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Irish Copyright Licensing Agency CLG Mandated Author Rightholders
Irish Copyright Licensing Agency CLG Mandated Author Rightholders Author Rightholder Name Ann Sheppard Adrian White Anna Donovan Adrienne Neiland Anna Heffernan Aidan Dundon Anna McPartlin The Estate of Aidan Higgins Anne Boyle Aidan O'Sullivan Anne Chambers Aidan P. Moran Anne Deegan Aidan Seery Anne Enright Aileen Pierce Anne Fogarty Áine Dillon Anne Gormley Áine Francis- Stack Anne Haverty Áine Ní Charthaigh Anne Holland Áine Uí Eadhra Anne Jones Aiveen McCarthy Anne Marie Herron Alan Dillon Anne Potts Alan Kramer Anne Purcell Alan Monaghan The Estate of Anne Schulman Alan O'Day Annetta Stack Alannah Hopkin Annie West Alexandra O'Dwyer Annmarie McCarthy Alice Coghlan Anthea Sullivan Alice Taylor Anthony Cronin Alison Mac Mahon Anthony J Leddin Alison Ospina Anthony Summers Allen Foster Antoinette Walker Allyson Prizeman Aodán Mac Suibhne Amanda Clarke Arlene Douglas Amanda Hearty Arnaud Bongrand Andrew B. Lyall Art Cosgrove Andrew Breeze Art J Hughes Andrew Carpenter Art Ó Súilleabháin Andrew Loxley Arthur McKeown Andrew Purcell Arthur Mitchell Andy Bielenberg Astrid Longhurst Angela Bourke Aubrey Dillon Malone Angela Doyle Aubrey Flegg Angela Griffin The Estate of Augustine Martin Angela Marie Burt Austin Currie Angela Rickard Avril O'Reilly Angela Wright Barry Brunt The Estate of Angus McBride Barry McGettigan The Estate of Anita Notaro Bart D. Daly Ann Harrow The Estate of Basil Chubb Ann O Riordan Ber O'Sullivan 1 Irish Copyright Licensing Agency CLG Mandated Author Rightholders Bernadette Andresso Brian Lennon Bernadette Bohan Brian Leonard Bernadette Cosgrove Brian McGilloway Bernadette Cunningham The Estate of Brian O'Nolan Bernadette Matthews Brian Priestley Bernadette McDonald Brianóg Brady Dawson Bernard Horgan Bríd Nic an Fhailigh Bernard MacLaverty Bried Bonner Bernard Mulchrone The Estate of Brigid Brophy Bernie McDonald Brigid Laffan Bernie Murray-Ryan Brigid Mayes Bernie Ruane Brigitte Le Juez Betty Stoutt Bronwen Braun Bill Rolston Bryan M.E. -
PAPERS of SÉAMUS DE BÚRCA (James Bourke)
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 74 PAPERS OF SÉAMUS DE BÚRCA (James Bourke) (MSS 34,396-34,398, 39,122-39,201, 39,203-39,222) (Accession Nos. 4778 and 5862) Papers of the playwright Séamus De Búrca and records of the firm of theatrical costumiers P.J. Bourke Compiled by Peter Kenny, Assistant Keeper, 2003-2004 Contents INTRODUCTION 12 The Papers 12 Séamus De Búrca (1912-2002) 12 Bibliography 12 I Papers of Séamus De Búrca 13 I.i Plays by De Búrca 13 I.i.1 Alfred the Great 13 I.i.2 The Boys and Girls are Gone 13 I.i.3 Discoveries (Revue) 13 I.i.4 The Garden of Eden 13 I.i.5 The End of Mrs. Oblong 13 I.i.6 Family Album 14 I.i.7 Find the Island 14 I.i.8 The Garden of Eden 14 I.i.9 Handy Andy 14 I.i.10 The Intruders 14 I.i.11 Kathleen Mavourneen 15 I.i.12 Kevin Barry 15 I.i.13 Knocknagow 15 I.i.14 Limpid River 15 I.i.15 Making Millions 16 I.i.16 The March of Freedom 16 I.i.17 Mrs. Howard’s Husband 16 I.i.18 New Houses 16 I.i.19 New York Sojourn 16 I.i.20 A Tale of Two Cities 17 I.i.21 Thomas Davis 17 I.i.22 Through the Keyhole 17 I.i.23 [Various] 17 I.i.24 [Untitled] 17 I.i.25 [Juvenalia] 17 I.ii Miscellaneous notebooks 17 I.iii Papers relating to Brendan and Dominic Behan 18 I.iv Papers relating to Peadar Kearney 19 I.v Papers relating to Queen’s Theatre, Dublin 22 I.vi Essays, articles, stories, etc. -
Études Irlandaises, 37-2
Études irlandaises 37-2 | 2012 Enjeux féministes et féminins dans la société irlandaise contemporaine Feminist and women's issues in contemporary Irish society Fiona McCann et Nathalie Sebbane (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/3108 DOI : 10.4000/etudesirlandaises.3108 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 30 octobre 2012 ISBN : 978-7535-2158-2 ISSN : 0183-973X Référence électronique Fiona McCann et Nathalie Sebbane (dir.), Études irlandaises, 37-2 | 2012, « Enjeux féministes et féminins dans la société irlandaise contemporaine » [En ligne], mis en ligne le 30 octobre 2014, consulté le 16 mars 2020. URL : http://journals.openedition.org/etudesirlandaises/3108 ; DOI : https:// doi.org/10.4000/etudesirlandaises.3108 Ce document a été généré automatiquement le 16 mars 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Hommage Catherine Maignant Introduction Fiona McCann et Nathalie Sebbane Études d'histoire et de civilisation Women of Ireland, from economic prosperity to austere times: who cares? Marie-Jeanne Da Col Richert Gender and Electoral Representation in Ireland Claire McGing et Timothy J. White The condition of female laundry workers in Ireland 1922-1996: A case of labour camps on trial Eva Urban Ireland’s criminal conversations Diane Urquhart Art et image Women’s art in Ireland -
Catalogue Irlande 2.Pdf
éDito Littérature contemporaine irLanDaiSe "L'Irlande existe peut-être... En vérité, on n'en sait rien. La dire imaginaire n'est pas faux non plus. Elle a trop bien joué de ses légendes et de son héroïque et désastreux passé. Les temps modernes n'ont pas encore fait taire les conteurs et les rêveurs, mais qu'on ne s'y trompe pas : l'imagination est au pouvoir. Quand un peuple en est aussi généreusement pourvu, il est assuré de survivre à toutes les tyrannies et, un jour, de se retrouver en pleine lumière, au coeur de tous les dangers." Michel Déon, dans ses Pages Irlandaises, décrit une Irlande royaume de l'imaginaire, des contes et des légendes, paradis de la littérature et de la création poétique. À la fois sauvage et familière, rêche mais chaleureuse, riche, foisonnante et poétique, la littérature irlandaise est à l'image du pays qui l'a vu naître. Parfois mal identifiée, avec des contours un peu flous, perdue dans la masse des littératures anglophones, elle témoigne en réalité d'une richesse culturelle et poétique extraordinaires. Quatre prix Nobel de littérature décernés à William Butler Yeats (1923), George Bernard Shaw (1925), Samuel Beckett (1969), Seamus Heaney (1995) , et des figures majeures de la littérature, que sont Oscar Wilde, James Joyce, Bram Stoker, dont l’influence est revendiquée aujourd’hui au-delà des frontières du pays révèlent l’étonnant foisonnement de la littérature irlandaise au travers des époques. Nombre d’entre eux sont partis sillonner le monde, enrichissant leur œuvre de ces voyages, certains se sont installés ailleurs, mais tous restent indéfectiblement attachés à leurs racines, et à l’âme de l’Irlande. -
Journal of the Short Story in English, 63
Journal of the Short Story in English Les Cahiers de la nouvelle 63 | Autumn 2014 Special Issue: The 21st Century Irish Short Story Guest Editor: Bertrand Cardin Electronic version URL: http://journals.openedition.org/jsse/1474 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 December 2014 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Journal of the Short Story in English, 63 | Autumn 2014, « Special Issue: The 21st Century Irish Short Story » [Online], Online since 01 December 2016, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/1474 This text was automatically generated on 3 December 2020. © All rights reserved 1 TABLE OF CONTENTS Foreword Michelle Ryan-Sautour and Gérald Préher Introduction Bertrand Cardin Part 1: Traces of Oral Tradition: Voices, Dialogues and Conversations Skipping and Gasping, Sighing and Hoping in Colum McCann’s “Aisling”: The Making of a Poet Marie Mianowski Narration as Conversation: Patterns of Community-making in Colm Tóibín’s The Empty Family Catherine Conan “Elemental and Plain”: Story-Telling in Claire Keegan’s Walk the Blue Fields Eoghan Smith “The Moon Shines Clear, the Horseman’s Here” by Éilís Ní Dhuibhne, or the Art of Reconciling Orality and Literacy Chantal Dessaint-Payard “Black Flower”: Dichotomy, Absurdity and Beyond Vanina Jobert-Martini The Old and the New in Claire Keegan’s Short Fiction Claudia Luppino Part 2: Resonance, Revision and Reinvention Rereading the Mother in Edna O’Brien’s Saints and Sinners Elke -
New Writing from Ireland
New Writing from Ireland Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2005 edition of New Writing from Ireland. This year’s catalogue contains submissions from 24 publishers and features Louis de Paor – bringing out new collections in 2005. For younger readers, our newly published writing by over 50 leading Irish novelists and poets. catalogue features books about cockroaches, time-travel, Viking Ireland, leprechauns and rogues aplenty! We are tremendously excited to be introducing début titles by up-and-coming writers Órfhlaith Foyle, Karen Gillece, Jason Johnson, Sam Millar and Mark We hope that publishers will apply to ILE for translation funding for the O’Sullivan. Renowned poet Brian Lynch also makes his fiction début, while titles listed. established authors Deirdre Madden and Eoin McNamee try their hand at writing for children. A glance through New Writing from Ireland reveals the diversity of Máire Ní Dhonnchadha preoccupations of our featured writers. Sebastian Barry, Tom Phelan and Programme and Publications Manager Dermot Bolger explore the effects of the first World War on Irish society, while Sinéad Mac Aodha Mark O’Sullivan’s book is set during the Irish War of Independence. As ever in Director Irish writing, the rural landscape and society feature prominently in the books of P.J. Curtis, Joe Steve Ó Neachtain, Desmond Hogan and Alice Taylor. Urban Ireland is revisited in Oona Frawley’s anthology of short stories in homage to Please note: Inclusion of a book in this catalogue does not indicate that it has been approved James Joyce, New Dubliners. Publishers of Irish poetry have been exceptionally for a translation subsidy by ILE. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. 1 THE LIGHT AND THE LENS: Streams of Damaged Consciousness in Post-Crash Irish Modernist Fiction Aran Ward Sell Submitted in satisfaction of the requirements for the degree of PhD in English Literature The University of Edinburgh 2019 2 3 I confirm that this thesis is presented for the degree of Doctor of Philosophy in English Literature, and has i) been composed entirely by myself ii) been solely the result of my own work iii) not been submitted for any other degree or professional qualification Signed: _____________________________ Date: ______________________________ 4 5 ABSTRACT This thesis examines the state of Irish literature since the 2008-9 financial crash. I contend that, whilst a supposedly mature Realism was the dominant mode of Irish writing during the ‘Celtic Tiger’ years of economic boom, since the crash an identifiably Modernist literary movement has (re-)emerged. -
Irish Television Drama: a Society and Its Stories
Irish Television Drama: A Society and Its Stories Helena Sheehan published by Radio Telefís Éireann in 1987 2nd (revised) edition published in 2004 ISBN 0 86029 011 5 pb ISBN 0 86029 012 3 hb © Helena Sheehan Professor Helena Sheehan website: http://webpages.dcu.ie/~sheehanh/sheehan.htm e-mail: [email protected] Table of Contents Introduction Part 1: Concepts / Contexts / Criteria Chapter 1: Story, Myth, Dream and Drama Chapter 2: Television as a Medium of Drama Chapter 3: Judgments of Television Drama Part 2: The Evolution of Irish Television Drama Chapter 4: The 60s: The Coming of Television Chapter 5: The 70s: Progress, Pressures and Protests Chapter 6: The 80s: The Satellite Era Appendix: RTE Television Drama Productions 1962-1987 Titles index Introduction This is essentially a story about storytelling. It is, first of all, an account of why people tell stories. It is an exploration of what has been at stake in the whole, long and complex history of storytelling, stretching from the voices of the ancient bards to the signals of space age satellites. It is, in the second instance, a story about why particular people have told particular stories at a particular time in the history of a particular society. The Irish people have always been renowned as storytellers. This is the story of Irish storytelling in the television era. Although storytelling would seem to be a universal activity, fundamental to the human condition, it has by no means been a static one. It has not been the same for all times. It is an activity that has undergone enormous transformations. -
Iasil 2015 Draft Conference Programme June-1
IASIL 2015 CONFERENCE PROGRAMME SUMMARY / IASIL 2015 ACHOIMRE AR CHLÁR NA COMHDHÁLA TIME MONDAY 20 JULY ROOM AM DÉ LUAIN 20 IÚIL SEOMRA 1:00 Registration Foyer of Berrick Saul Building 2:15 Welcome & Opening Remarks Bowland Auditorium, Berrick Saul Building 2:30 Plenary 1 Bowland Auditorium, Berrick Saul Building 3:45 Tea & Coffee Vanbrugh Dining Room 4:15 Parallel Panel 1 Various Venues 6:00 Drinks Reception and Dinner Vanbrugh Dining Room TIME TUESDAY 21 JULY ROOM AM DÉ MÁIRT 21 IÚIL SEOMRA 9:30 Parallel Panel 2 Various Venues 11:00 Tea & Coffee Vanbrugh Dining Room 11:30 Parallel Panel 3 Various Venues 1:00 Lunch Vanbrugh Dining Room 2:00 Plenary 2 Bowland Auditorium, Berrick Saul Building 3:15 Tea & Coffee Vanbrugh Dining Room 3:45 Parallel Panel 4 Various Venues 5:15 Break - 5:30 Reading by Belinda McKeon Bowland Auditorium, Berrick Saul Building TIME WEDNESDAY 22 JULY ROOM AM DÉ CÉADAOIN 22 IÚIL SEOMRA 9:30 Parallel Panel 5 Various Venues 11:00 Tea & Coffee Vanbrugh Dining Room 11:30 Poets’ Panel on Yeats Bowland Auditorium, Berrick Saul Building 12:45 Lunch Vanbrugh Dining Room 1:30 Delegate Free Time / Tours Opportunity - 6:00 Drinks Reception, Book Launches & King’s Manor Refectory, York City Centre Reading by Bernard O’Donoghue 7:30 York Irish Society Traditional Music Session Gillygate Pub, Gillygate, York City Centre & Optional Barbecue TIME THURSDAY 23 JULY ROOM AM DÉARDAOIN 23 IÚIL SEOMRA 9:30 Parallel Panel 6 Various Venues 11:00 Tea & Coffee Vanbrugh Dining Room 11:30 Plenary 3 Bowland Auditorium, Berrick Saul Building 12:45 Lunch Vanbrugh Dining Room 2:00 Parallel Panel 7 Various Venues 3:30 Tea & Coffee Vanbrugh Dining Room 4:00 Interview with Donald Clarke Bowland Auditorium, Berrick Saul Building 6:30 Conference Banquet & Address by Irish Merchant Adventurers’ Hall, York City Centre Ambassador TIME FRIDAY 24 JULY ROOM AM DÉ hAOINE 24 IÚIL SEOMRA 9:30 Parallel Panel 8 Various Venues 11:00 Tea & Coffee Vanbrugh Dining Room 11:30 Plenary 4 Bowland Auditorium, Berrick Saul Building 12:45 Lunch Vanbrugh Dining Room 2:00 A.G.M. -
London Irish Fictions
London Irish Fictions Narrative, Diaspora and Identity Fictions London Irish Tony Murray This is the first book about the literature of the Irish in London. By examining over 30 novels, short stories and autobiographies set in London since the Second World War, London Irish Fictions investigates the complex psychological landscapes of belonging and cultural allegiance found in these unique and intensely personal perspectives on the Irish experience of migration. As well as bringing new research to bear on the work of established Irish writers such as Edna O’Brien, John McGahern, Emma Donoghue and Joseph O’Connor, this study reveals a fascinating and hitherto unexplored literature, diverse in form and content. By synthesising theories of narrative and diaspora into a new methodological approach to the study of migration, London Irish Fictions sheds new light on the ways in which migrant identities are negotiated, mediated and represented through literature. It also examines the specific role that the metropolis plays in literary portrayals of migrant experience as an arena for the performance of Irishness, as a catalyst in transformations of Irishness and as an intrinsic component of second-generation Irish identities. Furthermore, by analysing the central role of narrative in configuring migrant cultures and identities, it reassesses notions of exile, escape and return in Irish culture more generally. In this regard, it has particular relevance to current debates on migration and multiculturalism in both Britain and Ireland, especially in the wake of an emerging new phase of Irish migration in the post-‘Celtic Tiger’ era. A rich, sympathetic and nuanced exploration of that strange blend of exile and escape, of suffering and play-acting, which characterises the Irish migrant experience in London […] a valuable, unprecedented and necessary book. -
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Études Irlandaises, 40-2 | 2015, « La Crise ? Quelle Crise ? » [En Ligne], Mis En Ligne Le 15 Décembre 2017, Consulté Le 23 Septembre 2020
Études irlandaises 40-2 | 2015 La crise ? Quelle crise ? Martine Pelletier et Valérie Peyronel (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/4727 DOI : 10.4000/etudesirlandaises.4727 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 15 décembre 2015 ISBN : 978-2-7535-4366-9 ISSN : 0183-973X Référence électronique Martine Pelletier et Valérie Peyronel (dir.), Études irlandaises, 40-2 | 2015, « La crise ? Quelle crise ? » [En ligne], mis en ligne le 15 décembre 2017, consulté le 23 septembre 2020. URL : http:// journals.openedition.org/etudesirlandaises/4727 ; DOI : https://doi.org/10.4000/etudesirlandaises. 4727 Ce document a été généré automatiquement le 23 septembre 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Introduction Une crise, oui, mais quelle crise ? Martine Pelletier et Valérie Peyronel La crise et l'après-crise : enjeux politiques, économiques et sociaux The Irish Economic Crisis: The Expiry of a Development Model? Vanessa Boullet Les entreprises irlandaises : nouveau moteur de la croissance économique nationale au lendemain de la crise ? Anne Groutel Irish Post-crisis Migratory and Demographic Patterns Catherine Piola The Vulnerability of the Northern Ireland Settlement: British Irish Relations, Political Crisis and Brexit Jennifer Todd Educate that You May be Free? Religion and Critical -
Études Irlandaises, 42-1 | 2017, « Incarner / Désincarner L’Irlande » [En Ligne], Mis En Ligne Le 29 Juin 2019, Consulté Le 24 Septembre 2020
Études irlandaises 42-1 | 2017 Incarner / Désincarner l’Irlande Embodying / Disembodying Ireland Fiona McCann et Alexandra Poulain (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/5077 DOI : 10.4000/etudesirlandaises.5077 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 29 juin 2017 ISBN : 978-2-7535-5495-5 ISSN : 0183-973X Référence électronique Fiona McCann et Alexandra Poulain (dir.), Études irlandaises, 42-1 | 2017, « Incarner / Désincarner l’Irlande » [En ligne], mis en ligne le 29 juin 2019, consulté le 24 septembre 2020. URL : http:// journals.openedition.org/etudesirlandaises/5077 ; DOI : https://doi.org/10.4000/etudesirlandaises. 5077 Ce document a été généré automatiquement le 24 septembre 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Erratum Comité de rédaction Introduction Fiona McCann et Alexandra Poulain Corps de femmes, corps dociles : le cas Magdalen Laundries Nathalie Sebbane De-composing the Gothic Body in Maria Edgeworth’s Castle Rackrent Nancy Marck Cantwell “Away, come away”: Moving Dead Women and Irish Emigration in W. B. Yeats’s Early Poetry Hannah Simpson An Uncanny Myth of Ireland: The Spectralisation of Cuchulain’s Body in W. B. Yeats’s Plays Zsuzsanna Balázs Embodying the Trauma of the Somme as an Ulster Protestant Veteran in Christina Reid’s My Name, Shall I Tell You My Name? Andréa Caloiaro Intimations of Mortality: Stewart Parker’s Hopdance Marilynn Richtarik Performing trauma in post-conflict Northern Ireland: ethics, representation and the witnessing body Alexander Coupe Ciaran Carson and the Theory of Relativity Julia C.