DOCSLIB.ORG

OVO from Cirque Du Soleil Willi Be of Copyrighted Material Without the Expressed Written Permission of the Publisher

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
OVO from Cirque Du Soleil Willi Be of Copyrighted Material Without the Expressed Written Permission of the Publisher ENTERTAINMENT • DINING • SPORTS • TRAVEL • HUMOR • MUSIC January 2020 OVO fr om Cirque Du Soleil JANUARY 23 -28 - PPG PAINTS ARENA ! " WALK-IN BATHTUB SALE! SAVE $1,500 Walk-In Tubs One-Touch Controls Hand Held Shower Low Threshold Comfort & Safety Shada Brooks Lifetime Warranty! Finance Options Available* 44 Hydrotherapy Jets EXPERIENCE YOU CAN TRUST! Only American Standard has OVER 140 years of experience and offers the Liberation Walk-In Bathtub. SUPERIOR DESIGN! Ultra low easy entry and exit design, wide door, built-in safety bar and textured fl oor provides a safer bathing experience. PATENTED QUICK-DRAIN® TECHNOLOGY FREE! LIFETIME WARRANTY! FREE! An In-Home The ONLY Lifetime Warranty on the bath AND installation, Savings Include an Evaluation Will INCLUDING labor backed by American Standard. American Standard Be Scheduled 44 HYDROTHERAPY JETS! Right Height Toilet At Your Earliest More than any other tub we’ve seen. FREE! ($500 Value) Convenience Limited Time Offer! Call Today! 1-877-746-3179 Or visit: www.walkintubinfo.com/nightwire Discount applied at time of purchase. Terms and Conditions Apply. * Subject to 3rd party credit approval. Minimum monthly payments required. Receive a free American Standard Cadet Toilet with full installation of a Liberation Walk-In Bath, Liberation Shower, or Deluxe Shower. Offer valid only while supplies last. Limit one per household. Must be fi rst time purchaser. All offers subject to change prior to purchase. See www.AmericanStandardBathtubs.com for other restrictions and for licensing, warranty, and company information. *CSLB B982796; Suffolk NY:5543IH; NYC:HIC#2022748-DCA. Safety Tubs Co. LLC does not sell in Nassau NY, Westchester NY, Putnam NY, Rockland NY. October 2019 • 25 Publisher: Joyce Campisi Editor-in-Chief: Joyce Campisi 12 Executive Editor: Joseph P. Campisi, III Sports Editor: Stacy Kauff man Assignment Editor/Charity Coordinator: Jennifer Campisi Travel Journalists: Joyce Campisi, Suz Pisano Graphic Designer: Tami Haslett Layout/Production: Design2Pro Feature Writers: Brian Meyer Contributing Writers: 24 DottieWilhelm, Lori Hon, GerryPekol CONTENT Distribution Manager: Jeff Engbarth 6 Pitt sburgh Public Theater Presents - Nightwire Magazine/SX Publications LittlebShop of Horrors 157 Rossmor Court Pgh, PA 15229 Phone: 412-415-0196 8 Start Your New Year This Mounth by www.nightwire.net Attending a Culturally Enriching Experience Photos used in Nightwire Magazine were with the permission of Karl Rosen / Pittsburgh Steelers / NFL, Pittsburgh Penguins Presented by the Pittsburg Cultural Trust! / NHL, Pittsburgh Pirates / MLB. You may not alter, reproduce, redistribute or use these images in any manner what so ever without the written permission from Karl Rosen / Pittsburgh Steeler / NFL, Pittsburgh Penguins / NHL, Pittsburgh Pirates / 12 Liberty Magic Presents — Derek Hughes MLB. All photos are copyright protected. All images that display is the Stand Up Magician — January 8 – Pittsburgh Steeler logo or uniforms are the sole property of the Pittsburgh Steelers. All images that display Pittsburgh February 16, 2020 Penguin logo or uniforms are the sole property of the Pittsburgh Penguins. All images that display the Pittsburgh Pirates logo or uniforms are the sole property of the Pittsburgh Pirates. None of these images may be used in any commercial or personal 14 Doce Taqueria — South Side New Location venture without the expressed written consent of Karl Rosen / Pittsburgh Steelers and the NFL, Pittsburgh Penguins and and Second Location in the North Hills! the NHL, Pittsburgh Pirates and the MBL. Nightwire Magazine wishes to personally thank Karl Rosen / Pittsburgh Steelers and the NFL, Pittsburgh Penguins and the NHL, Pittsburgh Pirates 18 Logyard Brewing Company and the MBL for the exclusive use of their photos. Copyright ®, SX publications, Nightwire. All rights reserved. SX Publications, Nightwire owns the copyrights of the photographs 20 Team Resolutions For 2020 and contents of this publication. No part of this publication may be reproduced, modifi ed, retransmitted or published in any part 24 OVO From Cirque Du Soleil WillI Be of copyrighted material without the expressed written permission of the publisher. The articles and editorials are meant for entertain- Presented — In Pittsburgh Starting — ment purposes only, and do not necessarily represent opinions of SX Publications, Nightwire, they are those of the writers and advertisers and may not necessarily represent those of SX Publi- January 23, 2020 AT PPG — Paints Arena cations, Nightwire. SX Publications, Nightwire in no way off ers any recommendations, endorsements or guarantees of any kind with regard to any service, product or person in any way for the actions 28 Christmas Humor ensuing from advertising. This publication contains elements adult in nature and may not be suitable for minors. Some of the products and services available through advertisements are not for purchase by minors. SX Publications, Nightwire cannot be held responsible for photos submitted by advertisers and photography Photo courtesy of: Cirque du Soleil supplied by advertisers or vendors without a release from the model(s). SX Publications, Nightwire will assume no liability for mis- prints, typos, ad print quality, ad placement or incorrect ad copy. 4 JANUARY, 2020 JANUARY, 2020 5 Pitt sburgh Public Theater Presents - LITTLE SHOP OF HORRORS In Artistic Director Marya Sea Kaminski’s fi rst musical at Pitt sburgh Public Theater, a legendary plant meets an irresistible pop score. did so brilliantly was add lyrics and music in the Beast, and again the partners received Os- the styles of R&B, rock, and the girl-groups of cars for their work. Ashman, however, did not the early ’60s. This last sound is embodied on- live to take home the award. He died of AIDS stage by The Urchins, a singing group made up in 1991. Menken continues to be an in-demand of Ronnette (Melessie Clark), Crystal (Tavia composer whose music includes Sister Act, Riveé), and Chiffon (Abigail Stephenson). The Newsies, and Aladdin among many others. trio acts as a sort of Greek cho- rus commenting on the action – if Greek choruses were young, hip, and melodic. Little Shop of Horrors’ signature songs include “Downtown (Skid Row),” “Some- where That’s Green,” and the awesome power ballad “Suddenly Seymour.” In addition to Little Shop of Horrors’ hilariously harrowing plot, Marya sees its deeper mean- ing. “Little Shop resonates with Pittsburgh Public Theater starts 2020 with the bigger question of what it’s the musical comedy Little Shop of Horrors, with like to be hungry and tells the book and lyrics by Howard Ashman and music story of the monstrous lengths by Alan Menken. This monster hit is Marya we’ll go to in order to get what we Sea Kaminski’s first musical at The Public, and most crave.” features the return of Grammy winner John The design team for Little Shop McDaniel as Music Director. Little Shop of Hor- of Horrors is Timothy Mackabee PITTSBURGH PUBLIC THEATER rors runs January 23 – February 23, 2020 at the (Scenic), Susan Tsu (Costumes), PRESENTS LITTLE SHOP OF O’Reilly Theater, Pittsburgh Public Theater’s Robert Aguilar (Lighting), Zach HORRORS JANUARY 23 – home in the heart of Downtown’s Cultural Dis- Moore (Sound), and Bryce Cutler FEBRUARY b23, 2020 trict. For tickets call 412.316.1600, go to ppt.org, (Projections). Trina Mills is the Choreographer, or visit the Box Office. Catie Brown is Associate Music Director, and Performance Schedule In Little Shop of Horrors, Mr. Mushnik (Marc Hattie Clare Andres is the Associate Director. Tuesdays at 7 pm. Moritz) struggles to keep his Skid Row fl ower shop Casting is by Geoff Josselson, Pamela Brusoski Wednesdays thru Saturdays at 8 pm (ex- open. One day his nerdy clerk, Seymour (Carnegie is the Production Stage Manager, and Rebecca cept Wed. Feb. 5). Mellon University grad Philippe Arroyo), brings Krall is the Assistant Stage Manager. Saturdays at 2 pm (except Jan. 25 & Feb. in an odd horticultural fi nd. He names it after his ABOUT ASHMAN & MENKEN 1) plus 2 pm on Thurs. Feb. 20. co-worker, Audrey (Lauren Marcus, Be More Chill), The first collaboration between Howard Sundays at 2 & 7 pm (except Feb. 23 with whom he is in love. But Audrey is dating a sa- Ashman and Alan Menken was God Bless You, when the fi nal performance is at 2 pm). distic dentist, Orin (Patrick Cannon), so Seymour Mr. Rosewater, a 1979 musical adaptation of Opening Night/Press Night is Friday, must content himself with nurturing his little bloom, Kurt Vonnegut’s book. Little Shop of Horrors Jan. 31. Audrey II. He quickly discovers, however, that this followed in 1982 and its popularity was phenom- Ticket prices start at $31. Tickets for stu- plant isn’t like any other. It can talk and sing! (Mon- enal, running for five years at Off-Broadway’s dents and age 26 and younger: $16.50. teze Freeland, voice of Audrey II). It can also dance, Orpheum Theatre. The success of Little Shop Discounts for groups of 10+ are available and grow to amazing heights (J. Alex Noble, puppe- soon brought Disney Pictures to Ashman & by contacting Katina White at 412.316.8221 teer of Audrey II). The fl ower just needs one thing in Menken’s door. The writing partners then cre- or [email protected]. order to thrive: fresh human blood. ated the lyrics and music for the animated mov- Ticket prices are subject to change. Little Shop of Horrors is based on Roger ie, The Little Mermaid, and received Academy For tickets contact 412.316.1600, ppt.org, Corman’s sci-fi movie from 1960 titled The Lit- Awards for Best Song and Best Score. This was or The O’Reilly Box Offi ce. tle Shop of Horrors. What Ashman & Menken followed by another Disney movie, Beauty and 6 JANUARY, 2020 ® DANGEROUSLY SMOOTH ® • From premium Scandinavian grains DOUBLE GOLD MEDAL • Water from pristine deep pure aquifers AT NEW YORK INTERNATIONAL VODKA COMPETITION ̽'LVWLOOHGDQGͤOWHUHGWRSHUIHFWLRQ • Double Gold medals in international competition PITTSBURGH BASED JANUARY, 2020 7 START YOUR NEW YEAR THIS MONTH BY ATTENDING A CULTURALLY ENRICHING EXPERIENCE PRESENTED BY THE PITTSBURGH CULTURAL TRUST! A variety of happenings are coming to the Cultural District this month.
Load more

Recommended publications
  • Tomb Raider & Aerial Angel
    Slackwire LED-Quick Change Aerial Straps Fish Fetish Desire for Light Tomb Raider & Aerial Angel 1 Inhalt About us 3 Desire for Light 4 Fish Fetish 8 Tomb Raider 12 Aerial Angel 14 Rotor 18 Awards 22 Testimonials 23 Portfolio 26 Download Link 27 Contact 29 2 About us Mara Zimmerli & Chris Pettersen Quality entertainment is our thing! Chris combines fun acting abilities with balance skills on the slackwire. He earned his bachelor degree in Circus Arts at Ecole Supérieure des Arts du Cirque in Belgium. His signature act Fish Fetish won prices at Festival Mondial du Cirque Demain in Paris and in Young Stage International Circus Festival in Switzerland. Mara unites grace and power in a female body. With specialised coaching and workshops, she has developed her sensual and empowering vibes. Seen on TV, performed in Cirque du Soleil in New York, and the London Olympics Closing Ceremony. Mara & Chris are seriously funny, versatile and they entertain by the values of a true artist with heart and dedication! This is your chance to offer your visitors something they have never seen before. 3 Desire for Light LED - Quick-change 4 A story where a duel turns into a duet, and a fight becomes the desire for light! A highly choreographed LED performance with object manipulation, costume quick-change, and an epic cinematic ending. Video 5 Desire for Light Technical requirements It takes about 20 minutes to get into the quick change costumes before we go on stage, so if we perform more than one act during your show, please take this into consideration.
    [Show full text]
  • The Erosion of Aboriginal Identity in Circus, 1851–1960
    Celebrated at first, then implied and finally denied: the erosion of Aboriginal identity in circus, 1851–1960 Mark Valentine St Leon Circus in a modern form was first presented in London in the late 18th century. Philip Astley (1742–1814), a former cavalryman, gave open-air displays of trick riding in 1768 in a ring within a roped-off field at Lambeth on the southern side of the Thames. These displays were eventually enclosed, roofed over and given in a building, which he called Astley’s Amphitheatre.1 The establishment was popularly referred to as ‘the circus’, a word used at the time to describe the open-air circular recreational riding tracks in and around London.2 The ring, the essence of the circus experience, was a primordial device for grouping an audience around a spectacle of human activity.3 On the other side of the world, Australia’s Aboriginal people employed the same device for ceremonies such as a corroboree, the earliest performances by Aborigines to be witnessed by Euro- peans.4 Astley’s remained the international centre of circus well into the 19th century. By the early 1800s, provincial Britain was served by numerous circuses of various sizes and reputations, which travelled by road.5 These companies and others on the Conti- nent, the newish United States and eventually in the new colonies of Australia mimicked Astley’s programs. Also mimicked were the exquisite equestrian panto- mimes devised by Andrew Ducrow (1798–1842), the principal equestrian, lessee and manager of Astley's from 1825 until his death. Despite the popularity of circus entertainments in 19th-century England, circus performers inherited the inferior social standing of itinerant entertainers.
    [Show full text]
  • Circus Report, November 21, 1977, Vol. 6, No. 47
    HHjl.tl • " "" 6th Year November 21,1977 Number 47 Sought For Ivory Wildlife conservationists say ivory hunters killed from 100,000 to 400,000 elephants during 1976, in Africa. Their methods range from shooting the animals with rockets to burning them to death in huge gr=»ss fires. As a result the African elephant could become as extinct as the blue whale, Iain Douglas-Hamilton, an international authority on elephants, told the World Wilderness Congress that something has to be done to half the demand for ivory and thus to protect the elephant. He reports that in Chad, on the southern fringe of the Sahara, there were reports the army had used rockets to fire at elephants from helicopters in the race to feed the world ivory According to Douglas-Hamilton the figures market. were developed after he had weighed thousands of tusks in Dar Ks Salaam's weighing rooms. "In Sudan, 1 have received very recent re- ports that some tribes are still burning elephant Elephants, he said, have been seriously over herds by setting the grass around them afire." exploited, particularly since the 10 fold rise in the price of ivory since the late 1 960's. Ivory leaving Africa in 1976 may have come from between 100,000 and 400,000 ele- He reports that Kenya has lost more than 50 phants and there seems to be no let-up in the per cent of its elephant population in the past demand for ivory, he added. seven years. In Uganda, he added, the loss is even greater.
    [Show full text]
  • Cirque Mechanics: Jan
    Cirque Mechanics: Jan. 17, 2020 Cirque Cirque Mechanics 42FT – A Menagerie of Mechanical Marvels Friday, Jan. 17, 7:30 p.m. Program Act One Act Two Opening Poster Wall Justin Finds the Circus Revolving Ladder Matinee Finale Rosebud Returns The Suitcase Animal Trainer Circus Parade Knife Throwing Wheel Charivari Sword Swallowing Juggling with Rosebud Slack Wire Duo Trapeze Strong Man Log Zombie Cape Russian Swing Strong Man Bowling Balls Justin Joins the Circus Bravado Brothers Finale Juggle Go Round There will be one 20-minute intermission between acts one and two. CIRQUE MECHANICS IS REPRESENTED BY PLEASE NOTE • Latecomers will be seated at the house manager’s discretion. • Photography and video recordings of any type are strictly prohibited during the performance. • Smoking is not permitted anywhere. CU Boulder is a smoke-free campus! · cupresents.org · 303-492-8008 C-1 energy led him to “run away” with his own circus Program notes company, Cirque Mechanics. About 42ft – A Menagerie of Lashua believes that innovative mechanical Mechanical Marvels apparatus and the relationship between performer and machine sets his company apart and is at the Forty-two feet in diameter has been the measure heart of what makes Cirque Mechanics unique. of the circus ring for 250 years. Englishman Philip Lashua has delivered on this approach in the Astley discovered that horses galloping inside this company’s theatrical productions. His innovative ring provide the ideal platform for acrobatic feats. machines interact with acrobats, dancers, jugglers These equestrian acrobatics, along with clowns and contortionists on a 1920s factory floor in and flyers, are a large part of what we’ve all come Birdhouse Factory, a gold rush-era town in Boom to know as the circus.
    [Show full text]
  • Academic Staff Teachers Circus Trainers
    STAFF NICA Teaching Staff List Academic Staff Academic Leader Jenny Game-Lopata Head of Circus Studies James Brown – Acrobatics, Adagio, Handstands, Russian Bar, Roue Cyr, Teeterboard, Foundations VE Coordinator Tegan Carmichael – Foundations, Acrobatics, Dance Trap, Static Trap, Swinging, Single Point Aerial, Hula Hoops, Roller Skating, Group Pitching and Acrobatics Performance Coordinator Zebastian Hunter Movement Studies Coordinator Meredith Kitchen Third Year Coordinator Aaron Walker - Vertical Aerials, Dance Trapeze Second Year Coordinator Vasily Ivanov - Adagio, Contortion, Handstands, Korean Plank, Pitching, Russian Bar, Russian Swing First Year Coordinators Andrea Ousley – Performance, Aerials Emily Hughes – Cloudswing and Swinging Trapeze, Skipping, Static Trapeze, Dance Trapeze, Foundations Certificate IV Coordinator Alex Gullan - Foundations, Group Acrobatics, Trickline, Straps, Korean Plank, Wall Trampoline Certificate III Coordinator, Social Circus Coordinator Andrea Ousley - Performance, Aerials Consultant Jenni Hillman Senior Administrator Catherine Anderson Senior Administrator Jenny Vanderhorst Teachers Debra Batton – Performance Teacher Dr Rosemary Farrell – Circus History John Paul Fischbach – Arts Management Jamie Henson – Technical Aspects of Circus Dr David Munro – Anatomy & Physiology Circus Trainers Stephen Burton – Acrobatics, Comedy Acro, Hoop Diving Gang (Charlie) Cheng – Acrobatics, Chinese Pole, Handstands, Happy Cook, Unicycle, Chair Handstands Adam Davis – Chinese Pole, Acrobatics, Trampoline, Foundations,
    [Show full text]
  • John Bill Ricketts and the Edinburgh Equestrian Circus
    5 Kim Baston La Trobe University, Australia Transatlantic Journeys: John Bill Ricketts and the Edinburgh Equestrian Circus John Bill Ricketts is generally credited as the founder of American circus, setting up a circus in Philadelphia in 1793. This paper examines evidence from Ricketts’ early career in England and Scotland and argues that the successful transplant of the early modern circus form initiated by Philip Astley into America rested on Ricketts’ experiences with a small circus in Edinburgh, established by the equestrian performers George Jones and William Parker. Not only did this circus provide a repertoire and a business model which Ricketts replicated in his American circuses but, crucially, provided him with a network of experienced performers whom he subsequently employed. The first circus in America owed much to the first circus in Scotland. Kim Baston is a Senior Lecturer in Theatre and Drama at La Trobe University, Melbourne. Keywords: John Bill Ricketts, circus, equestrian, American circus, Edinburgh circus, James Jones, George Jones he equestrian performer, John Bill Ricketts, is generally credited with T being the founder of circus in the Americas, setting up a circus in Philadelphia in 1793, and going on to establish circus buildings along the eastern seaboard, and in Canada. As an originating figure, his achievements are listed in almost every history of the American circus, whether popular or academic. Many existing histories, however, attach Ricketts in a seamless lineage to either Philip Astley, founder of Astley’s Amphitheatre and the institution of the early modern circus in England, or, more commonly, to an apprenticeship with Astley’s rival, Charles Hughes, founder of the Royal Circus.1 This link was first questioned by James S.
    [Show full text]
  • Nica Teaching Staff List
    NICA TEACHING STAFF LIST ACADEMIC STAFF Academic Leader Dr. Jenny Game-Lopata Head of Circus Studies James Brown VE Coordinator Tegan Carmichael Performance Coordinator Zebastian Hunter Movement Studies Coordinator Meredith Kitchen Third Year Coordinator Aaron Walker Second Year Coordinator Vasily Ivanov First Year Coordinator Emily Hughes Certificate IV Coordinator Alex Gullan Certificate III Coordinator/ Andrea Ousley Social Circus Coordinator Consultant Jenni Hillman Senior Administrator Catherine Anderson Senior Administrator Jenny Vanderhorst TEACHERS Performance Teacher Debra Batton Circus History Dr Rosemary Farrell Arts Management John Paul Fischbach Technical Aspects of Circus Jamie Henson Anatomy & Physiology Dr David Munro NICA TEACHING STAFF LIST CIRCUS TRAINERS James Brown Acrobatics, Adagio, Handstands, Russian Bar, Roue Cyr, Teeterboard, Foundations Stephen Burton Acrobatics, Comedy Acro, Hoop Diving Tegan Carmichael Foundations, Acrobatics, Dance Trap, Static Trap, Swinging, Single Point Aerial, Hula Hoops, Roller Skating, Group Pitching and Acrobatics Gang (Charlie) Cheng Acrobatics, Chinese Pole, Handstands, Happy Cook, Unicycle, Chair Handstands Adam Davis Chinese Pole, Acrobatics, Trampoline, Foundations, Hoop Diving, Adagio Liudmila Druzhina Contortion, Handstands, Hula Hoops, Tightwire, Adagio Karen Edelenbos Juggling, Manipulation, Hats, Hula Hoops Helene Embling Rope, Swinging Trapeze, Static Trapeze, Tissu, Multicords Anna Fisher Hula Hoops, Hoop Rolling Brett Franzi Rope, Tissu, Acrobatics, Foundations, Single
    [Show full text]
  • “ Cirque in Transition”
    AArrttiissaannss ddee LL’’IImmaaggiinnaaiirree 30 ans du Cirque du Soleil ““ CCiirrqquuee iinn TTrraannssiittiioonn”” PART FOUR: 1999 - 2004 155 ““ CCiirrqquuee iinn TTrraannssiittiioonn”” PART FOUR: 1999 - 2004 Can Cirque du Soleil go on without Dragone? "There's no reason why the circus can't change with the times." – Guy Caron At the end of 1998, the creative team behind so many of Cirque du Soleil's productions in the 1990s - Franco Dragone, Michel Crete and Dominique Lemieux - concluded their remarkable run of artistic and professional development with the company, leaving the creative reins to future shows in the hands of others and giving Cirque du Soleil an interesting dilemma to overcome during the first-half of the new millennium: how to move on from a very successful run of productions under the helm of Franco Dragone and his team of conceptors and show the world it could still re-invent the circus. Faced with the challenge of mounting a new show, with a new team, in a compressed period of time, Guy Laliberté turned to an old friend: Guy Caron. Since he had left Cirque in 1988, Caron had maintained friendly relations with Laliberté. In 1992, he had even directed a show called “Cirque Knie Presents Cirque du Soleil” for the Swiss National Circus, produced in collaboration with Cirque. Caron's job wasn't easy, though. He'd have to pick up the creative pieces and attempt to meet or exceed the expectations laid down by the likes of Quidam, “O” and La Nouba. Despite the challenges - or perhaps because of them - Laliberté and Caron were able to show that it was the creative juices of the whole rather than just one man that drove the company, and it was during this period of transition that Cirque du Soleil began to branch out beyond theatrical productions; Cirque would dive into the realm of motion pictures and television full-force with Journey of Man (IMAX film), Fire Within (reality series) and Solstrom (variety series).
    [Show full text]
  • Circus Report, January 5, 1981, Vol. 10, No. 1
    January 5, 1981 ., THE KLEMENTIS Featured in "Bedazzle" at Harrah's, South Lake Tahoe Page 2 January 5, 1981 Joseph C. Reisinger ACTS - Are you listed with us ? ATTORNEY AT LAW DWIGHT DAMON Entertainment Law - Civil Trials - Immigration Entertainment Unlimited For Free Consultation or Appointment Call: 415 -472 -1050 Lane Manor, Box 685, Merrimack. NH 03054 603-424-3341 Notice Circus Report tries to be honest and correct GARDEN JOHNSON CIRCUS in both its reporting of news and events and advertisements. We make every effort to avoid BY KAYE SCHEIMAN mistakes and will not assume liability for any The Garden-Johnson Circus presented some typographical errors other than to run a cor- 13 shows at Hammond, Ind., Nov. 25-30. rected advertisement or statement in the earl- Featured with the show were: Cleao Plunked, iest issue possible. ringmaster; Paul Jackal one, music; Carol San- We appreciate all news items and reports on chez, vocals; Bob Top and Edna, skaters; Joe show activity. All articles and comments are Via. cat act (7 lions); Mark Pilger, trapeze; the opinion of the writer and do not necessar Kathy English and Anne Pike, roman rings; ily reflect those of Circus Report. Cuccillo, trampoline; Bobby Gibbs, 7 white We reserve the right to edit all material so it German shepherd dogs; Eddie Steeples Gyp- will conform with the general style of writ- sy Bears (4); Gold Finger (Dino Medro) bal- ing used by Circus Report. ancing; Clowns with Balloon Shoot (Maxo Advertisers should plan a two week working and Sandy); Olga Navarro, balancing trapeze; period for inclusion off ads in Circus Report.
    [Show full text]
  • The John and Mable Ringling Museum of Art the State Art Museum of Florida
    The John and Mable Ringling Museum of Art the State Art Museum of Florida 5401 Bay Shore Rd. / Sarasota, FL 34243 (941) 359-5700 / Fax: (941) 359-5892 www.ringling.org / email: [email protected] Governor The Honorable Jeb Bush Secretary of State The Honorable Katherine Harris Trustees and Christine L. Jennings, Chair Foundation Directors Marlow Cook, Vice Chair Lewis Bear, Jr., Treasurer Carolyn G. Johnson, Secretary Sheila Austin-Smith James S. Barnett Kay Culbreath Heller Dorothy C. Jenkins Beth K. Labasky Amy Ostrau Director David Ebitz Curator of the Museum of Deborah Walk the Circus and Historical Collections Education Team Virginia Shearer, Project Coordinator Deborah Herbert , Lesson Unit Coordinator Jackie Henson-Dacey, Lesson Unit Coordinator Cara Chiarello Kasha Gukonavich Fayanne Hayes Susannah Michalson Maureen Thomas Zaremba Art Partners Joyce Du Breuil, Dunedin Elementary School , Largo, FL Pam Heilig, Dale Mabry Elementary School, Tampa, FL Lynn Heller, Dale Mabry Elementary School, Tampa, FL Linda Hilterbrandt, Highland Lakes Elem. School, Palm Harbor, FL Barbara Jamieson, Dunedin Elementary School, Largo, FL Kathy Kleber, Highland Lakes Elementary School, Palm Harbor, FL Lara Lazemby, Fruitville Elementary School, Sarasota, FL Cheryl Rocco, Gocio Elementary School, Sarasota, FL Judith Overcash Leila G. Davis Elementary School Sarasota, FL Catherine Wilson, Leila G. Davis Elementary School, Clearwater, FL Cathy Wojtkun, Fruitville Elementary School, Clearwater, FL Alma Vega, Fruitville Elementary School, Sarasota,
    [Show full text]
  • “ L'explosion Du Cirque”
    AArrttiissaannss ddee LL’’IImmaaggiinnaaiirree 30 ans du Cirque du Soleil ““ LL’’eexxpplloossiioonn dduu CCiirrqquuee”” PART FIVE: 2004 - 2009 282 ““ LL’’eexxpplloossiioonn dduu CCiirrqquuee”” PART FIVE: 2004 - 2009 While Cirque du Soleil celebrated its birthday throughout 2004, the year brought forth a couple of very interesting changes to the company’s operational structure: Guy Laliberté stepped down as company President. An internal memo obtained to all employees dated February 25, 2004 outlined this change, and more: First, the appointment of Daniel Lamarre as the new President and Chief Operating Officer (COO) of the company, allowing Laliberté to virtually step back from the day-to-day operational responsibilities and focus more on the creative side of projects, which he said was the most dear to him. “This change comes at a time when Cirque is facing new business and organizational realities,” Laliberté said. With many new ventures on the drawing board, Laliberté will be busy. Laliberté will retain the title of Founder, CEO and “Guide”. The new role will be supported by five senior vice-presidents, including two recently created — Senior Vice-President of Shows, and Senior Vice-President of New Ventures). This change also merits a change to Cirque du Soleil’s Executive Board, which shall now consist of seven members — Guy Laliberté, Marc Gagnon, Michael Bolingbroke, Robert Blain, Eric Foumier and a position to be determined. The second profound statement in the memo is an announcement of the upcoming departure of Lyn Heward, President and COO of the Creative Content Division. Her slated departure is 2005; however, Heward is remaining on-board as an advisor until her replacement arrives.
    [Show full text]
  • 12 Mundo Paralelo Programme.Pdf
    What happens when circus “ intoxicating, tumultuous abandons its big top and production…” invades a theatre? Donald Hutera, The Times (Immortal) Circus and theatre are two parallel worlds. Nofitstate has always travelled a path somewhere between the two. Our tented shows, Immortal and tabú, reinvented circus in a big top with a promenade style, a multi-stage environment, and a fusion of circus and physical theatre. These award-winning shows have travelled throughout the world to great critical acclaim - amazing audiences wherever they go. This exciting new co-production with National Theatre Wales, Théâtre Tattoo and the Torch Theatre takes the best from both worlds and once again reinvents circus - but this time for a theatre stage. This collaboration has allowed us to deconstruct our circus skills and traditions and put them into a new context, given us the opportunity to re-examine what we do and how we do it. Through this process we have found a new performance vocabulary, developed new equipment and embraced the possibilities and magic of the theatre space. In National Theatre Wales’ 1st year and Nofistate’s 25th we create a truly new and innovative piece of work that is fresh, exciting, accessible and Mundo Paralelo is a co-production engaging. Once more pushing the art form further in different directions between National Theatre Wales, but always in parallel. Nofit State Circus and Théâtre Tattoo with the support of The Torch Theatre (Milford Haven) and Senarts (Toulouse). Nofitstatewas founded by five friends in Théâtre Tattoo was formed by Mladen Cardiff in 1986 as a creative reaction to Materic in the early 1980s in Sarajevo.
    [Show full text]