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Visions of the Future: What Can Be Achieved with a Baltic Sea Strategy?
Visions of the Future: what can be achieved with a Baltic Sea Strategy? Documentation package Included is the following: • Overview programme • Seminar flyer • Presentation by Dr. Christian Ketels • Presentation by Alf Vanags • Presentation by Ulf Johansson • Contact information for participants For additional information, please contact Dr. Mikael Olsson, Sida Baltic Sea Unit, Box 1271, SE-621 23 Visby, Sweden. E-mail: [email protected] or [email protected]. Phone: +46-(0)732-572511 The future Baltic Sea Region Possible paths of development in the light of the emerging EU-strategy for the region Overview programme, 7-8 July, 2008 On 7-8 July, 2008, the Baltic Sea Unit constitutes one of the prioritised areas of the (Östersjöenheten) of the Swedish International Swedish presidency. Development Cooperation Agency (Sida) and Baltic Development Forum, in cooperation The meeting will focus on the parts of the with the Centre for Baltic and East European Baltic Sea Strategy that aim to deepen Studies (CBEES), Södertörn University integration and increase the global College, will arrange an international competitiveness of the region. seminar/workshop with the aim to present and discuss visions of the future of the Baltic Sea Region as well as the challenges that need to be overcome to reach the goal of a well integrated and prosperous region. The programme brings together key politicians, civil servants, practitioners and high-level academic expertise in the areas of discussion. A total of three seminars and three workshops are arranged during the two days. All events take place right in the centre of medieval Visby on the premises of the Baltic Sea Unit (Östersjöenheten) (Donners Plats 1). -
80 År För Öppenhet Och Frihet
80 år för öppenhet och frihet 80 år för öppenhet och frihet Copyright © Moderata Ungdomsförbundet Redaktör: Erik Bengtzboe Formgivning: Hellsten Kommunikation AB Illustration: Emy Eriksson / Hellsten Kommunikation AB Tryck: Livonia Print, Lettland 2014 ISBN: 978-91-637-7112-5 Förord 7 Gunnar Hökmark: Fred har den frie och ingen annan 9 Beatrice Ask: Politik som verktyg, inte som mål 21 Ulf Kristersson: Blicka framåt! 31 Fredrik Reinfeldt: Vi har valt öppenheten och friheten 39 Gunnar Strömmer: När skickade du en blomsterkvast till SSU senast? 47 Tove Lifvendahl: Frihet, kärlek och kapitalism 55 Christofer Fjellner: Politik handlar om konflikter 63 Johan Forssell: Att bygga ett nytt land 73 Niklas Wykman: Friheten behöver alla sina vänner 83 Erik Bengtzboe: Ett moderat ungdomsförbund som vill mer 95 ör 80 år sedan bildades det som i dag har blivit Sve- riges största politiska ungdomsförbund. Ända sedan 1934 har vi stått upp för frihet, för öppenhet och för individen; mot tvång, protektionism och kollektiv- Fism. Genom åren har den kampen sett olika ut, men vår tilltro till människor har alltid varit okuvad. Vi tror på människor och på framtiden, och vi är övertygade om att om människor bara får chansen, ja då kan vi också skapa stordåd. Stordåd kräver dock att kropp, plånbok, själ och hjärna är fri. I din hand håller du en samling med texter från några av oss som fått den fantastiska möjligheten att leda denna spänstiga och alltid lika pigga 80-åring genom tiderna och vara förbundsordförande för Moderata Ungdomsförbun- det. Jag är otroligt glad att så många tidigare förbundsord- föranden hade möjlighet att delta och bidra med sina per- spektiv på Moderata Ungdomsförbundet och sin tid som förbundsordförande. -
Karin Erika MARKIDES Ulrica MESSING
European Commission Karin Erika MARKIDES Deputy Director General, Vinnova, Sweden Karin Markides was awarded a Master of Science Degree from the University of Stockholm in 1974 and a Ph.D. from the same University in 1984. In 1986, Karin was appointed Docent in Analytical Chemistry at the University of Stockholm. Between June 1984 and August 1990, Karin held different academic positions at the Chemistry Department of Brigham Young University, USA. Since 1989, she holds a Chair and Professorship in Analytical Chemistry at the Chemistry Department of the University of Uppsala, Sweden. She is also a Visiting Professor at Stanford University, Chemistry Department, USA. Since April 2004, he holds the position of Vice Director General at VINNOVA (Swedish Agency for Innovation Systems). She is also holds the Chair, is a board member and member of several scientific and academic societies. Karin Markides the author of more than 200 scientific publications and owns 6 scientific patents. Ulrica MESSING Minister of Communications and Regional Policy of Sweden Ulrica Messing was born in Hällefors, Sweden, on January 31, 1968. In high school she attended the social studies programme. She started her political career in 1987 when she became ombudsman at Sandviken and Gävleborgs branches of the Swedish Social Democratic Youth League. In 1990 she continued her social work for “Hassela Solidaritet and Hassela Kollektivet”, a substance abuse treatment centre. In the same year she became alternate member of the Swedish Social Democratic Youth League. In 1991 she became a member of the Swedish Riksdag and one year later, member of the National Board of Institutional Care and the National Board for Youth Affairs. -
Motion Tracking of a Fish As a Novel Way to Control Electronic Music Performance
Artists’ Article Motion Tracking of a Fish as a Novel Way to Control Electronic Music Performance S h a l T i E l Eloul, Gil Zi S S u , Y E h i E l h . a M o a n d N o r i J a C o b Y The authors have mapped the three-dimensional motion of a fish T of Aristotle, who, in the 4th century BCE, tried to relate a C onto various electronic music performance gestures, including loops, fish’s fins to its straight motion, somewhat anticipating Isaac r melodies, arpeggio and DJ-like interventions. They combine an element S Newton’s identification of the fins as the physical basis of of visualization, using an LED screen installed on the back of an ABT a aquarium, to create a link between the fish’s motion and the sonified the generation of thrust for locomotion in water in the 17th music. This visual addition provides extra information about the fish’s century [2]. role in the music, enabling the perception of versatile and developing This unique locomotion can be both patterned and ran- auditory structures during the performance that extend beyond the dom, and therefore our translation of the fish’s movement sonification of the momentary motion of objects. into musical syntax observed the following rules: On the one hand, the fish’s repetitive paths could be captured as rhythm, Popular electronic music performances are situations in while on the other hand, occasional random movements which highly structured music defines the mood and social could trigger surprising musical responses and effects. -
What Did You Learn in School Today? How Ideas Mattered for Policy Changes in Danish and Swedish Schools 1990-2011
What did you learn in school today? How ideas mattered for policy changes in Danish and Swedish schools 1990-2011 Line Renate Gustafsson PhD Dissertation What did you learn in school today? How ideas mattered for policy changes in Danish and Swedish schools 1990-2011 Politica © Forlaget Politica and the author 2012 ISBN: 978-87-7335-162-8 Cover: Svend Siune Print: Juridisk Instituts Trykkeri, Aarhus Universitet Layout: Annette B. Andersen Submitted 13 January 2012 The public defense takes place 25 May 2012 Published May 2012 Forlaget Politica c/o Department of Political Science and Government Aarhus University Bartholins Allé 7 DK-8000 Aarhus C Denmark Table of content Translations and abbreviations .......................................................................................................................... 15 Acknowledgements ..................................................................................................................................................... 19 Chapter 1: Introduction .............................................................................................................................................. 23 1.1 Empirical puzzle .......................................................................................................................... 23 1.2 The research question: How did ideas change? .................................................... 24 1.3 The argument in brief ............................................................................................................. -
Snabbprotokoll 1999/2000:127, Onsdagen Den 14 Juni-Kl. 9.00
Protokoll 1999/2000:127 Riksdagens protokoll 1999/2000:127 Onsdagen den 14 juni Kl. 9.00 – 17.56 19.00 – 20.26 1 § Val till riksdagsstyrelsen Företogs val av tio ledamöter och tio personliga suppleanter för le- damöterna i riksdagsstyrelsen. Enligt ett från valberedningen inkommet protokoll hade valbered- ningen berett de på föredragningslistan upptagna valen till riksdagssty- relsen. Valberedningen hade därvid enhälligt beslutat om gemensam lista som framgick av utdelad promemoria i kammaren. Kammaren godkände valberedningens förslag och valde – för tiden från den 1 juli 2000 och för återstoden av innevarande valperiod – till ledamöter i riksdagsstyrelsen Sven Hulterström (s) Per Unckel (m) Berit Andnor (s) Mats Lindberg (s) Lars Bäckström (v) Göran Hägglund (kd) Anders Björck (m) Marianne Carlström (s) Inger René (m) Martin Nilsson (s) Kammaren godkände valberedningens förslag och valde – för tiden från den 1 juli 2000 och för återstoden av innevarande valperiod – till personliga suppleanter för ledamöterna i riksdagsstyrelsen Britt Bohlin (s) Beatrice Ask (m) Marianne Jönsson (s) Anita Johansson (s) Ingrid Burman (v) Maria Larsson (kd) Per Bill (m) Jarl Lander (s) Carl Fredrik Graf (m) Göran Magnusson (s) 1 Prot. 2 § Ny riksdagsledamot, m.m. 1999/2000:127 14 juni Upplästes och lades till handlingarna följande från Valprövnings- nämnden inkomna Berättelse om granskning av bevis för riksdagsledamot och ersättare för riksdagsledamöter Till Valprövningsnämnden har från Riksskatteverket inkommit bevis om att Sven Brus (kd), Norrköping, utsetts till ny ledamot av riksdagen fr.o.m. den 4 september 2000 sedan Dan Ericsson (kd) avsagt sig sitt uppdrag som riksdagsledamot. Från Riksskatteverket har också inkommit protokoll angående utseende av ersättare. -
MUSIC in the EIGHTEENTH CENTURY Western Music in Context: a Norton History Walter Frisch Series Editor
MUSIC IN THE EIGHTEENTH CENTURY Western Music in Context: A Norton History Walter Frisch series editor Music in the Medieval West, by Margot Fassler Music in the Renaissance, by Richard Freedman Music in the Baroque, by Wendy Heller Music in the Eighteenth Century, by John Rice Music in the Nineteenth Century, by Walter Frisch Music in the Twentieth and Twenty-First Centuries, by Joseph Auner MUSIC IN THE EIGHTEENTH CENTURY John Rice n W. W. NORTON AND COMPANY NEW YORK ē LONDON W. W. Norton & Company has been independent since its founding in 1923, when William Warder Norton and Mary D. Herter Norton first published lectures delivered at the People’s Institute, the adult education division of New York City’s Cooper Union. The firm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. By midcentury, the two major pillars of Norton’s publishing program— trade books and college texts—were firmly established. In the 1950s, the Norton family transferred control of the company to its employees, and today—with a staff of four hundred and a comparable number of trade, college, and professional titles published each year—W. W. Norton & Company stands as the largest and oldest publishing house owned wholly by its employees. Copyright © 2013 by W. W. Norton & Company, Inc. All rights reserved Printed in the United States of America Editor: Maribeth Payne Associate Editor: Justin Hoffman Assistant Editor: Ariella Foss Developmental Editor: Harry Haskell Manuscript Editor: JoAnn Simony Project Editor: Jack Borrebach Electronic Media Editor: Steve Hoge Marketing Manager, Music: Amy Parkin Production Manager: Ashley Horna Photo Editor: Stephanie Romeo Permissions Manager: Megan Jackson Text Design: Jillian Burr Composition: CM Preparé Manufacturing: Quad/Graphics—Fairfield, PA Library of Congress Cataloging-in-Publication Data Rice, John A. -
4 /3 Jf Daube's General-Bass in Drey
319 ,A> '«"4 /3 J. F. DAUBE'S GENERAL-BASS IN DREY ACCORDEN (1756): A TRANSLATION AND COMMENTARY DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY by Barbara K. Wallace, B.M., M.M. Denton, Texas May, 1983 Copyright © 1983 by Barbara K. Wallace Wallace, Barbara K., J. F. Daube's "General-Bass in drey Accorden" (1756): A Translation and Commentary. Doctor of Philosophy (Music Theory), May, 1983, 288 pp., bibliography, 138 titles. General-Bass in drey Accorden (1756), the first of Johann Friedrich Daube's theoretical works, is a practical instruction manual in thorough-bass accompaniment. It consists of a sixteen- page preface followed by 215 pages of text and musical examples. The twelve chapters begin with a presentation of interval clas- sification and a discussion of consonance and dissonance. Daube then explains a theory of harmony in which all "chords" are derived from three primary chords. These are illustrated with regard to their sequence in harmonic progressions, their resolutions—common and uncommon—, and their use in modulation. Seventy-two pages of musical examples of modulations from all major and minor keys to all other keys are included. Particular attention is given to the fully diminished seventh chord, which is illustrated in all inversions and in numerous modulatory progressions. Daube devotes one chapter to three methods of keyboard accompaniment. The subject matter includes textures, dynamics, proper doubling, the accompaniment of recitatives, full-voiced accompaniment, the use of arpeggiation, trills, running pas- sages, and ornamentation in general. -
The Royal Court Annual Report
THE ROYAL COU rt THE ROYAL COUrt A NNUAL REPO ANNUAL REPOrt THE ROYAL COUrt rt The Royal Palace of Stockholm 2008 2008 111 30 Stockholm Tel: 08-402 60 00 www.kungahuset.se CONTENTS THE YEAR IN BRIEF ...................................................................4 CARL XVI GUSTAF – SWEDEN’S HEAD OF STATE .................5 REPORT FROM THE MARSHAL OF THE REALM ........................ 6 ROYAL COURT For Sweden – With the Times ........................................................................7 Financial reporting ........................................................................................ 7 The Court Administration’s use of funds ...................................................... 8 Staff ...............................................................................................................9 THE COURT ADMINISTRATION Offi ce of the Marshal of the Realm ..............................................................10 Offi ce of the Marshal of the Court with Offi ce of Ceremonies ...................12 H.M. The Queen’s Household .....................................................................16 H.R.H. The Crown Princess’s Household ................................................... 19 H.R.H. The Duchess of Halland’s Household ..............................................21 The Royal Mews ......................................................................................... 22 THE PALACE ADMINISTRATION The Royal Collections with the Bernadotte Library .................................... 24 The Offi -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
KRIS I FOLKHEMMET Svensk Politisk Historia 1900 - 2010
1 KRIS I FOLKHEMMET Svensk politisk historia 1900 - 2010 Karl N Alvar Nilsson 2 Innehållsförteckning FÖRORD sid 7 SITUATIONEN I SVERIGE VID 1900- TALETS BÖRJAN sid 9 Befolkningsutveckling och sociala förhållanden sid 9 Rasism och rasbiologi sid 10 Nationalism sid 12 Unionen med Norge sid 14 Influenser från Tyskland sid 14 Organisering av arbetsmarknaden sid 15 PARTIBILDNING sid 17 Sveriges socialdemokratiska parti (SAP) sid 17 Vänsterpartiet (V) sid 18 Folkpartiet liberalerna (FP) sid 19 Moderata samlingspartiet (M) sid 20 Centerpartiet (C) sid 20 HUNGERKRAVALLER OCH PARLAMENTARISMENS GENOMBROTT sid 23 Rösträttsfrågan före första världskriget sid 23 Folkförsörjningen under första världskriget sid 24 ”Revolutionen i Västervik” sid 25 ”Upproret på Seskarö” sid 26 Oroligheter i Stockholm och parlamentarismens genombrott sid 28 DEMOKRATINS GENOMBROTT sid 30 Sverige och finska inbördeskriget sid 30 Rösträttsfrågans slutliga lösning sid 31 SPÄNNINGEN MELLAN MARKNAD OCH POLITIK sid 34 MINORITETSPARLAMENTARISM 1920 – 1932 sid 36 Socialdemokraterna avför socialiseringsfrågan från dagordningen sid 36 Arbetslöshetspolitiken på 1920-talet sid 36 1925 års försvarsbeslut sid 37 Kosackvalet 1928 och Munckska kåren sid 38 Ådalskravallerna och Kreugerkraschen sid 40 UTVECKLINGEN I ITALIEN, TYSKLAND OCH SPANIEN sid 41 Utvecklingen i Italien sid 41 Utvecklingen i Tyskland sid 43 Utvecklingen i Spanien sid 49 3 NAZISTISKA ORGANISATIONER I SVERIGE FÖRE OCH UNDER ANDRA VÄRLDSKRIGET sid 52 Nazistiska partier sid 52 Samfundet Manhem sid 57 Riksföreningen Sverige-Tyskland -
Download the Music in Me Theme Notes As a PDF
Theme Notes Series 335 Music in Me Music in Me Young children are innately musical. They hear and respond spontaneously to many different environmental sounds within the natural world and within the urban landscape. Children also delight in all sorts of music and love to move their fingers, toes, heads and whole bodies in playful and creative ways. In this series of Play School we celebrate the music in every child. We explore rhythm, beat, volume and pitch and extend awareness of these key elements of music in playful ways. We listen to and create musical instruments and share music through dance, story and play. We invite children and their families to join with us as we investigate different ways to create and respond to the music within, and all around, us. Come and enjoy “Music in Me” with your friends at Play School. Page 1 of 11 Theme Notes Series 335 Music in Me Episode 1 SONGS Singing in The Kitchen Composer: Shel Silverstein Publisher: Universal (Originally under Evil Eye Music in 2009) I Got Rhythm Composer: G. Gershwin / I Gershwin Publisher: WB Music Corp Moon Moon Composer: Traditional (German Folk Tune) Publisher: ABC Music Publishing PRESENTERS Alex Papps & Michelle Lim Davidson The Toothbrush Song Composer: Traditional PIANIST Publisher: ABC Music Publishing Peter Dasent Music in Me BOOK STORY Composer: Kylie Montague Maisy Goes to Bed Publisher: Control Lucy Cousins Walker Books Ltd, 1990 STOP, LOOK, LISTEN FILM Japanese Drums (Play School, ABC) THROUGH THE WINDOWS FILM Lucas Proudfoot: Billy the Blue Tongue Lizard (Play School, ABC) IDEAS FOR LATER • Take a walk in your neighbourhood and listen to the sounds around you.