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The Pajama Game at the 5Th Avenue Theatre Encore Arts Seattle
THE NATION’S LEADING MUSICAL THEATER FEB 10-MAR 5, 2017 FEBRUARY 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, contact: Carolyn Stewart Vice President, Private Wealth Advisor 2065874788 [email protected] or visit unionbank.com/theprivatebank Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2016 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 9/6/16 11:17 AM February 2017 Volume 14, No. 4 cinema Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning, Rob Scott Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Jonathan Shipley Ad Services Coordinator Carol Yip Sales Coordinator Sara Keats Jonathan Shipley Online Editors NT LIVE: HEDDA GABLER STARRING RUTH WILSON (“LUTHER,” “THE AFFAIR”) THU, MAR. 9 • 11AM & 6:30PM • SIFF CINEMA UPTOWN Leah Baltus Editor-in-Chief FOR TICKETS VISIT SIFF.NET/HEDDAGABLER Paul Heppner Publisher Dan Paulus Art Director Gemma Wilson, Jonathan Zwickel Senior Editors Amanda Manitach Visual Arts Editor Barry Johnson Associate Digital Editor Make retirement Paul Heppner delicious. -
The Pajama Game
ARENA’S PAGE STUDY GUIDE CONTENTS The Play THE PAJAMA GAME Meet Adler and Ross BY BOOK BY GEORGE ABBOTT AND RICHARD BISSELL From the Director’s Notebook MUSIC AND LYRICS BY RICHARD ADLER AND JERRY ROSS Arena’s The Pajama Game The World of the Musical: DIRECTED BY ALAN PAUL | CHOREOGRAPHY BY PARKER ESSE Factory Life in the 1900s MUSIC DIRECTION BY JAMES CUNNINGHAM Three Big Questions FICHANDLER STAGE | OCTOBER 27 — DECEMBER 24, 2017 Resources THE PLAY It is 1954 and the Sleep-Tite Pajama Factory workers in Cedar Rose, Iowa are at the top of their game, churning out pajamas in a fast-paced rhythm. But when the workers’ union asks for a 7 1/2¢ raise, problems arise. Enter Sid Sorokin, the dashing new supervisor, who has all the women in the factory distracted from their machines. He has his eyes set on Babe Williams, the leader of the grievance committee. Sid wants efficiency while Babe is ready to fight for that raise. Meanwhile Hines, the executive time keeper is in love with his boss’s secretary Gladys. Prez, the head of the union is flirting with Mae. Although love is in the air, the workers could go on strike at any moment. Everyone is fighting for what they believe in, both at work and in relationships. Who will win The Pajama Game? “My future depends upon the grievance committee — a group formed by management and employees to address workers’ titanic struggle for pajama survival.” complaints — Sid, The Pajama Game strike — an organized protest, The Pajama Game is generously sponsored by . -
Program Notes
PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
The Pajama Game
Some investments are not about getting rich. They’re about being enriched. You can’t put a value on a performance that moves your soul. But you can support it with all of your heart. That’s why we are proud to invest our resources in the arts and the contribution they make to our city. PROUD SPONSOR OF THE ARTS ©2008 First Tennessee Bank National Association. Member FDIC. www.firsttennessee.com CHANEL N° 5 EAU PREMIÉRE New! A decidedly lighter, fresher, softer interpretation of N° 5…a silky-smooth harmony of notes that reveals the delicate facet of the world-renowned fragrance. 5 oz. Eau de Parfum, $125. Have your fragrance delivered for 5.95. Call 1.800.456.2297 Selection varies by store. CHANEL N° 5 is a registered trademark of CHANEL® Inc. Z8110018 Z8110018_dec_nashville_performing_arts.indd 1 11/3/08 10:27:48 AM Ad PAMag size.qxp 7/20/2007 3:37 PM Page 1 PASSION for EXCELLENCE From our vantage point, the key to greatness is having a PASSION for EXCELLENCE. Whether it’s making great tires or beautiful symphonic music…at Bridgestone Americas we believe it’s all about the art of performance. We’re building world-class tires in Tennessee and investing in our communities. Working in close harmony with our hometowns is a performance that makes us all proud. Bridgestone Americas www.bridgestoneamericas.com REPRESENTATIONAL PHOTO REPRESENTATIONAL hen we learned how sick Mom was, we didn’t know what to do. We’re so thankful that her doctor told us about Alive WHospice. -
Clarence & Richard Adler
AMICA International Automatic Musical Instrument Collectors' Association Honor Roll Clarence & Richard Adler Richard Adler’s lengthy daily swim is one of his Lake Placid pleasures. Though his career is based in New York City, the eighty-two-year-old’s musical and emotional roots are strongest here. The co-composer of Tony Award–winning musicals Damn Yankees and The Pajama Game spends a month each summer with his wife, Susan, in a rented home on the shore of Lake Placid. Richard’s Adirondack memories date back more than seventy-five years. His father, concert pianist and master piano teacher Clarence Adler, bought a home three miles outside the village of Lake Placid in October 1923, providing his family and his future music students with a summer retreat in the mountains. Almost at the end of then unpaved Averyville Road, the 110-acre farm became a music camp. The barn— christened the “barnatorium??became a concert hall, and several outbuildings were converted to practice cottages for piano students. The Adlers named the place Ka-ren-i-o-ke, which in Iroquois translates as “place of the beautiful song.” Later, it was shortened to Karinoke. Every June, Sheldon “Shel” Otis of Lake Placid would drive his moving van down Route 9 to the Adler family’s apartment on Central Park West, in Manhattan, and return laden with their personal possessions and several pianos. He reversed the trip in late September. Clarence’s pupils in the early years included rising stars such as composers Aaron Copland and Richard Rodgers, conductor Walter Hendl and numerous others. -
2016/17 Season Coming in the 2017/18 Season
SMART PEOPLE 2016/17 SEASON COMING IN THE 2017/18 SEASON Hot-Button Comedy World-Premire Power Play and NATIVE GARDENS Part of the Women’s Voices Theater Festival BY KAREN ZACARÍAS SOVEREIGNTY DIRECTED BY BLAKE ROBISON BY MARY KATHRYN NAGLE CO-PROUCTION WITH GUTHRIE THEATER DIRECTED BY MOLLY SMITH SEPTEMBER 15 — OCTOBER 22, 2017 JANUARY 12 — FEBRUARY 18, 2018 Good fences make good neighbors … right? In Mary Kathryn Nagle’s daring new work, From the outrageous mind of playwright a Cherokee lawyer fights to restore her Karen Zacarías (Destiny of Desire) comes Nation’s jurisdiction while confronting the ever this hot new comedy about the clash of present ghosts of her grandfathers. Arena’s class and culture that pushes well-meaning fourth Power Play world premiere travels the D.C. neighbors over the edge in a backyard intersections of personal and political truths, border dispute. and historic and present struggles. Golden Age Musical THE PAJAMA GAME BOOK BY GEORGE ABBOTT AND RICHARD BISSELL Epic Political Thrill Ride MUSIC AND LYRICS BY RICHARD ADLER AND JERRY ROSS THE GREAT SOCIETY BASED ON THE NOVEL 7½ CENTS BY RICHARD BISSELL BY ROBERT SCHENKKAN DIRECTED BY ALAN PAUL DIRECTED BY KYLE DONNELLY CHOREOGRAPHED BY PARKER ESSE FEBRUARY 2 — MARCH 11, 2018 MUSIC DIRECTION BY JAMES CUNNINGHAM Jack Willis reprises his performance as OCTOBER 27 — DECEMBER 24, 2017 President Lyndon Baines Johnson in this When a workers’ strike pits management sequel to the Tony Award-winning play All against labor, it ignites an outrageous the Way, bringing the second half of Robert battle of the sexes. -
Guide to the Presbyterian Players Collection
Guide to IU South Bend Presbyterian Players Collection Summary Information Repository: Indiana University South Bend Archives 1700 Mishawaka Avenue P.O. Box 7111 South Bend, Indiana 46634 Phone: (574) 520-4392 Email: [email protected] Creator: Indiana University South Bend Title: Presbyterian Players Collection Extent: .50 linear ft. Abstract: Often touted as “South Bend’s oldest community theatre,” the Presbyterian Players mounted hundreds of productions over five decades, including familiar plays and popular musicals, as well as the occasional lesser-known work. The group formed in 19451 under the auspices of the First Presbyterian Church of South Bend, Indiana. While some productions took place in venues like the Washington High School Auditorium, the Indiana University South Bend Auditorium, or the Bendix Theatre at the Century Center, the majority of the performances associated with the programs in this collection took place in the Church itself. The First Presbyterian Church has a long history as part of the wider Michiana community. A small group of early South Bend residents came together to form the church in 1834, and as the congregation grew, so too did the structures built to accommodate it. The grandest of these, built in 1889, still stand at the corner of Lafayette and West Washington Streets—though it is no longer the site of the First Presbyterian Church, which has been located on West Colfax Avenue since 1953.2 Sisters Mary Pappas (February 7, 1926–June 11, 2012) and Aphrodite Pappas (c. 1923– ), who donated the materials found in this inventory, directed, acted in, or otherwise helped stage numerous performances of the Presbyterian Players. -
The Pajama Game
CRT 2010 Season - All shows are making their CRT debut! Agatha Christie’s Spider’s Web June 9 - 19 Thrills abound in this exciting play by the Queen of Mystery! What does a diplomat’s wife do when a dead body appears in her drawing-room, just before her husband returns home with visiting dignitaries? Hide the body and solve the mystery, of course! “ So closely woven with thrills and comedy that shocks and laughs are about fifty-fifty !" - London Guardian See How They Run a farce by Phillip King June 23 – July 2 Four vicars are three too many in the small British town of Merton-Cum-Middlewick! Add an American actor and actress, a smart-mouthed cockney maid, an escaped Russian prisoner with a “bobbie” hot on his tail, and a sedated Bishop, and you have a great evening of big laughs and perfect comedic timing! “ Breathless show, fast tempo, plenty of laughs !" - Variety The Pajama game Book by George Abbott & Richard Bissell Music and Lyrics by Richard Adler & Jerry Ross July 7 - 24 Based on Richard Bissell's best-selling novel “7 ½ Cents”, this funny, “steamy” musical is built around a seemingly impossible romance between a factory foreman and the head of the Grievance Committee of the worker's union at the Sleep-Tite Pajama Factory! Recently a hit Broadway revival starring Harry Connick Jr., this fantastic score includes the hot dance numbers “Steam Heat” and “Hernando’s Hideaway” as well as the popular “Hey There” ! BRIGADOON Book and Lyrics by Alan Jay Lerner Music by Frederick Lowe July 28 – Aug. -
By George Abbott & Richard Bissell Music and Lyrics by Richard Adler
ByGeorge Abbott & RichardBissell Musicand Lyrics by Richard Adler & JerryRoss Directedby Michael McKelvey ST. EDWARD'S UNIVERSITY THEATER ARTS STAFF AND FACULTY - Dean of Humanities . Father Louis T. Brusatti Artistic Director/Assistant Professor ..... .. .. ... ... David M. Long t PBJ Managing Director . Michelle S. Polgar Area Coordinator/Assistant Professor . Ev Lunning Jr. Administrative Coordinator . Angela Flowers e Costume Shop Manager/Adjunct Instructor .............. T'Cie Mancuso BASED ON THE NOVEL 7 ½ CENTS BY RICHARD BISSELL Technical Director . ..... .. .......................... Joe Carpenter Master Electrician . Natalie George Costume Technical Specialist .. .. ..... .... ..... .... .. Michelle Heath BY Assistant Professors .. .. ..... .. .... .. ....... Sheila Gordon GEORGE ABBOTT AND RICHARD BISSELL Sara Medina-Pape Michael Massey MUSIC AND LYRICS BY Adjunct Instructors . Brooks Barr RICHARD ADLER AND JERRY ROSS Brad Carlin Tara Cooper STAGE AND MUSICAL DIRECTOR Bhagirit Crow MICHAEL MCKELVEY Kathy Dunn Hamrick Danny Herman Michael McKelvey CHASE STAGGS TARA COOPER Bill McMillin SCENIC DESIGN MAKE-UP/HAIR DESIGN Marg ita Pencevova CLAY EADS Jo Ann Schatz DANNY HERMAN LIGHTING DESIGN Gary M. van der Wege ROCKER VERASTIQUE CHOREOGRAPHERS SUSAN BRANCH TOWNE COSTUME DESIGN SHANNON BISHOP SPECIAL THANKS PRODUCTION STAGE MANAGER Austin Lyric Opera BILLY HENRY SOUND DESIGN Ballet Austin Sue Branch Father Louis T. Brusatti Carol Curuthers Sister Donna Jurick Ladies of Charity/Lakeway Thrift Store Sponsored in part by Jon Wayne -
Damn Yankees the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Damn Yankees The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: A. Brian Humphrey in Damn Yankees, 1999. CyranoContents deInformation Bergerac on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play Beating the Devil at His Own Game 8 Damn Yankees—But Bless Baseball! 10 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Damn Yankees As the musical opens, Meg Boyd sings with the other wives “Six Months out of Every Year,” as Joe Boyd and the other husbands continue their seasonal obsession with America’s national pastime, baseball. After Meg goes to bed, Joe goes out on the porch to ruminate about the appalling fate of his beloved Washington Senators, actually offering his soul in exchange for “one good long ball hitter.” Mr. -
Pearl Bailey, Hello, Dolly!
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 "Baby, dream your dream": Pearl Bailey, Hello, Dolly!, and the negotiation of race in commerical American musical theatre Charles Eliot Mehler Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Mehler, Charles Eliot, ""Baby, dream your dream": Pearl Bailey, Hello, Dolly!, and the negotiation of race in commerical American musical theatre" (2011). LSU Doctoral Dissertations. 4007. https://digitalcommons.lsu.edu/gradschool_dissertations/4007 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. ―BABY, DREAM YOUR DREAM:‖ PEARL BAILEY, HELLO, DOLLY!, AND THE NEGOTIATION OF RACE IN COMMERCIAL AMERICAN MUSICAL THEATRE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre School of Music and Dramatic Arts by Charles Eliot Mehler B.A., Northwestern University, 1979 B.A. in Ed., Western Washington University, 1983 M.S., University of Colorado, 1987 M.A., Kansas State University, 2004 December, 2011 DEDICATION This study is dedicated to the small number of people who devote their lives to seeking a middle ground without compromising essential principle. This is substantially more difficult than existing at an extreme, and much more difficult than it appears.