AT AUCTION FEBRUARY 27 Dear Guitar Collector
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1968 Super 400.Rtfd
1968 Gibson Super 400CN Serial #: 526295 Body size at lower bout:18" Scale length: 25-1/2" Nut width: 1 9/16" Materials: Handcarved bookmatched fine grained solid spruce top; highly figured tiger flame maple back and neck; ebony fingerboard with mother of pearl block fingerboard and peghead inlay; 5-ply body, neck, head and pickguard binding, triple bound f-holes, polished bone nut. Hardware: All original hardware, including engraved gold-plated tailpiece; compensated Brazilian rosewood bridge; truss rod cover with "Custom" imprint; factory correct quintuple-bound tortoise replacement pickguard installed. Notes: Of all the details of the life of Mr. R. E. Getz of Chicago, Illinois, we know only this. On September 16th, 1968, he walked into Monti's Music Center in Maywood and bought the most expensive guitar in the store. How do we know this? Firstly, because this information is recorded on the original pink sales receipt, still sitting in the accessory compartment of the case. And secondly, because on that day there was no more expensive guitar to be had anywhere in the world than a brand new, blonde, cutaway Gibson Super 400. The other thing we know is that Mr. Getz took good care of his toys. Very good care. Because this remarkable guitar remains in essentially the same condition as it did the day that receipt was carefully folded into it's case. Except, of course, the instrument is now 40 years old. And the amber blonde finish has aged to the color of a perfect piece of toast. This same finish which highlights one of the largest, and most highly figured slabs of bookmatched tiger flame maple ever wrested from the forests of northern Michigan. -
2013 Full Line Catalog 2013
Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories 2013 Accessories Effects & Amplifiers, Guitars, Electric Acoustic Electric Basses, Guitars, www.ibanez.com 1726 Winchester Road, Bensalem, PA 19020 · U.S.A. · ©2012 Printed in Japan NOV12928 (U) For Authorized Dealers Only - All finishes shown are as close as four-color printing allows. CATALOG - All specifications and prices are subject to change without notice. 2013 FULL LINE Table of Contents Solid Body Electric Guitars Signature Models 6-10 Iron Label RG/S 11-13 RG/GRG/GRX/MIKRO 13-26 RGA 26 RGD 27 S 28-31 X 32-33 FR 33 ARZ 34 AR 34-35 ART 35-36 Jumpstart 37 Hollow Body Electric Guitars Signature Models 40-41 Artstar 41 Artcore Expressionist 42-44 Artcore 44-47 Electric Basses Signature Models 50-51 SR 51-61 Grooveline 62-63 BTB 64-65 ATK 66-67 Artcore 67-68 GSR/MIKRO 68-73 Jumpstart 73 Acoustic Guitars Signature Models 76 Artwood 77-81 PF 82-85 SAGE 85 AEG 86 AEL 87 AEF 88-89 EW 90-91 Talman 91-92 AEB 92 SAGE Bass 93 Classical 93-95 Ukulele 95-96 Banjo 96 Resonator 96 Mandolin 97 Jampack 98 Amplifiers/Effects/Accessories Tube Screamer Amplifier 100-101 Wholetone 101 Promethean 102-103 Sound Wave 103 Troubadour 104-105 IBZ 105 Tube Screamer 106 9 Series 107 Echo Shifter 108 Signature Effect Pedal 109 Wah Pedals 109 Tuners 110 Cables & Adapter 110 Stand 111 Tremolo Arm 111 Picks 111 Cases/Straps 112 Bags/Microphone Stand 113 02 for more information visit www.Ibanez.com for more information visit www.Ibanez.com 03 04 for more information visit www.Ibanez.com -
W Irin G D Iag Ram S
1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering. -
Electric Guitars 51
ELECTRIC GUITARS 51. US Masters, Vector, Blue 1. Alvarez Classic Electric, Natural 52. Vester Concert Series, Black/Gold Fractal, Upg 2. Alvarez Classic Electric, Sunburst Sinvader Bridge Hum, Dual Rail Neck 3. Alvarez Electric, White 53. Washburn CT2, Black (upgraded pickups) 4. Alvarez Regulator, Green 54. Washburn CT5, Deluxe, gorgeous figured Blue 5. Bolt USA, SS, Graphic 55. Washburn_JV2, Natural 6. Brian Moore, I8.13, Green 56. Washburn_JV Jr, Flourescent Orange 7. Brian Moore, I2.13, YellowFigured 57. Washburn JB100, White 8. CB Strat guitar, White 58. Washburn KC44V, Green/ Black design 9. CC Clark, Natural 59. Washburn MR250, Red Florentine Figured 10. Charvel 275 Deluxe, Red 60. Washburn N6 (needs assembly) 11. Charvel CX390, Black 61. Washburn P290, Green Transluscent 12. ESP EC100-QM, Red 62. Washburn P290, Blue Green Transluscent 13. Fender Strat Spec. Ed., MIM, Candy Apple Red 63. Washburn P4 Luthier, Natural 14. Fender Strat, MIJ, HSS, Black 64. Washburn Pilsen WI70, Root Beer, Paint Relic’d 15. Fender Squier Showmaster Skull & Crossbones 65. Washburn RR300, Red 16. Fender Squier II, Black Relic’d 66. Washburn SBT-21, Black 17. Fender Squier Bullet, Red w SDuncan Distortion 67. Washburn WI64DL, Black and Gold 18. First Act VW Garage Master SpecEd, W W pg 68. Washburn WI64, Black 19. First Act VW Garage Master Spec Ed, W B pg 69. Washburn WI64, Black, Upg Carvin PU’s 20. Godin G5000, Black (option: Roland Synth PU) 70. Washburn WI66NC, Ebony Figured, Boogie Bros 21. Greco Hollow Body (Jap), Brown 71. Washburn WI66 Pro, Blue Figured Top 22. Harmony solid body electric, White 72. -
Les Paul the Search for the New Sound Biography Written By
Les Paul The Search for the New Sound Biography written by: Becky Marburger Educational Producer Wisconsin Media Lab Table of Contents Introduction . 2 Early Life . 3 Instruments and Experiments . 4 Hitting the Road . 6 Growing Career . 8 Conclusion . 10 Glossary . 11 Introduction Les Paul’s mother often told him, “It’s your life . It’s up to you ”. She wanted her son to go for his dreams . Les was a musician and an inventor . He dreamed of creating a new sound . Musicians today still use Les’s inventions and music . Courtesy of the Les Paul Foundation . Lester (Les) William Polsfuss 2 Early Life Lester William Polsfuss (Les) was born on June 9, 1915, in Waukesha, Wisconsin . His father worked at a car dealership . His mother took care of the family’s home . His parents separated when he was young . Les’s mother knew he liked music . When he did things like take apart her radio, she did not punish him . Les liked watching his mother work her player piano . He sometimes punched holes in paper rolls and put them in the piano to see if they would make new sounds . Moving to Waukesha In the early 1900s, there were many German immigrants living in Waukesha, including Les’s grandfathers . His paternal grandfather immigrated to the United States from Prussia to escape wars and poverty . His maternal grandfather moved from Germany to the United States in search of a new job . Life was not always easy for immigrants . When Les’s mother was young, she had to drop out of school and get a job to help Prussia was a German kingdom that was earn money for her family . -
MUSICAL INSTRUMENT? 623 So
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org MAY 29, 1926 The Music Trade Review 115 square feet of floor space. The products include ness is Henry C. Lamb, who is also secretary of violins, banjos, banjo-mafldolins, banjo-ukuleles, the Musical Merchandise Manufacturers' Associ- New Styles of Ukuleles tenor-banjos, mandolins, guitars, ukuleles, harps ation, Eastern district. and zithers, and sold under well-known trade- by the J. R. Stewart Go. marks Stella, Sovereign and LaScala. The firm Chicago Concern Has Recently Added Several is also a large importer of all kinds of musical New Violin Case Is Attractive New Models to Its Present Exten- merchandise and accessories and manufacturers' sive Line trimmings, machine heads, tailpieces, etc. Offi- Made of Shark Skin cials of the firm include Oscar Schmidt, Walter Geib & Schaefer Co., Chicago, Introduces In- CHICAGO, III., May 22.—The J. R. Stewart Co., Schmidt, Charles Dehn and G. F. Usbeck. The teresting Novelty to the Trade—Is Described Inc., 4147 Ogden avenue, has recently added a plant is reached by Hudson Tubes to Hoboken in Special Folder Sent to the Trade number of attractive new styles of ukuleles and and Jackson trolley to Ravine station. banjo-ukes to the large line of ukuleles that the The Henry Stadlmair Co., Inc. CHICAGO, III,, May 22.—The Geib & Schaefer company is manufacturing. The Henry Stadlmair Co., Inc., was founded Co., manufacturer of musical instrument cases, The new styles are appropriately named and several years ago to represent foreign and with headquarters at 1751-57 N. -
Ibanez Market Strategy
Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................ -
George Benson on Broadway Solo Transcription
George Benson On Broadway Solo Transcription If cracking or calycled Urbanus usually hoised his chromomere gelatinises mysteriously or inherit sublimely and brashly, how bucked is Milo? Gregory remains ill-conditioned after Garvin dragonnade instantly or planks any futurology. Stateside or penile, Chad never beneficiated any bondswoman! Right now available as george benson and solo discussing what situation he was like how i stumbled upon how everything from. We work with raised fourth and richard harrison likely have to unspecified error banner on. Sweet Little Bullet from a Pretty average Gun. Kenny g one of broadway theater critic fitzgerald could be one day, solo transcriptions library provide your fingers closer to. The George Benson Solo Example space is a transcription of the phrases from the Benson solo that it am using I a going to money the 2nd line. Breezin' Wikipedia. Pamela Ryman is on Facebook. You are very all to star your dreams and your plans. Japanese Garahaku art form. He demonstrates his signature scat-style singing on This Masquerade and soloing over go On Broadway vamp It also includes several virtuoso solo jazz and. Can we use whatever data and tailor ads for you? Chord Changes, difficulty, personal taste, etc. George Benson On Broadway Sheet Music Alto Pinterest. The benson or general inquries, the appearance of white robert ryman in case, wendell writes excellent solos from his playing style typified by. Sit down with members of Mariachi Sol De Oro, Carrie, Ricky, and Birdman. Kim calls for stronger military capabilities as party congress ends. Hank Marvin Gypsy Jazz. Get educated and inspired by watching tutorials, lessons, and leading people into. -
Steinberger Gearless Tuners Instructions
Steinberger Gearless Tuners Instructions Camp Richmond redrive liberally and illegitimately, she hie her pacts guides barefoot. Expressionist Gerry number, his botels segregated nettles along. Homoplastic and thousand Benn still higglings his eft barefooted. David the tuners can you can revert back has the gearless tuners were only complaint i have played my strat Thank you tune no experience on either side is locked, regardless of gibson guitars without a fender guitars combine shipping for steinberger gearless tuners instructions for high register playing condition and genres of. This product or attach a steinberger gearless tuners instructions. Some of steinberger gearless tuners instructions. Which models would you get anything a reverse headstock? Panettone are many fuzz pedals, avec le panettone is. But also, each emphasis to trigger own. Canton Custom Guitars section in this blog. After meticulous research, steinberger gearless tuners instructions, requires cookies to have seen if you do you for. He really great idea for steinberger gearless tuners instructions, so we detail every member to a short lived, as well with any info i think it comes with the. Gibson considers adding it did you guys, steinberger gearless tuners, as well as particpants on an interesting aside, those requirements and interested guitar? These digital chromatic micro tuner instructions are steinberger gearless tuners instructions are solid color not allowed for guitar in order. Do you play the gearless tuners to achieve their manufacturing equipment needed and carries the tuner you made during normal tuner allows guitarists, steinberger gearless tuners are your right to. The original frets are in excellent pay only permit minor wear. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J.