tune, End Note, and Gamaka whose training accuracy was 86%, 98%, 60%, and 72% respectively. -
Answered On:09.08.2000 Increase in Indian Cultural Centres P.D
GOVERNMENT OF INDIA EXTERNAL AFFAIRS LOK SABHA UNSTARRED QUESTION NO:2685 ANSWERED ON:09.08.2000 INCREASE IN INDIAN CULTURAL CENTRES P.D. ELANGOVAN Will the Minister of EXTERNAL AFFAIRS be pleased to state: (a) whether the Government have any plan to increase the cultural Centres abroad from the present 14; (b) if so, the details thereof; (c) the details of their role in the promotion of India`s cultural Heritage; (d) the details of the programmes conducted last year by the ICCR within and outside India and the scholars/artists who visited abroad during the last three years till dated; and (e) the details of the future events on anvil and the tentative itinerary of such events that will promote and propagate Indian Heritage abroad? Answer MINISTER OF STATE FOR EXTERNAL AFFAIRS (SHRI AJIT KUMAR PANJA) (a) Yes Sir, (b) The Government has decided to open a Cultural Centre in Washington (USA). There are in addition several other proposals from various Indian Missions abroad which are currently under examination. (c) The activities of the 14 Indian Cultural Centres currently in existence reflects the needs of the local population. Their activities include the organisation of talks, lectures, exhibitions of visual arts, essay competitions, performances of dance & music, staging of plays, screening of Indian films, publication of news bulletins etc. Additionally, in most of the Cultural Centres classes in various aspects of Indian culture such as music, dance, Hindi language and yoga are being conducted. The Centres also maintain libraries, reading rooms and audio-video facilities for visitors. Apart from organising their own activities, the Indian Cultural Centres provide support to the respective Indian Missions for coordinating various cultural activities.T hese Centres develop and maintain contacts with local citizens particularly students, teachers, academicians, opinion makers and cultural personalities to project a holistic picture of India`s rich and diverse cultural heritage. -
The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
ISSN. 0970 -3101 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXVI 1995 »T5CtCT w qrafor w fagffa w * II "/ dwell not in Vaikuntha, nor in the hearts o f Yogins nor in the Sun; (but) where my bhaktas sing, there be I, NaradaV' Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014. Annual Subscript sign $ 3-00 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXVI 1995 t TOTfiT 1 V f t I *nr nurfer w ftgrfir h r * n "I dwell not in Vaikuntha, nor in the hearts o f Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014. Annual Subscription - Inland oreign $ 3-00 r OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewritten (double -spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. -
Volume 24 December 2014
SRUTI RANJANI Volume 24 December 2014 Table of Contents From the President’s Desk .................................................................................................................... 1 From the Publications & Outreach Committee .................................................................................. 3 Tribute to Vainika K.S.Narayanaswamy, by Rama Varma ............................................................... 4 Zakir Hussain, R.Kumaresh and Jayanthi Kumaresh in Concert, by Balaji Raghothaman ............ 9 A Dikshithar Thematic Concert, by Rajee Raman ........................................................................... 10 Mandolin Uppalapu Shrinivas (1969 – 2014): A Humble Tribute, by Ragesh Rajan ...................... 12 When signal processing meets Carnatic music: An interview with Dr. Hema Murthy, by Balaji Raghothaman .................................................. 16 Verily, A Veena Pustaka Dharini, by Ravi & Sridhar ....................................................................... 19 Update on the 4S tool, by Balaji Raghothaman .............................................................................. 23 2014 Spring & Fall Concert Photos ..................................................................................................... 24 Sruti Youth Group Update, by Priyanka Dinakar ............................................................................ 30 My Experiences with Bharatanatyam, by Zoe Dana ...................................................................... -
The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC VOL. LXIX 1998 jus swift I f^ h Itftif $1 v ii i "I dwell not in Vaikuntha, nor in the hearts o f Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014. Annual Subscription - Inland Rs. 50/- Foreign $ 3-00 ....................... .............. .... OURSELVES This journal is published as an Annual. All correspondence relating to the journal should be ad dressed and all books etc., intended for it should be sent to the Editor, The Journal of the Music Academy, 306, T.T.K. Road, Chennai - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type written (double-spaced and on one side of the paper only) and should be signed by the writer (giving.his or her address in full) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. i —. -.— — CONTENTS No. Page 1. The 71 st Madras Music Conference........................... » Official Report 2. Advisory Committee Meetings.......................................... 13 3. The Sadas........................................................................... 47 4. Problems in editing the Krti-s of Muddusvami Dikshita........................................................ 57 N. Ramanathan......................................................... 5. Kamalamba Navavarana Kritis of Muthusvami Dikshita.........................................................97 T.S. Parthasarathy 5. Abhinavagupta on Cha. ia Vritta and Dhruva.............. 10^ Subhadra Chaudhary 6. The Contribution of the Travancore royal family to performing arts.............................................................. -
The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXIV 1993 arsr nrafcr a s farstfa s r 3 ii “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014 Annual Subscription -- Inland Rs.40: Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewrittern (dounle-spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in full.) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS S.No. Page 1. 66th Madras Music Conference - Official Report 1 2. Advisory Committee Meetings 20 3. The Sadas 47 4. Tyagaraja and the Bhakti Community - William Jackson 70 Princess Rukinini Bai - B.Pushpa 79 6. Indian classical Music - T.S.Parthasarathy 83 Tagore’s Dance concept - Gayatri Chatterjce 97 From Sarn^adeva to Govinda 101 Literary and Prosodical Beauties - T.S. Parthasarathy 107 10.