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RANGERS FC RANGERS FC in the in the 1980S
in the The Players’ Stories The Players’ 1980s ALISTAIR AIRD ALISTAIR RANGERS FC ALISTAIR AIRD RANGERS FC in the 1980s Contents Acknowledgements 9 Introduction 11 Safe Hands: The Goalkeepers Jim Stewart (1981–1984) 21 Nicky Walker (1983–1989) 31 Case For The Defence: The Defenders Hugh Burns (1980–1987) 47 Ally Dawson (1975–1987) 62 Jimmy Nicholl (1983–1984, 1986–1989) 73 Stuart Munro (1984–1991) 87 Dave MacKinnon (1982–1986) 100 Stuart Beattie (1985–1986) 112 Colin Miller (1985–1986) 123 Richard Gough (1987–1998) 134 Dave McPherson (1977–1987, 1992–1994) 151 The Engine Room: The Midfielders Bobby Russell (1977–1987) 169 Derek Ferguson (1982–1990) 178 Ian Durrant (1982 -1998) 196 Ian Ferguson (1988–2000) 216 David Kirkwood (1987–1989) 237 Up Front: The Forwards John MacDonald (1978–1986) 249 Gordon Dalziel (1978–1984) 261 Derek Johnstone (1970–1983, 1985-1986) 271 Iain Ferguson (1984–1986) 286 Mark Walters (1987–1991) 296 Statistics 306 Index 319 SAFE HANDS THE GOALKEEPERS 19 Just Jim Jim Stewart (1981–1984) James Garvin Stewart’s football career was stuck in a rut in March 1981 Aged 27 he was languishing in the Middlesbrough reserve team, his two caps for Scotland in 1977 and 1979 a seemingly distant memory Enter John Greig The Rangers manager was looking for a goalkeeper to provide competition for the timeless Peter McCloy and he looked to Teesside to find one ‘I got a phone call from Davie Provan, who was on the coaching staff at Ibrox at the time, to ask me if I’d be interested in signing for Rangers,’ said Stewart ‘There was no question -
English Beat: in Concert at the Royal Festival Hall DVD Reviewed on Audiovideorevolution.Com
English Beat: In Concert at the Royal Festival Hall DVD Reviewed on AudioVideoRevolution.com title: English Beat: In Concert at the Royal Festival Hall studio: Secret Films MPAA rating: Not Rated starring: English Beat DVD release 2005 year: film rating: Three Stars sound/picture: Three Stars reviewed by: Dan MacIntosh When you break it right down, there’s nothing particularly English about The English Beat. You may recall how the group was once lumped in with the whole ska movement back in the ‘80s, mainly because it was on the 2 Tone Records label, along with The Specials and The Selector. But if you listen closely, you hear very little actual ska (which is not exactly a British export in the first place) in the group’s songs. For instance, the only horn player in this outfit is the ancient Saxa, who would much rather play mellow jazz than skanking beats anyhow. Furthermore, the group’s repertoire contains a bounteous supply of reggae – both fast and slow – as well as other dance grooves. But no matter the style, all of these elements support this act’s punkish political attitude, which is possibly its lone true English attribute. This show, which was filmed at The Royal Festival Hall in London, England, features quite a few of the band’s original members. These players include the two front people, Ranking Roger and Dave Wakeling, as well as Saxa and drummer Everett Morton. And except for Saxa, of course, all of these musicians still look incredibly young. Better yet, they also sound great. -
Which Vernacular Revival? Burns and the Makars R.D.S
Studies in Scottish Literature Volume 30 | Issue 1 Article 4 1-1-1998 Which Vernacular Revival? Burns and the Makars R.D.S. Jack Follow this and additional works at: http://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Jack, R.D.S. (1998) "Which Vernacular Revival? Burns and the Makars," Studies in Scottish Literature: Vol. 30: Iss. 1. Available at: http://scholarcommons.sc.edu/ssl/vol30/iss1/4 This Article is brought to you for free and open access by the USC Columbia at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. R. D. S. Jack Which Vernacular Revival? Burns and the Makars When I was introduced to Bums at university, he was properly described as the senior member of a poetic trinity. With Ramsay and Fergusson, we were told, he initiated something called "The Vernacular Revival." That is, in the eighteenth century these poets revived poetic use of Scots ("THE vernacular") after a seventeenth century of treacherous anglicization caused by James VI and the Union of the Crowns. Sadly, as over a hundred years had elapsed, this worthy rescue effort might resuscitate but could never restore the national lan guage to the versatility in fullness of Middle Scots. This pattern and these words-national language, treachery, etc.-still dominate Scottish literary history. They are based on modem assumptions about language use within the United Kingdom. To see Bums's revival of the Scots vernacular in primarily political terms conveniently makes him anticipate the linguistic position of that self-confessed twentieth-century Anglophobe, C. -
Ethnicity and the Writing of Medieval Scottish History1
The Scottish Historical Review, Volume LXXXV, 1: No. 219: April 2006, 1–27 MATTHEW H. HAMMOND Ethnicity and the Writing of Medieval Scottish history1 ABSTRACT Historians have long tended to define medieval Scottish society in terms of interactions between ethnic groups. This approach was developed over the course of the long nineteenth century, a formative period for the study of medieval Scotland. At that time, many scholars based their analysis upon scientific principles, long since debunked, which held that medieval ‘peoples’ could only be understood in terms of ‘full ethnic packages’. This approach was combined with a positivist historical narrative that defined Germanic Anglo-Saxons and Normans as the harbingers of advances in Civilisation. While the prejudices of that era have largely faded away, the modern discipline still relies all too often on a dualistic ethnic framework. This is particularly evident in a structure of periodisation that draws a clear line between the ‘Celtic’ eleventh century and the ‘Norman’ twelfth. Furthermore, dualistic oppositions based on ethnicity continue, particu- larly in discussions of law, kingship, lordship and religion. Geoffrey Barrow’s Robert Bruce and the Community of the Realm of Scotland, first published in 1965 and now available in the fourth edition, is proba- bly the most widely read book ever written by a professional historian on the Middle Ages in Scotland.2 In seeking to introduce the thirteenth century to such a broad audience, Barrow depicted Alexander III’s Scot- land as fundamentally -
Scotland: BBC Weeks 51 and 52
BBC WEEKS 51 & 52, 18 - 31 December 2010 Programme Information, Television & Radio BBC Scotland Press Office bbc.co.uk/pressoffice bbc.co.uk/iplayer THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEKS 51 & 52 _____________________________________________________________________________________________________ MONDAY 20 DECEMBER The Crash, Prog 1/1 NEW BBC Radio Scotland TUESDAY 21 DECEMBER River City TV HIGHLIGHT BBC One Scotland WEDNESDAY 22 DECEMBER How to Make the Perfect Cake, Prog 1/1 NEW BBC Radio Scotland THURSDAY 23 DECEMBER Pioneers, Prog 1/5 NEW BBC Radio Scotland Scotland on Song …with Barbara Dickson and Billy Connolly, NEW BBC Radio Scotland FRIDAY 24 DECEMBER Christmas Celebration, Prog 1/1 NEW BBC One Scotland Brian Taylor’s Christmas Lunch, Prog 1/1 NEW BBC Radio Scotland Watchnight Service, Prog 1/1 NEW BBC Radio Scotland A Christmas of Hope, Prog 1/1 NEW BBC Radio Scotland SATURDAY 25 DECEMBER Stark Talk Christmas Special with Fran Healy, Prog 1/1 NEW BBC Radio Scotland On the Road with Amy MacDonald, Prog 1/1 NEW BBC Radio Scotland Stan Laurel’s Glasgow, Prog 1/1 NEW BBC Radio Scotland Christmas Classics, Prog 1/1 NEW BBC Radio Scotland SUNDAY 26 DECEMBER The Pope in Scotland, Prog 1/1 NEW BBC One Scotland MONDAY 27 DECEMBER Best of Gary:Tank Commander TV HIGHLIGHT BBC One Scotland The Hebridean Trail, Prog 1/1 NEW BBC Two Scotland When Standing Stones, Prog 1/1 NEW BBC Radio Scotland Another Country Legends with Ricky Ross, Prog 1/1 NEW BBC Radio Scotland TUESDAY 28 DECEMBER River City TV HIGHLIGHT -
A Comparative Analysis of Punk in Spain and Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. -
Lindsay Posner
Lindsay Posner Agent Katie Haines ([email protected] Director: Theatre, Television, Radio and Opera Theatre COMMUNICATING DOORS (Menier Chocolate Factory) 2015 By Alan Ayckbourne HAYFEVER (Theatre Royal Bath/West End) 2015 By Noël Coward Starring Felicity Kendal & Simon Shepherd SPEED THE PLOW (Theatre Royal Bath, West End) By David Mamet Starring Lindsay Lohan OTHER DESERT CITIES (Old Vic Theatre) By Jon Robin Baitz THE WINSLOW BOY (Roundabout Theatre, New York; Old Vic Theatre) By Terrence Rattigan A LITTLE HOTEL ON THE SIDE (Theatre Royal Bath) By Georges Feydeau, adapted by John Mortimer THE TURN OF THE SCREW (ACT Productions & Hammer Theatre of Horror; Almeida Theatre) By Henry James, Adapted by Rebecca Lenkiewicz UNCLE VANYA (Vaudeville Theatre; Stanhope Productions) By Anton Chekov, a version by Christopher Hampton Starring Ken Stott, Anna Friel and Samuel West RELATIVELY SPEAKING (Bath Theatre Royal) By Alan Aykbourn With Felicity Kendall RICHARD III (The Old Globe Theatre, San Diego) By William Shakespeare ABIGAIL'S PARTY (Menier Chocolate Factory / Bath Theatre Royal & West End) By Mike Leigh NOISES OFF (The Old Vic Theatre & West End) By Michael Frayn With Celia Imrie & Janie Dee BUTLEY (The Duchess Theatre; Mark Rubinstein Ltd) By Simon Gray With Dominic West & Paul McGann AN IDEAL HUSBAND (The Vaudeville Theatre; Stanhope Productions Ltd) by Oscar Wilde HOUSE OF GAMES (Almeida Theatre) Adapted by Richard Bean from the screenplay by David Mamet A VIEW FROM THE BRIDGE (Duke of York’s Theatre) By Arthur Miller With Ken -
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it. -
2011 Gairdner Foundation Annual Report
2011 GAIRDNER FOUNDATION ANNUAL REPORT May 30, 2012 TABLE OF CONTENTS TABLE OF CONTENTS ...................................................................................................................................... 2 HISTORY OF THE GAIRDNER FOUNDATION .............................................................................................. 3 MISSION,VISION ................................................................................................................................................ 4 GOALS .................................................................................................................................................................. 5 MESSAGE FROM THE CHAIR .......................................................................................................................... 6 MESSAGE FROM THE PRESIDENT/SCIENTIFIC DIRECTOR ..................................................................... 7 2011 YEAR IN REVIEW ..................................................................................................................................... 8 REPORT ON 2011 OBJECTIVES ..................................................................................................................... 12 THE YEAR AHEAD: OBJECTIVES FOR 2012 ............................................................................................... 13 2011 SPONSORS ................................................................................................................................................ 14 GOVERNANCE -
Hampden Park - Scotland’S National Stadium Sunday, 30Th October 2016
Hampden Park - Scotland’s National Stadium Sunday, 30th October 2016 SUPPORTED BY Another great night at Hampden Park The List of Inductees Once again, Scotland’s National Stadium plays host to the Scottish Football Hall of Fame The inaugural Scottish Football Hall of Fame Dinner in 2004 saw twenty greats of the Scottish game Annual Inductees Dinner. In what promises to be another great evening, guests will see inducted in the Hall of Fame. Since then, there have been over seventy additions to this select band. several new inductees into the Hall of Fame. The evening’s proceedings will be followed 2004 2005 2007 BERTIE AULD 2013 ALAN MORTON WILLIE BAULD PAUL LAMBERT ALAN ROUGH by a tribute to one of Scotland’s true footballing greats. WILLIE WOODBURN ALEX McLEISH ERIC CALDOW JIMMY DELANEY MARTIN BUCHAN JIM BAXTER BOBBY LENNOX JIMMY COWAN MAURICE JOHNSTON EDDIE GRAY Since its inauguration in 2004 over 90 greats of our Sir ALEX FERGUSON ALEX JAMES ALAN HANSEN TOMMY DOCHERTY GRAEME SOUNESS national game have been inducted into the Scottish CHARLES CAMPBELL ALLY McCOIST 2010 SCOT SYMON JOHN GREIG Football Hall of Fame. Who will be joining such GEORGE YOUNG ROSE REILLY CRAIG BROWN BOBBY WALKER JOCK STEIN legendary characters as Denis Law, Kenny Dalglish, JIM McLEAN WALTER SMITH ANDY GORAM BILL SHANKLY Rose Reilly - the fi rst woman to be inducted - and JOE JORDAN GORDON STRACHAN PAUL McSTAY 2014 BILLY McNEILL DAVID NAREY international superstars Henrik Larsson and Brian JOHN WHITE EDDIE TURNBULL PETER LORIMER JIMMY McGRORY LAWRIE REILLY TOM ‘Tiny’ WHARTON DAVIE WILSON Laudrup? DANNY McGRAIN WILLIE WADDELL 2008 BOBBY JOHNSTONE CHARLIE NICHOLAS BOBBY MURDOCH JOHN THOMSON BILL BROWN This year promises to be yet another memorable JIMMY JOHNSTONE 2006 BILL STRUTH 2011 McCRAE’S occasion. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Letters of Marque: Declarations Against America (HCA26/60-70; ADM7/317-218): 1777-1783
Letters of Marque: Declarations Against America (HCA26/60-70; ADM7/317-218): 1777-1783 MIC-Loyalist FC LMR .G7A3L4A4 Index of Ships and Commanders HCA 26/68 (8 Nov. 1780- 17 Jan. 1781), HCA 26/69 (17 Jan. -7 Nov. 1781), HCA 26/70 (10 Nov. 1781- 20 Jan. 1783) NOTE: “Folio Number” matches written numeral, not stamped numeral. () variation of name in documents [] editor’s guess Reel 1 Index A (Volume 60) A Ship Name Commander Folio Number Aurora Robert Callow 31 Ann Susanna William Johnson 53 Augustus Casar John Deffell 62 Alexander Thomas Clubley 63 Alfred John Bolton 74 Alexander John Bain 78 Andrew Andrew Stephens 86 Ancona Pacquet John Hall 90 Adventure John Muir 91 Anglicana John Hughes 99 Aston Hall John Austen 130 Ann John Barkley 138 Ambuscade John Munns 167 Adamant George Jenkins 172 Anna Henry Williams 172 Antigua Planter James Johnson 174 B Ship Name Commander Folio Number Betsey James Leitch 25 British Queen James Hodge 48 British Queen Joseph Judge 105 Brilliant John Lewis 134 Bess Richard Perry 135 British King Richard Purvis 141 Bessborough Alexander Montgomerie 149 Britannia John Wheatley 157 Barbara Pacquet Alexander Forfar 158 Britannia James Furze 169 Brilliant William Priestman 171 C Ship Name Commander Folio Number Ceres Archibald Greig 18 Charming Sally William Wheatley 59 Charming Nancy John Bell 68 Christopher James Deas 81 Camden James Bonner 110 Caesar William Miller 165 Commerce Alexander Fraser 166 Clarendon John Amery 167 Catherine Thomas Boog 182 D Ship Name Commander Folio Number Dorothy John White 54 Derby