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The Musical Heritage of the Lutheran Church Volume I
The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945). -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Bibliographie
Bibliographie Es werden alle Titel aufgeführt, aus denen im Text zitiert bzw. auf die ausdrücklich verwiesen wor den ist. Die Anordnung der Titel folgt dem alphabethischen Wortlaut, aber ohne Berücksichtigung der Artikel. Umfangreiche Titel aus dem 17. Jahrhundert werden gekürzt. Wenn Nachdrucke oder neuere, leichter zugängliche Ausgaben existieren, wird in der Regel auf diese verwiesen. Lediglich im Text genannte Titel wurden nicht aufgenommen. 1. Bibliographien/wichtige Überblickswerke/Einführungen Die hier verzeichneten Titel sowie Einzelbeiträge sind ebenfalls unter der Rubrik >Forschungsliteratur< aufgeführt. Burbaum, Sabine: Barock, in: Kunst-Epochen, Bd. 8, Stuttgart 2003. Deutsche Drucke des Barock 1600-1720. Katalog der Herzog August Bibliothek Wolfenbüttel, München, New York u.a. 1977-1996. Dülmen, Richard van: Kultur und Alltag in der Frühen Neuzeit, München 21999. Dünnhaupt, Gerhard: Personalbibliographien zu den Drucken des Barock, Stuttgart 1990-1993. Emrich, Wilhelm: Deutsche Literatur der Barockzeit, Königstein/Ts. 1981. Enzyklopädie der Neuzeit, hg. von Friedrich Jaeger u. a., Stuttgatt, Weimar 2005 ff. Faber du Fa ur, Curt v.: German Baroque Literature. A Cataloque of the Collection in the Yale Uni- versity, New Haven 1958, 1969. Faulstich, Werner: Die Geschichte der Medien, Göttingen 1997-2004. Freund, Winfried: Abenteuer Barock. Kultur im Zeitalter der Entdeckungen, Darmstadt 2004. Gaede, Friedrich: Humanismus- Barock- Aufklärung. Geschichte der deutschen Literatur vom 16. bis zum 18. Jahrhundett, in: Handbuch der deutschen Literaturgeschichte, Abt. Darstellungen, Bd. 2, Bern, München 1971 Grimm, Gunter E., Max, Frank Rainer (Hg.): Deutsche Dichter. Bd. 2: Reformation, Renaissance und Barock, Stuttgart 1990. Habersetzer, Kar! Heinz: Bibliographie der deutschen Barockliteratur. Ausgaben und Reprints 1945-1976, Wiesbaden 1978. Hoffmeister, Gerhart: Deutsche und europäische Barockliteratur, Stuttgart 1987. -
Bibliographie
Bibliographie Bibliographie Es werden alle Titel aufgeführt, aus denen im Text zitiert bzw. auf die ausdrücklich verwiesen wor- den ist. Die Anordnung der Titel folgt dem alphabethischen Wortlaut, aber ohne Berücksichtigung der Artikel. Umfangreiche Titel aus dem 17. Jahrhundert werden gekürzt. Wenn Nachdrucke oder neuere, leichter zugängliche Ausgaben existieren, wird in der Regel auf diese verwiesen. Lediglich im Text genannte Titel wurden nicht aufgenommen. 1. Bibliographien/wichtige Überblickswerke/Einführungen Die hier verzeichneten Titel sowie Einzelbeiträge sind ebenfalls unter der Rubrik ›Forschungsliteratur‹ aufgeführt. Bremer, Kai: Literatur der Frühen Neuzeit. Reformation – Späthumanismus – Barock, Paderborn 2008. Burbaum, Sabine: Barock, in: Kunst-Epochen, Bd. 8, Stuttgart 2003. Deutsche Drucke des Barock 1600–1720. Katalog der Herzog August Bibliothek Wolfenbüttel, München, New York u. a. 1977–1996. Drescher, Georg (Hg.): Überauß lustig und männiglich nutzlich zu lesen. Barockliteratur im Museum Otto Schäfer, Schweinfurt 2007. Dülmen, Richard van: Kultur und Alltag in der Frühen Neuzeit, München 21999. Dünnhaupt, Gerhard: Personalbibliographien zu den Drucken des Barock, Stuttgart 1990–1993. Enzyklopädie der Neuzeit, hg. von Friedrich Jaeger u. a., Stuttgart, Weimar 2005 ff. Faber du Faur, Curt v.: German Baroque Literature. A Cataloque of the Collection in the Yale Uni- versity, New Haven 1958, 1969. Faulstich, Werner: Die Geschichte der Medien, Göttingen 1997–2004. Flood, John L.: Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook, Berlin, New York 2006. Freund, Winfried: Abenteuer Barock. Kultur im Zeitalter der Entdeckungen, Darmstadt 2004. Garber, Klaus (Hg.): Handbuch des personalen Gelegenheitsschrifttums in europäischen Bibliotheken und Archiven, Hildesheim 2001 ff. Geo Epoche Edition. Die Geschichte der Kunst, Nr.1-04/10: Barock. -
A Service of Thanksgiving to Mark the 70Th Anniversary of Ve
Westminster Abbey A SERVICE OF THANKSGIVING TO MARK THE 70 TH ANNIVERSARY OF VE DAY Sunday 10 th May 2015 11.00 am FOREWORD Welcome to Westminster Abbey for this service of thanksgiving and commemoration on the 70th anniversary of Victory in Europe. The Abbey played a full part on the day itself. After making his public broadcast officially announcing Germany’s total surrender, the Prime Minister, Winston Churchill MP, went to the House of Commons to make a short address and then moved that the House attend at the Church of St Margaret’s, Westminster, the Parish Church of the House of Commons, to ‘give humble and reverent thanks to almighty God for our deliverance from the threat of German domination.’ The House then rose and followed the Speaker to the Church. In Westminster Abbey itself, on VE Day, short services of thanksgiving were held every hour from 9.00 am to 10.00 pm. An estimated 25,000 people attended during the day, with the Lord Chancellor and House of Lords attending at 3.00 pm. The short services offered ‘high praise and thanksgiving to the God of all mercies for the success which He has granted to us and to our Allies: for the faith which has upheld us through the years of danger and suffering; for the skill of our leaders and the valour and steadfastness of sailors, soldiers and airmen; for the hope that we are about to enter upon a righteous and abiding peace; for the holy memory and high example of that great company of men and women, known and unknown, whose faith and courage God has inspired and used.’ A service was also held on the following Sunday, 13th May, when the standards of Canada, Australia, New Zealand, and South Africa were laid on the High Altar to symbolise the loyalty of the whole Empire during the war. -
Luther Brassensemble
Luther Brassensemble Luther Brassensemble, är en professionell ensemble med handplockade musiker från bland annat GöteborgsOperan, Göteborg Wind Orchestra och Bohuslän BigBand. Tillsammans spelar vi psalmer och koralfantasier i klassisk possaunenchor (trombonkör) och brassensemble. Ensemblen utgörs av fyra trumpeter, ett valthorn, fyra tromboner, en tuba och en slagverkare, vilket utgör den perfekta sammansättningen musiker för att fylla kyrkorummet med underbara klanger. Firandet av Martin Luther och det kommande reformationsåret närmar sig med stormsteg, vad är väl bättre än att fra denna höjdpunk med ljuvlig brassmusik? Cirka 500 år efter reformationstiden har vi i Luther Brassensemble satt ihop ett konsertprogram med välkända, folkkära svenska och tyska psalmer från 1500-1600-talet i både traditionell och ny fattning. Vi erbjuder upplyftande brassmusik på högsta nivå. I konserten fnns det möjlighet för textläsning och församlingssång (eventuellt andakt). Vi har hämtat inspiration från våra tyska kollegor i Genesis Brass, och lägger därför med en ljudfl från deras inspelning av psalm #2 – Herren, vår Gud, är en konung (Lobe den Herren, den machtigen Konig). Genesis Brass fnns även att lyssna på via Spotify. Vi är tillgängliga under perioden 1 mars till 9 april, 2 maj till 4 juni och är även tillgängliga för bokningar under hösten. Då vi kommer att turnera med denna produktion behövs ett samarbete gällande konsertdatum från Er och oss. För praktisk information och programförslag se följande sidor. Vi ser mycket fram emot att höra från er. Med Vänliga Hälsningar Bjørn Bjerknæs-Jacobsen Ensembleledare Programförslag 1. Wach auf, mein Herz, und singe! Text: Paul Gerhards (1647/1653) Musik: Nikolaus Selnecker (1587) (Koralmelodi Nun lasst uns Gott dem Herren) 2. -
T. Koopman & Amsterdam Baroque Orchestra & Choir (Erato/Antoine Marchand, 3-CD)
.. Nikolaikirche.leipzig. Photo, Thierry Cohen. Johann Sebastian Bach(1685-1750) COMPLETECANTATAS.L'INTEGRALEDESCANTATES DASKANTATENWERK VOLUME 10 Caroline Starn soprano MichaelChance alto PaulAgnew tenor KlausMertens bass The Amsterdam Baroque Orchestra & Choir TON KOOPMAN Pagel COMPACT DISC 1 76'52 Seite "Preise, Jerusalem, den Herrn" BWV119 22'41 Serviceafter the electionofthe leipzigCityCouncil,'7z3 Officeapres leselectionsdu Conseilde leipzig,'7z3 Gottesdienstanla&lichderleipzigerRatswahl,17Z3 Text:authorunknown soli, choir, oboe, oboes do caccia, recorders, trumpets, bassoon, timpani, violins, violas, cellos, basso continuo Chorus: "Preise, Jerusalem, den Herrn" 5'04 [43] Recitative (Tenor): "Gesegnet Land!" ,,6 [43] 3 Aria (Tenor): "Wohl dir, du Volk der Linden" 4"4 [43] 4 Recitative (Bass): "So herrlich stehst du, liebe Stadt!" 138 [45] s Aria (Alto): "Die Obrigkeit ist Gottes Gabe" 2'38 [45] 6 Recitative (Soprano): "Nun! wir erkennen es und bringen dir" 0'45 [45] 7 Chorus: "Der Herr hat Guts an uns getan" 5'33 [47] 8 Recitative (Alto): "Zuletzt!" 0'32 [47] 9 Chorale:"Hilf deinem Volk, Herr Jesu Christ" 0'58 [47] "Ein Herz, das seinen Jesum Iebend weiB" BWV134 25'16 EasterTuesday'mardide Paques. 3-Ostertag Text:authorunknown soli, choir, oboes, bassoon, violins, violas, cellos, basso continuo 10 Recitative (Tenor, Alto): "Ein Herz, das seinen Jesum lebend weiB" 0'4' [47] 11 Aria (Tenor): "Auf.Glaubige, singet die lieblichen Lieder" 5'42 [49] 12 Recitative (dialogue: Tenor, Alto): "Wohl dir, Gott hat an dich gedacht" 2'08 [49] -
Morning Prayer the Tenth Sunday After Pentecost 9 August 2020
MORNING PRAYER THE TENTH SUNDAY AFTER PENTECOST 9 AUGUST 2020 ‘The Sea of Galilee’, Eugene Delacroix, c. 1850. HOLY TRINITY CATHEDRAL, WANGARATTA PRAYER FOR THE WEEK In the darkness of our world and through the storms of life, O God, you are with your people in the presence of Jesus your Son. Calm our fears and strengthen our faith that we may never doubt his presence among us but proclaim that he is your Son. We ask in the name of the One whom wind and wave obey, the same Jesus Christ our Lord. Amen. HYMN LIGHT OF THE MINDS THAT KNOW HIM https://www.youtube.com/watch?v=BqPuqyFCYpw 1 Light of the minds that know him, may Christ be light to mine! My sun in risen splendour, my light of truth divine; my guide in doubt and darkness, my true and living way, my clear light ever shining, my dawn of heaven's day. 2 Life of the souls that love him, may Christ be ours indeed! The living Bread from heaven on whom our spirits feed; who died for love of sinners to bear our guilty load, and make of life's journey a new Emmaus road. 3 Strength of the wills that serve him, may Christ be strength to me, who stilled the storm and tempest, who calmed the tossing sea; his Spirit's power to move me, his will to master mine, his cross to carry daily and conquer in his sign. 4 May it be ours to know him that we may truly love, and loving, fully serve him as serve the saints above; till in that home of glory with fadeless splendour bright, we serve in perfect freedom our strength, our life, our light. -
Service of the Word Twelfth Sunday After Pentecost August 15, 2021 † 9:00 A.M
Service of the Word Twelfth Sunday after Pentecost August 15, 2021 † 9:00 a.m. & 10:30 a.m. St. John’s Lutheran Church † Northfield, Minnesota Welcome to worship at St. John’s! We especially welcome all who are visiting this morning! All are invited to sign the welcome sheets in the black folders at the end of the pews. Please pass them to the center and then back so you can greet those worshipping around you. Ushers will gather these following worship. In the red pew hymnal (Evangelical Lutheran Worship), page numbers are at the bottom of the page in the front section, and hymn numbers are at the top of the page in the hymn section. An asterisk (*) invites you to stand as you are able. P Pastor, L Leader (Assisting Minister), C Congregation Children’s Bibles and activity bags are available at both entrances to the Sanctuary and scribble cards are available in the pews. Hearing assistance devices are available outside the Sanctuary or from an usher. For those with hearing aids, the Sanctuary is equipped with a hearing loop. Large print bulletins are available for worship services. + + + St. John’s Lutheran Church is a community grounded in the promise of God’s grace and called to extend Christ’s welcome to all people. Every day, Christ meets us all just as we are, extending love to people of every age, race or ethnicity, physical appearance, sexual orientation, gender identity, physical or mental ability, marital or relationship status, economic circumstance, educational achievement, political affiliation, or religious background. -
Baptized Into Your Name Most Holy 590
Hope Lutheran Church Missouri Synod 6308 Quivira Rd. + Shawnee, KS 66216 + 913-631-6940 MARTYRDOM OF ST. JOHN THE BAPTIST August 29, A. D. 2021 HYMNS Baptized into Your Name Most Holy 590 Text: Johann Jacob Rambach, 1693–1735, abr.; tr. Catherine Winkworth, 1827–78, alt. Tune: Cornelius Heinrich Dretzel, 1697–1775 Text and Tune: Public domain If Thou But Trust in God to Guide Thee 750 5 Nor think amid the fiery trial 6 All are alike before the Highest; That God hath cast thee off unheard, ’Tis easy for our God, we know, That he whose hopes meet no denial To raise thee up, though low thou liest, Must surely be of God preferred. To make the rich man poor and low. Time passes and much change doth bring True wonders still by Him are wrought And sets a bound to ev’rything. Who setteth up and brings to naught. 7 Sing, pray, and keep His ways unswerving, Perform thy duties faithfully, And trust His Word; though undeserving, Thou yet shalt find it true for thee. God never yet forsook in need The soul that trusted Him indeed. Text: Georg Neumark, 1621–81; tr. Catherine Winkworth, 1827–78, alt. Tune: Georg Neumark, 1621–81 Text and Tune: Public domain All Christians Who Have Been Baptized 596 5 O Christian, firmly hold this gift 6 So use it well! You are made new— And give God thanks forever! In Christ a new creation! It gives the power to uplift As faithful Christians, live and do In all that you endeavor. -
Psalm 51 in Germany C
Ruprecht – Karls – Universität Heidelberg Philosophische Fakultät Musikwissenschaftliches Seminar Prof. Dr. Silke Leopold Dissertation on the topic Musical Settings of Psalm 51 in Germany c. 1600-1750 in the Perspectives of Reformational Music Aesthetics Presented by Billy Kristanto Supervisor: Prof. Dr. Silke Leopold Second Examiner: PD Dr. Michael Heymel Third Examiner: Prof. Dr. Dorothea Redepenning 2 Acknowledgments This present study could not have been written without various supports by numerous institutions and individuals, which I owe debt of thanks here. The following libraries and their staff have made the access to their musical and archival collections possible for me: Universitätsbibliothek Heidelberg; Stadt- und Universitätsbibliothek Frankfurt am Main; Bibliothek der Hochschule für Kirchenmusik, Dresden; Württembergische Landesbibliothek, Stuttgart; Bayerische Staatsbibliothek, Munich; Staatsbibliothek Berlin; and Loeb Music Library of Harvard University, Cambridge. I would also like to thank Joachim Steinheuer, Dorothea Redepenning and the Doktorkolloquium of the Musikwissenschaftliches Seminar, Heidelberg, for helpful feedback, discussion, various suggestions as well as constructive criticism. Special gratitude is due to both my supervisors, Silke Leopold and Michael Heymel for their patient, encouraging, and critical trust in the gradual making of this work. Enormous thanks are also due to Stephen Tong and the congregation of the Reformed Evangelical Church of Indonesia for supporting and patiently waiting for my return without being discouraged. Many thanks are owed to Ferdinan Widjaya, Landobasa YMAL Tobing, Stevanus Darmawan, Shirleen Gunawan, Lily Rachmawati, and Lisman Komaladi for proof-reading the manuscript, giving helpful advice on my modest English. Finally, a profound debt of thanks I owe to my wife and daughters for passing with me through the valley of Baca and for making it a place of springs. -
Tifh CHORALE CANTATAS
BACH'S TREATMIET OF TBE CHORALi IN TIfh CHORALE CANTATAS ThSIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Floyd Henry quist, B.A. Denton, Texas August, 1950 N. T. S. C. LIBRARY CONTENTS Page LIST OF ILLUSTRATIONS. ...... .... v PIEFACE . vii Chapter I. ITRODUCTION..............1 II. TECHURCH CANTATA.............T S Origin of the Cantata The Cantata in Germany Heinrich Sch-Utz Other Early German Composers Bach and the Chorale Cantata The Cantata in the Worship Service III. TEEHE CHORAI.E . * , . * * . , . , *. * * ,.., 19 Origin and Evolution The Reformation, Confessional and Pietistic Periods of German Hymnody Reformation and its Influence In the Church In Musical Composition IV. TREATENT OF THED J1SIC OF THE CHORAIJS . * 44 Bach's Aesthetics and Philosophy Bach's Musical Language and Pictorialism V. TYPES OF CHORAJETREATENT. 66 Chorale Fantasia Simple Chorale Embellished Chorale Extended Chorale Unison Chorale Aria Chorale Dialogue Chorale iii CONTENTS (Cont. ) Chapter Page VI. TREATMENT OF THE WORDS OF ThE CHORALES . 103 Introduction Treatment of the Texts in the Chorale Cantatas CONCLUSION . .. ................ 142 APPENDICES * . .143 Alphabetical List of the Chorale Cantatas Numerical List of the Chorale Cantatas Bach Cantatas According to the Liturgical Year A Chronological Outline of Chorale Sources The Magnificat Recorded Chorale Cantatas BIBLIOGRAPHY . 161 iv LIST OF ILLUSTRATIO1S Figure Page 1. Illustration of the wave motive from Cantata No. 10e # * * # s * a * # . 0 . 0 . 53 2. Illustration of the angel motive in Cantata No. 122, - - . 55 3. Illustration of the motive of beating wings, from Cantata No.