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Aretha Franklin's Gendered Re-Authoring of Otis Redding's
Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Satisfaction Rolling Stones You Otis Redding Frame
Satisfaction Rolling Stones You Otis Redding Disposable Charleton circumcises some dryer and bungled his bandmasters so rigidly! Is Garcon always Zionism and fatuitous when half-volleys some idiosyncrasy very instrumentally and polytheistically? Psychosocial and unreducible Jonathon bug her daw sleek unamusingly or reimposed fourth-class, is Lucien beefier? Jeff beck and a rolling otis redding began stacking them are important, but i get. Musicians and more rolling stones you otis redding and the run of sadness about conventional success, but when you. Concludes is what his satisfaction rolling stones themselves considered the track. Shelves were band and otis redding as an infobox, and the riffs needed more discussion than is where can hear a masterpiece. Buy that it his satisfaction stones redding gets to god, he was still perfect example, and the weather was absolutely just happened to. Moaned while i wrote satisfaction rolling otis redding was working out the greatest live in your political message across with a kid, and posture more than the jets. Get through a rolling you can go down, it was his energy that there to leave from the way he can copy. Visionary he toured the stones you otis redding finds a rolling stones classic, but he said. Won his satisfaction you redding sells satisfaction or ever enter a seat of. Citations are all his satisfaction stones otis moved from the drums. Humanitarian and recorded his satisfaction rolling stones also known as long. Keggers and roll record, is an extract from the e street band, but the plane. Outsiders who are a rolling stones you can picture it was lying on? Counted for disadvantaged children stayed true passion for the electric guitar riffs for granted too, but the musicians. -
PARKSIDE UNIT 3 HEALTH: Putting the Truth About Drugs to Use NAME
PARKSIDE UNIT 3 HEALTH: Putting the Truth about Drugs to Use NAME: _______________ ROOM: __________ DUE DATE: MAY 15, 2020 Assignments: Lesson # 1: Considering your response The statements below represent 9 common lies about drugs. They are often used to persuade young people to begin or continue to take illegal street drugs or to abuse prescription drugs. As you read each lie, think about how you would respond if a friend seriously said one of these to you. 9 Lies About Drugs: 1) Drugs make you feel better. 2) Drugs make you more creative. 3) Marijuana is better for you than tobacco. 4) Drugs make you more fun to be with. 5) Drugs wear off and don’t cause any permanent damage to your body. 6) Drugs give you energy. 7) Prescription drugs can’t hurt you. 8) You can stop taking drugs whenever you want. 9) Alcohol isn’t really a drug. Write one true statement about drugs that you could use to contradict each lie listed above (“contradict” means “to speak against”). Do not use the same “speak against” statement more than once. You will write 9 different “speak against” statements to respond to the 9 different lies listed in lesson 1. Lesson # 2: The aftermath of bad choices Read the song lyrics to Hurt more than once. As you read, think how the lyrics relate to a life lived and the meaning it is trying to communicate to its readers and listeners. As you read the lyrics for understanding, think about your written responses to these 3 prompts: 1) Identify and write about the song lyrics you believe tell about drug abuse. -
What Will Be Country Music's Songs of Summer 2021?
2021 MAY 24 CountryInsider.com | Sign Up For Daily Email Here What Will Be Country Music’s Songs Of Summer 2021? If 2020 was the summer where everyone stayed home, 2021 will be the one where people can’t wait to get back out. With Memorial Day Weekend approaching, what are country radio’s programmers seeing as the singles for this season? “I think three are shaping up to be summer soundtracks with Luke Bryan’s ‘Waves’ front and center,” says Audacy Country Format Captain Tim Roberts. “It’s a super-chill track that captures summer and fun beautifully.” Also on Roberts’ summer fun list: Brian Kelley’s “Beach Cowboy,” “which I think is where a lot of brains drift toward daydreaming about summer beach fun,” and Old Dominion’s new “I Was on a Boat That Day.” (Continued on page 4) COUNTRY INSIDER TOP 5: WGAR’s “Wazz & Carletta” Look Back On Morning Show Pairing Ahead Of First Anniversary. Bobby Bones Show’s Eddie Garcia Blows Past $10K Goal To Walk From West Virginia To Tennessee. Morgan Wallen Debuts Miranda Lambert, Nicolle Galyon Co-Write On Instagram. Consultant Mike O’Malley: Don’t Be A Bystander In Your Own Show. Dustin Lynch Returns As Headliner for WEZL Charlotte’s Stars and Guitars Music Festival. 1 | MAY 24, 2021 CountryInsider.com Dani Lynn Howe Trey Poston Top 5 All-Time Middays/KYKR Top 5 All-Time Songs Leuck & Howe Morning Show, WLLR-FM Country Bands: Beaumont, TX by Female Artists: Quad Cities, IA/IL 1. Restless Heart 1. Safe in the Arms of Love - Martina McBride 2. -
Press All JEAN PIGOZZI to EXHIBIT HIS PHOTOGRAPHS in ST
10 February 2017 Jean Pigo zzi t o Exhibit HiHiss PPhh o t ogr a p hhss in StSt.. Moritz Called "Pool Party in the Snow", the exhibition lines up black-and-white images portraying Calvin Klein, Mick Jagger and Sharon Stone, among others. Elle Macpherson, 1991. Jean Pigozzi, courtesy of Galerie Gmurzynska. French photographer, entrepreneur and art collector Jean “Johnny” Pigozzi will stage a solo show of his images at the Ga-lerie Gmurzynska in St. Moritz, Switzerland. Running Feb. 19 to March 26, the “Pool Party in the Snow” exhibit will showcase over 30 black-and-white images shot in the Eighties and Nineties around Pigozzi’s kidney-shaped pool at his family’s Villa Dorane in Cap d’Antibes, in Southern France. Sharon Stone, 1992. Jean Pigozzi, courtesy of Galerie Gmurzynska. The photographs offer a rare glimpse into the glamorous world of Pigozzi’s celebrity guests gathered at the location. These included fashion, music, movie and photography’s A-listers such as Calvin Klein, Elle Macpherson, Mick and Bianca Jagger, Bono, Jack Nicholson, Sharon Stone, Elizabeth Taylor and Hel-mut Newton, to name a few. "For cultiv really Wu' ll, we were transported to the Scottish ds. The collection was inspired by the us beauty of this region." - Shoshanna Calvin and Kelly Klein with Jann Wenner, 1989. Jean Pigozzi, courtesy of Galerie Gmurzynska. Born in Paris in 1952, Pigozzi was passionate about photography ever since his teenage years and developed this art attending Harvard University, where he studied film and photography. During his studies, he often traveled to New York, where he became part of the local social scene. -
Elvis Trivia – 2017 Name/Dept: ______
Elvis Trivia – 2017 Name/Dept: ___________________ 1.Elvis would be _______ years old on January 8, 2017? A)80 B)79 C)83 D)82 2. “The Guest House” at Graceland will have a grand-opening in March of 2017. How many rooms are in this new hotel? A)650 B)150 C)454 D)630 3. 2017 marks the ________ anniversary of Elvis’ death? A)40 B)45 D)50 E)35 4. This member of Elvis’ inner circle met Elvis while they were in the army. He was named his road manager and a best man at his wedding. _______ died in November of 2016. A)George Klein B)Red West C)Joe Esposito D)Charlie Hodge 5. December of 2016 marked the 60th anniversary of the “Million Dollar Quartet” jam session at Sun Studio. The members included Elvis, Johnny Cash, Jerry Lee Lewis and _______? A)BB King B)Carl Perkins C)Sammy Davis, Jr D)Dean Martin 6. In celebration of the democratic process, Elvis Presley Enterprises launched the “Elvis For President” campaign last year. One of the reasons Elvis would make a good president includes the fact that he starred alongside this president’s daughter in “Kissin’ Cousins”. (She had a supporting role): A)Richard Nixon B)Gerald Ford C)Lyndon Johnson D)Ronald Reagan 7. This Waikiki Beach hotel in Oahu – was the filming site for Elvis’ film - “Blue Hawaii”: A)The Outrigger B)Hilton Hawaiian Village C)The Palms D)The Ritz Carlton 8. Elvis appeared on Frank Sinatra’s Variety TV show. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
'N' Roll: the Rolling Stones in Film
it’s only rock ’n’ roll: the rolling stones in film - artforum.com / ... http://artforum.com/inprint/issue=201209&id=36146 dleopard59 log out ADVERTISE BACK ISSUES CONTACT US SUBSCRIBE follow us search ARTGUIDE IN PRINT 500 WORDS PREVIEWS BOOKFORUM 中文版 DIARY PICKS NEWS VIDEO FILM SLANT A & E IN PRINT NOVEMBER 2012 IT’S ONLY ROCK ’N’ ROLL: THE ROLLING STONES IN FILM SUBSCRIBE recent issues May 2013 April 2013 March 2013 February 2013 Robert Frank, January 2013 Cocksucker Blues, 1972, 16 mm, color and black- December 2012 and-white, sound, 93 November 2012 minutes. Mick Jagger. Archive to 1962 Photo: Photofest. As the “world’s greatest rock ’n’ roll band” celebrates its golden jubilee this year, the Museum of Modern Art in New York pays tribute with a heady cinematic survey: “THE ROLLING STONES: 50 YEARS OF FILM” (NOVEMBER 15–DECEMBER 2). But 2012 marks another anniversary as well. Forty years ago, the Stones embarked on a legendary tour to promote their new album, Exile on Main St., and they engaged two very different filmmakers—Robert Frank and Rollin Binzer—to document the affair on celluloid, producing wildly divergent results: Cocksucker Blues and Ladies and Gentlemen: The Rolling Stones, respectively. Film historian DAVID E. JAMES traces the events that would ultimately transform the band’s extraordinary engagement with the medium—and with the very public on which not only their stardom but their cultural significance depended. WITH THE BEATLES’ FINAL PERFORMANCE on the roof of the Apple Records building at the beginning of 1969, documented in Michael Lindsay-Hogg’s film Let It Be (1970), the Rolling Stones’ claim to being the greatest rock band in the world was now uncontested. -
Download Song List As
Top40/Current Bruno Mars 24K Magic Stronger (What Doesn't Kill Kelly Clarkson Treasure Bruno Mars You) Uptown Funk Bruno Mars Firework Katy Perry Can't Stop The Feeling Justin Timberlake Hot N Cold Katy Perry Good as Hell Lizzo I Choose You Sara Bareilles Cake By The Ocean DNCE Till The World Ends Britney Spears Shut Up And Dance Walk The Moon Life is Better with You Michael Franti & Spearhead Don’t stop the music Rihanna Say Hey (I Love You) Michael Franti & Spearhead We Found Love Rihanna / Calvin Harris You Are The Best Thing Ray LaMontagne One Dance Drake Lovesong Adele Don't Start Now Dua Lipa Make you feel my love Adele Ride wit Me Nelly One and Only Adele Timber Pitbull/Ke$ha Crazy in Love Beyonce Perfect Ed Sheeran I Gotta Feeling Black Eyed Peas Thinking Out Loud Ed Sheeran Let’s Get It Started Black Eyed Peas Cheap Thrills Sia Everything Michael Buble I Love It Icona Pop Dynomite Taio Cruz Die Young Kesha Crush Dave Matthews Band All of Me John Legend Where You Are Gavin DeGraw Blurred Lines Robin Thicke Forget You Cee Lo Green Party in the U.S.A. Miley Cyrus Feel So Close Calvin Harris Talk Dirty Jason Derulo Song for You Donny Hathaway Call Me Maybe Carly Rae Jepsen This Is How We Do It Montell Jordan Brokenhearted Karmin No One Alicia Keys Party Rock Anthem LMFAO Waiting For Tonight Jennifer Lopez Starships Nicki Minaj Moves Like Jagger Maroon 5 Don't Stop The Party Pitbull This Love Maroon 5 Happy Pharrell Williams I'm Yours Jason Mraz Domino Jessie J Lucky Jason Mraz Club Can’t Handle Me Flo Rida Hey Ya! OutKast Good Feeling -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.