Davor Branimir
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Boris Papandopulo
Èitajte o glazbi i svim Èitajte o glazbi i svim nje-zinim pojavno- njezinim pojavnostima webzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuzici] stima iz pera naših ponajboljih pisaca iz pera naših ponajbo-? Èitajte o glazbi i svim u esejima i èlancima koje mo•ete èitati ljih pisaca u esejima njezinim pojavnostima webzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuzici] na stranicama našeg èasopisa WAM. ? i èlancima koje mo•ete iz pera naših ponajbo- Èitajte o glazbi i svim èitati na stranicama ljih pisaca u esejima njezinim pojavnostima našeg èasopisa WAM. i èlancima koje mo•ete iz pera naših ponaj- èitati na stranicama boljih pisaca u esejima našeg èasopisa WAM. essay i èlancima koje mo•ete èitati na stranicama našeg èasopisa WAM. 1 Boris Papandopulo Nedjeljko Fabrio Èitajte o glazbi i svim Čitajte o glazbi i svim njezinim pojavnostima njezinim pojavnostima iz pera naših ponaj- iz pera naših ponaj- Èitajte o glazbi i svim boljih pisaca u esejima boljih pisaca u esejima njezinim pojavnostima i èlancima koje mo•ete i člancima koje možete iz pera naših ponaj-Èitajte o glazbi i svim èitati na stranicama čitati na stranicama boljih pisaca u esejimanjezinim pojavnostima našeg èasopisa WAM. našeg časopisa WAM. ? webzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuziciwebzinoi èlancima koje mo•eteiz pera naših ponaj- audijuimuziciwebzinoaudijuimuziciwebzinoaudijuimuzici] -
'Fnenlsg~CHAMBER. MUSIC
Long Theatre, U.O.P. Campus - Stockton, California - Sunday, February 12, 1984 - 3 p.m. 'Fnenlsg ~ CHAMBER. MUSIC in cooperation with San Joaquin Delta College and University of the Pacific present I SolisUDI Zagreb Violin: Tonko Ninic, Concertmaster and Artistic Director Vladimir First Augustine DetiE" Ivan Kuzmi~ Vl adimir Sverak Ivan Martinec Joze Haluza Viola: Ivan Mimohodek Marin DujmiE Cello: Ernest Zornjak Zlatko Rucner Double Bass: Mario Ivelja Harpsichord: Vi!nja Maruran PROGRAM Sarabande, Gigue and Badinerie Arcangelo Corelli (1653-1713) Concerto grosso in B minor, Op.6,No.12 G. F. Handel Laroe (l685-1759) Allegro Aria (Larghetto e piano) Variatio Largo Allegro Suite for String Orchestra Leot Janacek Moderato (l854-1928) Adagio Andante con moto Presto Adagio Andante Scherzo Fran Lhotka Intermission Introduction and Allegro rustico Boris Papandopulo for Double Bass and Strings Mario Ivelja, Soloist Simple Symphony, Op.4 Benjamin Britten Boisterous bourree (1913-1976) Playful Pizzicato Sentimental sarabande Frolicsome finale Scherzo for Strings, Op. 11 Dimitri Shostakovich (1906-1975) Columbia Artists Management, Inc., 165 West 47th Street, New York, N.Y. 10019 I SOLISTI 01 ZAGREB Beginning in 1953 a number of prominent musicians in Zagreb, Yugoslavia, led by Antonio Janigro agreed to establish a small group of virtuosi string players. Beginning with their premiere concert in January 1954, I Solisti di Zagreb dedicated themselves to thirty brilliant career years of continuous work in concertizing, recordings, and live broadcasts through out the world. During these 30 years they have crisscrossed the earth with a global itinerary spanning six continents in over two thousand concerts, playing in the world's greatest music halls, including Royal Albert Hall, Royal Festival Hall (London), Carnegie Hall (New York); Kennedy Center (Washington, D. -
Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
A Talk with the Croatian Musician Eduard Tudor Eduard Tudor, Music Teacher, Conductor and Composer, Was Born in Split in 1933
2019. Bašćinski glasi/razgovor the Wiltshire Theatre in Los Angeles. The trio has successfully toured in Europe as well. Her teaching talent was already noticed in her early teen years by her first violin teacher who encouraged her to assist him on several occasions. She is passionate about teaching and believes that students should be encouraged to learn various music styles and to express their individual musical interests. Her aim is to give every student the tools they need to one day become an independent musician. Summary A talk with the Croatian musician Eduard Tudor Eduard Tudor, music teacher, conductor and composer, was born in Split in 1933. After completing classical-languages secondary school in Split, he obtains a diploma in double bass from the secondary music school in Zagreb, after which he graduated in Music Theory at the Zagreb Music Academy (1962). He obtained the first degree in conducting at the Music Academy in Sarajevo. While still a student, he worked as a music teacher and performer on double bass. From 1962 to 1968, he was a teacher in Mostar where he lectured music theory subjects. He also conducted the secondary Music school orchestra and the City Symphony Orchestra. He also composed theatre (incidental) music for the National Theatre in Mostar, worked as a music critic in the newspaper Sloboda and directed the mixed choir “Abrašević”. Since 1968, he continued his career in Split as a choir director, piano accompanist and opera conductor of the Croatian National Theatre. In 1969, he founded the Chamber orchestra and successfully promoted works of Croatian authors in the country and abroad (Switzerland). -
Knjizica 2021
Bosna i Hercegovina / Bosnia and Herzegovina Republika Srpska / Republic of Srpska Istočno Sarajevo / East Sarajevo AKORDEON ART plus 2021 11th INTERNATIONAL ACCORDION FESTIVAL (Online) 2nd INTERNATIONAL PIANO COMPETITION (Online) AKORDEON ART plus 2021 Sadržaj/Contents ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD ............................................................................................................ 3 PROGRAM FESTIVALA / FESTIVAL PROGRAM ................................ 4 ČLANOVI ŽIRIJA / JURY MEMBERS .................................................... 6 PARTNERI FESTIVALA / FESTIVAL PARTNERS ............................ 59 PROPOZICIJE ............................................................................................. 64 NAGRADNI FOND/PRIZE FUND ........................................................... 74 TAKMIČENJE HARMONIKA / ACCORDION COMPETITION ...... 75 TAKMIČENJE KLAVIR/PIANO COMPETITION ................................ 98 ŽIRI HARMONIKA, KLAVIR/ JURY ACCORDION, PIANO ........... 115 2 AKORDEON ART plus 2021 ORGANIZACIONI ODBOR FESTIVALA / FESTIVAL ORGANIZING BOARD 1. Prof. mr Maja Žuža - dekan MA UIS*/Dean, AM UES** 2. Prof. mr Sandra Ivanović - prorektor UIS / Vice Rector UES 3. prof. mr Biljana Štaka - prodekan MA UIS / Vice dean AM, UES 4. Prof. mr Dušan Erak - prodekan MA UIS / Vice dean AM, UES 5. Prof. mr Danijela Gazdić - rukovodilac Katedre za harmoniku/ Head of the Accordion Department 6. Prof. mr Dražan Kosorić 7. Prof. mr Vladimir Blagojević 8. Prof. dr Miradet Zulić 9. -
Second Ryco Open Call Final List
Second RYCO Open Call for Project Proposals 2018 “A Better Region Starts with Youth ” Final List by the Reference Number Final List of 44 Best Evaluated Project Proposals Applying on Score Specific Type of No. of Contractin CP Ref. No. Full Name of Applicant LOT Project Title Project Summary Behalf of (up to Partner 1 P1 Type Partner 2 CP P2 P2 Type Partner 3 CP P3 P3 Type Partner 4 CP P4 P4 Type Objective Applicant Parnters g Party P1 School? 100) The purpose of the project is to gather 300 people to challenge their prejudices and attitudes, before selecting 15 young people to increase their capacities so 1037 Vlora Youth Center 3 1 #ChallengingBorders they become peer to peer educators in their respective contracting parties, CSO NO 2 Albania 86.60 Timok Club RS CSO Info-centre MK CSO where they will develop a youth program and produce before and after films of the participants. VIS Albania – The project aims to develop possibilities of youth cooperation in rural areas, International Connecting Rural Youth Across with a study visit and a summer camp in rural municipalities in Peja/Peć and 1038 Environmentally Responsible Action 3 4 CSO NO 2 Kosovo* 85.50 Volunteer AL CSO Green Step ME CSO Borders II Deçan/Dečani, an activity on slow food and workshops on advocacy and the creation of a joint action programme. Service for Development The main goal of the project is to create a group of 48 basketball players trained Srednja škola Srednja škola Asocciation Pro - 1049 Omladinski košarkaški klub “Play 017” 3 1 Lets play together on awareness raising, organise matches in Serbia, Albania and Kosovo and a CSO NO 3 Serbia 89.50 AL CSO Sveti Sava RS HS “Sezai Suroi” RS HS Basket Invardes regional tournament. -
No Borders Orchestra Balkan Season 2018
No Borders Orchestra Balkan Season 2018 No Borders Orchestra (NBO) is made up of the best professional musicians from every country, religious and ethnic group of the former Yugoslavia. s sson s o eae eeen assa s an e ee o n n es n e aans an eon This summer NBO kicked off The Balkan Season 2018 Tour, an annual tour dedicated to bringing NBO’s music and message to the Balkans and Europe in years to come. For 2018, the touring string ensemble of the orchestra consisted of 19 musicians from 8 countries based in the Western Balkans and Western Europe. Playing in both traditional and avant-garde venues, NBO drew audiences from all walks of life, uniting them, as it does the musicians, in their diversity with the passion, drama and joy of their music. Program P. I. Tchaikovsky: Serenade - Pezzo in forma di sonatina A. Vrebalov: Pannonia Boundless J. S. Bach: Concerto for violin and viola C minor A. Schoenberg: Transfigured night Stanko Madic, violin Sasa Mirkovic, viola Premil Petrović, conductor No Borders Orchestra n the region at the very heart of urope that has for decades stood for crisis, conflict and divisiveness, NBO is a living embodiment of everything that matters to modern urope diversity, integration and the spirit of friendship. ence the commitment to ecellence the uality of our music is a direct epression of what we believe the Western Balkans and urope can achieve when united by tolerance and togetherness. Locations Budva, Montenegro (17 August) – concert 1 Festival: Budva Theatre City Venue: Open-air stage in the Old Town The first concert of the Balkan Season 2018 Tour was held in Budva at the beautiful open-air location in the Old Town, drawing an appreciative audience of 350 people, as well as onlookers on the side with children big and small. -
Pre-Congress Report 2018 – Croatia / Hrvatska.Pages
Croatia / Hrvatska In 2017, Hrvatska udruga muzičkih knjižnica, arhiva i dokumentacijskih centara (The Croatian Association of Music Libraries, Archives and Documentation Centres, HUMKAD or CAML), which is the Croatian National Branch of IAML still has a modest number of members: 11 individual and 5 institutional – all from music libraries. Our administration consists of President Željka Radovinović (Academy of Music in Zagreb Library), Secretary Aleksandra Mežnarić Karafin (Academy of Music in Zagreb Library) and Treasurer Nada Bezić (Croatian Music Institute in Zagreb). We hold an annual general assembly and four meetings a year. In addition, we exchange numerous e-mail messages throughout the year. From the government in Croatia again we received no money for our activities. All our plans for new web-projects have been deferred due to lack of finances – we continue to plan them for the next year. In the meantime, we began with an introduction to the idea of creating a virtual exhibition on the great Croatian composer, Boris Papandopulo, his work and perception in the Croatian capital – Zagreb. Croatian members presented it as a poster as part of the congress: 15th Days of Special and Academic Libraries, held in Lovran. The pictures of exhibitions are stored in their institutional repositories, waiting to link them in one joint virtual exhibition, as soon as conditions allow that. The plan anticipate adding also items from the database of autographs made by Music Information Center, biography and bibliography of Boris Papandopulo. Motivated by the great public response last year, linked with the manifestation The Night at the Library, once more we organized an open fair at the Croatian Music Institute. -
Kosta P. Manojlović (1890–1949) and the Idea of Slavic and Balkan Cultural Unification
KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić SLAVIC AND BALKANSLAVIC CULTURAL UNIFICATION KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF P. KOSTA Institute of Musicology SASA Institute of Musicology SASA This collective monograph has been published owing to the financial support of the Ministry of Education, Science and Technological Development of the Republic of Serbia KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić Institute of Musicology SASA Belgrade, 2017 CONTENTS Preface 9 INTRODUCTION 13 Ivana Vesić and Vesna Peno Kosta P. Manojlović: A Portrait of the Artist and Intellectual in Turbulent Times 13 BALKAN AND SLAVIC PEOPLES IN THE FIRST HALF OF THE 20TH CENTURY: INTERCULTURAL CONTACTS 27 Olga Pashina From the History of Cultural Relations between the Slavic Peoples: Tours of the Russian Story Teller, I. T. Ryabinin, of Serbia and Bulgaria (1902) 27 Stefanka Georgieva The Idea of South Slavic Unity among Bulgarian Musicians and Intellectuals in the Interwar Period 37 Ivan Ristić Between Idealism and Political Reality: Kosta P. Manojlović, South Slavic Unity and Yugoslav-Bulgarian Relations in the 1920s 57 THE KINGDOM OF SERBS, CROATS AND SLOVENES/YUGOSLAVIA BETWEEN IDEOLOGY AND REALITY 65 Biljana Milanović The Contribution of Kosta P. Manojlović to the Foundation and Functioning of the Južnoslovenski pevački savez [South-Slav Choral Union] 65 Nada Bezić The Hrvatski pjevački savez [Croatian Choral Union] in its Breakthrough Decade of 1924–1934 and its Relation to the Južnoslovenski pevački savez [South-Slav Choral Union] 91 Srđan Atanasovski Kosta P. -
Invitation Brochure
THERE IS NO SURE BUSINESS Influencing Change The Next 25 Years EBRD Business Forum at the London, UK Twenty-Fifth Annual Meeting 11-12 May 2016 of the Board of Governors Trade and Export Finance Your credibility is crucial to your global partners. With our Trade and Export Finance you are provided with a full range of high quality tools, products and services that will make your international transactions safe and secure. Our local experts and International Desk in almost every country in Central and Eastern Europe will support you in your daily requirements. Whatever your business is, we will adapt our Trade and Export Finance solutions to your individual needs. www.rbinternational.com Raiffeisen Bank International – YOUR BUSINESS PARTNER. Inserat_TradeEx_Statement_165x240.indd 1 30.11.2015 15:24:00 156541_1_EBRD-Invitation-brochure_Cover-AW.indd 1 14/01/2016 12:13 The EBRD will mark its 25th Anniversary at the Programme of Events 2016 Annual Meeting of the Board of Governors Introduction 1 We are pleased to invite you to the Today’s savvy business person knows the importance of networking in developing The Meeting of the Board of Governors 2016 Business Forum on the occasion 2 and nurturing business relationships. The of the Twenty-Fifth Annual Meeting EBRD 2016 Business Forum 3 Business Forum is the perfect opportunity of the EBRD Board of Governors. not only for bilateral, informal meetings Discussions 4 Join us at our London Headquarters but also for the networking and social Investment Outlook Sessions 8 for what promises to be two days events that are so conducive to initiating those all-important business contacts. -
R. Spasova — S. Georgieva, Unknown Letters of Gotovac …, Armud6 42/1 (2011) 5-35 5
R. SPASOVA — S. GEORGIEVA, UNKNOWN LETTERS OF GOTOVAC …, ARMUD6 42/1 (2011) 5-35 5 UNKNOWN LETTERS OF JAKOV GOTOVAC, BORIS PAPANDOPULO AND JOSIP ©TOLCER SLAVENSKI IN BORIS GAIDAROV’S ARCHIVES (From the History of Bulgarian-Croatian Music Contacts between the 1920s and the 1940s) ROZALINA SPASOVA UDK/UDC: 78.071(044) Dunavska Street Nº 16 Izvorni znanstveni rad/ Original Scientific Paper BG-3600 LOM Primljeno/Received: 17. 6. 2010. PrihvaÊeno/Accepted: 15. 3. 2011. STEFANKA GEORGIEVA Trakia University Pedagogical Faculty Armeiska Street Nº 9 BG-6010 STARA ZAGORA Abstract The present study is based on the partially made in this direction, both by professional preserved correspondence of the Bulgarian music unions and by particular musicians such editor and music teacher Boris Gaidarov with as Jakov Gotovac, Boris Papandopulo, and the the Croatian composers Jakov Gotovac, Boris like, revealed the perspective of mutual Papandopulo and Josip ©tolcer Slavenski, and introduction of Bulgarian and Croatian national is an attempt to reconstruct the idea of the long- composer works. The performance of Jakov lived professional contacts between them. The Gotovac’s opera Ero s onoga svijeta in Sofia in focus of this creative exchange is the Junoπeski 1940 marked the culmination of the tendency drugar music collection, which was published by in that period. Gaidarov in the period between 1926 and 1948 Boris Gaidarov’s publishing activities are and contained their choral compositions, as well just a page in the wide spectrum of creative as compositions of other contemporary Croatian contacts between the Bulgarian and Croatian composers. A large part of these works was musicians.