Navaratri Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wish You All a Very Happy Diwali Page 2
Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life. -
SLGT- Navaratri Flyer 2018
ANAPA I G T M H I SRI LAKSHMI GANAPATHI TEMPLE H T S E K M A P L L I HINDU TEMPLE OF PLANO E R S HINDU TEMPLE OF PLANO 3829 W Spring Creek Pkwy Suite # 110 Plano TX 75023 | (972)635-3456, (512)466-1789 DEVI NAVRATRI CELEBRATION ( 09 OCTOBER - 18 OCTOBER 2018 ) Dear Devotees We cordially invite you and your family to attend DEVI NAVRATRI CELEBRATION From October 9th to 18th. Day 1: TUESDAY 09 OCT BALA TRIPURA SUNDARI *(EVENING) KUMKUMA ARCHANA Day 10 : THURSDAY18 OCT SRI RAJA RAJESHWARI DEVI (VIJAYADASHMI) DUSHERA. Day 2 : WEDNESDAY 10 OCT SRI GAYATHRI DEVI *(EVENING) KUMKUMA ARCHANA Day 9 : WRDNESDAY 17 OCT Day 3 : THURSDAY 11 OCT SRI CHANDIKA DEVI SRI ANNAPOORNA DEVI (MORNING) CHANDI HOMAM *(EVENING) KUMKUMA ARCHANA 6:00AM *(EVENING) KUMKUMA ARCHANA Day 4: FRIDAY 12 OCT SRI MAHA LAKSHMI DEVI *(EVENING) KUMKUMA ARCHANA GARBA/KOLATAM Day 8 : TUESDAY 16 OCT SRI MAHISHASURA MARDINI *(EVENING) KUMKUMA ARCHANA SUHASINI POOJA BATHUKAMMA CELEBRATION. Day 5 : SATURDAY 13 OCT SRI SARASWATHI DEVI (MORNING/EVENING) *(EVENING) KUMKUMA ARCHANA AKSHRABHYASAM. Day 7 : MONDAY 15 OCT SRI DURGA DEVI * (EVENING) KUMKUMA ARCHANA Day 6: SUNDAY 14 OCT BALA POOJA. SRI LALITHA TRIPURA SUNDARI *(EVENING) KUMKUMA ARCHANA 100TH YEAR OF SAI BABA MAHA SAMADHI ON VIJAYADASHMI (DUSSHERA) DAILY POOJA SCHEDULE Chandi Parayanam - 11:00 am Special Cultural Program - 8:00pm Kumkuma Archana - 7:00 pm. SPECIAL CELEBRATION SAI BABA PANCHAMRUTAM ABHISHAKEM | SPECIAL ARCHANA WITH PALLAKI SEVA | MAHA AARTHI AND MAHA PRASADAM INTERESTED TO SPONSOR ? Sarees Sponsors (Saree are in Temple) $101 Chandi Homam $251 Flowers Each Day $51 All 9 Days Devi Pooja $501 Annadaanam Each day $51 2 Day $101 **POOJA SPONSOR BRING FLOWERS, FRUITS AND PRASADAM **PLEASE DONATE PLATES, SPOONS, NAPKINS AND CUPS TO THE TEMPLE. -
Post Flood Management Dr Ravinder K Jangral Flooding, and Mass Tetanus Vaccination Programs Are Not Indi- Cated
Desi Kattey....Page-44 SUNDAY, SEPTEMBER 28, 2014 INTERNET EDITION : www.dailyexcelsior.com/magazine Serving mankind...Page-33 NAVRATRA FESTIVAL Navratri, the word is formed Chandraghanta Goddess Chandraghanta is the third among the using two words 'Nava' and nine forms of Durga. Goddess Chandraghanta is 'Ratri'. Nava means nine and worshipped on the third day of Navratri. The word Chandraghanta means knowledge, bliss, peace Ratri means nights hence and serenity. Goddess Chandraghanta is depicted Navratri literally means nine with a half-circular moon on her forehead. nights. During the festival of Kushmanda Goddess Kushmanda is the fourth among the Navratri, Maa Durga is wor- nine forms of Durga. Goddess Kushmanda is shipped and revered in Her var- worshipped on the fourth day of Navratri. The abode of Goddess Kushmanda is the Bhima- ious forms for ten days and nine parvat. Goddess Kushmanda is depicted with nights. Navratri is celebrated eight arms holding weapons and a mala (rosary). Skanda Mata with much gusto in the Hindu Goddess Skanda Mata is the fifth among calendar month of Ashwin the nine forms of Durga. Goddess Skanda is which is around September- worshipped on the fifth day of Navratri. God- dess Skanda Mata gets Her name as She is October as per the Gregorian depicted holding Her son Skanda on her lap. calendar. Although Navratri is It is believed that with blessings of Goddess Skanda Mata any individual can become an celebrated multiple times dur- ocean of wisdom and knowledge. ing the year but the Navratri cel- Katyayani Goddess Katyayani is the sixth among the ebrated on the onset of winter in nine forms of Durga. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Practice of Ayurveda
PRACTICE OF AYURVEDA SWAMI SIVANANDA Published by THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR— 249 192 Distt. Tehri-Garhwal, Uttaranchal, Himalayas, India 2006 First Edition: 1958 Second Edition: 2001 Third Edition: 2006 [ 2,000 Copies ] ©The Divine Life Trust Society ISBN-81-7052-159-9 ES 304 Published by Swami Vimalananda for The Divine Life Society, Shivanandanagar, and printed by him at the Yoga-Vedanta Forest Academy Press, P.O. Shivanandanagar, Distt. Tehri-Garhwal, Uttaranchal, Himalayas, India PUBLISHERS’ NOTE Sri Swami Sivanandaji. Maharaj was a healer of the body in his Purvashram (before he entered the Holy Order of Sannyasa). He was a born healer, with an extraordinary inborn love to serve humanity; that is why he chose the medical profession as a career. That is why he edited and published a health Journal “Ambrosia”. That is why he went over to Malaya to serve the poor in the plantations there. And, strangely enough, that is why, he renounced the world and embraced the Holy Order of Sannyasa. He was a healer of the body and the soul. This truth is reflected in the Ashram which he has established in Rishikesh. The huge hospital equipped with modern instruments was set up and the entire Ashram where all are welcome to get themselves healed of their heart’s sores and thoroughly refresh themselves in the divine atmosphere of the holy place. Sri Swamiji wanted that all systems of healing should flourish. He had equal love and admiration for all systems of healing. He wanted that the best of all the systems should be brought out and utilised in the service of Man. -
The Role of Indian Dances on Indian Culture
www.ijemr.net ISSN (ONLINE): 2250-0758, ISSN (PRINT): 2394-6962 Volume-7, Issue-2, March-April 2017 International Journal of Engineering and Management Research Page Number: 550-559 The Role of Indian Dances on Indian Culture Lavanya Rayapureddy1, Ramesh Rayapureddy2 1MBA, I year, Mallareddy Engineering College for WomenMaisammaguda, Dhulapally, Secunderabad, INDIA 2Civil Contractor, Shapoor Nagar, Hyderabad, INDIA ABSTRACT singers in arias. The dancer's gestures mirror the attitudes of Dances in traditional Indian culture permeated all life throughout the visible universe and the human soul. facets of life, but its outstanding function was to give symbolic expression to abstract religious ideas. The close relationship Keywords--Dance, Classical Dance, Indian Culture, between dance and religion began very early in Hindu Wisdom of Vedas, etc. thought, and numerous references to dance include descriptions of its performance in both secular and religious contexts. This combination of religious and secular art is reflected in the field of temple sculpture, where the strictly I. OVERVIEW OF INDIAN CULTURE iconographic representation of deities often appears side-by- AND IMPACT OF DANCES ON INDIAN side with the depiction of secular themes. Dancing, as CULTURE understood in India, is not a mere spectacle or entertainment, but a representation, by means of gestures, of stories of gods and heroes—thus displaying a theme, not the dancer. According to Hindu Mythology, dance is believed Classical dance and theater constituted the exoteric to be a creation of Brahma. It is said that Lord Brahma worldwide counterpart of the esoteric wisdom of the Vedas. inspired the sage Bharat Muni to write the Natyashastra – a The tradition of dance uses the technique of Sanskrit treatise on performing arts. -
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 11, Issue 10 October, 2017
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 11, Issue 10 October, 2017 HARI OM In Month of September Navaraatri Durga Puja was carried out with great devotion in the Balaji Matha Temple at San Jose, headed by Peethadhipati Swami Narayananda. All of these nine days Sri Sri Chandi Parayan and Chandi Hom (fire ritual) was conducted in the temple premises by Swami Narayananda. Devotees were graced with Darshan of Maa Durga, Maha-Lakshmi and Devi Kanyaka Parameshwari in different attires. Sometimes she was Shakambhari Devi, appeasing the hunger of this Universe. Regally outfitted as Sri Sri Parambhattarika Lalita-Tripura-Sundari, Mother blessed Her devotees with Bhukti (satisfaction) and Mukti (salvation). Maa Siddhidaatri was venerated with Phoolangi seva (decoration of flowers) gracing the devotees with blissful happiness. Every evening prayers were conducted by Swamiji, with devotees chanting Mother's glory. This was accompanied by Kumari Ka - Puja (prayers to the living Goddess in the female child). Then the devotees enjoyed the performances of various local talents, of all age groups, and ended each festival day with preetibhoj. Swami Nityananda assisted in all the Poojas & Alankar. On September 30th, Vijaya Dashami, the concluding day of the puja, Swami Sri Durga Devi Pullangi Seva at Balaji Temple. Narayananda led the devotees into praying to the Mother Goddess as Maha- Kaali (Power of Universal Knowledge Tatvagnan-Shakti), Maha-Lakshmi (Power of Soul : Sadatmak-Shakti) and Maha-Saraswati (Power of Mind : SARVADĀ STHĀPANAṂ BUDDHEḤ ŚUDDHE BRAHMAṆI SARVADĀ | Chit-Shakti), seeking Her everlasting love and blessings. Swamiji prayed to TATSAMĀDHĀNAMITYUKTAṂ NA TU CITTASYA LĀLANAM || 26 || the Goddess of learning, Maha-Saraswati, to bless the children and others in their endeavors. -
Arts-Integrated Learning
ARTS-INTEGRATED LEARNING THE FUTURE OF CREATIVE AND JOYFUL PEDAGOGY The NCF 2005 states, ”Aesthetic sensibility and experience being the prime sites of the growing child’s creativity, we must bring the arts squarely into the domain of the curricular, infusing them in all areas of learning while giving them an identity of their own at relevant stages. If we are to retain our unique cultural identity in all its diversity and richness, we need to integrate art education in the formal schooling of our students for helping them to apply art-based enquiry, investigation and exploration, critical thinking and creativity for a deeper understanding of the concepts/topics. This integration broadens the mind of the student and enables her / him to see the multi- disciplinary links between subjects/topics/real life. Art Education will continue to be an integral part of the curriculum, as a co-scholastic area and shall be mandatory for Classes I to X. Please find attached the rich cultural heritage of India and its cultural diversity in a tabular form for reading purpose. The young generation need to be aware of this aspect of our country which will enable them to participate in Heritage Quiz under the aegis of CBSE. TRADITIONAL TRADITIONAL DANCES FAIRS & FESTIVALS ART FORMS STATES & UTS DRESS FOOD (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) Kuchipudi, Burrakatha, Tirupati Veerannatyam, Brahmotsavam, Dhoti and kurta Kalamkari painting, Pootha Remus Andhra Butlabommalu, Lumbini Maha Saree, Langa Nirmal Paintings, Gongura Pradesh Dappu, Tappet Gullu, Shivratri, Makar Voni, petticoat, Cherial Pachadi Lambadi, Banalu, Sankranti, Pongal, Lambadies Dhimsa, Kolattam Ugadi Skullcap, which is decorated with Weaving, carpet War dances of laces and fringes. -
Floral Festival: a Culture of Telangana
ial Scien oc ce S s d J n o u a r s n t a r l Madhusudhan, Arts Social Sci J 2016, 7:5 A Arts and Social Sciences Journal DOI: 10.4172/2151-6200.1000227 ISSN: 2151-6200 Review Article Open Access Floral Festival: A Culture of Telangana Madhusudhan L* Joginpally B.R Engineering College, JNTU-Hyderabad, Telangana, India *Corresponding author: Madhusudhan L, Joginpally B.R Engineering College, JNTU-Hyderabad, Telangana, India, Tel: 9177856523; E-mail: [email protected] Received date: October 07, 2016; Accepted date: October 24, 2016; Published date: October 28, 2016 Copyright: © 2016 Madhusudhan L. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The World is full of festivals, cultures and traditions which are formed due to their past experiences and believes, in some areas their culture resembles with festivals. In South India a region of people specially celebrate festival for environment, as it is a major living source to the living beings, the region is newly emerged as a state in India. This paper aims to give small review of the festival as a culture in that region. Keywords: Floral; Culture; Bathukamma; Women (Celosia), Banthi puvvulu (Marigold), Chamanthi puvvulu (Chrysanthemum), Gummadi puvvulu (Cucurbita), Vaama puvvulu Introduction (Ajwain) etc., each of these plants has medicinal values. The Earth is created with many incredible things which are Thangedu (Cassia auriculata): This plant is used in Ayurveda, folk supporting the life of human beings; we found our life in the nature medicine and the seeds of this plant are used for treatment of diabetes which gives everything we want like water, food, shelter etc. -
Armor of the Gods
Armor of the Gods Brandy Williams Copyright 2020 Brandy Williams Publication Date June 19, 2020 This work is licensed under the Creative Commons AttributionNonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. Armor of the Gods Page 2 Armor of the Gods We can wear the gods. Anyone can sit in the presence or field of a deity to connect with them, exchange energy, received gifts and insights, make offerings. This practice is common to spiritual systems. In Witchcraft it's called drawing down the moon, in Tantra it's called deity yoga, in Hellenistic ritual it's called theurgy or god-work, in Golden Dawn ceremonial it's called assumption of god-form. In all these practices you call a single deity. There is another practice of wearing the gods. This form maps multiple deities onto the human body. The effect of this practice is to build up an energy net in and around in the subtle body to protect the practitioner physically, emotionally, mentally and spiritually. In Tantra it's called nyasa, which means the act of placing a kavacam, a word translated into English as armor. I perform three specific practices. One comes from the Tantric Hindu tradition and is practiced today by millions of people. The second comes from the Kemetic tradition which is being revived in the African American community and by sincere Pagan and magical practitioners. -
Bathukamma - the Flowers Festival of Telangana
EPTRI‐ENVIS Centre (Ecology of Eastern Ghats) BATHUKAMMA - THE FLOWERS FESTIVAL OF TELANGANA Bathukamma is Telangana's floral festival celebrated by the Hindu Women of the Telangana and its neighbouring states in India. Every year this festival is celebrated as per Telugu version of Hindu calendar in the Bhadrapada Amavasya, also known as Mahalaya Amavasya, usually in September–October of Gregorian calendar. Bathukamma is celebrated for nine days during Durga Navratri. It starts on the day of Mahalaya Amavasya and the 9-day festivities will culminate on "Saddula Bathukamma" or "Pedda Bathukamma" festival on Ashwayuja Ashtami, popularly known as Durgashtami which is two days before Dussehra. Bathukamma is followed by Boddemma, which is a 7-day festival. Boddemma festival that marks the ending of Varsha Ruthu whereas Bathukamma festival indicates the beginning of Sarad or Sharath Ruthu. Bathukamma represents cultural spirit of Telangana. Bathukamma is a beautiful flower stack, arranged with different unique seasonal flowers most of them with medicinal values, in seven concentric layers in the shape of temple gopuram. In Telugu, ‘Bathukamma' means ‘Mother Goddess come Alive’ and Goddess Maha Gauri-‘Life Giver’ is worshipped in the form of Bathukamma – the patron goddess of womanhood, Maha Gauri Devi. Government of Telangana state has declared the Bathukamma Festival as Telangana state festival. The first bathukama festival in Telanagana celebrated officially on a grand scale. Chief Minister Mr. K Chandrasekhar Rao released 10 core for the same. The Government offices in Telangana state celebrated Bathukamma in their office permisses. Special Chief Secretary to Government, Article 08/2015/ENVIS- Ecology of Eastern Ghats Page 1 of 4 EPTRI‐ENVIS Centre (Ecology of Eastern Ghats) Government of Telangana along with the staff participated in the Bathukamama festival celebrations at EPTRI. -
Hindu Temple of San Antonio Invites All Devotees to Devi Navaratri Celebrations September 20, 2017-September 30, 2017
Hindu Temple of San Antonio Invites all devotees to Devi Navaratri Celebrations September 20, 2017-September 30, 2017 Om Sri Lakshmi Ganapathe Namaha & Om Sri Maatreye Namaha Yaa Devi SarvaBhooteshuBuddhiRoopenaSamsthita Namastasyai Namastasyai Namastasyai NamoNamaha GangaaBhavaaniGaayatri, Kaali Lakshmi Saraswathi RaajaRaajeswariBaalaa, SyamalaaLalithaaDasaa Navaratri celebrations: September Samoohika Aksharabhyasam: 20th to September 30th Wednesday, September 27th Ganesha and Saraswathi Homam Utsava New Vaahanas Mahaa and Saamuhika Saraswathi Pooja by Samprokshana and Panchasookta children: Sunday, September 24th Homam : Saturday, September 23rd 2017 2017 Sri Venkateswara Jayanthi Vijaya Dashami/Dasara: Saturday, Mahotsavam: September 23rd to September 30th 2017 September 30th DETAILS OF DAILY PROGRAM 09-20-17 Aasweeja Suddha Paadyami (Uttara Phalguni) Wednesday Ganapati Pooja, Punyavaachanam & Kalasa Sthaapana, Navavarna 8:45AM – 11:30AM Pooja, Sri Chakraachna Abhishekam to Balaji, Sri Devi, Bhoodevi Utsava Vigraha and Shiva and Ambaal followed by Pooja & Aarathi SRI BAALA TRIPURA SUNDARI DEVI – Alamkaaram (Pink) Lalitha Sahasra Namaarchana (Parayanam), Sri Baala Tripura Sundari 7:00PM – 9:00PM Devi Ashtotthara Satha Namaarchana with PINK ROSE FLOWERS & Aarathi. Prasaadam (Milk Rice & Green Apples) 09-21-17 Aasweeja Suddha Vidiya (Hasta) Thursday SRI VEDAMAATA GAYATRI DEVI – Alamkaaram (Ash 7:00PM – 9:00PM Color) Lalitha Sahasra Namaarchana (Parayanam), Sri Vedamata Gayatri Devi Ashtotthara Satha Namaarchana and Samoohika Gayatri Mantra Chanting (24 times) with CORNATION FLOWERS & Aarathi. Prasaadam (Katte Pongali & Oranges) 09-22-17 Aasweeja Suddha Thadiya (Chitta) Friday 5.45PM – 6.45PM Bhathukamma Pooja (Pushpa Gowri Pooja) 7:00PM – 9:00PM SRI KAASI ANNAPOORNA DEVI – Sakambari Alamkaaram (with all vegetables and fruits--Parrot Green) Lalitha Sahasra Namaarchana (Parayanam), Sri Kasi Annapoorna Devi Ashtotthara Satha Namaarchana with GREEN FLOWERS & Sri Annapoorna Ashtakam & Aarathi.