Nica Teaching Staff List

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NICA TEACHING STAFF LIST ACADEMIC STAFF Academic Leader Dr. Jenny Game-Lopata Head of Circus Studies James Brown VE Coordinator Tegan Carmichael Performance Coordinator Zebastian Hunter Movement Studies Coordinator Meredith Kitchen Third Year Coordinator Aaron Walker Second Year Coordinator Vasily Ivanov First Year Coordinator Emily Hughes Certificate IV Coordinator Alex Gullan Certificate III Coordinator/ Andrea Ousley Social Circus Coordinator Consultant Jenni Hillman Senior Administrator Catherine Anderson Senior Administrator Jenny Vanderhorst TEACHERS Performance Teacher Debra Batton Circus History Dr Rosemary Farrell Arts Management John Paul Fischbach Technical Aspects of Circus Jamie Henson Anatomy & Physiology Dr David Munro NICA TEACHING STAFF LIST CIRCUS TRAINERS James Brown Acrobatics, Adagio, Handstands, Russian Bar, Roue Cyr, Teeterboard, Foundations Stephen Burton Acrobatics, Comedy Acro, Hoop Diving Tegan Carmichael Foundations, Acrobatics, Dance Trap, Static Trap, Swinging, Single Point Aerial, Hula Hoops, Roller Skating, Group Pitching and Acrobatics Gang (Charlie) Cheng Acrobatics, Chinese Pole, Handstands, Happy Cook, Unicycle, Chair Handstands Adam Davis Chinese Pole, Acrobatics, Trampoline, Foundations, Hoop Diving, Adagio Liudmila Druzhina Contortion, Handstands, Hula Hoops, Tightwire, Adagio Karen Edelenbos Juggling, Manipulation, Hats, Hula Hoops Helene Embling Rope, Swinging Trapeze, Static Trapeze, Tissu, Multicords Anna Fisher Hula Hoops, Hoop Rolling Brett Franzi Rope, Tissu, Acrobatics, Foundations, Single Point Aerial Mireille (Mimi) Goyette Straps, Dance Trapeze, Aerial Hoop, Rope Alex Gullan Foundations, Group Acrobatics, Trickline, Straps, Korean Plank, Wall Trampoline Luke Ha Chinese Pole, Hoop Diving, Fork Manipulation, Foundations Martine Howard Aerial Hoop, Vertical Aerials Emily Hughes Cloudswing and Swinging Trapeze, Skipping, Static Trapeze, Dance Trapeze, Foundations NICA TEACHING STAFF LIST Vasily Ivanov Adagio, Contortion, Handstands, Korean Plank, Pitching, Russian Bar, Russian Swing Andrea Ousley Aerials, Performance Lu Rong Acrobatics, Chinese Pole, Handstands, Happy Cook, Manipulation, Slackwire Christian Schooneveldt-Reid Chair Handstands, Foundations, Teeterboard, Group Acrobatics Ludwig Schukin Clowning, German Wheel, Manipulation, Roué Cyr, Straps Siarhei (Serge) Sharapayeu Acrobatics, Straps Earl Shatford Clowning, Group Bike, Happy Cooks, Free Standing Ladder, Group Juggling, Manipulation, Hoop Rolling, Unicycle, Rola Bola Jess Smith Dance (Hip Hop, Jazz) Aaron Walker Vertical Aerials, Dance Trapeze Julian Wisdom Cradle, Flying Trapeze, Swinging Trapeze, Web, Aerial Ladder Diana Zhang Adagio, Contortion, Hand Balancing, Group Bike, Foot Juggling .

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Monday Tuesday Wednesday Thursday Friday Saturday Swinging Trapeze 1000-01 2:30-3:30PM Swinging Trapeze 1000-02 2:00-3:00PM Hammock 0200-02 3:00-3:30PM Swinging Trapeze 1000-02 2:45-3:30PM Swinging Trapeze 1000-01 2:15-3:15PM 9:00 AM Wings 0000-01 2:30-3:45PM Cloud Swing 1000-01 2:30-3:00PM Revolving Ladder 1000-01 3:15-4:00PM Double Trapeze 0100-04 3:30-4:15PM Duo Trapeze 0100-01 3:15-4:00PM Flying Trapeze 0000-02 3:00 PM 3:00 Mexican Cloud Swing 0100-02 3:30-4:15PM Pas de Deux 0000-01 3:00-4:00PM Swinging Trapeze 0100-02 3:15-4:00PM Handstands 1000-01 3:30-4:15PM Duo Trapeze 0100-03 3:15-4:00PM Globes 0000-01 Swinging Trapeze 0100-01 3:30-4:15PM Double Trapeze 0100-02 3:15-4:00PM Triangle Trapeze 1000-01 3:30-4:15PM Chair Stacking 1000-01 Triangle Trapeze 0100-02 3:15-4:00PM Low Casting Fun 0000-04 4-Girl Spinning Cube 1000-01 3:45-4:30PM Duo Trapeze 0100-02 3:30-4:15PM Static Trapeze 1000-01 4-Girl Spinning Cube 0000-01 3:30-4:00PM Mini Hammock 0000-02 Handstands 1000-01 Manipulation Cube 0000-01 3:30-4:00PM Star 0100-01 High Wire 1000-01 Stilt Walking 1000-01 3:30-4:25PM Toddlers 0200-03 ages 3-4 Mexican Cloud Swing 0100-02 3:30-4:15PM Acrobatics 0205-01 ages 10+ Triangle Trapeze 1000-01 3:30-4:15PM Double Trapeze 0100-04 3:30-4:15PM Stilt Walking 1000-01 3:30-4:25PM Trampoline 0000-04 ages 6-9 Swinging Trapeze 0100-01 3:30-4:15PM Bungee Trapeze 0300-01 Cloud Swing 0100-02 4:00-4:30PM Handstands 1000-01 3:30-4:15PM Duo Hoops 1000-01 4:00-4:30PM 4:00 PM 4:00 4-Girl Spinning Cube 1000-01 3:45-4:30PM Circus Spectacle 0100-01 Pas de Deux
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Lucas Boutin CV 2020 English
LUCAS BOUTIN — ACROBAT D.O.B. : 19/02/1990 [email protected] Based in Montréal French passport Permanent Resident of Canada Language EXPERIENCE French / English Acrobat/Artist Coach - CRYSTAL - Cirque du Soleil - Tour - 2017/2020 Circus Disciplines Creation and international tour of the arena show CRYSTAL, the first Cirque Chinese pole, floor du Soleil Ice show. General acrobat, as well as pole specialist in the main acrobatics, hoop diving, poles/pendular pole act (mix of chinese pole and russian swing). Back-up cyr wheel, juggling clown and back-up juggler. (bouncing balls and clubs), banquine and Receptionist, The 7 Fingers, Montreal — February/June 2017 groupe acrobatic. Casting, data base and receptionist for the 7 Fingers in their ofice in Formations Montreal. - National Center for Circus Arts (Circus Coach - LA PERLE - Dragone - DUBAI — November 2016 Space) Chinese pole and suspended pole coach for the last Dragone creation LA Specialized in chinese PERLE in Dubai. pole and floor acrobatics 2008/2011 Acrobat - CIRKOPOLIS - Cirque Éloize- Montreal/Miami June/July 2016 London, England. Rehearsals of the show CIRKOPOLIS by Cirque Éloize in Montreal followed by - École Nationale de 5 weeks of performances in Miami, USA. Main act Duo Chinese pole, and Cirque de Châtellerault groups acts (banquine, floor acrobatics, club passing). French baccalaureat in literature and Circus Solo Chinese Pole - THE ACT - DUBAI - November 2015 Arts, specialized in floor One month of performing my solo chinese pole act for the cabaret THE ACT acrobatics and juggling in Dubai. 2005/2008 Châtellerault, France. Coach - National Center for Circus Arts - London - July 2015 Chinese pole coach for the Circus Degree at the National Center for Circus Profil Arts (Circus Space) in London.
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Jessi Fisher
Jessi Fisher Gender: Female Mobile: 989-400-9624 Height: 5 ft. 5 in. E-mail: [email protected]... Weight: 120 pounds Web Site: http://www.jessifish... Eyes: Blue Hair Length: Long Waist: 26 Inseam: 28 Shoe Size: 8 Physique: Slim / Athletic Coat/Dress Size: 2-4 (S) Ethnicity: Caucasian / White Unique Traits: TATTOOS (Don't Have Them) Photos Film Credits Red Notice Stunts Doug Coleman The Suicide Squad Stunts Guy Norris After We Collided Stunt double: Josephine Langford Kevin Beard Violet Stunt double: Olivia Munn JP Ruggiero Terminator: Dark Fate Stunt double: Linda Hamilton Freddy Bouciegues Mile 22 Stunt double: Ronda Rousey Clay Cullen The Happytime Murders Stunt double: Elizabeth Banks Joey Box/Walter Garcia Den of Thieves Stunts Joey Box Alita: Battle Angel Stunt double: Screwhead Garrett Warren Rampage Stunts (reshoots) Daniel Stevens Haunt Stunt double: Witch TJ White Destruction: Los Angeles Stunt double: Cynthia Watros Kevin Beard Generated on 09/23/2021 09:19:22 pm Page 1 of 5 Kurt Bryant Jason Bourne Stunts Gary Powell Ghostbusters Stunt double: Kristen Wiig Walter Garcia Last Witch Hunter Stunts Jonathan Eusebio Funny Story Stunts Ryan Sturz School's Out Assistant stunt coordinator Brennan Dyson Furious 7 Stunts Andy Gill Summer Forever Stunt double: Alyson Stoner TJ White The Gallows Utility stunts Tony Snegoff 3 Days to Kill Utility stunts Lane Leavitt Road Wars Stunts Phil Tan Code of Cain Utility stunts William DeVital The Hangover Part III Stunts Jack Gill Dead Snow 2 Utility stunts Joe Perez Cirque du Soleil Worlds
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Tomb Raider & Aerial Angel
Slackwire LED-Quick Change Aerial Straps Fish Fetish Desire for Light Tomb Raider & Aerial Angel 1 Inhalt About us 3 Desire for Light 4 Fish Fetish 8 Tomb Raider 12 Aerial Angel 14 Rotor 18 Awards 22 Testimonials 23 Portfolio 26 Download Link 27 Contact 29 2 About us Mara Zimmerli & Chris Pettersen Quality entertainment is our thing! Chris combines fun acting abilities with balance skills on the slackwire. He earned his bachelor degree in Circus Arts at Ecole Supérieure des Arts du Cirque in Belgium. His signature act Fish Fetish won prices at Festival Mondial du Cirque Demain in Paris and in Young Stage International Circus Festival in Switzerland. Mara unites grace and power in a female body. With specialised coaching and workshops, she has developed her sensual and empowering vibes. Seen on TV, performed in Cirque du Soleil in New York, and the London Olympics Closing Ceremony. Mara & Chris are seriously funny, versatile and they entertain by the values of a true artist with heart and dedication! This is your chance to offer your visitors something they have never seen before. 3 Desire for Light LED - Quick-change 4 A story where a duel turns into a duet, and a fight becomes the desire for light! A highly choreographed LED performance with object manipulation, costume quick-change, and an epic cinematic ending. Video 5 Desire for Light Technical requirements It takes about 20 minutes to get into the quick change costumes before we go on stage, so if we perform more than one act during your show, please take this into consideration.
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Circus Schools Discovery Questionnaire This Is for Quotation Purposes Only—This Is Not a Binder A
ANY PERSON WHO KNOWINGLY AND WITH INTENT TO DEFRAUD ANY INSURANCE COMPANY OR OTHER PERSON, FILES AN APPLICATION FOR INSURANCE CONTAINING ANY FALSE INFORMATION, OR CONCEALS FOR THE PURPOSE OF MISLEADING, INFORMATION CONCERNING ANY FACT MATERIAL THERETO, COMMITS A FRAUDULENT INSURANCE ACT, WHICH IS A CRIME. CIRCUS SCHOOLS DISCOVERY QUESTIONNAIRE THIS IS FOR QUOTATION PURPOSES ONLY—THIS IS NOT A BINDER A. General Information PROPOSED EFFECTIVE DATE: 1. Applicant (as it would appear on the coverage contract): 2. Doing Business As: 3. Mailing Address: City: State: Zip: 4. Contact Person: Years Experience: Contact Person is: □ Owner □ Manager □ Promoter □ Management □ Other: 5. Phone: Fax Number: 6. Web Address: E-Mail Address: 7. Is this a new business? □ Yes □ No If no, how many years have you been in business? 8. Applicant is: □ Individual □ Corporation □ Partnership □ Joint Venture □ Other: 9. Length of season: 10. Who was your last or is your current insurance carrier? 11. What is or was your annual premium? 12. Describe your claims and loss history: 13. Amount of Liability Required: □ 50,000 per accident / 100,000 annual □ 100,000 per accident / 200,000 annual aggregate aggregate □ 100,000 per accident / 300,000 annual □ 200,000 per accident / 300,000 annual aggregate aggregate □ 200,000 per accident / 500,000 annual □ 300,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 300,000 annual □ 500,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 1,000,000 annual □ 500,000 per accident / 1,000,000 annual aggregate aggregate 14. Self-Insured Retention desired: □ $1,000 □ $2,500 □ $5,000 □ Other: $ B.
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Monday Tuesday Wednesday Thursday Friday
Monday Tuesday Wednesday Thursday Friday Saturday Wings 0000-01 2:30-3:45PM Pre-Professional Program 0000-01 2:00-3:30PM Open Gym 0000-01 2:30-4:00PM Pre-Professional Program 0000-01 2:00-3:30PM Swinging Trapeze 1000-01 3:00-3:30PM 9:00 AM Swinging Trapeze 1000-01 3:00-3:30PM Bite Balance 1000-01 3:15-4:00PM Duo Trapeze 1000-03 3:30-4:15PM Chair Stacking 0100-01 3:15-4:00PM Hammock 0300-01 3:30-4:00PM Acrobatics 0105-02 ages 10+ 3:00 PM 3:00 Audition Preparation for Professional Circus Schools 0000-01 3:30-4:30PM Mexican Cloud Swing 0000-01 3:15-4:00PM Pre-Professional Program 0000-01 Shoot-Thru Ladder 0200-02 3:30-4:15PM Swinging Trapeze 0000-03 3:30-4:00PM Flying Trapeze Recreational 0000-01 4-Girl Spinning Cube 0100-01 3:45-4:15PM Handstands 1000-01 Globes 0000-01 Audition Preparation for Professional Circus Schools 0000-01 3:30-4:30PM Acrobatics 0105-01 ages 10+ Duo Trapeze 1000-03 3:30-4:15PM Shoot-Thru Ladder 0200-02 3:30-4:15PM Acrobatics 0225-02 Low Casting Fun 0000-04 4-Girl Spinning Cube 0100-01 3:45-4:15PM Chinese Poles 0050-02 Hammock 0100-01 4:00-4:30PM Double Trapeze 0000-01 4:15-5:00PM Bungee Trapeze 0200-01 Mini Hammock 0000-03 4:00 PM 4:00 Mexican Cloud Swing 0200-01 4:15-5:00PM Dance Ballet 1000-01 Duo Trapeze 1000-01 4:15-5:00PM Shoot-Thru Ladder 0200-01 4:15-5:00PM Duo Unicycle 1000-01 Star 0100-01 Triangle Trapeze 0100-03 4:15-5:00PM Globes 0000-02 Hammock 0200-01 4:30-5:00PM Acrobatics 0250-01 Mini Hammock 0000-02 Toddlers 0300-01 ages 4-5 Circus Experience for Parks and Rec 0000-01 4:30-5:00PM Handstands 0005-01
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The Erosion of Aboriginal Identity in Circus, 1851–1960
Celebrated at first, then implied and finally denied: the erosion of Aboriginal identity in circus, 1851–1960 Mark Valentine St Leon Circus in a modern form was first presented in London in the late 18th century. Philip Astley (1742–1814), a former cavalryman, gave open-air displays of trick riding in 1768 in a ring within a roped-off field at Lambeth on the southern side of the Thames. These displays were eventually enclosed, roofed over and given in a building, which he called Astley’s Amphitheatre.1 The establishment was popularly referred to as ‘the circus’, a word used at the time to describe the open-air circular recreational riding tracks in and around London.2 The ring, the essence of the circus experience, was a primordial device for grouping an audience around a spectacle of human activity.3 On the other side of the world, Australia’s Aboriginal people employed the same device for ceremonies such as a corroboree, the earliest performances by Aborigines to be witnessed by Euro- peans.4 Astley’s remained the international centre of circus well into the 19th century. By the early 1800s, provincial Britain was served by numerous circuses of various sizes and reputations, which travelled by road.5 These companies and others on the Conti- nent, the newish United States and eventually in the new colonies of Australia mimicked Astley’s programs. Also mimicked were the exquisite equestrian panto- mimes devised by Andrew Ducrow (1798–1842), the principal equestrian, lessee and manager of Astley's from 1825 until his death. Despite the popularity of circus entertainments in 19th-century England, circus performers inherited the inferior social standing of itinerant entertainers.
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Acrobatics Acts, Continued
Spring Circus Session Juventas Guide 2019 A nonprofit, 501(c)3 performing arts circus school for youth dedicated to inspiring artistry and self-confidence through a multicultural circus arts experience www.circusjuventas.org Current Announcements Upcoming Visiting Artists This February, we have THREE visiting artists coming to the big top. During the week of February 4, hip hop dancer and choreographer Bosco will be returning for the second year to choreograph the Teeterboard 0200 spring show performance along with a fun scene for this summer's upcoming production. Also arriving that week will be flying trapeze expert Rob Dawson, who will attend all flying trapeze classes along with holding workshops the following week. Finally, during our session break in February, ESAC Brussels instructor Roman Fedin will be here running Hoops, Mexican Cloud Swing, Silks, Static, Swinging Trapeze, Triple Trapeze, and Spanish Web workshops for our intermediate-advanced level students. Read more about these visiting artists below: BOSCO Bosco is an internationally renowned hip hop dancer, instructor, and choreographer with over fifteen years of experience in the performance industry. His credits include P!nk, Missy Elliott, Chris Brown, 50 Cent, So You Think You Can Dance, The Voice, American Idol, Shake It Up, and the MTV Movie Awards. Through Bosco Dance Tour, he’s had the privilege of teaching at over 170 wonderful schools & studios. In addition to dance, he is constantly creating new items for BDT Clothing, and he loves honing his photo & video skills through Look Fly Productions. Bosco choreographed scenes in STEAM and is returning for his 2nd year choreographing spring and summer show scenes! ROB DAWSON As an aerial choreographer, acrobatic equipment designer, and renowned rigger, Rob Dawson has worked with entertainment companies such as Cirque du Soleil, Universal Studios, and Sea World.
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Circus Educators Insurance Application
Circus Educators Insurance Application The AYCO-ACE Insurance Program has been specifically designed to provide insurance for the unique risks of teaching & performing circus arts. The program has been collaboratively designed with AYCO-ACE Board of Directors. Front Row is committed to helping you better understand your insurance coverage and how it can protect you, your school or studio, your students and the great people working for you. We love questions – so be sure to ask lots of them! The AYCO-ACE program can include the coverage for: Bodily Injury & Property Damage Liability (Each Occurrence/Aggregate) $1,000,000 / $3,000,000 Personal Injury (Libel, Slander, Defamation) & Advertising Liability (Copyright Infringement) Up to $1,000,000 Each Occurrence Damage to Rented Premises Up to $1,000,000 Each Claim Participant Accident & Medical Insurance $10,000 or $25,000 Optional Coverage: Hired or Non-Automobile Liabilitty Up to $1,000,000 Professional Educators Errors & Omissions Liability (Each Occurrence/Aggregate) Up to $1,000,000 / $2,000,000 Abuse & Molestation Liability (Each Occurrence/Aggregate) Up to $1,000,000 / $2,000,000 Property: Equipment, Studio Assets, Tenant Improvements, Buildings, Tents As Required Note: Higher insured amounts are available. Please provide us with the following additional documents when you return the application: 1. Signed Application: The Application must be signed by an executive officer. 2. Waivers: A copy of waiver or release forms that participants, their parents or guardians sign when registering for your programs. 3. Organization Policies: Your Organization’s Harassment & Discrimination policy. 4. Claims History: A 4-year claims history report from your current insurance provider.
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Circus Report, November 21, 1977, Vol. 6, No. 47
HHjl.tl • " "" 6th Year November 21,1977 Number 47 Sought For Ivory Wildlife conservationists say ivory hunters killed from 100,000 to 400,000 elephants during 1976, in Africa. Their methods range from shooting the animals with rockets to burning them to death in huge gr=»ss fires. As a result the African elephant could become as extinct as the blue whale, Iain Douglas-Hamilton, an international authority on elephants, told the World Wilderness Congress that something has to be done to half the demand for ivory and thus to protect the elephant. He reports that in Chad, on the southern fringe of the Sahara, there were reports the army had used rockets to fire at elephants from helicopters in the race to feed the world ivory According to Douglas-Hamilton the figures market. were developed after he had weighed thousands of tusks in Dar Ks Salaam's weighing rooms. "In Sudan, 1 have received very recent re- ports that some tribes are still burning elephant Elephants, he said, have been seriously over herds by setting the grass around them afire." exploited, particularly since the 10 fold rise in the price of ivory since the late 1 960's. Ivory leaving Africa in 1976 may have come from between 100,000 and 400,000 ele- He reports that Kenya has lost more than 50 phants and there seems to be no let-up in the per cent of its elephant population in the past demand for ivory, he added. seven years. In Uganda, he added, the loss is even greater.
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Entrance Examination Description Selection
ENTRANCE EXAMINATION DESCRIPTION SELECTION PROCESS for the PROFESSIONAL TRAINING COURSE at NATIONAL CIRCUS SCHOOL BRAZIL - 2019/2021 [the full text is only available in Portuguese] OBJECT The present selection process aims to perform the selection of 60 (sixty) new students for the technical course in circus at the National Circus School/Arts National Foundation, located in the city of Rio de Janeiro, which will receive scholarship during the period of 22 (twenty-two) consecutive months of course (August-June 2019-2021). The expected result is to promote high quality training in Circus Arts at National Circus School/Funarte. ELIGIBILITY Naturalized citizens and foreigners are able to participate in the selection process if they are aged 18 years or over (considered to be the date of registration). They also must have completed high school or equivalent until the date of the enrolment in the course, being now identified as "candidates". ABOUT THE SCHOLARSHIP The purpose of the scholarship is to provide conditions for which students can keep their basic necessities of accommodation, food and health in Rio de Janeiro during the entire period of the technical course in circus art. The National Circus School/Funarte will allocate to the realization of the project, 60 (sixty) individual grants of $57,500.000 BRL (fifty-seven thousand and fifty hundred Brazil Real) to successful candidates. Payment of the scholarship will be made in 22 (twenty-two) installments, deposited directly into the bank account of the successful candidates. The bank account shall be exclusively on behalf of the applicant approved, not being accepted joint accounts or third parties.
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Cirque Mechanics: Jan
Cirque Mechanics: Jan. 17, 2020 Cirque Cirque Mechanics 42FT – A Menagerie of Mechanical Marvels Friday, Jan. 17, 7:30 p.m. Program Act One Act Two Opening Poster Wall Justin Finds the Circus Revolving Ladder Matinee Finale Rosebud Returns The Suitcase Animal Trainer Circus Parade Knife Throwing Wheel Charivari Sword Swallowing Juggling with Rosebud Slack Wire Duo Trapeze Strong Man Log Zombie Cape Russian Swing Strong Man Bowling Balls Justin Joins the Circus Bravado Brothers Finale Juggle Go Round There will be one 20-minute intermission between acts one and two. CIRQUE MECHANICS IS REPRESENTED BY PLEASE NOTE • Latecomers will be seated at the house manager’s discretion. • Photography and video recordings of any type are strictly prohibited during the performance. • Smoking is not permitted anywhere. CU Boulder is a smoke-free campus! · cupresents.org · 303-492-8008 C-1 energy led him to “run away” with his own circus Program notes company, Cirque Mechanics. About 42ft – A Menagerie of Lashua believes that innovative mechanical Mechanical Marvels apparatus and the relationship between performer and machine sets his company apart and is at the Forty-two feet in diameter has been the measure heart of what makes Cirque Mechanics unique. of the circus ring for 250 years. Englishman Philip Lashua has delivered on this approach in the Astley discovered that horses galloping inside this company’s theatrical productions. His innovative ring provide the ideal platform for acrobatic feats. machines interact with acrobats, dancers, jugglers These equestrian acrobatics, along with clowns and contortionists on a 1920s factory floor in and flyers, are a large part of what we’ve all come Birdhouse Factory, a gold rush-era town in Boom to know as the circus.
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