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WHERE ARE WE? INTRODUCTION “Where Are We?”
WHERE ARE WE? INTRODUCTION “WHERE ARE WE?” An intercultural exhibition: Art from Austria in Pakistan. With this intercultural and international art programme, hinterland is taking up a temporary home in Pakistan. “Where are we?” is a series of exhibitions desig- ned to promote intercultural understanding. The first took place in June 2015 in Tehran/Iran, then it moved to Vienna, Austria and now an extended version of the exhibition will be shown in Lahore and Islamabad. For this third venue thirteen artists – all living in Vienna – were invited to create works based on their personal understanding of identity: their personal perception of, historical understanding and/or image of a (national) identity. Artists: Azra Akšamija, Vooria Aria, Carla Degenhardt, Siegfried A. Fruhauf, Clemens Krauss, Constantin Luser/Stefan Arztmann, Lisl Ponger, Frenzi Rigling, Gabriele Sturm, Niko Wahl, Nives Widauer/Ilma Rakusa Curator: Gudrun Wallenböck Exhibition Venues 2016 Lahore May 15 – 22, 2016 Alhamra Art Gallery (1 & 2), Alhamra Cultural Complex Shahrah-e-Quaid-i-Azam, Lahore / Pakistan Islamabad May 25 – 28, 2016 COMSATS Art Gallery (CAG-Library Basement), COMSATS Institute of Information Technology, Park Road, Chak Shehzad, Islamabad / Pakistan Coordination: Farrah Mahmood Rana (CAG) Exhibition Venues 2015 Tehran / Iran Vienna / Austria Vista Art Gallery hinterland galerie Tehran, Mir Emad Avenue, Alley 12, No. 11 Krongasse 20, 1050 Vienna June 5 – 14, 2015 September 10 – October 17, 2015 In cooperation and with generous support from the Austrian Embassy in Islamabad, Pakistan. A project by hinterland, Vienna / Austria. http://art.hinterland.ag NIKO WAHL Dreams, 2015 Epoxy, newspaper collage, stick Various diameters Tehran, Iran AN intercultural EXHIBITION curated BY GUDRUN WALLENBÖCK. -
'The East' As a Transit Space in the New Europe?
Adapted from: https://doi.org/10.1111/glal.12079 (Accessed 1st November 2018) ‘The East’ as a transit space in the new Europe? Transnational train journeys in prose poems by Kurt Drawert, Lutz Seiler and Ilma Rakusa1 Sabine Egger (Mary Immaculate College, University of Limerick) Abstract The past three decades, following the collapse of the Iron Curtain, have seen the development of a ‘European literature’ characterised by the emergence of transnational subjects and spaces. This also applies to a Europe traditionally defining itself by means of a frontier to the ‘East’. In German writing, this has been a more recent phenomenon than in other Central or Eastern European literatures, and is not restricted to ‘Migrantenliteratur’. In texts subverting East- West dichotomies by contemporary German-speaking writers with an ‘Eastern Bloc biography’, the train journey into the East emerges as a recurrent motif. The traveller encounters this East in Siberia, but also in various places or spaces in Central and Eastern Europe. Examples discussed here include poems and short narrative texts by Kurt Drawert, Lutz Seiler and Ilma Rakusa, which could be defined as prose poetry.My analysis, based on spatial concepts by Michel de Certeau and Michel Foucault, will focus on movement in these texts, which tends to affect temporal and genre boundaries as much as those between self and Other. The train itself or the landscape travelled through becomes a transit space in which national borders and frontiers to the East are, at least temporarily, transcended. 1 The article is part of a book project in process, supported by Seed Funding of Mary Immaculate College, University of Limerick, and a DAAD research grant awarded in 2013. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Knjizica 2021
Bosna i Hercegovina / Bosnia and Herzegovina Republika Srpska / Republic of Srpska Istočno Sarajevo / East Sarajevo AKORDEON ART plus 2021 11th INTERNATIONAL ACCORDION FESTIVAL (Online) 2nd INTERNATIONAL PIANO COMPETITION (Online) AKORDEON ART plus 2021 Sadržaj/Contents ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD ............................................................................................................ 3 PROGRAM FESTIVALA / FESTIVAL PROGRAM ................................ 4 ČLANOVI ŽIRIJA / JURY MEMBERS .................................................... 6 PARTNERI FESTIVALA / FESTIVAL PARTNERS ............................ 59 PROPOZICIJE ............................................................................................. 64 NAGRADNI FOND/PRIZE FUND ........................................................... 74 TAKMIČENJE HARMONIKA / ACCORDION COMPETITION ...... 75 TAKMIČENJE KLAVIR/PIANO COMPETITION ................................ 98 ŽIRI HARMONIKA, KLAVIR/ JURY ACCORDION, PIANO ........... 115 2 AKORDEON ART plus 2021 ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD 1. Prof. mr Maja Žuža - dekan MA UIS*/Dean, AM UES** 2. Prof. mr Sandra Ivanović - prorektor UIS / Vice Rector UES 3. prof. mr Biljana Štaka - prodekan MA UIS / Vice dean AM, UES 4. Prof. mr Dušan Erak - prodekan MA UIS / Vice dean AM, UES 5. Prof. mr Danijela Gazdić - rukovodilac Katedre za harmoniku/ Head of the Accordion Department 6. Prof. mr Dražan Kosorić 7. Prof. mr Vladimir Blagojević 8. Prof. dr Miradet Zulić 9. -
Second Ryco Open Call Final List
Second RYCO Open Call for Project Proposals 2018 “A Better Region Starts with Youth ” Final List by the Reference Number Final List of 44 Best Evaluated Project Proposals Applying on Score Specific Type of No. of Contractin CP Ref. No. Full Name of Applicant LOT Project Title Project Summary Behalf of (up to Partner 1 P1 Type Partner 2 CP P2 P2 Type Partner 3 CP P3 P3 Type Partner 4 CP P4 P4 Type Objective Applicant Parnters g Party P1 School? 100) The purpose of the project is to gather 300 people to challenge their prejudices and attitudes, before selecting 15 young people to increase their capacities so 1037 Vlora Youth Center 3 1 #ChallengingBorders they become peer to peer educators in their respective contracting parties, CSO NO 2 Albania 86.60 Timok Club RS CSO Info-centre MK CSO where they will develop a youth program and produce before and after films of the participants. VIS Albania – The project aims to develop possibilities of youth cooperation in rural areas, International Connecting Rural Youth Across with a study visit and a summer camp in rural municipalities in Peja/Peć and 1038 Environmentally Responsible Action 3 4 CSO NO 2 Kosovo* 85.50 Volunteer AL CSO Green Step ME CSO Borders II Deçan/Dečani, an activity on slow food and workshops on advocacy and the creation of a joint action programme. Service for Development The main goal of the project is to create a group of 48 basketball players trained Srednja škola Srednja škola Asocciation Pro - 1049 Omladinski košarkaški klub “Play 017” 3 1 Lets play together on awareness raising, organise matches in Serbia, Albania and Kosovo and a CSO NO 3 Serbia 89.50 AL CSO Sveti Sava RS HS “Sezai Suroi” RS HS Basket Invardes regional tournament. -
No Borders Orchestra Balkan Season 2018
No Borders Orchestra Balkan Season 2018 No Borders Orchestra (NBO) is made up of the best professional musicians from every country, religious and ethnic group of the former Yugoslavia. s sson s o eae eeen assa s an e ee o n n es n e aans an eon This summer NBO kicked off The Balkan Season 2018 Tour, an annual tour dedicated to bringing NBO’s music and message to the Balkans and Europe in years to come. For 2018, the touring string ensemble of the orchestra consisted of 19 musicians from 8 countries based in the Western Balkans and Western Europe. Playing in both traditional and avant-garde venues, NBO drew audiences from all walks of life, uniting them, as it does the musicians, in their diversity with the passion, drama and joy of their music. Program P. I. Tchaikovsky: Serenade - Pezzo in forma di sonatina A. Vrebalov: Pannonia Boundless J. S. Bach: Concerto for violin and viola C minor A. Schoenberg: Transfigured night Stanko Madic, violin Sasa Mirkovic, viola Premil Petrović, conductor No Borders Orchestra n the region at the very heart of urope that has for decades stood for crisis, conflict and divisiveness, NBO is a living embodiment of everything that matters to modern urope diversity, integration and the spirit of friendship. ence the commitment to ecellence the uality of our music is a direct epression of what we believe the Western Balkans and urope can achieve when united by tolerance and togetherness. Locations Budva, Montenegro (17 August) – concert 1 Festival: Budva Theatre City Venue: Open-air stage in the Old Town The first concert of the Balkan Season 2018 Tour was held in Budva at the beautiful open-air location in the Old Town, drawing an appreciative audience of 350 people, as well as onlookers on the side with children big and small. -
The 2015 Jan Michalski Prize for Literature
Press Release THE 2015 JAN MICHALSKI PRIZE FOR LITERATURE Montricher, 25th November 2015 The jury of the Jan Michalski Prize for Literature has awarded this year’s prize to the British historian Mark Thompson for Birth Certificate: The Story of Danilo Kiš. This book looks at the life and writing of Danilo Kiš, a Yugoslav novelist, essayist and poet. It restores Kiš to his essential position as one of the great European writers of the 20th century. Birth Certificate: The Story of Danilo Kiš is not only a rich and sensitive biography of this important writer, but also a retelling of the complex history of the Balkans and Central Europe through the prism of his life. Comprehensive, erudite and illuminating, Mark Thompson’s book celebrates and resurrects a talent that Milan Kundera hailed as “great and invisible”. Born in 1935 to a Hungarian Jewish father and a Montenegrin mother, in Subotica, on Yugoslavia’s borders with Hungary and Romania, and baptised in the Orthodox Church, Kiš had many identities. The remarkable story of his life reflects the violent fate of Central Europe in the 20th century: the Holocaust and concentration camps, the Second World War, resettlements, Communist rule, and the rise of nationalism. It also anticipated the collapse of Yugoslavia, two years after his death in 1989. Cosmopolitan, anti-communist, but also anti-nationalist, Kiš insisted on the writer’s independence from ideology. A stylist of rare purity, and also a prolific translator from French, Russian and Hungarian into Serbo-Croatian, he was committed to the universality of literature. “Nationalism”, he wrote in The Anatomy Lesson, “thrives on relativism. -
Invitation Brochure
THERE IS NO SURE BUSINESS Influencing Change The Next 25 Years EBRD Business Forum at the London, UK Twenty-Fifth Annual Meeting 11-12 May 2016 of the Board of Governors Trade and Export Finance Your credibility is crucial to your global partners. With our Trade and Export Finance you are provided with a full range of high quality tools, products and services that will make your international transactions safe and secure. Our local experts and International Desk in almost every country in Central and Eastern Europe will support you in your daily requirements. Whatever your business is, we will adapt our Trade and Export Finance solutions to your individual needs. www.rbinternational.com Raiffeisen Bank International – YOUR BUSINESS PARTNER. Inserat_TradeEx_Statement_165x240.indd 1 30.11.2015 15:24:00 156541_1_EBRD-Invitation-brochure_Cover-AW.indd 1 14/01/2016 12:13 The EBRD will mark its 25th Anniversary at the Programme of Events 2016 Annual Meeting of the Board of Governors Introduction 1 We are pleased to invite you to the Today’s savvy business person knows the importance of networking in developing The Meeting of the Board of Governors 2016 Business Forum on the occasion 2 and nurturing business relationships. The of the Twenty-Fifth Annual Meeting EBRD 2016 Business Forum 3 Business Forum is the perfect opportunity of the EBRD Board of Governors. not only for bilateral, informal meetings Discussions 4 Join us at our London Headquarters but also for the networking and social Investment Outlook Sessions 8 for what promises to be two days events that are so conducive to initiating those all-important business contacts. -
Pressemappe Ernst Von Siemens Musikpreis 2015
PRESSEMAPPE ERNST VON SIEMENS MUSIKPREIS 2015 INHALT PRESSEMITTEILUNGEN Pressemitteilung Mai 2015 ERNST VON SIEMENS MUSIKPREIS 2015 Christoph Eschenbach x Essay von Bundeskanzler a. D. Helmut Schmidt x Interview mit Thomas Meyer x Biografie x Diskographie KOMPONISTEN-FÖRDERPREISTRÄGER 2015 x Mark Barden x Birke J. Bertelsmeier x Christian Mason PORTRÄT-CDs BILDÜBERSICHT ARCHIV PRESSEMITTEILUNG Pressemitteilung Mai 2015 Preisverleihung: Ernst von Siemens Musikpreis an Christoph Eschenbach Die Komponisten-Förderpreise gehen an die jungen Komponisten Mark Barden, Birke J. Bertelsmeier und Christian Mason | Die Ernst von Siemens Musikstiftung vergibt erneut 3 Millionen Euro an Preis- und Fördergeldern Am 31. Mai verleiht die Ernst von Siemens Musikstiftung dem Dirigenten Christoph Eschenbach den internationalen Ernst von Siemens Musikpreis. Michael Krüger, Stiftungsratsvorsitzender und Präsident der Bayerischen Akademie der Schönen Künste, überreicht die mit 250.000 Euro dotierte Auszeichnung bei einem musikalischen Festakt im Herkulessaal der Residenz München. Die Bamberger Symphoniker spielen unter der Leitung von Christoph Eschenbach. „Preise sind das Tüpfelchen auf dem I für jeden Schaffenden“, der Ernst von Siemens Musikpreis aber habe „einen ganz besonderen Wert und ich bin stolz, diese Ehrung zu erhalten“, erklärte der Dirigent Christoph Eschenbach im Vorfeld der diesjährigen Ernst von Siemens Musikpreisverleihung. Das Kuratorium der Stiftung zeichnet mit Christoph Eschenbach eine künstlerische Ausnahmeerscheinung aus, die es – nicht nur vom Dirigentenpult herab – immer wieder aufs Neue vermag, Orchester, Solisten und das Publikum in ihren Bann zu ziehen. Er ist ein hochvitaler Dirigent und beeindruckender Orchestererzieher, dessen Größe in einer Art natürlicher Autorität liegt, die Machtgesten und alles Übertriebene, allzu Plakative scheut. Dabei überzeugt Christoph Eschenbach als Dirigent genauso wie als Pianist und Pädagoge. -
Ensemble „Paul Abraham“ and Its Members
Ensemble „Paul Abraham“ and its members The ensemble was founded in 2016 in the idea of an active encounter and approach of the cultures of Central and Eastern Europe. What is more suitable for this purpose than the universal and common language of music? It has been historically developed in these by Danube connecting regions and is actual presented jointly by young talented musicians from the music colleges of southern German city Stuttgart and of Serbian city Novi Sad. The ensemble met for the first time to practice at the end of February 2017 in Novi Sad and Apatin. Even the rehearsals were marked by high musical harmony and professionalism. This was then perfected in the following performances, Apatin in the Culture Center on March 3rd, 2017 (see picture below, with guest voice Izabella Guzsvany - Mezzo-soprano). Paul Abraham was born in a small and German-speaking town of Apatin. With his artistic talent, he became involved in the world of operettas to conquer them through his originality in the twenties and thirties of the last century and to connect European regions with music. This performance of Paul Abrahams is also to be the guiding principle of the ensemble. Ensemble Members Daniel Weiß piano Marko Miletić cello Kyle Fearon Wilson violin Erne Švan violin Jožef Bisak viola (Often, additional a guest vocal) Sponsorship and organization: Assoc. “Apatiner Gemeinschaft e.V.“ D- 70499 Stuttgart. This project is supported by the Commissioner of the German Federal Government for Culture and Media, Baden-Württemberg. Orkestar „Paul Abraham“ – Biography oft the members Daniel Weiß – piano The pianist Daniel Weiß was born 1996 in Stuttgart- Vaihingen where he lives today. -
Saison 15 – 16 Elle Est Pas Jaune La Vie ?
THÉÂTRE AUDITORIUM POITIERS SCÈNE NATIONALE Saison 15 – 16 Elle est pas jaune la vie ? Willkommen ! Bienvenue ! Quiconque a la chance de voyager sait que les clichés sur les étrangers ne tiennent pas longtemps et qu’ils ne représentent en fait qu’un refuge paresseux de la pensée. En ce qui concerne l’Allemagne, notre destination favorite pour cette saison, je vous propose de faire valser quelques idées reçues tout en vous offrant la possibilité de belles rencontres artistiques comme ce pays en abrite tant ! Quelques exemples : avec Thomas Ostermeier et Falk Richter, rentrez par la grande porte de la dramaturgie, ils sont parmi les plus doués de leur génération. Avec Isabelle Schad, William Forsythe, Tino Seghal et Laurent Chétouane, la danse prouve son ouverture d’esprit et son multiculturalisme assumé et confiant. Si la musique classique allemande s’impose à nouveau grâce à nos orchestres associés qui n’ont jamais été en reste dans ce répertoire, faites aussi connaissance avec le feu d’Umlaut Big Band et l’énergie de quelques DJ qui tiennent la scène berlinoise en haleine. Pour autant, les metteurs en scène français sont plus pertinents que jamais. Vous retrouverez Pascal Rambert avec un texte fulgurant servi par un quatuor de comédien(ne)s d’exception. Cyril Teste, Les Chiens de Navarre, Guillaume Vincent ou Philippe Quesne posent, eux aussi, les bonnes questions. Et sans concession. Bourrées de couleurs, et c’est traditionnel au TAP, les musiques se disputeront les styles et les genres : ensembles virtuoses (Vox Luminis ou le Quatuor Artemis), grands solistes (Anne Queffélec, Thomas Enhco), chanteurs dont la valeur se confirme (Pierre Lapointe, Jeanne Added, Frànçois & The Atlas Mountains, Christine Salem)… Mais c’est aussi l’année où nous fêterons avec vous un concept vitaminé et original de soirée composée, pour cette première édition, avec nos amis de l’Orchestre Poitou-Charentes : Cocktail. -
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22 March 2012 General Assembly GA/11216 Department of Public Information • News and Media Division • New York Sixty-sixth General Assembly Interactive Thematic Debate AM & PM Meetings CULTURAL DIVERSITY, MUTUAL UNDERSTANDING FORMED BEDROCK OF UNITED NATIONS; RETURN TO SUCH PRINCIPLES VITAL FOR WORLD TORN BY EXTREMISM, FEAR, GENERAL ASSEMBLY TOLD Holds Thematic Debate on Fostering Cross -Cultural Understanding; Panels: Peace and Development — What Works; Youth as Partners — Best Practices Cultural diversity, freedom of thought and mutual understanding formed the bedrock on which the United Nations had been built, and returning to those principles was vital in a world increasingly characterized by extremism and an entrenched fear of the “other”, the General Assembly was told today, as senior Government officials gathered for a thematic debate on fostering cross-cultural understanding. Convened jointly with the United Nations Alliance of Civilizations, the one-day interactive debate aimed to support international and grass-roots initiatives that advanced intercultural dialogue and promoted collaborative relations among cultures. It featured two panel discussions, respectively on “Cross-Cultural Understanding for Peace and Development — What Works?” and “Youth as Partners in Advancing Cross-cultural Understanding — Best Practices and Challenges”. In her opening remarks, Deputy Secretary-General Asha-Rose Migiro welcomed the many young people in the audience, saying: “The work we are discussing today is not only about you — it depends on you”. She had seen time and again how easily young people forged relationships across the very cultural and religious borders that had kept older generations apart. So-called “grown-ups” needed to follow the lead of young people and leave stereotypes behind.