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Scott Rohrman, 42 Real Estate C
Associate Leadership Council The Creative City Date: Friday, March 4, 2016 Parking: Park in DMA garage between 8:00 – 8:15 a.m., 1717 N Harwood St, Dallas, TX 75201 Starting Location: Walk to Hall Arts Center, 2323 Ross Avenue. Arrive no later than 8:15 a.m. Program Chair: Jill Ibison, Corgan Program Committee: Marti DuBuisson, Corgan; Nathan Nash, Nash Development Company I. Welcome and Introductions. Texas Sculpture Walk 8:30 a.m. a. Patricia B. Meadows, President, Art Connections II. Walking tour of the Arts District, History and Impact 9:30 a.m. a. Catherine Cuellar, Director, Entrepreneurs of North Texas III. Transition to the DMA 10:45-10:55 a.m. IV. DMA Tour 11:00 a.m. a. Pollock Exhibit – Docent lead b. Gallery Exhibit – Docent lead V. Lunch at the DMA Café 12:00 p.m. VI. Individually Drive to Deep Ellum 12:45 p.m. a. Surface or street parking near 2650 Main St, Dallas, TX 75226 b. Walk to Reel FX, 301 N Crowdus St, Dallas, TX 75226. Meet in Lobby. VII. Reel FX. Digital Media 1:15 p.m. a. Liz Hemme, Lighting Superv isor VIII. Walk to Undermain Theatre, 3200 Main Street, Dallas TX 75226 2:30 p.m. IX. Undermain Theatre 2:45 p.m. a. Ken Bernstein, Technical Director and Ben Bryant, Facilities Manager, Undermain Theatre b. Erica Felicella, Art Conspiracy Executive Director X. Walk to Kettle Art Gallery, 2650 Main St, Dallas, TX 75226 3:45 p.m. XI. Kettle Art Gallery. View Exhibit and Casual Conversation 4:00 p.m. -
May 16, 2012 • Vol
The WEDNESDAY, MAY 16, 2012 • VOL. 23, NO. 2 $1.25 Congratulations to Ice Pool Winner KLONDIKE Mandy Johnson. SUN Breakup Comes Early this Year Joyce Caley and Glenda Bolt hold up the Ice Pool Clock for everyone to see. See story on page 3. Photo by Dan Davidson in this Issue SOVA Graduation 18 Andy Plays the Blues 21 The Happy Wanderer 22 Summer 2012 Year Five had a very close group of The autoharp is just one of Andy Paul Marcotte takes a tumble. students. Cohen's many instruments. Store Hours See & Do in Dawson 2 AYC Coverage 6, 8, 9, 10, 11 DCMF Profile 19 Kids' Corner 26 Uffish Thoughts 4 TV Guide 12-16 Just Al's Opinion 20 Classifieds 27 Problems at Parks 5 RSS Student Awards 17 Highland Games Profiles 24 City of Dawson 28 P2 WEDNESDAY, May 16, 2012 THE KLONDIKE SUN What to The Westminster Hotel Live entertainment in the lounge on Friday and Saturday, 10 p.m. to close. More live entertainment in the Tavern on Fridays from 4:30 SEE AND DO p.m.The toDowntown 8:30 p.m. Hotel LIVE MUSIC: - in DAWSON now: Barnacle Bob is now playing in the Sourdough Saloon ev eryThe Thursday, Eldorado Friday Hotel and Saturday from 4 p.m. to 7 p.m. This free public service helps our readers find their way through the many activities all over town. Any small happening may Food Service Hours: 7 a.m. to 9 p.m., seven days a week. Check out need preparation and planning, so let us know in good time! To our Daily Lunch Specials. -
Top Questions About Character Animation
Top Questions About Character Animation What are some of the exciting aspects of character animation, and how is it different than other computer animation forms? The phrase computer animation is often used as a catch-all for many computer generated effects including spinning logos, Flash programming on the Web or special effects in movies. These are not character animation. Character animation is the process of giving life to a character, whether it is a dog that can talk, a drawn person or an animated object. Character animation creates personality. How long does it take one person to create one minute of animation? This is difficult to pinpoint, but it can take one animator about 16 – 20 weeks of full-time work to produce 60 seconds of animation.1 At Pixar Animation Studios, due to their high level of quality control, animators have been known to work on two minutes of film for a year or more. How many animators typically work on an animated feature film? It depends on the studio and its needs, so anywhere from 20 – 80 animators could be working on an animated feature film. What is the biggest myth about character animation? A lot of people believe that the computer does all of the work for the animator, but the reality is that the animator is only using the computer as a tool to create detailed animation frame by frame. What are some of the most challenging aspects of character animation? Character animators work in fun, collaborative, exciting and detailed environments. They need to have a high level of patience while working with the tiny movements of a character frame by frame. -
International Sales
Home Français Feedback Corporate website Taxi 0-22 Roma Fiction Festival: Best Leading Actor in the TV Comedy section Sales: USA (DirecTV), Germany, Israel, Latin America, Netherlands, New Zealand, Sweden Successes International Sales Awards and Prizes In addition to receiving critical acclaim, Canada Media Fund - funded programs are increasingly attracting the attention of international buyers and are being aired more and more on foreign networks. In fact, according to the CMF’s own tracking, CMF-funded projects International Sales were sold into 45 countries and regions in 2010-2011, spanning all continents. The main buyers of CMF-funded programs were the United States of America (USA) with 15 titles, followed by Latin America and the United Kingdom, each with eight titles. Children’s and Audience Results youth programs were our most popular export, with 22 projects sold into 37 countries and regions. Digital projects funded this year through the CMF’s Experimental Stream are expected to hit the market starting in 2012-2013 and are 2 also likely to meet with strong market interest. Children's & Youth Title # of countries/regions Degrassi: The Next Generation 15 Overruled! 14 Animal Mechanicals 10 The Cat in the Hat Knows a Lot About That! 6 Dino Dan 5 Making Stuff 4 Rob the Robot 4 Justin Time 3 Pop It! 3 Rollbots 3 Connor Undercover 2 Franny’s Feet 2 Almost Naked Animals 1 Artzooka! 1 Baxter 1 How To Be Indie 1 Life With Derek 1 Skatoony 1 Stoked 1 The Latest Buzz 1 The Next Star 1 Vacation with Derek 1 Children's & Youth # of projects -
M Asterclass
The Sixth Annual CG, Animation & Gaming Forum John Anthony Theatre June 9, 2007 Collin College 9:00 a.m. – 5:30 p.m. 2800 E. Spring Creek Pkwy, Plano, TX Masterclass 10 a.m. – 3:30 p.m. June 8, 2007 Room C-104, Collin College www.industrygiants.org From the drawing board to the movie theater - and all points in-between – the sixth annual Industry Giants 2007 computer graphics, animation and gaming forum investigates what it takes to cultivate and keep an animation and gaming industry in Texas. Bryan Engram – Reel FX Creative Studios 9:00 a.m. Rita Street – Radar Cartoons 1:30 p.m. Animation Supervisor Managing Director, Producer, and Author Currently, Bryan is finishing commercial spots for Rita is managing director of Radar Cartoons, Dreamworks’ Shrek the Third. His credits include coproducer of The Nicktoons Film Festival, and feature films The Wild, Everyone’s Hero, and Teenage vp of development for Mike Young Productions, Mutant Ninja Turtles; shorts such as Blue Sky’s Aunt Her current animated series, Ruby Gloom, has been Fanny’s Tour of Booty; and game cinematics for Halo 2 nominated in the Annecy (France) and Cartoons on and Transformers :The Game. the Bay (Italy) Festivals. Elizabeth Hitt – Digital Domain 10:00 a.m. Steve Gaconnier – Janimation 2:30 p.m. Visual Effects CEO and Chief Creative Director Elizabeth works for Academy Award winning visual Janimation is nationally recognized as a talented effects house Digital Domain and has credits on and industrious company through their work for Stealth, Zoom, Texas Chainsaw Massacre: The Beginning, such clients as Fox Sports, Nokia, Pennzoil, Miller The Hitcher, and the upcoming Transformers. -
Press Release for Immediate Release YMA Announces the Nominees For
Press release For immediate release YMA announces the nominees for the English-Language Awards of Excellence Montreal, March 21, 2017 – Youth Media Alliance (YMA) is pleased to announce the television series as well as digital and interactive productions in the running for an Awards of Excellence. The winners will be revealed at the awards gala to be held on May 31, at the CBC Glenn-Gould Studio, in Toronto. Based on the YMA’s statement of quality, jury members selected the following nominees: Award of Excellence for Best Program, Live Action, Ages 3–5 The Adventures of Napkin Man (Bye Bye Boogaloo) – produced by Breakthrough Entertainment, Little Airplane; aired on: CBC Kids Hi Opie! (Opie's Ladybug Friend) – produced by marblemedia, in association with The Jim Henson Company, aired on: TVO Kids, Knowledge, City Saskatchewan The Moblees (Zig Zag Surprize) – produced by Shaftesbury, Boulevard Productions, in association with the Canadian Broadcasting Corporation, Ohmland Holdings and William Kohane, aired on: CBC kids Playdate (Whistle While You Escape) – produced by Sinking Ship Entertainment, aired on: Family Jr. Terrific Trucks (The Tricky Twin/ The Difficult Day) – produced by Breakthrough Entertainment, aired on: Sprout Award of Excellence for Best Program, Live Action, Ages 6–9 Annedroids (The Mother of Invention) – produced by Sinking Ship Entertainment, aired on: TVO Kids, Amazon Bruno & Boots: Go Jump In The Pool – produced by Aircraft Pictures, aired on: YTV The Mystery Files (The Mystery of the Underground Railroad) -
Allan Cabal [email protected] (310) 508-6679
Allan Cabal [email protected] (310) 508-6679 OBJECTIVE To be part of an inspiring team of creative individuals that would enable me use my production experience as an animator/previs artist to its highest potential SKILLS • Software: Maya 2017, 3dsmax 2017, Softimage 2014, Character Studio, C.A.T, Vray, Adobe Photoshop/Premiere, various plug-ins/scripts for Maya/3dsmax, Shotgun • Traditional Art Skills: Traditional animation training, character development, storyboarding, airbrush illustration, figure sculpture, and extensive life drawing experience with graphite, ink, charcoal, conte, and watercolor (Traditional art samples available upon request) WORK EXPERIENCE Zoic Studios:Animator 2018: animation for episodic shows “The Wallking Dead & Magnum P.I reboot” Pixomondo: Senior Animator/Previs Artist 2014-2016 Dragon animation for “AT&T Uverse Game of Thrones: It’s Time” commercial, animation/previs for various “Wanda theme park rides” Uncharted Territory: Animator Feb-March 2016 “Independence Day: Resurgence” Prologue Films: Senior Animator Aug-Oct 2014 “Audi car promo” Blur Studios: Senior Animator/previs artist Jan-July 2014 “Halo: Masterchief collection" “StarTrek Theme Park Ride” Pixomondo: Senior Animator 2011-2013 Animation for feature films “Oblivion” "Hugo"and "Redtails" Spatial Harmonics Group: Animator Nov 2011 Animation for Motorola Razr and Pantene commercials 23dfilms: Lead Animator 2009-2010 Animation lead for the television shows "Crime360, American Paranormal: Bigfoot Revealed, Haunted Prison, I-predator " LLP Digital: -
Honours Bachelor of Producing for the Creative Industries
Honours Bachelor of Producing for the Creative Industries Applying for Ministerial Consent Under the Post-secondary Education Choice and Excellence Act, 2000 The Secretariat Postsecondary Education Quality Assessment Board 315 Front Street West 16th Floor Toronto, ON M7A 0B8 Tel.: 416-325-1686 Fax: 416-325-1711 E-mail: [email protected] sheridancollege.ca Section 1: Introduction 1.1 College and Program Information Full Legal Name of Organization: Sheridan College Institute of Technology and Advanced Learning URL for Organization Homepage (if applicable): http://www.sheridancollege.ca/ Proposed Degree Nomenclature: Honours Bachelor of Producing for the Creative Industries Location Trafalgar Campus, 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Contact Information: Person Responsible for this submission: Name/Title: Melanie Spence-Ariemma, Provost and Vice President, Academic Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x4226 E-mail: [email protected] Name/Title: Joan Condie, Dean, Centre for Teaching and Learning Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x2559 E-mail: [email protected] Site Visit Coordinator (if different from above): Name/Title: Ashley Day, Coordinator, Program Review and Development Services Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x5561 E-mail: [email protected] Honours Bachelor of Producing for the Creative Industries -
2013 CANADIAN SCREEN AWARDS Television Nominations
2013 CANADIAN SCREEN AWARDS Television Nominations Best Animated Program or Series Almost Naked Animals YTV (Corus) (9 Story Entertainment Inc.) Vince Commisso, Tanya Green, Tristan Homer, Steven Jarosz, Noah Z. Jones Jack TVO (TVOntario) (PVP Interactif / Productions Vic Pelletier, Spark Animation -Wong Kok Cheong) François Trudel, Wong Kok Cheong, Vincent Leroux, Vic Pelletier Producing Parker TVtropolis (Shaw Media) (Breakthrough Entertainment) Ira Levy, Jun Camerino, Laura Kosterski, Peter Williamson Rated A for Awesome YTV (Corus) (Nerd Corps Entertainment) Ace Fipke, Ken Faier, Chuck Johnson Best Breaking News Coverage PEI Votes CBC (CBC) (CBC PEI) Julie Clow, Mark Bulgutch, Sharon Musgrave CBC News Now: Gadhafi Dead CBC (CBC) (CBC News) Nancy Kelly, Tania Dahiroc, Rona Martell Eaton Centre Shooting Citytv (Rogers) (Citytv) Kathleen O'Keefe, Irena Hrzina, James Shutsa, Kelly Todd CBC News Now: Jack Layton's Death CBC (CBC) (CBC) Jennifer Sheepy, Layal El Abdallah, Paul Bisson, Gerry Buffett, Patricia Craigen, Seema Patel, Marc Riddell, Bill Thornberry Global National - Johnsons Landing Slide Global TV (Shaw Media) (Global National) Doriana Temolo, Mike Gill, Bryan Grahn, Francis Silvaggio, Shelly Sorochuk Best Breaking Reportage, Local CBC News Ottawa at 5, 5:30, 6:00 - School Explosion CBC (CBC) (CBC Ottawa) Lynn Douris, Omar Dabaghi-Pacheco, Marni Kagan CBC News Toronto - CBC News Toronto - Miriam Makashvili CBC (CBC) (CBC Television) John Lancaster, Nil Koksal Best Breaking Reportage, National CBC News The National - Reports -
Rapport Annuel 2009–2010 Annuel Rapport CTF Annual Report 2009–2010 Rapport Annuel Du FCT 2009–2010 Rapport Annual Report CTF
rapport annuel 2009–2010 annuel rapport CTF annual report 2009–2010 rapport annuel du FCT annual report 2009–2010 BAILLEURS DE FONDS Le Fonds canadien de télévision (FCT) est appuyé Le FCT remercie tous ses bailleurs de fonds de leur appui par le ministère du Patrimoine canadien et par constant à la production canadienne dans l’industrie de la les entreprises de distribution de radiodiffusion télévision et des médias numériques. En 2009-2010, le FCT du Canada. a bénéficié de l’apport financier des organismes suivants : PRÉFACE La publication du Rapport annuel 2009-2010 du Fonds n’y a pas de données relatives aux médias numériques canadien de télévision vise à communiquer à ses pour la période antérieure à l’exercice 2008-2009, car le intervenants des informations clés sur l’industrie. Le programme n’existait pas avant cet exercice. Les parts rapport contient des renseignements détaillés sur les d’auditoire décrites dans les tableaux de données ont été résultats de financement du FCT pour l’exercice 2009-2010, arrondies. Ainsi, lorsqu’on indique une part de 0 %, cela allant du 1er avril 2009 au 31 mars 2010 et présente l’analyse signifie que le taux d’activités serait inférieur à 1 %. Les des auditoires canadiens pour l’année de radiodiffusion sources de financement sont définies en annexe. Lorsque 2008-2009. Bien que les références aux prix, ventes et des distinctions régionales sont établies, les villes de autres formes de reconnaissance mettent en vedette des Toronto (TOR) et de Montréal (MTL) sont considérées productions couronnées de succès en 2009 ou 2010, comme des régions distinctes en raison du volume celles-ci peuvent avoir bénéficié de l’apport financier du particulièrement important de productions qu’elles FCT avant l’exercice 2009-2010. -
Canadian Canada $7 Fall 2016 Vol.19, No.1 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 FALL 2016 VOL.19, NO.1 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA We Celebrate Our Epic Screenwriting Success Stories It’s Time To Work On Your Pitch Baroness Von Sketch Show: Creating A World In Two Minutes Animated Conversation: Ken Cuperus Opens Up About His Live Action-Cartoon Crossover PM40011669 ★ ★ SCREENWRITERS STAY TUNED FOR IMPORTANT DEADLINES THE 21ST ANNUAL WGC SCREENWRITING AWARDS APRIL 24, 2017 | KOERNER HALL, TORONTO 2017 SPECIAL AWARDS: THE WGC SHOWRUNNER AWARD for excellence in showrunning THE JIM BURT SCREENWRITING PRIZE for longform screenwriting talent THE SONDRA KELLY AWARD for female screenwriters CALL FOR ENTRIES COMING SOON TO WWW.WGC.CA CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 19 No. 1 Fall 2016 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Contents Publisher Maureen Parker Editor Tom Villemaire Features [email protected] Having An Animated Conversation 6 Director of Communications Li Robbins We talk to Ken Cuperus about how he and his writing team create a hybrid animation and live-action comedy. Editorial Advisory Board By Mark Dillon Denis McGrath (Chair) Michael MacLennan Susin Nielsen Simon Racioppa Changing The Rules 12 President Jill Golick (Central) While bureaucrats tinker with the points system in an effort Councillors to make Canadian television more successful, we offer our Michael Amo (Atlantic) epic track record, proving the system works. Mark Ellis (Central) By Matthew Hays Dennis Heaton (Pacific) Denis McGrath (Central) Warming Up For The Pitch 16 Anne-Marie Perrotta (Quebec) Pitching is often a bigger challenge to writers than, Andrew Wreggitt (Western) well, writing. -
INDEPENDENT PRODUCTION AGREEMENT (“AGREEMENT”) Between
INDEPENDENT PRODUCTION AGREEMENT (“AGREEMENT”) between THE ALLIANCE OF CANADIAN CINEMA, TELEVISION AND RADIO ARTISTS (“ACTRA”) and THE CANADIAN MEDIA PRODUCERS ASSOCIATION (“CMPA”) and ASSOCIATION QUEBECOISE DE LA PRODUCTION MEDIATIQUE (“AQPM”) (COLLECTIVELY, “THE ASSOCIATIONS”) covering PERFORMERS IN INDEPENDENT PRODUCTION January 1, 2016, to December 31, 2018 © 2016 ACTRA, Canadian Media Producers Association, and Association Québécoise de la Production Médiatique IPA 1 January 2016 – 31 December 2018 ACTRA and the CMPA/AQPM CONTENTS PART A – ARTICLES OF GENERAL APPLICATION A1 Recognition and Application .................................................................................... 1 A101 Bargaining Unit ........................................................................................... 1 A104 Administration of Agreement ...................................................................... 2 A106 Rights of Producer ...................................................................................... 2 A107 Preservation of Bargaining Rights ............................................................... 2 A108 General Provisions ..................................................................................... 3 A2 Exclusions and Waivers ........................................................................................... 4 A201 Performer definition ................................................................................... 4 A205 Consent to Waive Minimum Fees ...............................................................