Brevard Live January 2019
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STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items Through Feb 25
FEBRUARY NEW RELEASE GUIDE STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items through Feb 25 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Feb 2014 (503) 231-0876 / www.bdcdistribution.com 2 Feb 2014 Welcome!BDC Welcome! New Releases Andre Cymone has a history. Bass player in a band with his high school pal, Prince Rogers Nelson before there was a symbol or a revolution. Has three high- If there was a soundtrack to this guide, right about now we would be hearing ly regarded albums and a hit in the early 80s. Produces albums for Adam Ant, Hail To The Chief because The Presidents are back! The Presidents of the Pebbles, Jody Watley, Tom Jones and others. Takes a break for 27 years and now United States of America commence their third decade of Seattle quirk pop. re-emerges with a very strong rock and roll record. Dig It!! An accidental pouring forth of new tunes posits Kudos To You! to the delight of young and old (especially old). It’s about time! Steve Dawson, major domo of Canada’s Black Hen Records, Juno Winner (both solo and with Zubot and Dawson), rewarded for his Blues, Folk and Jazz efforts, What is it about Texas that has guitar slingers spewing from within? This month is sometimes referred to as The Canadian Ry Cooder for his knowledge, abilities we have Dallas’ Jim Suhler back with his first album since 2008’s Tijuana Bible. -
Blues Tour De Forst
| 1 Monday, June 22, 2020 Blues Tour de Forst It’s June 2008. Tom Forst, a regional vice president at Cox Communications Group, is about to walk away from 25 years as a corporate suit to chase a lifelong passion. The dream to be a full-time musician had been on hold since his post-college touring days, circa 1974. It’s June 2008. Tom Forst, a regional vice president at Cox Communications Group, is about to walk away from 25 years as a corporate suit to chase a lifelong passion. The dream to be a full-time musician had been on hold since his post-college touring days, circa 1974. He recalls the exact moment his life changed course. “My wife was sitting in the living room. She pays the bills, and she said, ‘Look at that, I’m paying our last two $30,000 college tuition bills for our last two kids.’ I looked at her and said, ‘I’m going to quit.’” “My wife simply said, ‘Go ahead,’ and that’s kind of the way she is. Her attitude was, what’s the worst that can happen?” She only wanted assurances they wouldn’t starve. © 2021 CAPTRUST Financial Advisors Blues Tour de Forst | 1 | 2 So Forst, then 57, gave his six-month notice at Cox Communications. At the end of that year, he stepped away from legions of direct reports, the jet-setting lifestyle, power, prestige, and pay. Big pay. What followed is a wild ride of a second act—from boardroom to bandstand, Forst was on his way to be a successful indie blues musician. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Arizona 500 2021 Final List of Songs
ARIZONA 500 2021 FINAL LIST OF SONGS # SONG ARTIST Run Time 1 SWEET EMOTION AEROSMITH 4:20 2 YOU SHOOK ME ALL NIGHT LONG AC/DC 3:28 3 BOHEMIAN RHAPSODY QUEEN 5:49 4 KASHMIR LED ZEPPELIN 8:23 5 I LOVE ROCK N' ROLL JOAN JETT AND THE BLACKHEARTS 2:52 6 HAVE YOU EVER SEEN THE RAIN? CREEDENCE CLEARWATER REVIVAL 2:34 7 THE HAPPIEST DAYS OF OUR LIVES/ANOTHER BRICK IN THE WALL PART TWO ANOTHER BRICK IN THE WALL PART TWO 5:35 8 WELCOME TO THE JUNGLE GUNS N' ROSES 4:23 9 ERUPTION/YOU REALLY GOT ME VAN HALEN 4:15 10 DREAMS FLEETWOOD MAC 4:10 11 CRAZY TRAIN OZZY OSBOURNE 4:42 12 MORE THAN A FEELING BOSTON 4:40 13 CARRY ON WAYWARD SON KANSAS 5:17 14 TAKE IT EASY EAGLES 3:25 15 PARANOID BLACK SABBATH 2:44 16 DON'T STOP BELIEVIN' JOURNEY 4:08 17 SWEET HOME ALABAMA LYNYRD SKYNYRD 4:38 18 STAIRWAY TO HEAVEN LED ZEPPELIN 7:58 19 ROCK YOU LIKE A HURRICANE SCORPIONS 4:09 20 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 4:58 21 IN THE AIR TONIGHT PHIL COLLINS 5:21 22 LIVE AND LET DIE PAUL MCCARTNEY AND WINGS 2:58 23 HIGHWAY TO HELL AC/DC 3:26 24 DREAM ON AEROSMITH 4:21 25 EDGE OF SEVENTEEN STEVIE NICKS 5:16 26 BLACK DOG LED ZEPPELIN 4:49 27 THE JOKER STEVE MILLER BAND 4:22 28 WHITE WEDDING BILLY IDOL 4:03 29 SYMPATHY FOR THE DEVIL ROLLING STONES 6:21 30 WALK THIS WAY AEROSMITH 3:34 31 HEARTBREAKER PAT BENATAR 3:25 32 COME TOGETHER BEATLES 4:06 33 BAD COMPANY BAD COMPANY 4:32 34 SWEET CHILD O' MINE GUNS N' ROSES 5:50 35 I WANT YOU TO WANT ME CHEAP TRICK 3:33 36 BARRACUDA HEART 4:20 37 COMFORTABLY NUMB PINK FLOYD 6:14 38 IMMIGRANT SONG LED ZEPPELIN 2:20 39 THE -
TOM MALONEY and TOM HALL a Tribute to Four Important St
TOM MALONEY AND TOM HALL A Tribute to Four Important St. Louisans, BLUESWEEK Review in Pictures, An Essay by Alonzo Townsend, The Application Window Opens for the St. Louis/IBC Road to Memphis, plus: CD Review, Discounts for Members and more... THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY July/August 2014 Number 69 July/August 2014 Number 69 Officers Chairperson BLUESLETTER John May The Bi-Monthly Magazine of the St. Louis Blues Society Vice Chairperson The St. Louis Blues Society is dedicated to preserving and perpetuating blues music in Jeremy Segel-Moss and from St. Louis, while fostering its growth and appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual Treasurer improvement in their field, all for the educational and artistic benefit of the general public. Jerry Minchey Legal Counsel Charley Taylor CELEBRATING 30 YEARS Secretary Lynn Barlar OF SUPPORTING BLUES MUSIC IN ST LOUIS Communications Dear Blues Lovers, Mary Kaye Tönnies Summer is in full swing in St. Louis.Festivals, neighborhood events and patios filled with Board of Directors music are kickin’ all over the City. Bluesweek, over Memorial Day Weekend, was a big hit for Ridgley "Hound Dog" Brown musicians and fans alike. Check out some of the pictures from the weekend on page 11. Thanks to Bernie Hayes everyone who helped make Bluesweek a success! Glenn Howard July means the opening of applications for bands and solo/duo acts who want to be involved Rich Hughes in this year’s International Blues Challenge. Last year we had a fantastic group of bands and solo/ Greg Hunt duo acts competing to go to Memphis. -
BLUESROCK, Apr 2021.Pdf
Editor: Dr. Spero S. Tshontikidis ABF Leadership Team: Dr. Spero Tshontikidis, President Brenda Kloeppel, Secretary Caryn Tshontikidis, Treasurer ABF Advisory Board: Jim Cantrell Jason Chesser David Daugherty Erick Kloeppel Steve LeClair Matt Thompson BLUESROCK is the official quarterly newsletter of the American Blues-Rock Foundation, a non-profit company created by the members of the blues-rock band, Unit Five. Published in January, April, July, and October, BLUESROCK covers Unit Five gigs, reviews of classic blues albums, and features on blues legends. BLUESROCK is available free of charge on our website: www.unitfivelive.com. THANKS, AND ENJOY! ON THE COVER: Editor’s Review of the April 2021 issue of BLUESROCK UNIT FIVE UPDATES: Unit Five Live … Again! A.B.F. Update Panther Powerlifting LISTEN: Johnny Winter: Captured Live! BLUES LEGENDS: Free BLUES BURN: Back in the next issue of BLUESROCK! CALENDAR: Upcoming Shows & Events WHAT’S NEXT: A Preview of the July edition of BLUESROCK CONTACT: American Blues-Rock Foundation, Inc. 107 LaCosta Street, Unit 402 * Melbourne Beach, FL 32951 321-505-1194 [email protected] The April issue of BLUESROCK marks the continued return of live music as bars begin to reopen across Brevard County. The band has secured monthly gigs at Lou’s Blues and The Shack for 2021, and we’ve scheduled dates to return to Monkey Bar and Oasis. Thanks to everyone that has come out to see us this year, and we look forward to seeing you again now that bars are opening up at full capacity again! The April issue of BLUESROCK will take a look at our live gigs, review Johnny Winter’s “Captured Live!” album, and spotlight the British blues band, Free. -
NEAL BLACK, from San Antonio,Texas Is One the Most Important American Artists on the Blues Scene Today
..NEAL BLACK, from San Antonio,Texas is one the most important American artists on the Blues scene today... His music is rooted in Texas tradition, but NEAL BLACK is no imitator, He is an innovator. A powerful performer, a gifted songwriter, and a transcendental guitarist... John Swenson - ROLLING STONE MAGAZINE NEAL BLACK, amerykański gitarzysta i wokalista z San Antonio w stanie Texas (USA). Studiował muzykę w The Southwest Guitar Conservatory w klasie takich mistrzów jazzu jak: Barney Kessel, Lenny Breau, Herb Ellis i Jacky King. Jego dyskografia liczy 12 autorskich albumów, oraz kilkanaście w charakterze sidemana bądź producenta. Ma też na koncie współpracę z takimi muzykami jak: Chuck Berry, Popa Chubby, The Chambers Brothers, Lucky Peterson, Jimmy Dawkins, Johnnie Johnson, Elliott Murphy, Fred Chapellier & Billy Price, John Sebastian (The Doors), Jennifer Batten (Michael Jackson), Gerardo Velez (Jimi Hendrix), Jon Paris (Johnny Winter), Gib Wharton (Van Morrison, Cassandra Wilson), Harvey Brooks (Bob Dylan), Larry Garner, Michael Jones. W latach 80 regularnie supportował koncerty takich mistrzów jak: Stevie Ray Vaughan, Albert King, Johnny Copeland, The Fabulous Thunderbirds. Wielokrotnie nagradzany w kategorii BEST GUITARIST, oraz wyróżniany za oryginalność w interpretacji bluesa o teksańskim rodowodzie. Ze swoim zespołem występował w 21 krajach na największych festiwalach świata: Montreal International Jazz Festival (Kanada), Woodstock 20-lecie (Nowy Jork), Guadalajara Blues Fest. (Meksyk), Antone'S (Texas), Montreux Jazz Festival (Szwajcaria), HELL BLUES Fest. (Norwegia), Le Bataclan (Paryż/Francja). W 2015 roku po raz Pierwszy zawitał do Polski wraz ze swoim zespołem The Healers na zaproszenie Tarnobrzeskiego Stowarzyszenia "OKO"- Ochrona Kultury Oryginalnej i od tego czasu chętnie odwiedza Polskę. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
January 26, 2020 — 11 Am Sanctuary Worship Third Sunday After Epiphany
EAST LIBERTY PRESBYTERIAN CHURCH 116 South Highland Ave., Pittsburgh, PA 15206 412.441.3800 www.ELPC.church As a diverse community of believers, we strive to follow God – the Creator who calls us, Jesus who teaches us, and the Spirit who empowers us. We show God’s unconditional love by providing a refuge for spiritual growth, ardently pursuing justice, and extending Christ’s radical hospitality to all. (Strategic Vision mission statement, 2011) JANUARY 26, 2020 — 11 AM SANCTUARY WORSHIP THIRD SUNDAY AFTER EPIPHANY TIME OF PREPARATION “The trivial, the mundane, the distractions, the shiny object, the squirrel flitting from branch to branch. These are almost like a drug, reaching out to you, interrupting, For over 30 years engrossing, diverting, interfering, confusing and preoccupying your thinking and Dr. Gerre Edward focus. Distractions keep you from your real mission. Prevent you from concentrating Hancock (1934-2012) on and accomplishing the truly important things in your life.” was Organist and — Enrique Fiallo (Life coach, speaker, writer) Choirmaster at St. Thomas Episcopal Church, New York City. MINISTRY OF MUSIC Dr. Edward Alan Moore, organ Dr. Ed Moore studied “Schönster Herr Jesu (Beautiful Savior)” Gerre Hancock with him at the Eastman Our worship begins with the Ministry of Music/Prelude. School of Music. The Please use this time to fill out the red Friendship pads and for quiet worship preparation. tune Schönster Herr Jesu (Beautiful Savior) WELCOME & CHURCH NEWS The Rev. Patrice Fowler-Searcy is based on a Silesian folk song from the early * SHARING GOD’S PEACE The Rev. Fowler-Searcy 19th Century. Leader: La paz de Cristo esté con ustedes. -
2018 S-Class
facebook.com/mercedesbenzusa linkedin.com/company/mercedes-benz-usa instagram.com/mbusa twitter.com/mbusa youtube.com/mbusa S-Class 2018 The personal rewards of striving to be the best are even more meaningful in the development of young people than they are for automobiles. Instilling the valuesf o leadership, goal-setting, discipline and teamwork in youth is an investment in everyone’s future. It’s why Mercedes-Benz USA is collaborating with the Laureus Sport for Good Foundation, with an ongoing commitment to train and place hundreds of coaches for after-school and in-school sports programs in communities around the country. Sports offer kids more than the chance to be physically active and have fun. It’s also an opportunity to have a mentor who can guide them, help them learn how to deal with major life issues, and help them grow stronger not just physically but in their character. As a Mercedes-Benz driver, you become a part of this effort to give hundreds of thousands of kids a better life today, and all of us a brighter tomorrow. Learn more about how Mercedes-Benz USA believes in giving back at MBUSA.com/community ©2018 Mercedes-Benz USA, LLC • 303 Perimeter Center North, Atlanta, GA 30346 • 1-800-FOR-MERCEDES • MBUSA.com Marketing Communications. All illustrations and specifications contained in this brochure are based on the latest product information available at the time of publication. Mercedes-Benz USA reserves the right to make changes at any time, without notice, to colors, materials, equipment, specifications and models. Any variations in colors shown are o due t reproduction variations of the printing process. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey.