Visual Homing with a Pan-Tilt Based Stereo Camera Paramesh Nirmal Fordham University
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Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
Visual Tilt Estimation for Planar-Motion Methods in Indoor Mobile Robots
robotics Article Visual Tilt Estimation for Planar-Motion Methods in Indoor Mobile Robots David Fleer Computer Engineering Group, Faculty of Technology, Bielefeld University, D-33594 Bielefeld, Germany; dfl[email protected]; Tel.: +49-521-106-5279 Received: 22 September 2017; Accepted: 28 October 2017; Published: date Abstract: Visual methods have many applications in mobile robotics problems, such as localization, navigation, and mapping. Some methods require that the robot moves in a plane without tilting. This planar-motion assumption simplifies the problem, and can lead to improved results. However, tilting the robot violates this assumption, and may cause planar-motion methods to fail. Such a tilt should therefore be corrected. In this work, we estimate a robot’s tilt relative to a ground plane from individual panoramic images. This estimate is based on the vanishing point of vertical elements, which commonly occur in indoor environments. We test the quality of two methods on images from several environments: An image-space method exploits several approximations to detect the vanishing point in a panoramic fisheye image. The vector-consensus method uses a calibrated camera model to solve the tilt-estimation problem in 3D space. In addition, we measure the time required on desktop and embedded systems. We previously studied visual pose-estimation for a domestic robot, including the effect of tilts. We use these earlier results to establish meaningful standards for the estimation error and time. Overall, we find the methods to be accurate and fast enough for real-time use on embedded systems. However, the tilt-estimation error increases markedly in environments containing relatively few vertical edges. -
Minoru Photo Club the Art of Panning (By Natalie Norton ) What Is
Minoru Photo Club July 24, 2018 There are different ways of creating a sense of movement in photography. From John Hedgecoe’s Photography Basics, he listed four ways – Slow Shutter, panning, diagonal movement and zoom movement. For today, I will share with you what I have researched on the art of panning using a slow shutter speed. There are many unwritten rules in photography. Keeping your camera steady is one of them. Well, for this artistic technique, you will need to forget all you have learned about the importance of shooting with a rock-solid camera. The creative result will be many cool motion-blur images The Art Of Panning (by Natalie Norton) What is Panning? Panning is one of many artistic techniques for more creative photographs. It is the horizontal movement of a camera, deliberately moving or panning the camera, as it scans a moving subject. It is the swinging of the camera - steadily to follow a passing subject, (can keep a moving image in one place on the film). Panning is another effective way of instilling a sense of motion in a picture with a moving subject. The result is a fairly sharp subject set against a blurred and streaked background. This gives the shot a real feeling of motion, speed and action. SOME TIPS & GUIDELINES: Subject/What should I Photograph? – since you want to create a sense of motion, your obvious subject choices include cars, racing cars, joggers, cyclists, etc.. But do try this technique when capturing pets, horses, people running or even someone on a swing. -
Video Tripod Head
thank you for choosing magnus. One (1) year limited warranty Congratulations on your purchase of the VPH-20 This MAGNUS product is warranted to the original purchaser Video Pan Head by Magnus. to be free from defects in materials and workmanship All Magnus Video Heads are designed to balance under normal consumer use for a period of one (1) year features professionals want with the affordability they from the original purchase date or thirty (30) days after need. They’re durable enough to provide many years replacement, whichever occurs later. The warranty provider’s of trouble-free service and enjoyment. Please carefully responsibility with respect to this limited warranty shall be read these instructions before setting up and using limited solely to repair or replacement, at the provider’s your Video Pan Head. discretion, of any product that fails during normal use of this product in its intended manner and in its intended VPH-20 Box Contents environment. Inoperability of the product or part(s) shall be determined by the warranty provider. If the product has • VPH-20 Video Pan Head Owner’s been discontinued, the warranty provider reserves the right • 3/8” and ¼”-20 reducing bushing to replace it with a model of equivalent quality and function. manual This warranty does not cover damage or defect caused by misuse, • Quick-release plate neglect, accident, alteration, abuse, improper installation or maintenance. EXCEPT AS PROVIDED HEREIN, THE WARRANTY Key Features PROVIDER MAKES NEITHER ANY EXPRESS WARRANTIES NOR ANY IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED Tilt-Tension Adjustment Knob TO ANY IMPLIED WARRANTY OF MERCHANTABILITY Tilt Lock OR FITNESS FOR A PARTICULAR PURPOSE. -
Logitech PTZ Pro Camera
THE USB 1080P PTZ CAMERA THAT BRINGS EVERY COLLABORATION TO LIFE Logitech PTZ Pro Camera The Logitech PTZ Pro Camera is a premium USB-enabled HD Set-up is a snap with plug-and-play simplicity and a single USB cable- 1080p PTZ video camera for use in conference rooms, education, to-host connection. Leading business certifications—Certified for health care and other professional video workspaces. Skype for Business, Optimized for Lync, Skype® certified, Cisco Jabber® and WebEx® compatible2—ensure an integrated experience with most The PTZ camera features a wide 90° field of view, 10x lossless full HD business-grade UC applications. zoom, ZEISS optics with autofocus, smooth mechanical 260° pan and 130° tilt, H.264 UVC 1.5 with Scalable Video Coding (SVC), remote control, far-end camera control1 plus multiple presets and camera mounting options for custom installation. Logitech PTZ Pro Camera FEATURES BENEFITS Premium HD PTZ video camera for professional Ideal for conference rooms of all sizes, training environments, large events and other professional video video collaboration applications. HD 1080p video quality at 30 frames per second Delivers brilliantly sharp image resolution, outstanding color reproduction, and exceptional optical accuracy. H.264 UVC 1.5 with Scalable Video Coding (SVC) Advanced camera technology frees up bandwidth by processing video within the PTZ camera, resulting in a smoother video stream in applications like Skype for Business. 90° field of view with mechanical 260° pan and The generously wide field of view and silky-smooth pan and tilt controls enhance collaboration by making it easy 130° tilt to see everyone in the camera’s field of view. -
Surface Tilt (The Direction of Slant): a Neglected Psychophysical Variable
Perception & Psychophysics 1983,33 (3),241-250 Surface tilt (the direction of slant): A neglected psychophysical variable KENT A. STEVENS Massachusetts InstituteofTechnology, Cambridge, Massachusetts Surface slant (the angle between the line of sight and the surface normal) is an important psy chophysical variable. However, slant angle captures only one of the two degrees of freedom of surface orientation, the other being the direction of slant. Slant direction, measured in the image plane, coincides with the direction of the gradient of distance from viewer to surface and, equivalently, with the direction the surface normal would point if projected onto the image plane. Since slant direction may be quantified by the tilt of the projected normal (which ranges over 360 deg in the frontal plane), it is referred to here as surfacetilt. (Note that slant angle is mea sured perpendicular to the image plane, whereas tilt angle is measured in the image plane.) Com pared with slant angle's popularity as a psychophysical variable, the attention paid to surface tilt seems undeservedly scant. Experiments that demonstrate a technique for measuring ap parent surface tilt are reported. The experimental stimuli were oblique crosses and parallelo grams, which suggest oriented planes in SoD. The apparent tilt of the plane might beprobed by orienting a needle in SoD so as to appear normal, projecting the normal onto the image plane, and measuring its direction (e.g., relative to the horizontal). It is shown to be preferable, how ever, to merely rotate a line segment in 2-D, superimposed on the display, until it appears nor mal to the perceived surface. -
Rethinking Coalitions: Anti-Pornography Feminists, Conservatives, and Relationships Between Collaborative Adversarial Movements
Rethinking Coalitions: Anti-Pornography Feminists, Conservatives, and Relationships between Collaborative Adversarial Movements Nancy Whittier This research was partially supported by the Center for Advanced Study in Behavioral Sciences. The author thanks the following people for their comments: Martha Ackelsberg, Steven Boutcher, Kai Heidemann, Holly McCammon, Ziad Munson, Jo Reger, Marc Steinberg, Kim Voss, the anonymous reviewers for Social Problems, and editor Becky Pettit. A previous version of this paper was presented at the 2011 Annual Meetings of the American Sociological Association. Direct correspondence to Nancy Whittier, 10 Prospect St., Smith College, Northampton MA 01063. Email: [email protected]. 1 Abstract Social movements interact in a wide range of ways, yet we have only a few concepts for thinking about these interactions: coalition, spillover, and opposition. Many social movements interact with each other as neither coalition partners nor opposing movements. In this paper, I argue that we need to think more broadly and precisely about the relationships between movements and suggest a framework for conceptualizing non- coalitional interaction between movements. Although social movements scholars have not theorized such interactions, “strange bedfellows” are not uncommon. They differ from coalitions in form, dynamics, relationship to larger movements, and consequences. I first distinguish types of relationships between movements based on extent of interaction and ideological congruence and describe the relationship between collaborating, ideologically-opposed movements, which I call “collaborative adversarial relationships.” Second, I differentiate among the dimensions along which social movements may interact and outline the range of forms that collaborative adversarial relationships may take. Third, I theorize factors that influence collaborative adversarial relationships’ development over time, the effects on participants and consequences for larger movements, in contrast to coalitions. -
Tilt Anisoplanatism in Laser-Guide-Star-Based Multiconjugate Adaptive Optics
A&A 400, 1199–1207 (2003) Astronomy DOI: 10.1051/0004-6361:20030022 & c ESO 2003 Astrophysics Tilt anisoplanatism in laser-guide-star-based multiconjugate adaptive optics Reconstruction of the long exposure point spread function from control loop data R. C. Flicker1,2,F.J.Rigaut2, and B. L. Ellerbroek2 1 Lund Observatory, Box 43, 22100 Lund, Sweden 2 Gemini Observatory, 670 N. A’Ohoku Pl., Hilo HI-96720, USA Received 22 August 2002 / Accepted 6 January 2003 Abstract. A method is presented for estimating the long exposure point spread function (PSF) degradation due to tilt aniso- planatism in a laser-guide-star-based multiconjugate adaptive optics systems from control loop data. The algorithm is tested in numerical Monte Carlo simulations of the separately driven low-order null-mode system, and is shown to be robust and accurate with less than 10% relative error in both H and K bands down to a natural guide star (NGS) magnitude of mR = 21, for a symmetric asterism with three NGS on a 30 arcsec radius. The H band limiting magnitude of the null-mode system due to NGS signal-to-noise ratio and servo-lag was estimated previously to mR = 19. At this magnitude, the relative errors in the reconstructed PSF and Strehl are here found to be less than 5% and 1%, suggesting that the PSF retrieval algorithm will be applicable and reliable for the full range of operating conditions of the null-mode system. Key words. Instrumentation – adaptive optics – methods – statistical 1. Introduction algorithms is much reduced. Set to amend the two failings, to increase the sky coverage and reduce anisoplanatism, are 1.1. -
The Evolution of Keyence Machine Vision Systems
NEW High-Speed, Multi-Camera Machine Vision System CV-X200/X100 Series POWER MEETS SIMPLICITY GLOBAL STANDARD DIGEST VERSION CV-X200/X100 Series Ver.3 THE EVOLUTION OF KEYENCE MACHINE VISION SYSTEMS KEYENCE has been an innovative leader in the machine vision field for more than 30 years. Its high-speed and high-performance machine vision systems have been continuously improved upon allowing for even greater usability and stability when solving today's most difficult applications. In 2008, the XG-7000 Series was released as a “high-performance image processing system that solves every challenge”, followed by the CV-X100 Series as an “image processing system with the ultimate usability” in 2012. And in 2013, an “inline 3D inspection image processing system” was added to our lineup. In this way, KEYENCE has continued to develop next-generation image processing systems based on our accumulated state-of-the-art technologies. KEYENCE is committed to introducing new cutting-edge products that go beyond the expectations of its customers. XV-1000 Series CV-3000 Series THE FIRST IMAGE PROCESSING SENSOR VX Series CV-2000 Series CV-5000 Series CV-500/700 Series CV-100/300 Series FIRST PHASE 1980s to 2002 SECOND PHASE 2003 to 2007 At a time when image processors were Released the CV-300 Series using a color Released the CV-2000 Series compatible with x2 Released the CV-3000 Series that can simultaneously expensive and difficult to handle, KEYENCE camera, followed by the CV-500/700 Series speed digital cameras and added first-in-class accept up to four cameras of eight different types, started development of image processors in compact image processing sensors with 2 mega-pixel CCD cameras to the lineup. -
Special Techniques to Make Your Image Different
Special techniques to make your image different 1. Timelapse in one image During a photo tour in Yunnan province, China, we go shoot at a busy local market. I, however, like to experiment something new, presenting the hustle and bustle of the market photographically in a unique way: A time-lapse compressed into one image. To achieve the result, 2 approaches coming to my mind: Option 1. Using the in-camera Multiple exposure mode: Nikon cameras has multiple exposure functions for long time. After years of being ignored, it finally comes to Canon cameras starting 5D III, which I happen to use. This one is shot using "Average" mode in multiple exposure, I set total of 9 exposures, taking one shot every couple seconds, the exposure is automatically reduced, proportional to the number of shots taken, to avoid over-exposing common areas or overlapping bright areas. Where overlapping areas do occur, the final brightness level will be the same as the would have been in a single, properly- exposed shot. And, any non-overlapping areas will be darkened. The final combined image is automatically generated by the camera. The pro is that you can experiment a lot with this technique, simple and fast. The con however, is that you have no control on the resulting image at all. The camera has full control here. Option 2. Taking a lot shots and manipulate them in post processing: This is a hard way, but you have absolute control of the final image. It, however, is time-consuming and requires lots of fiddling with Photoshop. -
Depth of Field in Photography
Instructor: N. David King Page 1 DEPTH OF FIELD IN PHOTOGRAPHY Handout for Photography Students N. David King, Instructor WWWHAT IS DDDEPTH OF FFFIELD ??? Photographers generally have to deal with one of two main optical issues for any given photograph: Motion (relative to the film plane) and Depth of Field. This handout is about Depth of Field. But what is it? Depth of Field is a major compositional tool used by photographers to direct attention to specific areas of a print or, at the other extreme, to allow the viewer’s eye to travel in focus over the entire print’s surface, as it appears to do in reality. Here are two example images. Depth of Field Examples Shallow Depth of Field Deep Depth of Field using wide aperture using small aperture and close focal distance and greater focal distance Depth of Field in PhotogPhotography:raphy: Student Handout © N. DavDavidid King 2004, Rev 2010 Instructor: N. David King Page 2 SSSURPRISE !!! The first image (the garden flowers on the left) was shot IIITTT’’’S AAALL AN ILLUSION with a wide aperture and is focused on the flower closest to the viewer. The second image (on the right) was shot with a smaller aperture and is focused on a yellow flower near the rear of that group of flowers. Though it looks as if we are really increasing the area that is in focus from the first image to the second, that apparent increase is actually an optical illusion. In the second image there is still only one plane where the lens is critically focused. -
Large Amplitude Tip/Tilt Estimation by Geometric Diversity for Multiple-Aperture Telescopes S
Large amplitude tip/tilt estimation by geometric diversity for multiple-aperture telescopes S. Vievard, F. Cassaing, L. Mugnier To cite this version: S. Vievard, F. Cassaing, L. Mugnier. Large amplitude tip/tilt estimation by geometric diversity for multiple-aperture telescopes. Journal of the Optical Society of America. A Optics, Image Science, and Vision, Optical Society of America, 2017, 34 (8), pp.1272-1284. 10.1364/JOSAA.34.001272. hal-01712191 HAL Id: hal-01712191 https://hal.archives-ouvertes.fr/hal-01712191 Submitted on 19 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 INTRODUCTION Large amplitude tip/tilt estimation by geometric diversity for multiple-aperture telescopes S. VIEVARD1, F. CASSAING1,*, AND L. M. MUGNIER1 1Onera – The French Aerospace Lab, F-92322, Châtillon, France *Corresponding author: [email protected] Compiled July 10, 2017 A novel method nicknamed ELASTIC is proposed for the alignment of multiple-aperture telescopes, in particular segmented telescopes. It only needs the acquisition of two diversity images of an unresolved source, and is based on the computation of a modified, frequency-shifted, cross-spectrum. It provides a polychromatic large range tip/tilt estimation with the existing hardware and an inexpensive noniterative unsupervised algorithm.