ELMAR OLIVEIRA – VIOLIN CONCERTO REPERTOIRE Achron

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ELMAR OLIVEIRA – VIOLIN CONCERTO REPERTOIRE Achron Concerto No. 1 Aitken Concerto No. 1 Aspen Concerto for Violin and String Orchestra Bach, J.S. Concerto No. 1 in A, BWV 1041 Concerto No. 2 in E, BWV 1042 Concerto in D for 2 violins, BWV 1043 Barber Concerto, Op. 14 Beethoven Concerto in D, Op. 61 Concerto for Violin, Cello and Piano, Op. 56 Romance No. 2 in F, Op. 50 Berg Concerto Bernstein Serenade Bloch Violin Concerto Baal Shem, with String Orchestra Brahms Concerto in D, Op. 77 Concerto for Violin and Cello, Op. 102 Britten Concerto, Op. 15 Bruch Concerto No. 1 in G, Op. 26 Scottish Fantasy, Op. 46 Concerto No. 2 in D minor, Op. 44 Chausson Concerto for Violin, Piano, and String Quartet, Op. 21 Poeme, Op. 25 Conus Concerto in E Dvorak Concerto in A, Op. 53 Elgar Concerto in B, Op. 61 Fetler Rhapsodie Flagello Violin Concerto Credendum Ginastera Concerto, Op. 30 Glazunov Concerto in A, Op. 82 Haydn Concerto No. 1 in C Concerto No. 4 in G Hoffer, Bernard Violin Concerto Joachim Concerto “ in the Hungarian Manner “ Kernis Lament and Prayer Korngold Concerto Laderman Concerto Double Concerto Lalo Symphonie Espagnole Leclair Concerto in G, Op. 10, No. 6, with String Orchestra Lees Concerto Mendelssohn Concerto in E, Op. 64 Mozart Concerto No. 3 in G, K. 216 Concerto No. 4 in D, K. 218 Concerto No. 5 in A, K. 219 Sinfonie Concertante in E-flat for Violin and Viola, K. 364 Nardini Concerto in E-flat Panufnik Concerto, with string orchestra. Penderecki Concerto No. 2 ( Metamorphosen ) Prokofiev Concerto No. 2 in G, Op. 63 Rautavaara Concerto Rosenman Concerto No. 2 Ravel Tzigane Schumann Concerto in D Sarasate Carmen Fantasy, Op. 25 Zigeunerweisen, Op. 20, No. 1 Saint-Saens Concerto No. 3 in B, Op. 61 Introduction and Rondo Capriccioso, Op. 14 Secunda Concerto for Violin in C minor Shostakovich Concerto No. 1 in A, Op. 99 Sibelius Concerto in D, Op. 47 Stravinsky Concerto in D Tchaikovsky Concerto in D, Op. 35 Meditation, Op. 42, No. 1 Serenade Melancolique, Op. 29 Valse-Scherzo, Op. 34 Tower Concerto Vaughan Williams Concerto in A The Lark Ascending Vieuxtemps Concerto No. 5 in A, Op. 37 Vivaldi The Four Seasons, Op. 8, Nos 1 – 4 with string orchestra Walton Concerto in B Wieniawski Concerto No. 2 Wuorinen Rhapsody Yardumian Concerto .

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Edouard Lalo Symphonie Espagnole for Violin and Orchestra, Op. 21
PROGRAM NOTES by Phillip Huscher Edouard Lalo Born January 27, 1823, Lille, France. Died April 22, 1892, Paris, France. Symphonie espagnole for Violin and Orchestra, Op. 21 Lalo composed the Symphonie espagnole in 1874 for the violinist Pablo de Sarasate, who introduced the work in Paris on February 7, 1875. The score calls for solo violin and an orchestra consisting of two flutes and piccolo, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani, triangle, snare drum, harp, and strings. Performance time is approximately thirty-one minutes. The Chicago Symphony Orchestra's first subscription concert performances of Lalo's Symphonie espagnole were given at the Auditorium Theatre on April 20 and 21, 1900, with Leopold Kramer as soloist and Theodore Thomas conducting. Bizet's Carmen is often thought to have ignited the French fascination with all things Spanish, but Edouard Lalo got there first. His Symphonie espagnole—a Spanish symphony that's really more of a concerto—was premiered in Paris by the virtuoso Spanish violinist Pablo de Sarasate the month before Carmen opened at the Opéra-Comique. And although Carmen wasn't an immediate success (Bizet, who died shortly after the premiere, didn't live to see it achieve great popularity), the Symphonie espagnole quickly became an international hit. It's still Lalo's best-known piece by a wide margin, just as Carmeneventually became Bizet's signature work. Although the surname Lalo is of Spanish origin, Lalo came by his French first name (not to mention his middle names, Victoire Antoine) naturally. His family had been settled in Flanders and in northern France since the sixteenth century.
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2013-2014 Subscription Series
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Boston Symphony Orchestra Concert Programs, Summer, 2008
and El Corpus en Sevilla) was premiered on May 9, 1906, at the Salle Pleyel in Paris by the pianist Blanche Selva, who later gave the first performance of Volume II {Rondena, Almeria, and Triana) on September 11, 1907, in St. Jean de Luz. Volume III {ElAlbaicin, El polo, Lavapies) was published in 1907 in Paris, Volume IV {Malaga, Jerez, Eritana) also in Paris in 1908, the year before his death. Born in Madrid, violinist-conductor-composer Enrique Fernandez Arbos (1863-1939) was conductor of the Madrid Symphony Orchestra until resigning in 1936 following the outbreak of Civil War. A brilliant orchestrator, his instrumentation of music from Albeniz's flm'flwas particularly popular. From 1894-1915 he taught violin and viola at the Royal College of Music in London. As a violinist he appeared not only as a soloist, but in a celebrated piano trio with Albeniz and the cellist Augustin Rubio. For the 1903-04 season he was a concertmaster of the Boston Symphony Orchestra, also appearing with the orchestra that year as soloist in the Mendelssohn concerto and playing a concert piece of his own {Tango, Opus 6, No. 3). His international conducting career included guest appearances with major orchestras on both sides of the Atlantic, including the BSO in 1929 and 1931; his 1929 program included two movements from his arrangement of Iberia, at that time just recently published. In 1932 he led the first Spanish performance of Stravinsky's Rite of Spring. Iberia's pieces typically begin with a dance pattern and later introduce a copla (vocal melody) , but show considerable freedom and variety of form in their fine structure.
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Tchaikovsky Violin Concerto
Tchaikovsky Violin Concerto Friday, January 12, 2018 at 11 am Jayce Ogren, Guest conductor Sibelius Symphony No. 7 in C Major Tchaikovsky Concerto for Violin and Orchestra Gabriel Lefkowitz, violin Tchaikovsky Violin Concerto For Tchaikovsky and The Composers Sibelius, these works were departures from their previ- ous compositions. Both Jean Sibelius were composed in later pe- (1865—1957) riods in these composers’ lives and both were pushing Johan Christian Julius (Jean) Sibelius their comfort levels. was born on December 8, 1865 in Hämeenlinna, Finland. His father (a doctor) died when Jean For Tchaikovsky, the was three. After his father’s death, the family Violin Concerto came on had to live with a variety of relatives and it was Jean’s aunt who taught him to read music and the heels of his “year of play the piano. In his teen years, Jean learned the hell” that included his disas- violin and was a quick study. He formed a trio trous marriage. It was also with his sister older Linda (piano) and his younger brother Christian (cello) and also start- the only concerto he would ed composing, primarily for family. When Jean write for the violin. was ready to attend university, most of his fami- Jean Sibelius ly (Christian stayed behind) moved to Helsinki For Sibelius, his final where Jean enrolled in law symphony became a chal- school but also took classes at the Helsinksi Music In- stitute. Sibelius quickly became known as a skilled vio- lenge to synthesize the tra- linist as well as composer. He then spent the next few ditional symphonic form years in Berlin and Vienna gaining more experience as a composer and upon his return to Helsinki in 1892, he with a tone poem.
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Concord Orchestra (1969-2019 seasons) –– Richard Pittman, 50th season as conductor by Composer Compiled by Grant Anderson, June 2019 1 Concord Orchestra Repertoire by Composer (1969-2019 seasons) — Richard Pittman, conductor Composer Composition Composed Soloists Groups Concert Adams John (1947 – ) Nixon in China: The Chairman Dances 1985 May 2000 Adams John (1947 – ) ShortA Short Ride in a Fast Machine (Fanfare for 1986 December 1990 Great Woods) Adams John (1947 – ) AShort Short Ride in a Fast Machine (Fanfare for 1986 December 2000 Great Woods) Adler Samuel (1928 – ) TheFlames Flames of Freedom: Ma’oz Tzur (Rock 1982 Lexington High School December 2015 of Ages), Mi y’mallel (Who Can Retell?) Women’s Chorus (Jason Iannuzzi) Albéniz Isaac (1860 – 1909) Suite española, Op. 47: Granada & Sevilla 1886 May 2016 Albert Stephen (1941 – 1992) River-Run: Rain Music, River's End 1984 October 1986 Alford, born Kenneth, born (1881 – 1945) Colonel Bogey March 1914 May 1994 Ricketts Frederick Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 July 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 2003 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 1998 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2007 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2011 Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954 Norman Plummer, April 1971 Thomas Taylor, Stanley Schultz trumpet Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954f John Ossi, James May 1979 Dolham,
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Orcncstrh INCORPORATED THIRTY-NINTH SEASON (^^
^:- \. m ^^%<<M/ BOSTON SYAPflONY ORCnCSTRH INCORPORATED THIRTY-NINTH SEASON (^^ PRoGRSAAE |151 %rm Established 1833 WEBSTER > AND ATLAS NATIONAL BANK OF BOSTON WASHINGTON AND COURT STREETS AMORY ELIOT President RAYMOND B. COX, Vice-President v2^^-^'-^^i ^t\ ^r^'h" JOSEPH L. FOSTER, Vice-President and Cashier ARTHUR W. LANE, iSst. (S^e'r EDWARD M. HOWLAND. Vice-President HAROLD A. YEAMES, Asst Cashier Capital $1,000,000 Surplus and Profits $1,600,000 Deposits $11^,000,000 The well-established position of this bank in the community, the character of its Board of Directors, and its reputation as a solid, conservative institution recommend it as a particularly desirable depository for ACCOUNTS of TRUSTEES, EXECUTORS and INDIVIDUALS For commercial accounts it is known as A STRONG BANK OF DEPENDABLE SERVICE DIRECTORS CHARLES B. BARNES GRANVILLE E. FOSS JOSEPH S. BIGELOW ROBERT H. GARDINER FESSENDEN S. BLANCHARD EDWARD W. GREW THEODORE G. BREMER OLIVER HALL WILLIAM R. CORDINGLEY WALTER HUNNEWELL RAYMOND B. COX HOMER B. RICHARDSON AMORY ELIOT DUDLEY P. ROGERS ROGER ERNST THOMAS W. THACHER JOHN W. FARWELL WALTER TUFTS SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones Ticket Office ) \ Back Bav 1492 Branch Exchange ( Administration Offices ) INCORPORATED THIRTY-NINTH SEASON, 1919-1920 PIERRE MONTEUX, Conductor igrainmime © nteei B )n;ee:r'i§ WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, FEBRUARY 20 AT 2.30 O'CLOCK SATURDAY EVENING. FEBRUARY 21 AT 8.00 O'CLOCK COPYRIGHT, 1920, BY BOSTON SYMPHONY ORCHESTRA, INCORPORATED W. H. BRENNAN. Manager G. E. JUDD, Assistant Manager 1037 — A name that is spoken with the full pride of ownership—that carries with it the deep satis- faction of possessing the ultimate expression of man*s handiwork in Musical Art.
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Gilbert Varga, Conductor Daniel Müller-Schott, Cello
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NING Fengviolin Deutsches Symphonie-Orchester Berlin YANG YANG Conductor NING FENG Violin
CHANNEL CLASSICS CCS SA 34913 Bruch Scottish Fantasy Tchaikovsky Violin Concerto in D NING FENGviolin Deutsches Symphonie-Orchester Berlin YANG YANG conductor NING FENG violin orn in Chengdu, China, Ning Feng studied festivals including Gstaad, SchleswigHolstein, at the Sichuan Conservatory of Music Prague Spring, Tivoli and Kissinger Sommer Bwith Hu Weimin, at the Royal Academy of where he plays nearly every year. He has Music, London, with Hu Kun – where he was the played in many of the major concert halls first student ever to be awarded 100% for his including Moscow’s Great Hall, Berlin final recital – and in Berlin with Antje Weithaas. Konzerthaus and the Vienna Konzerthaus and The reci pient of prizes at the Hanover Inter with orchestras in many of the major cities national, Queen Elisabeth and Yehudi Menuhin across Europe including Berlin, Budapest, Inter national violin competitions, Ning Feng Bilbao, Copenhagen, Venice, Strasbourg, Lyon. was First Prize winner of the 2005 Michael He is a regular soloist with the Hong Kong Hill International Violin Competition (New Philharmonic Orchestra both at home and on Zea land), and in 2006 won first prize in the tour and also performs regularly in Canada, Inter national Paganini Competition. South Korea and New Zealand. Regarded Established at the highest level in China, increasingly as an artist of exceptional quality, Ning Feng performs regularly in his native he has been paired with conductors of great country in recital, with the many local esteem such as Vladimir Jurowski, Jaap van orchestras, and with major touring orchestras. Zweden, and Iván Fischer. A keen chamber musician, Ning collaborates His previous recording for Channel Classics, regularly with musicians across the globe and Solo, featuring works by Paganini, Kreisler, in China has recently founded the Dragon Berio, Schnittke and others, received a first Quartet with cellist Liwei Qin.
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Tchaikovsky Violin Concerto in D Major, Op
23 Season 2018-2019 Thursday, September 20, at 7:30 The Philadelphia Orchestra Friday, September 21, at 2:00 Saturday, September 22, Yannick Nézet-Séguin Conductor at 8:00 Lisa Batiashvili Violin Berwald Symphony No. 3 in C major (“Sinfonie singulière”) I. Allegro fuocoso II. Adagio III. Finale: Presto First Philadelphia Orchestra performances Sibelius Symphony No. 7, Op. 105 (In one movement) Intermission Tchaikovsky Violin Concerto in D major, Op. 35 I. Allegro moderato—Moderato assai II. Canzonetta: Andante— III. Allegro vivacissimo This program runs approximately 1 hour, 50 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The September 20 concert is sponsored by Mrs. Lyn M. Ross in memory of George M. Ross. The September 21 concert is sponsored by Edith R. Dixon. The September 22 concert is sponsored by David Haas. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. » Download the Philadelphia Orchestra app from the Apple App Store or Google Play Store. » Once downloaded open the Philadelphia Orchestra app. » Select the LiveNote tab in the bottom left corner. » Tap “OPEN” on the Philadelphia Orchestra concert you are attending. » Tap the “LIVE” red circle. The app will now automatically advance slides as the live concert progresses.
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Tchaikovsky Lalo
TCHAIKOVSKY VIOLIN CONCERTO LALO SYMPHONIE ESPAGNOLE AUGUSTIN HADELICH violin VASILY PETRENKO conductor OMER MEIR WELLBER conductor LONDON PHILHARMONIC ORCHESTRA TCHAIKOVSKY VIOLIN coNCErto IN D major If there is a sense of awakening at the start of Tchaikovsky’s Of the pieces Tchaikovsky and Kotek played through, Violin Concerto, it is only appropriate. Days before he one that particularly impressed the composer with its started composing it in March 1878 he had been picking ‘freshness’ and ‘musical beauty’ was Édouard Lalo’s at a new piano sonata, with scant success: ‘Am I played new Symphonie espagnole for violin and orchestra. The out?’, he wrote in a letter. ‘I have to squeeze out of myself unassuming formal simplicity of Lalo’s approach also found weak and worthless ideas and ponder every bar.’ He was its way into Tchaikovsky’s Concerto, though this is not to say writing from the house at Clarens near Lake Geneva, where that it is without craft. The first movement is a sonata form he was staying as part of his six-month escape from Russia with an elegant introduction and two clearly discernible following the personal disaster and mental breakdown big melodies amid some more fleeting themes, all bound provoked by his ill-considered marriage the previous year. In together by subtly glinting thematic connections. ‘Musical that period of wandering he had completed both the Fourth beauty’ is also present; like Mendelssohn in his Violin Symphony and the opera Eugene Onegin, but begun very Concerto, Tchaikovsky manages effortlessly to make natural little that was new in itself.
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Pyotr Ilyich Tchaikovsky
May 5 Program Notes: Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky following his own path by blending discovery of Édouard Lalo’s violin- steps back from the emotional (1840-1893) national Russian elements with centric Symphonie espagnole (much turbulence and soul-searching techniques and forms he learned from as his enthusiasm for Carmen, which attitude of the contemporaneous Concerto for Violin in D Western tradition. While the Mighty he encountered in 1876, left its Fourth Symphony, though it exhibits major, Op. 35 Five prized do-it-yourselfness and mark on the Fourth Symphony). an extroverted theatricality of its scorned professional What Tchaikovsky admired in the own. Born on May 7, 1840, in Votkinsk, training, Tchaikovsky attended Lalo piece, he wrote, was the focus Russia; died on November 6, 1893, in St. Tchaikovsky integrates a considerable the conservatory and began to prepare on “musical beauty” instead of the Petersburg, Russia. arsenal of technical challenges for routines of “established traditions.” his career methodically. the soloist with a juicy, unhurried Tchaikovsky composed the Violin Concerto But all his careful planning could As it happened, the young violinist lyricism that somehow also manages in 1878. First performance: December 4, not have prepared the composer for who brought Lalo’s score to his to touch on the epic. Although darker 1881, in Vienna, with Adolph Brodsky as the events of 1877 and the turmoil they attention, a recent student of undercurrents occasionally intrude, the soloist and Hans Richter conducting. In would cause. Tchaikovsky named Iosif Kotek, the stereotype of the hyper-emotive, addition to solo violin, Tchaikovsky’s Violin provided a further impetus.
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