Early Spring 2021 Chronicle

Total Page:16

File Type:pdf, Size:1020Kb

Early Spring 2021 Chronicle EARLY SPRING 2021 CHRONICLE This edition of the catalogue was printed on August 21, 2020. To view updates, please see the Early Spring 2021 Raincoast eCatalogue or visit www.raincoast.com Raincoast Books Winter 2021 - Chronicle Page 1 of 86 Artists in Residence Seventeen Artists and Their Living Spaces, from Giverny to Casa Azul by Melissa Wyse, illustrated by Kate Lewis This book invites readers into the homes of seventeen legendary and contemporary artists. Writer Melissa Wyse and illustrator Kate Lewis explore the nuances of how physical spaces inspire and support artistic practice, from Georgia O'Keeffe's desert retreat at Ghost Ranch to Hassan Hajjaj's radical blend of private home, tea room, and art gallery in Marrakech. Each chapter weaves in historical and biographical context and highlights fascinating details that in turn illuminate the artist's work in a new way. The text is engaging and accessible, and the illustrations invite readers into the feeling of the space in a way photographs cannot. An epilogue prompts readers to rethink how their own home could become a more creative space. Full list of artists in the book: Georgia O'Keeffe Chronicle Books On Sale: Feb 2/21 Hassan Hajjaj 6 x 9 • 144 pages jacketed hardcover, full-color images throughout Louise Bourgeois 9781452179674 • $32.95 • cl Art / General Clementine Hunter Notes Vanessa Bell & Duncan Grant Donald Judd Promotion Claude Monet Frida Kahlo & Diego Rivera Lee Krasner & Jackson Pollock Paula Modersohn-Becker Vincent Van Gogh Zaria Forman Jean-Michel Basquiat Henri Matisse Sales Rep Raincoast Books Winter 2021 - Chronicle Page 2 of 86 Arte Popular by The Mexican Museum The Rex May Collection - exquisite handcrafted objects from all over Mexico bequeathed to the Mexican Museum by the legendary 39-Mile-Drive sign designer - demonstrates the dramatic power of folk art. Featuring atmospheric photographs of pieces from May's extensive collection, wrapped in a striking, gold-foil-bedecked case, ARTE POPULAR is a bilingual volume providing a treasure trove of discoveries for the curious reader. The book features scholarly essays that delve into the collection's origins and significance, and it bears as well the imprimatur of the Mexican Museum - San Francisco's only Smithsonian Affiliate institution. Author Bio The Mexican Museum is home to one of North America's largest collections of art showcasing the richness and complexity of Latino culture. Chronicle Books On Sale: Feb 2/21 7 x 8 • 168 pages full-color photographs throughout 9781452125916 • $35.95 • cl Art / Collections, Catalogs, Exhibitions / Permanent Collections Notes Promotion Sales Rep Raincoast Books Winter 2021 - Chronicle Page 3 of 86 You Are Your Best Friend Everyday Rituals for Self-Care by Anisa Makhoul We know self-care is important - after all, if we want to take care of others, we must first take care of ourselves - but what does that actually mean? YOU ARE YOUR BEST FRIEND offers thoughtful tips for navigating the inevitable pressures of your daily grind. From practical advice and fun activities to strategies that will completely change your mind-set, these uplifting messages will help you cultivate a more compassionate, empathetic, and fulfilling life. Each brief lesson is accompanied by a cheerful illustration in this cozy read. And don't worry, taking good care of yourself is easier than it sounds - a little self-love goes a long way. Author Bio Anisa Makhoul is a printmaker based in Portland, Oregon. Chronicle Books On Sale: Apr 6/21 6 x 6 • 104 pages unjacketed hardcover, full-color illustrations throughout 9781452182810 • $21.95 • cl Art / Individual Artist Notes Promotion Sales Rep Raincoast Books Winter 2021 - Chronicle Page 4 of 86 LEAD You Will Leave a Trail of Stars Words of Inspiration for Blazing Your Own Path by Lisa Congdon In this illustrated guide to life - perfect for graduates and other seekers - acclaimed artist and educator Lisa Congdon offers up wisdom and insights for living. Each inspirational quote, lesson, and piece of advice is brought to life by Congdon's signature illustration style, making the book a beautiful gift or keepsake. Whether you're starting a new chapter of your own story, or simply searching for ways to live with more intention, curiosity, and joy, this book will inspire you to connect with yourself and prepare for any adventure life might have in store. Author Bio Lisa Congdon is an artist, educator, and author who lives in Portland, Oregon. Chronicle Books On Sale: Mar 2/21 6 x 8 • 136 pages spot gloss, debossing, full-color illustrations throughout 9781452180281 • $22.95 • cl Art / Subjects & Themes / General Notes Promotion Sales Rep Raincoast Books Winter 2021 - Chronicle Page 5 of 86 The Black Leopard by Will Burrard-Lucas There are few creatures as gorgeous and elusive as the black leopard. In Africa, these magnificent cats are so rare as to be the stuff of legend. Will Burrard-Lucas love for leopards began during his childhood in Tanzania and propelled him into a career as a wildlife photographer. In his quest to create intimate portraits of animals, he developed innovative technology, including a remotely controlled camera on wheels and a high quality camera trap system for photographing nocturnal creatures. In Kenya, he used these tools to capture the first high quality, scientifically verifiable photograph of an African black leopard in almost 100 years. In this compelling and visually stunning book, Burrard-Lucas tells his story of creativity, entrepreneurship, and passion for wild animals, alongside awe-inspiring images of lions, elephants, and the black leopard itself. Author Bio Chronicle Books Will Burrard-Lucas is a British wildlife photographer. He spent part of his On Sale: Mar 2/21 childhood in Tanzania where he first developed a love of nature. He 195 x 250 • 208 pages developed an interest in photography whilst at university and shortly jacketed hardcover, full-color photogrpahs throughout thereafter, started focusing his lens on the natural world. He became a full- 9781797202914 • $50.00 • cl time photographer in 2010. Biography / Personal Memoirs Burrard-Lucas is an advocate for wildlife conservation and works with various conservation non-governmental organizations, including WWF, African Parks, Notes the Tsavo Trust in Kenya, and the Ethiopian Wolf Conservation Programme. He founded the website WildlifePhoto.com to provide nature photographers with online services, products, and educational resources, and in 2009, Promotion Burrard-Lucas created the BeetleCam, a remote-control camera buggy which enables photographers to take close-up photographs of wildlife. He later created a high-quality camera trap system for photographing rare and nocturnal animals, and is the founder of Camtraptions, a company specializing in products for remote and camera trap photography. His work has been featured by numerous international media outlets including The New York Times, the Guardian, the Telegraph, the Washington Post, National Geographic, CNN and BBC. Since 2015, Burrard-Lucas has focused on a long-term project to reveal African wildlife at night creating and using new photography techniques. His resulting work has been recognized in several international photography awards including GDT European Wildlife Photographer of the Year (2016, 2017), Sony World Photography Awards (2017), Travel Photographer of the Year (2019) and Siena International Photo Awards (2019) Sales Rep Raincoast Books Winter 2021 - Chronicle Page 6 of 86 A Table by Rebekah Peppler, photographs by Joann Pai Voila! Here is an alluring, delicious invitation to the French table. At once a repertoire-building cookbook and a stylish guide to easy gathering over food and drink (for families, for friends), A TABLE features 125 simple, elegant recipes that reflect a modern, multicultural French table. Paris-based American food writer Rebekah Peppler includes classics, regional specialties, and dishes with a strong foreign influence. Here are recipes for all the courses, from snacks to desserts, organized into before, during, and after- dinner chapters. Think: Croque Madame and Creme Brulee; Basque Chicken and Nicoise (for a Crowd); Green Shakshuka, Lamb Tagine, and Bamboo Tonic. Information on shopping and stocking your pantry, helpful tips on having people over, and stories on French food culture make this not just a recipe-driven cookbook but also a chic guide to French living. This is for home cooks looking for go-to French meals, hosts who throw casual gatherings, and armchair travelers who love any and all things French. In a photo-rich package that features aspirational photography from Paris and Provence - charming apartments overlooking the rooftops of Paris, picnics along the Chronicle Books Seine, Provencal markets overflowing with fresh produce - A TABLE is an On Sale: Apr 6/21 inviting and accessible cookbook from a fresh voice in the food world. 7.25 x 10 • 304 pages unjacketed HC, 125 full-color photographs 9781797202235 • $42.99 • cl Author Bio Cooking / Entertaining Rebekah Peppler is a Paris-based food writer, stylist, and author. She is the author of Aperitif: Cocktail Hour in the French Way, which was nominated for a Notes James Beard Award in the Beverage Category, as well as HONEY, a Short Stack Edition. Her clients include the New York Times, Bon Appetit, Real Simple, Rachael Ray Magazine, Food Network, Tasting Table, and more. Promotion Joann Pai is a food and travel photographer based in Paris. Her work has been featured in esteemed publications such as Saveur magazine, Conde Nast Traveler, and the New York Times Sales Rep Raincoast Books Winter 2021 - Chronicle Page 7 of 86 Mango and Peppercorns by Tung Nguyen, Katherine Manning and Lyn Nguyen In 1975, after narrowly escaping the fall of Saigon, pregnant refugee and gifted cook Tung Nguyen ended up in the Miami home of Kathy Manning, a graduate student and waitress who was taking in displaced Vietnamese. This serendipitous meeting evolved into a decades-long partnership, one that eventually turned strangers into family and a tiny, no-frills eatery into one of the most lauded restaurants in the country.
Recommended publications
  • The 22” High-Output Beauty Dish Reflector
    The 22” High-Output Beauty Dish Reflector What is a High-Output Beauty Dish? Conventional beauty dishes project a very wide angle and low ef- ficiency light output when used with or without a diffusing sock. A direct-light blocking shield is generally necessary because the direct light from the flashtube is very bright in comparison to the light reflected from the white surface of the dish. direct-light blocker assembly The 22” High-Output Beauty Dish is designed to project a narrow 45° beam angle, with about six times the efficiency of a conven- tional dish. This allows for lighting subjects from greater distances with low power flash units, and allows using the reflector with or without the direct-light blocker. It also results in a more selective area of coverage when used closer to the subject. Using the Silver 22HOBD for maximum specularity Beauty Dish with diffusion sock Beauty Dish with direct-light blocker installed Because of its geometry, the Silver Beauty Dish provides a some- Mounting the Beauty Dish what higher degree of shadow softening and the finish allows more specularity than white dishes. Even more specular response can Retract the four retaining fingers by squeezing the levers on top of be achieved by using the Beauty Dish without the included direct- the light (AlienBees) or sliding the lever on the bottom of the light light blocker. Because of its very high efficiency, the ratio of direct over to the release position (White Lightning and Zeus). Remove to reflected light is much lower in comparison to a conventional any mounted reflector, and replace with the Beauty Dish ensuring beauty dish.
    [Show full text]
  • COURSE TITLE Cyanotypes Blue Prints COURSE CODE
    COURSE TITLE Cyanotypes Blue Prints COURSE CODE WC1801PR89 TUTOR Melanie King DATES 10th & 11th November 2018 DAY & TIME Saturday & Sunday, 10:00 am - 5:00 pm LEVEL This class is suitable for those aged 18 or over. All levels welcome COST £165 LOCATION Mermaid Court, ​click here​ ​for a map Daily breakdown Days Topic/skills covered Preparing the chemistry. Coating paper with the photosensitive solution. Sat Making photograms using UV from the atmosphere. Colour tinting prints. Preparing digital negatives on a computer. Making contact prints using an Sun industrial UV exposure machine. The Cyanotype​ method is an incredibly versatile, simple and fun process to learn. The Cyanotype was invented by Sir John Henry Herschel in1841. This early photographic process produces distinctive and striking Prussian blue images which can also be toned in various other colours. Simple and economic, it remained in use well into the twentieth century as a means of reproducing architectural and engineering drawings as Blueprints. In more recent times, the Cyanotype has been rediscovered by contemporary artists. Also sometimes known as sun printing, the Cyanophyte process is one you can easily learn to do in a weekend. It offers a perfect introduction to alternative and traditional photographic processes and to the use of computers to produce photographic negatives for such processes. The course takes place in the Print Studio and also utilises the Digital Suite at the Art Academy. Both facilities offer a much wider programme of evening, weekend and daytime courses throughout the year. Please refer to our website for full terms and conditions: Mermaid Court, 165A Borough High Street, London SE1 1HR www.artacademy.org.uk/terms-conditions/ 020 7701 2880 The cyanotype process is simple, non-toxic and can be adapted and incorporated into a range of other printmaking techniques such as photo-etching and mono-printing.
    [Show full text]
  • 10. the Extraordinarily Stable Technicolor Dye-Imbibition Motion
    345 The Permanence and Care of Color Photographs Chapter 10 10. The Extraordinarily Stable Technicolor Dye-Imbibition Motion Picture Color Print Process (1932–1978) Except for archival showings, Gone With the He notes that the negative used to make Wind hasn’t looked good theatrically since the existing prints in circulation had worn out [faded]. last Technicolor prints were struck in 1954; the “That negative dates back to the early ’50s 1961 reissue was in crummy Eastman Color when United Artists acquired the film’s distri- (the prints faded), and 1967’s washed-out bution rights from Warner Bros. in the pur- “widescreen” version was an abomination.1 chase of the old WB library. Four years ago we at MGM/UA went back to the three-strip Tech- Mike Clark nicolor materials to make a new internegative “Movies Pretty as a Picture” and now have excellent printing materials. All USA Today – October 15, 1987 it takes is a phone call to our lab to make new prints,” he says.3 In 1939, it was the most technically sophisti- cated color film ever made, but by 1987 Gone Lawrence Cohn With the Wind looked more like Confederates “Turner Eyes ’38 Robin Hood Redux” from Mars. Scarlett and Rhett had grown green Variety – July 25, 1990 and blue, a result of unstable film stocks and generations of badly duplicated prints. Hair The 45-Year Era of “Permanent” styles and costumes, once marvels of spectral Technicolor Motion Pictures subtlety, looked as though captured in Crayola, not Technicolor. With the introduction in 1932 of the Technicolor Motion Not anymore.
    [Show full text]
  • Photo Rentals(Q375 Package)
    Photo Rentals (Q375 Package) Power Grip (continued) 1 - 375 amp 3 phase generator 2 - 12 X 12 Solids 2 - 12 X 12 Frame Lighting 1 - 20 X 20 Break Apart Frame 8 - Profoto Pro-7A Pack 1 - 16’ Speedrail 1 - Profoto Pro-7B2 Pack 2 - 10’ Speedrail 8 - Profoto Pro-7 Head 4 - 4’ X 4’ Floppies 1 - Profoto Pro-7 Twin Head 2 - 4’ X 4’ Silks 2 - Profoto Pro-7 Head Extension Cable 1 - 4’ X 4’ Empty Frame 1 - Profoto Ringlight 2 - 24” X 36” Solid 4 - Profoto 41” White Umbrella 2 - 24” X 36” Silk 1 - Profoto 41” Silver Umbrella 2 - 24” X 36” Single 2 - Profoto Magnum Reflectors 2 - 24” X 36” Double 2 - Profoto Magnum Reflector Grids 2 - 12” X 24” Solid 1 - Profoto White Beauty Dish with Diffusion 2 - 12” X 24” Single 1 - Profoto Silver Beauty Dish with Diffusion 2 - 12” X 24” Double 1 - Profoto Beauty Dish Grid 1 - 24” X 60” Cutter 5 - Profoto Grid Sets 10 - 4” Baby Pins 1 - Profoto Pro Globe with Speedring 10 - J Hooks 1 - Westcott 46” Translucent Umbrella 6 - BJ Adaptors 9 - Pocket Wizard Transceivers 2 - Bead Board Holders 2 - Elinchrom 74” Octabank 4 - Bull Pricks 1 - Chimera Super Pro Plus Large White 1 - Sledge Hammer 2 - Chimera Super Pro Plus Medium White 10 - Super Clamps 1 - Chimera Super Pro Plus Small White 4 - Cardellinis End Jaw 1 - Chimera Strip Super Pro Plus Medium White 4 - Cardellinis Center Jaw 1 - Chimera Strip Super Pro Plus Small White 2 - Baby Nail On Plates 6 - Profoto Speedring 6 - Grip Clips #3 2 - ARRI 1K Fresnel 20 - Grip Clips #2 6 - V Flats 10 - Grip Clips #1 4 - 30” Safety Cables 1 - Mega Boom Distro 1 - Mini Boom 1 -
    [Show full text]
  • Science and Visual Art Collaboration
    Connecting Arts with School Curriculum Teacher/Artist Collaboration Science/Visual Art S mall School Mentorship Program As an extension of Flying Arts’ Connecting Arts with School Curriculum (CASC) program, the Small Schools Mentorship Program (SSMP) is for schools with 50 or less students in regional and remote Queensland. This unique program offers the support of a registered primary teacher/artist to collaborate with small schools to plan and deliver an incursion combining arts and non-art curriculum. Ongoing support is a unique feature of this specialised program. This program is intended to develop confidence in the planning and delivery of arts rich experiences in the classroom, better understanding of how to deliver on arts curriculum, how to connect arts into other areas of curriculum to enhance teaching and learning, to enhance practical skills in the visual and media arts and to collaborate with artist to deliver arts. This template and materials are intended as a resource and source of ideas for educators to use as a model. SCHOOL Prospect Creek State School TEACHER Jane Gray/ Jo Northey- Principal LOCATION Central Queensland, Banana Shire ARTIST Therese Flynn-Clarke YEAR LEVEL P-6 LESSON NAME Energy and Art INTRODUCTION Prospect Creek State School with 43 students wished to incorporate their program Bounce Back into the cross curricula collaboration. Bounce back is about building and equipping kids with a mindset that better supports them in being successful. The educators had two focuses: 1. Educator focus - to achieve educated and equipped young people who have the mindset and tools that lead them to a love of learning, the ability to think for themselves and to be successful; 2.
    [Show full text]
  • 2004 February
    February ' -I~"~Z J ~" /., v/ I~ C / WeldingAluminuM nd the Hew Ford GT Advantages of Electron Beam Welding PUBLISHED BY THE AMERICAN WELDING SOCIETY TO ADVANCE THE SCIENCE, TECHNOLOGYAND APPLICATION OF WELDING : : ;:;::x: ;: :,, I i;; !' ,: : G: i I I Whatever your critical welding levels from 80-120 Ksi, Select-Arc can For more detailed requirement, Select-Arc has the right provide the low alloy electrode that is information on ~llllllllllllll~ SELECT-ARC low alloy, flux cored electrode for the ideally suited to handle your selecting the Select- I~IInlIIIIIIIMF job. That is because Select-Arc offers a individual application. Arc low alloy, flux complete line of electrodes specially cored electrode that is formulated for welding low alloy and Select-Arc low alloy, flux cored appropriate for your specific need, call high strength steels. With your choice electrode grades include: 800-341-5215 or contact: of slag systems (T-5, T-1 and all • Molybdenum position T-l) and available in strength • Nickel • Chromium - Molybdenum • Nickel - Chromium - Molybdenum • Manganese - Molybdenum • Weathering These exceptional tubular welding electrodes are manufactured under Select-Arc's quality system, which is approved to ISO 9001, ABS-Level II, CWB 600 Enterprise Drive and the military, and are backed P.O. Box 259 by the company's unparalleled Fort Loramie, OH 45845-0259 • commitment to customer service Phone: (937) 295-5215 and support. Fax: (937) 295-5217 www.select-arc.com Circle No. 32 on Reader Info-Card Hodgson Custom Rolling inc. services a wide variety of industries in the ENERGY 44"1D 6" Thick SECTORS of hydro, petro chemical, atomic, gas, oil, 96"Long wind, etc.
    [Show full text]
  • EZ Lock Beauty Dish Guide Introduction
    EZ Lock Beauty Dish Guide Introduction GLOW EZ LOCK BEAUTY DISH is an ingenious portable version of the light modifier famous for striking fashion and portraiture images showcasing the incomparable safe and sure EZ Lock system. No more clumsy construction, fumbling with flex resistant rods or struggling in frustration for careful alignment of speedring holes. The 16-ribbed dish opens up and closes down, ‘umbrella style.’ The quick-to-setup quasi-parabola saucer like assembly has all the advantages of the beauty dish allure without the disadvantages of damage that a metallic dish confronts during location travel and is free of any of the drawbacks of a delicate bendable dish. Intrinsic to the beauty dish design is a small reversible opaque deflector cover that is suspended concave profile out, directly over the front of the light source, preventing direct light from reaching the subject. With the Glow EZ Lock Beauty Dish Eggcrate Grid, you gain more control of a light source’s beam and can feather light for a more attractive shadow, virtually eliminating spill from the rest of the body and the background. Photographers use 25” to 42” beauty dish on monolights and flash heads for flattering people shots, especially for sculpting facial features and creating beautiful shadows and catchlights. When stacked in a vertical tower array of 2 or more, the beauty dish accentuates a model’s full figure with perfect head to toe coverage. 2 GlowLightControl.com Precautions • Please study this guide and store for future reference. • The materials used in this product are not waterproof or flame resistant.
    [Show full text]
  • Logitech PTZ Pro Camera
    THE USB 1080P PTZ CAMERA THAT BRINGS EVERY COLLABORATION TO LIFE Logitech PTZ Pro Camera The Logitech PTZ Pro Camera is a premium USB-enabled HD Set-up is a snap with plug-and-play simplicity and a single USB cable- 1080p PTZ video camera for use in conference rooms, education, to-host connection. Leading business certifications—Certified for health care and other professional video workspaces. Skype for Business, Optimized for Lync, Skype® certified, Cisco Jabber® and WebEx® compatible2—ensure an integrated experience with most The PTZ camera features a wide 90° field of view, 10x lossless full HD business-grade UC applications. zoom, ZEISS optics with autofocus, smooth mechanical 260° pan and 130° tilt, H.264 UVC 1.5 with Scalable Video Coding (SVC), remote control, far-end camera control1 plus multiple presets and camera mounting options for custom installation. Logitech PTZ Pro Camera FEATURES BENEFITS Premium HD PTZ video camera for professional Ideal for conference rooms of all sizes, training environments, large events and other professional video video collaboration applications. HD 1080p video quality at 30 frames per second Delivers brilliantly sharp image resolution, outstanding color reproduction, and exceptional optical accuracy. H.264 UVC 1.5 with Scalable Video Coding (SVC) Advanced camera technology frees up bandwidth by processing video within the PTZ camera, resulting in a smoother video stream in applications like Skype for Business. 90° field of view with mechanical 260° pan and The generously wide field of view and silky-smooth pan and tilt controls enhance collaboration by making it easy 130° tilt to see everyone in the camera’s field of view.
    [Show full text]
  • Indira Gandhi National Tribal University Amarkantak 484887 (M.P.)
    Indira Gandhi National Tribal University Amarkantak 484887 (M.P.) Faculty of Technical, Vocational Education & Skill Training Notes B.Voc. theatre, Stagecraft, Film Production & Media Technology Subject : - Basic Audio Video Production Unit 1 What is Cinematography ? Cinematography is the art of visual storytelling. Anyone can set a camera on a tripod and hit record, but the artistry of cinematography comes in controlling what the viewer sees (or doesn’t see) and how the image is presented. Film is a visual me- dium, and the best-shot films are ones where you can tell what’s going on without hearing any of the dialogue. With some basic knowledge of composition and scene construction, you can plan scenes using this visual language. Learn how different shots work together to form a clear, cohesive narrative and how to compose each shot in a way that is visually pleasing for the viewer. Understanding these simple rules will help make your films more thrilling and engaging. Basic Rules of Composition There are some simple cinematography techniques that will have a great impact in making your videos look more professional. The Rule of Thirds is a technique of dividing the frame up into a 3x3 grid, splitting your frame into nine boxes. Our natural impulse is to put our subject dead center, but a centered subject will look like they’re caught in a spotlight, and by dropping them in the center of the frame, it gives them nowhere to go. Instead, by positioning your action in any of the four vertices where those nine boxes meet, you create a balance in your composition that feels more natural.
    [Show full text]
  • Photoshop I Workbook
    This workshop covers Photoshop CS4 – CC2014 essentials for photographers including: monitor calibration, Photoshop configuration, RAW workflow, colour correction, image repair, creating panoramas and more. Make your pictures look as good as you remember them! Robert Berdan © Science & Art Multimedia E-mail: [email protected] (403) 247-2457 Last Updated May 27, 2015 . Suitable for beginner to Intermediate level photographers and computer users. The workshop includes a CD with tutorial images and step by step video clips for self learning. These tutorials take approximately 6-12 hours to complete in class with an instructor. 1. Introduction and Objectives 1.1 Digital photography .………………………………………………………........... 3 2. Components of a Digital Darkroom 2.1 Computer minimum requirements for Photoshop…………………...… 4 2.2 Image Editing Software.………………………………………………………….. 4 2.3 Printers…………………………………………………………………………….. 5 2.4 Scanners …………………………………………..……………………………… 5 2.5 Colour Management.....…………………………………………………............. 5 2.6 Colour Space…………………………………………………………………….... 6 3. Calibrating Your Monitor 3.0 Types of monitors.......................................................................................... 7 3.1 Room Lighting …………………………………………………………………….. 7 3.2 Using a colour spectrophotometer and software to calibrate………………… 7 3.3 Photoshop CS4 colour configuration settings………………………………….. 8 4. Making a Test Print 4.1 How to calculate required file size to make specific sized prints …….…… 10 4.2 Setting the print resolution .………………………………………………………
    [Show full text]
  • The Evolution of Keyence Machine Vision Systems
    NEW High-Speed, Multi-Camera Machine Vision System CV-X200/X100 Series POWER MEETS SIMPLICITY GLOBAL STANDARD DIGEST VERSION CV-X200/X100 Series Ver.3 THE EVOLUTION OF KEYENCE MACHINE VISION SYSTEMS KEYENCE has been an innovative leader in the machine vision field for more than 30 years. Its high-speed and high-performance machine vision systems have been continuously improved upon allowing for even greater usability and stability when solving today's most difficult applications. In 2008, the XG-7000 Series was released as a “high-performance image processing system that solves every challenge”, followed by the CV-X100 Series as an “image processing system with the ultimate usability” in 2012. And in 2013, an “inline 3D inspection image processing system” was added to our lineup. In this way, KEYENCE has continued to develop next-generation image processing systems based on our accumulated state-of-the-art technologies. KEYENCE is committed to introducing new cutting-edge products that go beyond the expectations of its customers. XV-1000 Series CV-3000 Series THE FIRST IMAGE PROCESSING SENSOR VX Series CV-2000 Series CV-5000 Series CV-500/700 Series CV-100/300 Series FIRST PHASE 1980s to 2002 SECOND PHASE 2003 to 2007 At a time when image processors were Released the CV-300 Series using a color Released the CV-2000 Series compatible with x2 Released the CV-3000 Series that can simultaneously expensive and difficult to handle, KEYENCE camera, followed by the CV-500/700 Series speed digital cameras and added first-in-class accept up to four cameras of eight different types, started development of image processors in compact image processing sensors with 2 mega-pixel CCD cameras to the lineup.
    [Show full text]
  • Syllabus for M.Sc. (Film Production)| 1
    Syllabus for M.Sc. (Film Production)| 1 Detailed Syllabus for Master of Science (Film Production) (Effective from July 2019) Department of Advertising & Public Relations Makhanlal Chaturvedi National University of Journalism and Communication B-38, Press Complex, M.P. Nagar, Zone-I, Bhopal (M.P.) 462 011 Syllabus for M.Sc. (Film Production)| 2 MAKHANLAL CHATURVEDI NATIONAL UNIVERSITY OF JOURNALISM AND COMMUNICATION (DEPARTMENT OF ADVERTISING AND PUBLIC RELATIONS) Master of Science (Film Production) (Effective from July 2019) Marks Distribution Subject Theory Practic Intern Total Credit al al CCC-1 Evolution of Cinema 80 00 20 100 6 CCC-2 Origin and Growth of Media 80 00 20 100 6 Introduction to Socio CCC-3 80 00 20 100 6 Economic Polity Sem - I CCE-1 Art of Cinematography 50 30 20 OR OR 100 6 CCE-2 Storyboarding 50 30 20 OE-1 Understanding Cinema 25 15 10 50 3 CCC-4 Drama & Aesthetics 50 30 20 100 6 CCC-5 Lighting for Cinema 50 30 20 100 6 CCC-6 Audiography 50 30 20 100 6 Sem - II CCE-3 Art of Film Direction 50 30 20 OR OR 100 6 CCE-4 Film Journalism 50 30 20 OE-2 Ideation and Visualization 25 15 10 50 3 CCC-7 Multimedia Platform 50 30 20 100 6 Editing Techniques & CCC-8 50 30 20 100 6 Practice CCC-9 Film Research 50 30 20 100 6 Sem - III Screenplay Writing for CCE-5 50 30 20 Cinema OR 100 6 OR CCE-6 50 30 20 Advertisement Film Making OE-3 Film Society & Culture 40 00 10 50 3 CCC-10 Film Business & Regulations 80 00 20 100 6 CCC-11 Cinematics 50 30 20 100 6 CCC-12 Project Work on Film Making 00 80 20 100 6 Sem - Literature & Cinema CCE-7 80 00 20 IV OR OR 100 6 Film Management & CCE-8 80 00 20 Marketing OE-4 Documentary Film Making 25 15 10 50 3 Syllabus for M.Sc.
    [Show full text]