To Be Alarmed Or Not Be Alarmed Over Gadolinium Contrast Agent Revelations? That Is the Question

Total Page:16

File Type:pdf, Size:1020Kb

To Be Alarmed Or Not Be Alarmed Over Gadolinium Contrast Agent Revelations? That Is the Question ECR TODAY 2017 EUROPEAN CONGRESS OF RADIOLOGY DAILY NEWS FROM EUROPE’S LEADING IMAGING MEETING | FRIDAY, MARCH 3, 2017 7 9 17 25 HIGHLIGHTS CLINICAL CORNER TECHNOLOGY & RESEARCH COMMUNITY NEWS Facial genetics and forensics Radiation dose concerns in Manufacturers provide glimpse European Radiology: take centre stage paediatric cases propel PET/ into CT’s bright and 25 years of excellence at ECR MRI into more widespread dynamic future clinical use BY KATRINA MEGGET To be alarmed or not be alarmed over gadolinium contrast agent revelations? That is the question. The medical imaging community should not develop a gadolinium phobia while waiting for guidance from regulators over controversial gadolinium contrast agents. This is the opinion of Dr. Howard Rowley, Joseph Sackett Professor of Radiology at the University of Wisconsin, U.S., who will speak at today’s key session on MRI contrast agents. “There is understandable concern community was drawing parallels around the recent discovery that but gadolinium is, and should be, between gadolinium deposition gadolinium deposits in the body – a expected to deposit in various tissues and nephrogenic systemic fibrosis finding that has rattled radiologists. in the body and, based on what we (NSF), which is unrelated. Such par- Gadolinium is a toxic heavy metal know about other metals, it’s not a allels are unfounded, he continued. not normally found in the body, but case for alarm. It doesn’t necessarily “The important point is this is diffe- when chelated to reduce toxicity, it imply a toxic effect,” he told ECR Today rent to NSF, which can cause tissue becomes a powerful contrast agent in advance of the congress. injury and harm. But we shouldn’t for MRI scans and has vastly impro- Other metals critical for normal infer similar mechanisms in the ved the imaging of body organs and physiology have also been found body between the two.” tissues. It has been used success- to deposit in the body, and this can The debate has become heated fully for years, with eight agents provide insight into the ‘imaging as unanswered questions abound approved for use. However, the ele- A B curiosity’ seen with gadolinium, and confusion reigns, with pressure ment has found itself in the middle he explained. Animal and human on regulators to decide a position of a scientific controversy after it Two images of a patient prior to (A) and after (B) nine injections autopsies have shown, to date, no on contrast agents. Overall, the was discovered that patients with of the linear gadolinium-based contrast agent Magnevist. The tissue injury at the sites where risk/benefit ratio was still largely renal failure who had been admi- image prior to injection shows no hyperintensities displayed in gadolinium deposits, he added. “At in favour of using gadolinium, but nistered gadolinium for scans were the dentate nucleus, while a clear signal intensity increase in the the levels of tissue deposition we’re Rowley acknowledged more rese- at increased risk of developing the dentate nucleus becomes visible after nine injections of Magnevist. seeing, it’s not toxic and there are no arch and observation were requi- condition NSF, which involves the (Provided by Dr. Alexander Radbruch, head of neuro-oncologic symptoms associated with them.” red, adding there is cause for cau- thickening and scarring of the skin imaging, University Hospital Heidelberg, Germany) Rowley, who is president of the tion but not alarm. and internal organs. American Society or Neuroradio- At today’s session, he intends to logy, is concerned the radiology speak about the preclinical data continued on page 3 myESR.org #ECR2017 Hitachi Medical Systems Europe Holding AG, Switzerland ECR TODAY | FRIDAY, MARCH 3, 2017 HIGHLIGHTS 3 continued from page 1 definitive, proven associated sym- tain agents. Or they could remove groups based on the strength of Regulators are faced with a tough ptoms”, despite several papers sug- some agents from the market. In chelation. Instead, he suggested that decision. In the meantime, radiolo- Further research has since revea- gesting symptoms associated with Europe, the EMA is likely to pursue radiologists view all agents as sour- gists will be waiting. Today’s session led that some of the agents can gadolinium deposition. Secondly, one of the two latter courses.” ces of deposition and consider all should provide clarity on the current undergo dechelation in patients with the radiology community is arguing The problem is there is no easy variables and specific applications landscape and thinking on gadolini- normal renal function, resulting in over which of the approved agents answer, he said. For example, where when choosing which agent to use. um-based contrast agents with an gadolinium deposits in the brain are implicated in gadolinium depo- do the regulators draw the line bet- “It would be premature to con- overview of the research to date, as and other body tissue. The findings sition and how they should be trea- ween agents if they were to place clude one agent is better or safer well as a discussion on dealing with have shocked the imaging commu- ted by the regulators. restrictions, and were they to go for over another. I don’t think the data the challenges facing radiologists nity – what had been go-to contrast The agents can be classified into the third option, how would they are there yet,” he said. using these contrast agents. agents are now being viewed with three general groups, Runge explained: decide which agents to remove and some caution. With studies thin on the non-ionic linear agents (Omniscan in what time frame? Furthermore, the ground and numerous unanswe- and OptiMARK), which are more likely could the manufacturers of the Special Focus Session red questions, radiologists have been to undergo dechelation and have been remaining agents increase supply left confused over how to approach implicated in gadolinium deposition; to meet the shortfall in the market? Friday, March 3, 16:00–17:30, Room M 4 the eight approved agents. Both the the ionic linear agents with medium “These are not insignificant pro- SF 12c Gadolinium contrast agents: a Yin and Yang story European Medicines Agency (EMA) stability (Magnevist, MultiHance, Pri- blems,” said Runge, who will review and the U.S. Food and Drug Adminis- movist); and the macrocyclic agents the published clinical papers in » Chairman’s introduction tration (FDA) are expected to clarify (Dotarem, Gadavist, ProHance), which today’s session. “The question most B. Hamm; Berlin/DE the situation and provide guidelines are the most stable and least likely to likely comes back to the agents » Latest preclinical data on gadolinium deposition for use in 2017. dechelate. in the middle – should they be H.A. Rowley; Madison, WI/US The issue has become contro- “The regulators could do one of withdrawn or be limited? This is » Current clinical situation based on published data versial for two main reasons, said three things,” he explained. “They an ongoing discussion by medical V. Runge; Berne/CH Prof. Val Runge, professor of radio- could do nothing – say it’s too early authorities across the world.” » What is the position of the regulatory authorities? logy and physician at Bern Univer- and recommend more studies. They Rowley, however, is of a different O. Clément; Paris/FR sity Hospital, Switzerland. Firstly, could take an intermediate position mindset, believing it is unhelpful to he said, “at this time, there are no where they put restrictions on cer- segregate the different agents into » Panel discussion: After all that, what are you doing? BY MÉLISANDE ROUGER Specialist in new imaging technologies to deliver honorary lecture today In recognition of his achie- of radiology at UMC Utrecht, the Prof. Prokop has authored more multislice CT of the body. He has vements in new imaging Netherlands. than 250 articles in peer-reviewed served on several industry advisory technologies, particularly in He received his bachelor of scientific journals, 50 book chap- boards and scientific committees, cardiovascular and thoracic science in physics from Phil- ters, 300 scientific abstracts, and and has served as vice chairman of applications, Professor Math- ipps-Universität Marburg and 300 invited lectures. He has also the Dutch Radiological Society. ias Prokop from Nijmegen, the trained as a radiologist at Hanover published a textbook on spiral and Netherlands, has been invi- Medical School in Germany. In 1998 ted to deliver the Josef Lissner he was appointed associate profes- Honorary Lecture ‘The future sor of radiology at the University Honoraray Lecture of CT: from hardware to software’ of Vienna Medical School, Austria. Professor Mathias Prokop from today at the ECR. His main research interests are Friday, March 3, 13:00–13:30, Room A Nijmegen, the Netherlands, Mathias Prokop is head of the body imaging with a special focus Josef Lissner Honorary Lecture will deliver the Josef Lissner department of radiology and nuc- on multislice CT and new imaging Honorary Lecture today at lear medicine at Radboud Uni- technologies in cardiovascular and » The future of CT: from hardware to software 13:00 in Room A. versity Nijmegen and professor thoracic applications. Mathias Prokop; Nijmegen/NL DON’T MISS TOMORROW’S JOINT ESR AND CIRSE SESSION ON INTERVENTIONAL PROCEDURES! Saturday, March 4, 08:30–10:00, Room Z Joint Session of the ESR and the CIRSE (Cardiovascular and Interventional Radiological Society of Europe) Interventional procedures: clinical patient management Moderators: E. Brountzos; Athens/GR L. Donoso; Barcelona/ES » Chairmen’s introduction E. Brountzos; Athens/GR L. Donoso; Barcelona/ES » BEFORE: pre-intervention procedures and protocols C. Binkert; Winterthur/CH » DURING: patient management, communication, time out procedure ... J.I. Bilbao; Pamplona/ES » AFTER: patient follow up and discharge procedures O.M. van Delden; Amsterdam/NL » The role of radiographers and nurses in the interventional radiology suite: tasks and duties C.
Recommended publications
  • Turandot.Pdf
    Turandot Program Cover.indd 1 11/2/2017 4:19:31 PM LYRIC OPERA OF CHICAGO Table of Contents REED HUMMELL/NASHVILLE OPERA IN THIS ISSUE Turandot – pp. 20-35 6 From the General Director 12 Administration/Administrative Staff/ 53 Look to the Future Production and Technical Staff 8 From the Chairman 54 Major Contributors – Special Events 14 From the Inside Out: 10 Board of Directors and Project Support Lyric's Backstage Tours 11 Women’s Board/Guild Board/Chapters’ 20 Tonight’s Performance 55 Lyric Unlimited Contributors Executive Board/Young Professionals/ Ryan Opera Center Board 21 Synopsis 56 Commemorative Gifts 23 Cast 57 Ryan Opera Center 24 Artist Profiles Lyric's 58 Ryan Opera Center Alumni 30 Opera Notes Around the World Backstage 34 Director's Note Tours 59 Ryan Opera Center Contributors 35 After the Curtain Falls pp. 14-18 60 Planned Giving: The Overture Society 36 Musical Staff/Orchestra/Chorus 62 37 Backstage Life Corporate Partnerships 38 Artistic Roster 63 Matching Gifts, Special Thanks and 39 Lyric and Social Media Acknowledgements 40 Patron Salute 64 Annual Individual and 43 Aria Society Foundation Support 52 Breaking New Ground 71 Facilities and Services/Theater Staff On the cover: Painting by Fu Baoshi (1904-1965) 2 | December 5, 2017 - January 27, 2018 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman - Greg Pigott Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 Lisa Middleton East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • January 2017
    January 2017 Vijay Iyer INSIDE: Arcangelo Cuarteto Casals Alice Coote Julia Fischer Gould Piano Trio Angela Hewitt Elisabeth Leonskaja Soloists of Les Arts Florissants Igor Levit Nash Ensemble Vienna Piano Trio Roderick Williams and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats.
    [Show full text]
  • S TEFANO LA COLLA – Tenor
    S T E F A N O L A C OLLA – Tenor One of the most valued tenors in the international opera scene, Stefano La Colla was born in Turin in a Sicilian family, then he studied and graduated from the Conservatory “Pietro Mascagni” in Livorno. He continued his studies with Luciana Serra and Carlo Meliciani and he took part in several masterclasses, also by Magda Olivero and by Katia Ricciarelli. He has won the First Prize at Voci Pucciniane competition in Torre del Lago. After the first successes in Italian theatres, he started his international career in 2011, but the turning point was in 2015 with his glamorous debut at Teatro alla Scala as Calaf in Turandot (first event of La Scala for EXPO), under the baton of Riccardo Chailly. Thanks to this great success, in June 2015 he was immediatly invited back to La Scala for Cavalleria Rusticana (Turiddu). He has sung in some of the most prestigious opera houses both in Italy, Teatro alla Scala, Teatro dell’Opera di Roma, Teatro San Carlo di Napoli, Maggio Musicale Fiorentino, Arena di Verona, Sferisterio di Macerata, Teatro La Fenice di Venezia, Teatro Comunale di Bologna, and abroad, such as Wiener Staatsoper, Deutsche Oper and Staatsoper Berlin, Bayerische Staatsoper Munich, Liceu de Barcelona, De Nationale Opera Amsterdam, La Monnaie Brussels, Den Nordske Opera Oslo, Semperoper Dresden, Staatsoper Hamburg. In December 2017 he made his US debut at Lyric Opera of Chicago, performing with great acclaim as Calaf in Turandot. In his repertoire these leading roles should be mentioned: Radamès in Aida (Verona, San Carlo di Napoli, Macerata), Cavaradossi in Tosca (Deutsche Oper Berlin, Bayerische Staatsoper, Opera di Roma, San Carlo di Napoli, Maggio Musicale Fiorentino and also with Berliner Philharmoniker under the baton of Simon Rattle), Pinkerton in Madama Butterfly (Staatsoper Berlin, La Fenice di Venezia), Calaf in Turandot (Teatro alla Scala, Deutsche Oper Berlin, San Carlo di Napoli), Des Grieux in Manon Lescaut (Bayerische Staatsoper, Opernhaus Leipzig, Mikhailovsky Theatre in St.
    [Show full text]
  • STEFANO LA COLLA – Tenore
    S TEFANO L A C OLLA – Tenore Fra i tenori più interessanti della sua generazione, Stefano La Colla si è diplomato al Conservatorio “Pietro Mascagni” di Livorno e ha studiato inoltre con Magda Olivero, Katia Ricciarelli, Luciana Serra e Carlo Meliciani. Dopo i primi successi nei teatri italiani, nel 2011 inizia la sua carriera internazionale, ma la svolta arriva nel 2015 con il prestigioso debutto sul palcoscenico del Teatro alla Scala come Calaf nella Turandot (evento d’apertura de La Scala per EXPO), con la direzione di Riccardo Chailly. A seguito del grande successo, è stato nuovamente invitato per la produzione successiva, Cavalleria Rusticana (Turiddu). Nel corso della sua carriera ha collaborato con direttori d’orchestra quali Yves Abel, Daniele Callegari, Riccardo Chailly, Riccardo Frizza, Alexander Joel, Stefano Ranzani, Samuel Rattle, Donato Renzetti, Pinchas Steinberg, e con registi quali Franco Zeffirelli, Andrea Breth, Gilbert Deflo, Jürgen Flimm, Ezio Frigerio, Nikolaus Lehnhoff, Mario Martone, Francesco Micheli, Alessandro Talevi. Durante la sua carriera ha calcato i palcoscenici di alcuni fra i più importanti teatri del mondo, come Teatro alla Scala, Wiener Staatsoper, Deutsche Oper e Staatsoper di Berlino, Bayerische Staatsoper di Monaco, Opéra de Toulon, Mikhailovsky Theatre di San Pietroburgo, Teatro dell’Opera di Roma, Arena di Verona, Festival Puccini di Torre del Lago. Fra i numerosi ruoli del suo repertorio possiamo ricordare Radamès in Aida (Arena di Verona, Teatro San Carlo di Napoli), Cavaradossi in Tosca (Deutsche Oper di Berlino, Bayerische Staatsoper di Monaco, Teatro dell’Opera di Roma, Teatro San Carlo di Napoli, Opéra de Toulon), Pinkerton in Madama Butterfly (Staatsoper di Berlino), Calaf in Turandot (Teatro alla Scala, Deutsche Oper di Berlino, Teatro San Carlo in Napoli), Des Grieux in Manon Lescaut (Opernhaus Leipzig, Mikhailovsky Theatre di San Pietroburgo, Deutsche Oper di Berlino, De Nationale Opera Amsterdam), Rodrigue in Le Cid (Opera di St.
    [Show full text]
  • 1. Sonntagskonzert 2019/2020
    1. SONNTAGSKONZERT 2019/2020 13. Oktober 2019 19.00 Uhr − Ende ca. 21.20 Uhr Prinzregententheater Einführung mit Elgin Heuerding: 18.00 Uhr im Gartensaal Signieraktion mit Ivan Repušić im Anschluss an das Konzert im Foyer vor dem Gartensaal ATTILA Dramma lirico in einem Prolog und drei Akten von Giuseppe Verdi Libretto von Temistocle Solera und Francesco Maria Piave Konzertante Aufführung in italienischer Sprache mit deutschen Übertiteln (Übertitel-Inspizienz: Urte Regler) Pause nach dem I. Akt CD-Mitschnitt für das Label BR-KLASSIK Direktübertragung im Hörfunk auf BR-KLASSIK In der Pause: „PausenZeichen“. Elgin Heuerding im Gespräch mit dem Bassisten Ildebrando D’Arcangelo und dem Dirigenten Ivan Repušic´ Das Konzert kann anschließend 30 Tage nachgehört werden: rundfunkorchester.de/konzerte-digital br-klassik.de/programm/radio BESETZUNG Liudmyla Monastyrska ODABELLA Tochter des Herrschers von Aquileia (Sopran) Stefano La Colla FORESTO Ritter aus Aquileia (Tenor) Stefan Sbonnik ULDINO Ein junger Bretone und Sklave Attilas (Tenor) George Petean EZIO Ein römischer General (Bariton) Ildebrando D’Arcangelo ATTILA König der Hunnen (Bass) Gabriel Rollinson LEONE Ein alter Römer (Bass) Chor des Bayerischen Rundfunks Stellario Fagone EINSTUDIERUNG Münchner Rundfunkorchester Ivan Repušić LEITUNG ATTILA Handlung Nr. 1 Ouvertüre PROLOG Italien, Mitte des 5. Jahrhunderts. Der Marktplatz von Aquileia im Morgengrauen. Auf dem Platz hat ein Kampf gewütet. Nr. 2 Introduktion (Attila, Chor) Die Hunnen feiern ihren Sieg über die norditalienische Stadt Aquileia. Heerführer Attila zieht auf einem Wagen ein und wird von seinen Kriegern empfangen. Nr. 3 Szene und Kavatine (Odabella, Uldino, Attila, Chor) Sein Gehilfe Uldino präsentiert Attila eine Gruppe versklavter junger Frauen als Geschenk.
    [Show full text]
  • 2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020
    2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Due to the 2020 COVID-19 situation, the WFMT Radio Network will release information in batches as opera broadcasts are confirmed. Please contact [email protected] for more information. PROGRAM #: OS 20-01 RELEASE: May 16, 2020 OPERA: Alceste (in French) COMPOSER: Christoph Willibald Gluck LIBRETTO: Marius-François-Louis Gand Lebland, Bailli Du Roullet after Ranieri de’ Calzabigi VENUE: National Theatre, Munich PRESENTING COMPANY: Bavarian State Opera CAST: Admeto Charles Castronovo Alceste Dorothea Röschmann High Priest of Apollo/Hercules Michael Nagy Evandro Manuel Günther Herald/Apollo Sean Michael Plumb Oracle/Infernal Deity Callum Thorpe ENSEMBLE: Bavarian State Orchestra and Opera Chorus CONDUCTOR: Antonello Manacorda DIRECTOR: Sidi Larbi Cherkaoui Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-02 RELEASE: May 23, 2020 OPERA: Tales of Hoffmann (in French) COMPOSER: Jacques Offenbach LIBRETTO: Juless Babier, Michel Carré VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Hoffmann Dmitry Korchak Olympia/Antonia/Giulietta Olga Peretyatko The Muse/Nicklausse Gaëlle Arquez Councillor Lindorf/Coppélius/ Luca Pisaroni Miracle/ Dapertutto Andrès/Cochenille/Frantz/ Michael Laurenz Pitichinaccio ENSEMBLE: Vienna State Opera Chorus and Orchestra CONDUCTOR: Frédéric Chaslin DIRECTOR: Andrei Serban Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-03 RELEASE: May 30, 2020 OPERA: Elektra (in German) COMPOSER: Richard Strauss LIBRETTO: Hugo von Hofmannsthal VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Klytaemnestra Waltraud Meier Elektra Christine Goerke Chrysothemis Simone Schneider Aegisth Norbert Ernst Orest Michael Volle ENSEMBLE: Vienna State Opera Orchestra CONDUCTOR: Semyon Bychkov DIRECTOR: Uwe Eric Laufenberg Approx.
    [Show full text]
  • Aida by Guiseppe Verdi
    PATRON-IN-CHIEF DR HARUHISA HANDA A Welcome from our Production Partner Welcome to tonight’s performance of Aida by Guiseppe Verdi. Opera Society is delighted to continue its support of Opera Australia and align as production partner of this much-loved opera. Opera Society is a not-for-profit organisation committing its resources to the promotion of Opera Australia in Victoria and its young singers. In association with the Melba Opera Trust, the Society sponsors an annual scholarship, and in 2021 also supports two artists with Opera Australia. These provide an excellent basis for the singers’ career prospects. Membership of Opera Society is available to all opera lovers from beginners to long-time devotees. Members enjoy stimulating social events at which they are able to learn about interpretation and production and meet like-minded new friends. Opera Society is run entirely by a dedicated band of members donating many hours of their leisure time. Their labour is entirely voluntary but they provide services at a premium professional level. So if you have enjoyed tonight’s incredible performance of Aida, do consider joining us to become part of the wider Opera Family while supporting this beautiful, exciting and addictive art form. Visit our website at operasociety.org.au Aida Composer Aida State Theatre, Giuseppe Verdi (1813-1901) Leah Crocetto Arts Centre Melbourne Librettist Amneris Performance dates Antonio Ghislanzoni Elena Gabouri 6, 8, 10, 12, 15, 17, 19, 21 May (1824-1893) Radames Stefano La Colla Running time: Conductor Amonasro approximately 2 hours and 50 Tahu Matheson Michael Honeyman minutes, including one interval.
    [Show full text]
  • Amilcare Ponchielli
    Amilcare Ponchielli La Gioconda AMILCARE PONCHIELLI Òpera en quatre actes Llibret d’Arrigo Boito 1 - 15 d'abril Temporada 2018-2019 Temporada 1 La Gioconda Patronat de la Fundació del Gran Teatre del Liceu Comissió Executiva de la Fundació del Gran Teatre del Liceu President d’honor President Joaquim Torra Pla Salvador Alemany Mas President del patronat Vocals representants de la Generalitat de Catalunya Salvador Alemany Mas Laura Borràs Castanyer, Francesc Vilaró Casalinas Vicepresidenta primera Vocals representants del Ministerio de Cultura y Deporte Laura Borràs Castanyer Amaya de Miguel Toral, Antonio Garde Herce Vicepresident segon Vocals representants de l’Ajuntament de Barcelona Javier García Fernández Joan Subirats Humet, Marta Clarí Padrós Vicepresident tercer Vocal representant de la Diputació de Barcelona Jaume Asens Llodrà Oriol Lladó Esteller Vicepresident quart Vocals representants de la Societat del Gran Teatre del Liceu Marc Castells Berzosa Javier Coll Olalla, Manuel Busquet Arrufat Vocals representants de la Generalitat de Catalunya Vocals representants del Consell de Mecenatge Francesc Vilaró Casalinas, Àngels Barbarà Fondevila, Àngels Jaume Giró Ribas, Luis Herrero Borque Ponsa Roca, Pilar Fernández Bozal Secretari Vocals representants del Ministerio de Cultura y Deporte Joaquim Badia Armengol Santiago Fisas Ayxelà, Amaya de Miguel Toral, Santiago de Director general Torres Sanahuja, Joan Francesc Marco Conchillo Valentí Oviedo Cornejo Vocals representants de l’Ajuntament de Barcelona Joan Subirats Humet, Marta Clari
    [Show full text]
  • Opera, Ballet Classical Music Holidays
    TRAVELFOR THE ARTS SPRING, SUMMER & AUTUMN 2018 OPERA, BALLET CLASSICAL MUSIC HOLIDAYS NEW TOURS FOR 2018 ROSSINI IN THE RING VENICE IN MUNICH page 7 page 12 SAVONLINNA DISCOVER OPERA FESTIVAL MONTENEGRO page 24 page 28 www.travelforthearts.com +44 20 8799 8350 [email protected] welcome welcome to the world of OPERA, BALLET AND CLASSICAL MUSIC Within this brochure you will find our selection of small group tours for Spring, Summer & Autumn 2018, carefully researched and created by our music and travel experts. This year we present three new tours to mark the 150th anniversary of the death of Gioachino Rossini, which can be found on the green pages. Our ever-popular Ring Cycles are marked by one of Wagner’s favourite colours, purple, while our traditional springtime visits to major opera houses and the summer and autumn opera and music festivals are listed in red. We are also pleased to continue our collaboration with Stephen Carpenter of Carpenter Holidays which can be found in the blue section, and, for further information on our à la Carte offering for individual travellers, please see the gold pages at the back of the brochure. We hope you will enjoy wonderful opera, ballet and classical music on a relaxing and memorable holiday with us. Tel: 020 8799 8350 | Email: [email protected] | www.travelforthearts.com BOOKING DETAILS SPRING, SUMMER All tours mentioned in this brochure (as well as additional tours) & AUTUMN 2018 are available to view online at www.travelforthearts.com Many of our holidays are taken up very quickly after the brochure We are delighted to present our selection of highlights from the launch.
    [Show full text]
  • Turandot Program Cover.Indd 1 11/2/2017 4:19:31 PM LYRIC OPERA of CHICAGO Table of Contents REED HUMMELL/NASHVILLE OPERA
    Turandot Program Cover.indd 1 11/2/2017 4:19:31 PM LYRIC OPERA OF CHICAGO Table of Contents REED HUMMELL/NASHVILLE OPERA IN THIS ISSUE Turandot – pp. 20-35 6 From the General Director 12 Administration/Administrative Staff/ 53 Look to the Future Production and Technical Staff 8 From the Chairman 54 Major Contributors – Special Events 14 From the Inside Out: 10 Board of Directors and Project Support Lyric's Backstage Tours 11 Women’s Board/Guild Board/Chapters’ 20 Tonight’s Performance 55 Lyric Unlimited Contributors Executive Board/Young Professionals/ Ryan Opera Center Board 21 Synopsis 56 Commemorative Gifts 23 Cast 57 Ryan Opera Center 24 Artist Profiles Lyric's 58 Ryan Opera Center Alumni 30 Opera Notes Around the World Backstage 34 Director's Note Tours 59 Ryan Opera Center Contributors 35 After the Curtain Falls pp. 14-18 60 Planned Giving: The Overture Society 36 Musical Staff/Orchestra/Chorus 62 37 Backstage Life Corporate Partnerships 38 Artistic Roster 63 Matching Gifts, Special Thanks and 39 Lyric and Social Media Acknowledgements 40 Patron Salute 64 Annual Individual and 43 Aria Society Foundation Support 52 Breaking New Ground 71 Facilities and Services/Theater Staff On the cover: Painting by Fu Baoshi (1904-1965) 2 | December 5, 2017 - January 27, 2018 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman - Greg Pigott Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 Lisa Middleton East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L.
    [Show full text]
  • Conc Erts && So Unds Museumss && Exhi Biittions
    CONCERTS & SOUNDS MUSEUMS & EXHIBITIONS OPERA & MUSICAL THEATRE THEATRE & DANCE Joachim Meyerhoff in Antigone by Sophokles Contents CONCERTS & SOUNDS 5 MUSEUMS & EXHIBITIONS 19 OPERA & MUSICAL 69 THEATRE THEATRE & DANCE 79 Concept & Coordination: Julia Patuzzi ESR OFFICE All rights reserved by the Layout: Barbara Biegl Neutorgasse 9, 1010 Vienna, Austria ESR – European Society of Radiology Printed by: agensketterl Druckerei GmbH Phone: + 43 1 533 40 64-0 No responsibility is accepted for the Date of printing: February 2017 E-Mail: [email protected] correctness of the information. myESR.org Burgtheater, around 1900 Photochrom print (colour photo lithograph) Welcome to ECR Arts & Culture! The European Society of Radiology is proud and happy to present you with an extensive and distinguished cultural programme for your time at ECR 2017. Vienna fulfils anew its reputation as cultural capital of the world, providing a boundless variety of artistic endeavours. Be it the virtuosity of Vienna’s famous orchestras led by the world’s leading conductors, the transcendent beauty of the opera, or the sheer abundance of fine arts ranging from ancient Greek sculptures to Baroque paintings, from Art Nouveau furniture to installations representing visionary views of the 21st century – there is sure to be found something for every artistic taste. On the following pages you will find details and information regarding opera, concerts, museums, exhibitions, theatre and dance. We hope this brochure will help you make the most of your spare time during the congress. Enjoy your stay in Vienna! Julia Patuzzi ESR Office – Department of PR & Media Stefan Vladar Konzerthaus Musikverein Porgy & Bess Arena Gasometer Szene Wien Arnold Schönberg Center Haus der Musik Mozarthaus Vienna CONCERTS & SOUNDS 5 Isabelle van Keulen 6 Classical Music Concerts & Sounds Classical Music March 1, 19:30 Wiener KammerOrchester, Konzerthaus conductor Stefan Vladar Isabelle van Keulen, violin The Wiener Konzerthaus, inaugurated in 1913, is W.A.
    [Show full text]