Annual General Report 2019-2020
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200210 IND 150+Ottawa Press Release Feb
FOR IMMEDIATE RELEASE CELEBRATING INUIT STORYTELLING WITH OTTAWA PREMIERE OF ONE OF CANADA’S TOP 10 FILMS OF 2019 ‘ONE DAY IN THE LIFE OF NOAH PIUGATTUK’ Actor Apayata KotiEr, who plays tHE rolE of NoaH Piugattuk bEing confrontEd by actor Kim Bodnia, playing tHE rolE of Isumataq (Boss). PHoto courtEsy Isuma Distribution. ‘A TOP 10 FILM OF 2019’ - TIFF Monday FEbruary 10th, 2019 -- Coming to Ottawa for it’s Ottawa Public PrEmiErE is OnE Day in tHE LifE of NoaH Piugattuk, the latest film by award-winning, master filmmaker and Order of Canada recipient, Dr. ZacHarias Kunuk. Attending and speaking after the event will be Isuma team member and the film’s assistant director, Lucy Tulugarjuk, and Tessa Kunuk who debuts in the film in the role of Nattuk. The film tells a story of Igloolik elder NoaH Piugattuk who was born in 1900 and passed away in 1996. Noah’s life story is that of Canada’s Inuit in the 20th century – and the film allows the audience to feel and experience for themselves how the movement of Inuit to settlements affected a family, as well as the independence of Inuit people as a nation. Joining the conversation will be Inuit EldEr David SErkoak, educator and speaker on Inuit culture, and former Principal of Nunavut Arctic College. Leading and moderating the discussion will be BernadEttE Dean, Inuit culture and history expert. In the film we meet Noah Piugattuk’s nomadic Inuit band who live and hunt by dogteam, just as his ancestors did when he was born in 1900. -
NIRB Letter to NIRB from Dr. Kunuk and NITV
August 11, 2020 Via e-mail: [email protected] Ms. Karen Costello Executive Director Nunavut Impact Review Board P.O. Box 1360 Cambridge Bay, NU X0B 0C0 Dear Ms. Costello: Re: NIRB File No. 08MN053 – Assessment of Baffinland Iron Mines Corp.’s Phase 2 Development Proposal for the Mary River Mine We are in receipt of the recent correspondence between the Parties related to the resumption of the assessment process, including the most recent letter from the Nunavut Impact Review Board (NIRB) on August 7, 2020 in which it states that it will “convene to consider the Motion and provide follow up guidance and response to the feedback provided by parties regarding the resumption of the Board’s assessment.” As formal intervenor in the Mary River Phase 2 assessment process, we would like to make a submission to the NIRB about the proposed resumption of the assessment at the end of August. Given the unanimous message of opposition expressed in the joint letter from the Mayors and Hunters and Trappers Organizations from the five affected communities on August 6, 2020, we will be brief. At the outset, we would like to clarify that we have not been informed, consulted or given a heads-up by representatives of Baffinland Iron Mines Corp. or the NIRB about the intentions to resume the assessment process prior to the correspondence of the NIRB on July 29, 2020. While other parties may have known that the resumption of the assessment process was imminent, we were not. Since August 3, we have been on the land for a filming project planned months in advance, where it was not possible for us to effectively communicate with our advisors and research team and begin preparations for the technical meetings that were proposed to begin August 31. -
Iqaluit's Malaya Qaunirq Chapman Stars in Big New Feature Lm
5/1/2020 Iqaluit’s Malaya Qaunirq Chapman stars in big new feature film | Nunatsiaq News IQALUIT KUUJJUAQ 0° -9° cloudy partly cloudy FRIDAY, 1 MAY, 2020 JOBS TENDERS NOTICES ADVERTISE ABOUT US CONTACT E-EDITION NEWS FEATURES EDITORIAL LETTERS OPINION TAISSUMANI ARCHIVES NEWS 25 JULY 2019 – 3:30 PM EDT Iqaluit’s Malaya Qaunirq Chapman stars in big new feature lm Arnait Video’s Restless River set in the Kuujjuaq of the 1940s, 50s https://nunatsiaq.com/stories/article/iqaluits-malaya-qauniq-chapman-stars-in-big-new-feature-film/ 1/8 5/1/2020 Iqaluit’s Malaya Qaunirq Chapman stars in big new feature film | Nunatsiaq News Iqaluit’s Malaya Qaunirq Chapman stars in Restless River, a new feature lm from Arnait Video Productions that will get a theatrical release this fall. By Nunatsiaq News A big new feature lm set in Kuujjuaq and starring Iqaluit’s Malaya Qaunirq Chapman is set for release in theatres this fall, the lm’s producers announced this week. Set in Fort Chimo, as Kuujjuaq was known in the 1940s and 1950s, Restless River is inspired by a short novel, titled La Rivière Sans Repos in French and Windower in English, that the renowned francophone writer Gabrielle Roy published in 1970. https://nunatsiaq.com/stories/article/iqaluits-malaya-qauniq-chapman-stars-in-big-new-feature-film/ 2/8 5/1/2020 Iqaluit’s Malaya Qaunirq Chapman stars in big new feature film | Nunatsiaq News The lm’s central narrative is built around the character of a young Inuk woman named Elsa, who, shortly after the end of World War II, is raped by an American soldier stationed at the Fort Chimo air force base. -
Uvagut TV Fulfils a Long-Cherished Dream, NITV Chairperson Says
https://nunatsiaq.com/stories/article/uvagut-tv-fulfils-a-long-cherished-dream-nitv-chairperson-says/ 15 January 2021 – 5:12 pm EST Uvagut TV fulfils a long-cherished dream, NITV chairperson says New Inuit language channel will include six hours of IBC programming each day Rita Claire Mike-Murphy in a scene from Anana’s Tent, a children’s program from Taqqut Productions that will be available on Uvagut TV. (Photo courtesy of Isuma) By Jim Bell When the groundbreaking Uvagut TV channel launches Monday, a long-cherished dream will have been realized, the chairperson and executive director of Nunavut Independent Television, Lucy Tulugarjuk, told Nunatsiaq News this week. “We’ve been hoping for a long time to have Inuit television, or Uvagut TV, TV in Inuktitut,” Tulugarjuk said. 1 https://nunatsiaq.com/stories/article/uvagut-tv-fulfils-a-long-cherished-dream-nitv-chairperson-says/ The chairperson and executive director of Nunavut Independent Television, Lucy Tulugarjuk. (Photo courtesy of Isuma) NITV and a related Igloolik-based company, Isuma TV, will build the channel on a vast database of Inuit language video material they’ve been gathering for nearly 20 years and offering to the public through an on-demand online streaming site. Now, they’ll be able to broadcast the same material on their own channel, to be carried by Arctic Co-operatives Ltd. and Shaw Direct. Another group that’s happy about the new channel is the Inuit Broadcasting Corp., which will supply programming to Uvagut TV for six hours a day. “I believe that Inuit deserve to see these programs,” Manitok Thompson, the CEO of IBC, said in a statement. -
Mother Tongue Film Festival
2016–2020 Mother Tongue Film Festival Five-Year Report RECOVERING VOICES 1 2 3 Introduction 5 By the Numbers 7 2016 Festival 15 2017 Festival 25 2018 Festival 35 2019 Festival 53 2020 Festival 67 Looking Ahead 69 Appendices Table of Contents View of the audience at the Last Whispers screening, Terrace Theater, Kennedy Center. Photo courtesy of Lena Herzog 3 4 The Mother Tongue Film Festival is a core to the Festival’s success; over chance to meet with guest artists and collaborative venture at the Smithso- time, our partnerships have grown, directors in informal sessions. We nian and a public program of Recov- involving more Smithsonian units and have opened the festival with drum ering Voices, a pan-institutional pro- various consular and academic part- and song and presented live cultural gram that partners with communities ners. When launched, it was the only performances as part of our festival around the world to revitalize and festival of its kind, and it has since events. sustain endangered languages and formed part of a small group of local knowledge. The Recovering Voices and international festivals dedicated We developed a dedicated, bilingual partners are the National Museum of to films in Indigenous languages. (English and Spanish) website for Natural History, the National Museum the festival in 2019, where we stream of the American Indian, and the Cen- Over its five editions, the festival has several works in full after the festival. ter for Folklife and Cultural Heritage. grown, embracing a wide range of And, given the changing reality of our Through interdisciplinary research, audiovisual genres and experiences, world, we are exploring how to pres- community collaboration, and pub- drawing audiences to enjoy screen- ent the festival in a hybrid live/on- lic outreach, we strive to develop ef- ings often at capacity at various ven- line model, or completely virtually, in fective responses to language and ues around Washington, DC. -
My Mother Tongue
SOCIETY My mother tongue Aviaq Johnston y name is Greenlandic, but I am not. I am upon him, “You know what? I am Inuk, see? Hear a 20-year-old Inuit girl from a small com- me speaking my munityM in Nunavut called Igloolik. My mother is an his own Inuktitut TV show on APTN that addresses Inuk born on the land in Nunavik and she grew up the issues of language and youth. in Quaqtaq, Quebec. My father is a Qallunaaq — a My sister understands Inuktitut better than I do, though she chooses not to speak it. I think it’s Quebec. He has been living in the North, always because of pronunciation. As I was growing up, I surrounding himself with Inuit, for over 30 years. had trouble pronouncing certain Inuktitut words, He has lived in Inukjuak, Kimmirut, Pond Inlet, particular throaty consonants. I couldn’t decipher Cape Dorset, Igloolik, and many other places in the North, but for now he resides in Iqaluit. My mother and I managed to make something that could be understands and speaks many of the Inuktitut dia- explained simply into harder and more complicated lects, including a bit of Greenlandic, while my father words and sentences that made absolutely no sense. has learned Inuktitut in the years he has lived in the For example, say I was asking you to go and grab Arctic. It is a daily part of our lives. something for me, rather than saying, “Taanna I, however, lost the language when I was in my adolescence. mouth and brain and say something like, “Can you I grew up with two dialects: the Igloolik dialect, go and get that thingy over there, not in that spot which corresponds with other dialects in North Baf- but in the other spot. -
Indigenous Canada: the Great Lakes and St
Giant Floor Map Introduction Learning Objectives: ● Students will compare different regions within Canada. ● Students will learn about the different physical features of Canada. Time Required: 30-40 minutes Grades: K-12 Materials: N/a Set up: N/a Links to the Canadian National Standards for Geography: 1. The World in Spatial Terms • Physical/political maps of the province/territory, Canada, and the world. • Provinces and territories of Canada. • Major cities of the province and Canada. 2. Places and Regions • Regions defined by multiple criteria. Introduction: Take this time to have students explore the Giant Floor Map on their own. Encourage students to walk across the map in its entirety and to keep in mind any questions that may occur to them. Prompting questions: -What do you see? -What are some similarities and differences between different areas of the country? -What surprises you? Which sites excite you? -Where do you want to visit the most? -Do you notice the Canada C3 Expedition route? Ask students to stand around the Northern, Eastern, and Western edges of the map for a short discussion on their first experience on the map. Introduce or review the purpose of a map: to provide information about a place. The title of this map is “2017 Canada C3 Expedition: A Journey from Coast to Coast to Coast”. Ask students what kind of information they predict this map will provide. Tell students that from June 1 to October 28, 2017, as part of the acknowledgements of Canada 150, an icebreaker ship is traveling from Toronto, Ontario to Victoria, British Columbia via the Northwest Passage. -
2020 RIGHTS CATALOGUE Rights 2020 About Us About Us Rights 2020
2020 RIGHTS CATALOGUE Rights 2020 About Us About Us Rights 2020 About Us nhabit Media Inc. is the first Inuit-owned, independent publishing Icompany in the Canadian Arctic. We aim to promote and preserve the stories, knowledge, and talent of the Arctic, while also supporting research in Inuit mythology and the traditional Inuit knowledge of Nunavummiut (residents of Nunavut, Canada’s northernmost territory). Our authors, storytellers, and artists bring traditional knowledge to life in a way that is accessible to readers both familiar and unfamiliar with Inuit culture and traditions. Incorporated in 2006, Inhabit Media was born out of a need for Nunavut kids to see their culture accurately represented in the books they read in schools. We have spent more than ten years working with elders and storytellers from across the Canadian Arctic to ensure that the region’s unique Inuit oral history is recorded and not lost to future generations. Many of the stories that we publish have never been written down before, having existed for centuries as tales passed orally from generation to generation. While many of these stories are ancient, we work closely with elders, contemporary Inuit writers, and illustrators the world over to present folktales and traditional stories in a format that will resonate with modern audiences. Our books do not simply provide a glimpse into Inuit culture; they also represent the preservation of “Many of the stories that we publish have oral history and traditional knowledge that may otherwise have never been written down before, been lost, in a format that contemporary readers will find engaging, having existed for centuries as tales passed orally entertaining, and informative. -
2018 Ivas Pamphlet
the INDIGENOUS LITERARY STUDIES ASSOCIATION Presents the First Annual I N D I G E N O U S VOICES AWARDS GALA 29 May 2018 Oskana kâ-asastêki / Regina, SK Design and production: Rachel Taylor › racheltaylorpublishingservices.wordpress.com Indigenous Voices Awards Board Membership 2017-18: CO-CHAIR: Sam McKegney, ILSA Past President 2016-17 › [email protected] CO-CHAIR: Deanna Reder, ILSA Past President 2017-18 › [email protected] Daniel Heath Justice, ILSA Founding Member › [email protected] Sophie McCall, ILSA Secretary 2016-17 › [email protected] Jesse Archibald-Barber, ILSA President 2017-18 › [email protected] Michelle Coupal, ILSA President-Elect 2017-18 › [email protected] Sarah Henzi, ILSA Secretary 2017-19 › [email protected] Aubrey Hanson, ILSA Treasurer 2016-18 › [email protected] Svetlana Seibel, Early Career Member 2017-19 › [email protected] Jordan Abel, Graduate Representative 2017-18 › [email protected] Special thanks to Deborah Smith and Sarah Hedley for their office support. CONTENTS Welcome! 3 The Indigenous Voices Awards: Background 4 Thank You 5 Letter to an Emerging Indigenous Writer Daniel Heath Justice 6 2018 Jurors 11 2018 Finalists 13 On the Indigenous Voices Awards Sam McKegney 19 Indigenous Voices Inspire a New Association: ILSA Deanna Reder 20 Indigenous Literary Studies Association 21 Book Launches 23 An Invitation to Donate 24 Donors to the Emerging Indigenous Voices Fundraiser 25 WELCOME! e are thrilled to announce the finalists in this year’s competition, celebrating the very best in literary art by emerging Indigenous Wwriters. A jury of renowned Indigenous writers and prominent figures from the Canadian literary world has identified finalists in catego- ries for published and unpublished writing. -
Pilimmaksarniq | Pijariuqsarniq Report 2
INUIT FUTURES IN ARTS LEADERSHIP: THE PILIMMAKSARNIQ | PIJARIUQSARNIQ PROJECT INAUGURAL EVENT: OCTOBER 16 – 20, 2018 At OCAD University, Toronto, Ontario SSHRC Partnership Development Grant Hosted by Toronto partners; Indigenous Visual Culture at OCAD and Inuit Art Foundation Prepared by Adrienne Huard (Local Project Coordinator) This research was supported by the Social Sciences and Humanities Research Council of Canada. Page !1 of !14 INUIT FUTURES IN ARTS LEADERSHIP: THE PILIMMAKSARNIQ | PIJARIUQSARNIQ PROJECT INUIT LEADERSHIP GROUP •Reneltta Arluk (Akpik Theatre) •Alethea Arnaquq-Baril (Unikkaat Studios) •Dr. Heather Igloliorte (Concordia University) •Jessica Kotierk (Nunavut Film Development Corporation) •Taqralik Partridge (Independent Artist) •Jesse Tungilik (Government of Nunavut) PARTNERS •Stephen Borys (Winnipeg Art Gallery) •Sandra Dyck (Carleton University) •Britt Gallpen (Inuit Art Foundation) •Karine Gaucher (La Guilde) •Anna Hudson (York University) •Serena Keshavjee (University of Winnipeg) •Lindsay Lachance (National Arts Centre) •Jason Lewis (Concordia University) •Julie Nagam (University of Winnipeg) •Alysa Procida (Inuit Art Foundation) •Ryan Rice (OCAD University) •Carla Taunton (Nova Scotia College of Art and Design) •Katherine Wolforth (The Rooms Corporation) SECONDARY PARTNERS • RESEARCH ASSISTANTS •Adrienne Huard (OCAD University, MFA student) •Kathryn Florence Math (Concordia University, MA student) •Amanda Shore (Concordia University, MA student) •Emma Steen (Inuit Art Foundation, MA student at OCAD University) Page !2 of !14 INUIT FUTURES IN ARTS LEADERSHIP: THE PILIMMAKSARNIQ | PIJARIUQSARNIQ PROJECT PARTNERSHIP DEVELOPMENT ACTIVITIES: Preliminary Meeting - Inuit Leadership Group, OCAD University, 12-4pm (Toronto, October 16, 2018) Members from the Inuit Leadership Group gathered to set goals and objectives for the midway point of the grant (Year 4 - 2021-2122). They also discussed certain challenges that may arise and how to monitor and measure the success of the project. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
Canada Council for the Arts Funding to Artists and Arts Organizations in Nunavut, 2006-07
Canada Council for the Arts Funding to artists and arts organizations in Nunavut, 2006-07 Research Unit – Canada Council for the Arts Table of Contents Table of Contents 1.0 Overview of Canada Council funding to Nunavut in 2006-07 ................................................................. 1 2.0 Statistical highlights about the arts in Nunavut ........................................................................................... 2 3.0 Highlights of Canada Council grants to Nunavut artists and arts organizations .............................. 3 4.0 Overall arts and culture funding in Nunavut by all three levels of government .............................. 6 5.0 Detailed tables of Canada Council funding to Nunavut ............................................................................ 9 List of Tables Table 1: Government expenditures on culture, to Nunavut, 2003-04 ........................................................... 7 Table 2: Government expenditures on culture, to all provinces and territories, 2003-04 .....................7 Table 3: Government expenditures on culture $ per capita by province and territory, 2003-04 ........ 8 Table 4: Canada Council grants to Nunavut and Canada Council total grants, 1999-00 to 2006-07 ........................................................................................................................ 9 Table 5: Canada Council grants to Nunavut by discipline, 2006-07 ............................................................ 10 Table 6: Grant applications to the Canada Council