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Visione Del Mondo
Weltanschauung - Visione del mondo Art Forum Würth Capena 14.09.09 – 07.08.10 Opere e testi di: Kofi Annan, Louise Bourgeois, Abdellatif Laâbi, Imre Bukta, Saul Bellow, John Nixon, Bei Dao, Xu Bing, Branko Ruzic, Richard von Weizsäcker, Anselm Kiefer, Hans-Georg Gadamer, Marcos Benjamin, Twins Seven Seven, Paavo Haavikko, Hic sunt leones, Nelson Mandela, Kyung Hwan Oh, Jean Baudrillard, Huang Yong Ping, Nagib Machfus, Inge Thiess-Böttner, Guido Ceronetti, Richard Long, Yasar Kemal, Igor Kopystiansky, Imre Kertèsz, Svetlana Kopystiansky, Kazuo Katase, Milan Kundera, Frederich William Ayer, Günter Uecker, Durs Grünbein, Mehmed Zaimovic, Enzo Cucchi, Vera Pavlova, Franz-Erhard Walther, Charles D. Simic, Horacio Sapere, Susan Sontag, Hidetoshi Nagasawa, George Steiner, Nicole Guiraud, Bernard Noël, Mattia Moreni, George Tabori, Richard Killeen, Abdourahman A. Waberi, Roser Bru, Doris Runge, Grazina Didelyte, Gérard Titus-Carmel, Edoardo Sanguineti, Mimmo Rotella, Adam Zagajewski, Piero Gilardi, Günter Grass, Anise Koltz, Moritz Ney, Lavinia Greenlaw, Xico Chaves, Liliane Welch, Fátima Martini, Dario Fo, Tom Wesselmann, Ernesto Tatafiore, Emmanuel B. Dongala, Olavi Lanu, Martin Walser, Roman Opalka, Kostas Koutsourelis, Emilio Vedova, Dalai Lama, Gino Gorza, Karlheinz Stockhausen, Robert Indiana, Nadine Gordimer, Efiaimbelo, Les Murray, Arthur Stoll, Mikhail Sergeyevich Gorbachev, Boris Orlov, Carlos Fuentes, Klaus Staeck, Alì Renani, Wolfang Leber, Alì Aramideh Ahar, Sogyal Rinpoche, Ulrike Rosembach, Andrea Zanzotto, Adriena Simotova, Jürgen -
WP982.Pdf (1.640Mb Application/Pdf)
The Other Modern Dwelling: Josef Frank and Haus & Garten Christopher Long School of Architecture University of Texas at Austin January 1999 Working Paper 98-2 ©1999 by the Center for Austrian Studies (CAS). Permission to reproduce must generally be obtained from CAS. Copying is permitted in accordance with the fair use guidelines of the U.S. Copyright Act of 1976. CAS permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of CAS Working Papers on reserve (in photocopied or electronically retrievable form) for students enrolled in specific courses; teachers may reproduce or have reproduced multiple copies (in photocopied or electronic form) for students in their courses. Those wishing to reproduce Center for Austrian Studies Working Papers for any other purpose (general distribution, advertising or promo- tion, creating new collective works, resale, etc.) must obtain permission from the Center for Austrian Studies, University of Minnesota, 314 Social Sciences Building, 267 19th Avenue S., Minneapolis MN 55455. Tel: 612-624-9811; fax: 612-626-9004; e-mail: [email protected] A direct link to the CAS e-mail address cannot be included on this page, because it has been reproduced in Adobe Portable Documrnt Format (pdf) rather than html. We have done this because of the many high-quality images embedded in the paper. 1 In an article published in Der Architekt in 1921, the year when the economic and political fortunes of Austria finally began to revive, Josef Frank took time out to reflect on what the new realities of the postwar era would mean for the future of the arts and crafts in Vienna. -
Hermitage Magazine 27 En.Pdf
VIENNA / ART DECO / REMBRANDT / THE LANGOBARDS / DYNASTIC RULE VIENNA ¶ ART DECO ¶ THE LEIDEN COLLECTION ¶ REMBRANDT ¶ issue № 27 (XXVII) THE LANGOBARDS ¶ FURNITURE ¶ BOOKS ¶ DYNASTIC RULE MAGAZINE HERMITAGE The advertising The WORLD . Fragment 6/7 CLOTHING TRUNKS OF THE MUSEUM WARDROBE 10/18 THE INTERNATIONAL ADVISORY BOARD OF THE STATE HERMITAGE Game of Bowls 20/29 EXHIBITIONS 30/34 OMAN IN THE HERMITAGE The State Hermitage Museum, St. Petersburg. Inv. № ГЭ 9154 The State Hermitage Museum, St. Petersburg. Inv. Henri Matisse. 27 (XXVII) Official partners of the magazine: DECEMBER 2018 HERMITAGE ISSUE № St. Petersburg State University MAGAZINE Tovstonogov Russian State Academic Bolshoi Drama Theatre The Hermitage Museum XXI Century Foundation would like to thank the project “New Holland: Cultural Urbanization”, Aleksandra Rytova (Stella Art Foundation, Moscow) for the attention and friendly support of the magazine. FOUNDER: THE STATE HERMITAGE MUSEUM Special thanks to Svetlana Adaksina, Marina Antipova, Elena Getmanskaya, Alexander Dydykin, Larisa Korabelnikova, Ekaterina Sirakonyan, Vyacheslav Fedorov, Maria Khaltunen, Marina Tsiguleva (The State Hermitage Museum); CHAIRMAN OF THE EDITORIAL BOARD Swetlana Datsenko (The Exhibition Centre “Hermitage Amsterdam”) Mikhail Piotrovsky The project is realized by the means of the grant of the city of St. Petersburg EDITORIAL: AUTHORS Editor-in-Chief Zorina Myskova Executive editor Vladislav Bachurov STAFF OF THE STATE HERMITAGE MUSEUM: Editor of the English version Simon Patterson Mikhail Piotrovsky -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Die Figuren des Helmut Qualtinger in der Tradition des Wiener Volksstücks“ Verfasser Elias Natmessnig angestrebter akademischer Grad Magister der Philosophie (Mag. phil) Wien, 2009 Studienkennzahl lt. A 317 Studienblatt: Studienrichtung lt. Theater- Film- und Medienwissenschaften Studienblatt: Betreuerin / Betreuer: Univ. Prof. Dr. Christian Schulte 1 2 Inhalt Inhalt........................................................................................................................................... 3 1) Einleitung............................................................................................................................... 7 2) Inspirationen der Jugend...................................................................................................... 10 3) Das Volksstück .................................................................................................................... 15 3.1) Das Wiener Volksstück................................................................................................. 18 3.1.1) Johann Nepomuk Nestroy...................................................................................... 19 3.1.2) Zwischen Nestroy und Kraus................................................................................. 22 3.1.3) Karl Kraus.............................................................................................................. 24 3.2) Die Erneuerer ............................................................................................................... -
DIE LIEBE DER DANAE July 29 – August 7, 2011
DIE LIEBE DER DANAE July 29 – August 7, 2011 the richard b. fisher center for the performing arts at bard college About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space; and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, operetta, film, and cabaret; and the Bard Music Festival, which celebrates its 22nd year in August, with “Sibelius and His World.” The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. ©2011 Bard College. All rights reserved. Cover Danae and the Shower of Gold (krater detail), ca. 430 bce. Réunion des Musées Nationaux/Art Resource, NY. Inside Back Cover ©Peter Aaron ’68/Esto The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein Honorary Patron Martti Ahtisaari, Nobel Peace Prize laureate and former president of Finland Die Liebe der Danae (The Love of Danae) Music by Richard Strauss Libretto by Joseph Gregor, after a scenario by Hugo von Hofmannsthal Directed by Kevin Newbury American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Rafael Viñoly and Mimi Lien Choreography by Ken Roht Costume Design by Jessica Jahn Lighting Design by D. -
Inside TODAY
ECR Today 2010 d aily news from europe’s leading imaging congress SATURDAY, MARCH 6, 2010 ESR meets Teamwork produces MR exhibitors focus InSIDE Poland’s rising best results in PET/CT on elastography and Today stars in radiology cancer imaging patient comfort See page 5 See page 9 See page 19 Polytrauma demands expertly Hypothesis and fact get trained emergency radiologists mixed up in radiation debate By Paula Gould By Philip Ward European radiologists require specialist train- When it comes to the sizzling hot topic of carci- ing in emergency radiology, just as happens in nogenesis and diagnostic radiation, it is crucial the U.S., ECR delegates were told yesterday. to differentiate hypothesis from scientific fact, maintain a sober mind, and separate science The thorny issue of subspecialty training came from politics and economics. up during a packed special focus session on imaging the polytrauma patient. In a straw poll That’s the view of Dr. Michael Brant-Zawadzki, conducted by the moderator, Dr. András Palkó, medical director for neurosciences at Hoag approximately two-thirds of audience members Memorial Hospital in Newport Beach, Califor- indicated that radiologists were included in their nia. During Friday’s W.C. Roentgen honorary hospital’s trauma team. However, just a few del- lecture, he urged ECR attendees to assure the egates raised their hands when asked if they had appropriateness of studies, standardise safe dose access to training in emergency imaging. levels, use the lowest acceptable dose, and int- roduce a quality assurance process, including “My generation trained along modalities. This recording cumulative doses in a patient’s file. -
Nestroy 2012
NESTROY 2012 BESTE SCHAUSPIELERIN Andrea Eckert als Dorothea Neff in „Du bleibst bei mir“ von Felix Mitterer, Volkstheater Regina Fritsch als Anna in „Die Kommune“ von Morgens Rukov und Thomas Vinterberg, Akademietheater Nicole Heesters als Gunhild Borkman in „John Gabriel Borkman“ von Henrik Ibsen, Theater in der Josefstadt Steffi Krautz als Adele Gödel in „Geister in Princeton“ von Daniel Kehlmann, Schauspielhaus Graz Dörte Lyssewski als Blanche Dubois in „Endstation Sehnsucht“ von Tennessee Williams, Burgtheater BESTER SCHAUSPIELER August Diehl als Prinz Friedrich Arthur von Homburg in „Prinz Friedrich von Homburg“ von Heinrich von Kleist, Salzburger Festspiele, Landestheater, in Koproduktion mit dem Burgtheater Michael Maertens als Sir Robert Chiltern in „Der ideale Mann“ von Oscar Wilde, in der Fassung von Elfriede Jelinek, Akademietheater Joachim Meyerhoff als Erek in „Die Kommune“ von Morgens Rukov und Thomas Vinterberg, Akademietheater Johannes Silberschneider als Kurt Gödel in „Geister in Princeton“ von Daniel Kehlmann, Schauspielhaus Graz Raphael von Bargen als Woyzeck in „Woyzeck & The Tiger Lillies“ nach Georg Büchner, Vereinigte Bühnen Wien in Kooperation mit dem Museumsquartier Wien, Halle E BESTE NEBENROLLE Maria Bill als Jenny in „Die Dreigroschenoper“ von Bertolt Brecht, Volkstheater Joachim Bißmeier als Doktor in „Woyzeck & The Tiger Lillies“ nach Georg Büchner, Vereinigte Bühnen Wien in Kooperation mit dem Museumsquartier Wien, Halle E Brigitta Furgler als Frau Vockerat in „Einsame Menschen“ von Gerhart Hauptmann, Landestheater -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
George Tabori
George Tabori George Tabori est un artiste accompli, scénariste, romancier, nouvelliste, auteur et metteur en scène de théâtre, directeur, chef de troupe, comé- dien à ses heures, né hongrois le 24 mai 1914 à Budapest, et décédé bri- tannique le 23 juillet 2007 à Berlin, à l’âge de 93 ans. Né en Hongrie en 1914 dans une famille d’intellectuels juifs, György Tábori est envoyé par son père en apprentissage à Berlin en 1932 et 1933. Puis il émigre à Londres en 1935 pour rejoindre son frère aîné. Il adopte la nationalité britannique, devient journaliste à la BBC et traducteur ; d’abord correspondant de guerre en Bulgarie et en Turquie, il s’engage dans l’armée britannique en 1941 et est affecté au Proche-Orient, où il écrit son premier roman. En 1943, il rentre à Londres et travaille de nouveau à la BBC. Ses parents sont déportés. Seule sa mère survit. En 1945, il est invité à Hollywood, son roman ayant attiré l’attention des studios, et s’installe aux États-Unis. Il signe des scénarios de films, notamment pour Alfred Hitchcock (La Loi du silence), Anton Litvak (Le Voyage), Joseph Losey (Cérémonie secrète, seul script qu’il revendique). En dehors de son activité de scénariste qui ne le satisfait pas au point de vue littéraire, il publie des romans. Il fréquente les plus grandes stars hollywoodiennes (Charlie Chaplin, Greta Garbo…) et les intellectuels alle- mands en exil. Assistant de Charles Laughton en 1947, il fait la rencontre décisive de Bertolt Brecht qu’il traduit pour la scène américaine. -
View Becomes New." Anton Webern to Arnold Schoenberg, November, 25, 1927
J & J LUBRANO MUSIC ANTIQUARIANS Catalogue 74 The Collection of Jacob Lateiner Part VI ARNOLD SCHOENBERG 1874-1951 ALBAN BERG 1885-1935 ANTON WEBERN 1883-1945 6 Waterford Way, Syosset NY 11791 USA Telephone 561-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). To avoid disappointment, we suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper left of our homepage. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. International customers are asked to kindly remit in U.S. funds (drawn on a U.S. bank), by international money order, by electronic funds transfer (EFT) or automated clearing house (ACH) payment, inclusive of all bank charges. If remitting by EFT, please send payment to: TD Bank, N.A., Wilmington, DE ABA 0311-0126-6, SWIFT NRTHUS33, Account 4282381923 If remitting by ACH, please send payment to: TD Bank, 6340 Northern Boulevard, East Norwich, NY 11732 USA ABA 026013673, Account 4282381923 All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. Fine Items & Collections Purchased Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c. -
Turandot.Pdf
Turandot Program Cover.indd 1 11/2/2017 4:19:31 PM LYRIC OPERA OF CHICAGO Table of Contents REED HUMMELL/NASHVILLE OPERA IN THIS ISSUE Turandot – pp. 20-35 6 From the General Director 12 Administration/Administrative Staff/ 53 Look to the Future Production and Technical Staff 8 From the Chairman 54 Major Contributors – Special Events 14 From the Inside Out: 10 Board of Directors and Project Support Lyric's Backstage Tours 11 Women’s Board/Guild Board/Chapters’ 20 Tonight’s Performance 55 Lyric Unlimited Contributors Executive Board/Young Professionals/ Ryan Opera Center Board 21 Synopsis 56 Commemorative Gifts 23 Cast 57 Ryan Opera Center 24 Artist Profiles Lyric's 58 Ryan Opera Center Alumni 30 Opera Notes Around the World Backstage 34 Director's Note Tours 59 Ryan Opera Center Contributors 35 After the Curtain Falls pp. 14-18 60 Planned Giving: The Overture Society 36 Musical Staff/Orchestra/Chorus 62 37 Backstage Life Corporate Partnerships 38 Artistic Roster 63 Matching Gifts, Special Thanks and 39 Lyric and Social Media Acknowledgements 40 Patron Salute 64 Annual Individual and 43 Aria Society Foundation Support 52 Breaking New Ground 71 Facilities and Services/Theater Staff On the cover: Painting by Fu Baoshi (1904-1965) 2 | December 5, 2017 - January 27, 2018 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman - Greg Pigott Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 Lisa Middleton East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L.