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New User Guide JUNE 12, ST. JOHN of SAN
JUNE 12, ST. JOHN OF SAN FACUNDO, CONFESSOR Errors? [email protected] St. John was born at St. Facundus in Spain, and belonged to the Augustinian Order. He was distinguished for his devotion during holy Mass; he loved peace-making and brought an end to a civil war among the factions in Salamanca. He died June 11, 1479. Commemoration of Sts. Basilides, Cyrinus, Nabor, and Nazarius: These men were Christian soldiers in the army of Maxentius. They were beheaded by order of Aurelius, prefect of Rome. New User Guide AT THE FOOT OF THE ALTAR AT THE FOOT OF THE ALTAR (Kneel) (Kneel) P: †In nómine Patris, et Fílii, et Spíritus P: †In the Name of the Father, and of Sancti. Amen. the Son, and of the Holy Spirit. Amen. P: Introíbo ad altáre Dei. P: I will go unto the altar of God. S: Ad Deum qui lætíficat juventútem S: To God, Who gives joy to my youth. meam. (Psalm 42) (Psalm 42) P: Júdica me, Deus, et discérne P: Judge me, O God, and distinguish causam meam de gente non sancta: my cause from the unholy nation, ab hómine iníquo et dolóso érue me. deliver me from the unjust and deceitful man. S: Quia tu es, Deus, fortitúdo mea: S: For Thou, O God, art my strength, quare me repulísti, et quare tristis why hast Thou cast me off? And why incédo, dum afflígit me inimícus? do I go about in sadness, while the enemy afflicts me? P: Emítte lucem tuam, et veritátem P: Send forth Thy light and Thy truth: tuam: ipsa me deduxérunt, et they have conducted me and brought adduxérunt in montem sanctum tuum, me unto Thy holy mount, and into Thy et in tabernácula tua. -
Liturgy of the Eucharist
1 Our Lady of Perpetual Help (June 18th, 2018) Part II: Liturgy of the Eucharist and Concluding Rite Introduction: Below you will find a detailed explanation of Part II: Liturgy of the Eucharist and Concluding Rite of the Mass, to assist you in learning more about the Mass and the changes that have occurred with the implementation of the third edition of the Roman Missal since Advent of 2011. This explanation was written by Fr. Victor De Gagné, The Prayer Intentions concludes the Liturgy of the Word and the focus of the Mass now shifts to the Liturgy of the Eucharist. Liturgy of the Eucharist: -The Collection & the Offering of the Gifts The collection and the offering of the bread and wine have been present in Christian worship since the very beginning. The gifts of the community are presented to the priest for the needs of the Church and of the poor. Justin the Martyr describes this collection and offering of gifts in his letter dating from the 2nd century: “Then someone brings bread and wine to him who presides over the assembly. They who have the means, give freely what they wish; and what is collected is placed in reserve with the presider, who provides help to the orphans, widows, and those who, through sickness or any other cause, are in need, and prisoners, and traveling strangers; in a word, he takes care of all who are in need.” By the collection, we exercise Christian charity; sharing our blessings with those who have nothing. -The Preparation of the Gifts Once the gifts of bread and wine have been carried to the altar, the priest offers a prayer of blessing to God for his generosity, for the produce of the earth and for human labour which have created the gifts to be used for the Eucharist. -
Dominican Rite Practicum
LSFT 2405 Dominican Rite Practicum Prepared by the Instructor 2020 Dominican School of Philosophy and Theology Fall 2020 LSFT 2405 First Meeting: Saturday, 9/5, SAP Library, 7:30 pm Dominican Rite Practicum Instructor: Fr. Augustine Thompson O.P. Office Hours: TBA at St. Albert’s Priory Course Description This course is a 1.5 unit graded liturgical practicum open to Dominican friar students, normally after residency year, best in the year of deaconal or priestly ordination. The goal is to acquire the ability to celebrate Low Mass and Missa Cantata according to the traditional Dominican Rite in Latin. The outcome will be a correct and fluid "dry Mass" celebration of the Dominican Rite Low Mass and of the Missa Cantata. These two exercises will in equal parts provide the two graded "exams" of the course. The format will be a practicum in which students perform the rite under the direction of the instructor. Admission to the Class Dominican friars who would like to be admitted to the class need to arrange an interview with the instructor. At the interview they will be asked to recite from memory the texts found on the next page. This memorization is not-negotiable and will serve to prove that the student is ready to undertake the heavy memorization element of the class. As this class is only open to Western Dominican Province student brothers it will be held at St. Albert’s with social distancing. Required Books and Materials William R. Bonniwell, ed., Dominican Ceremonial for Mass and Benediction (1946; rpt. Oakland: Dominican Liturgy Publications, 2012), $22.75, order at: http://www.lulu.com/shop/william-r-bonniwell-op/dominican-ceremonial-for-mass-and-b enediction/hardcover/product-21602438.html Dominican Altar Boys' Manual According to the Rite of the Order of Preachrs (1945; rpt. -
MA Thesis Ceremonials FINAL
ABSTRACT CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg Rituals have been used throughout history as a way to process change and emotion. In the modern day, people are beginning to turn away from organized religion and to take on more personalized rituals and spirituality. As such, identifying as a witch is a growing phenomenon that serves to empower many personally, politically, and spiritually. This creative thesis takes an autobiographical approach to explore how ritual and the identity of the witch can be used as tools of empowerment, tracing the artist’s own journey from Catholicism to a more fluid spiritual life. On February 22nd, 2019, Ceremonials: A Ritual Play opened as part of Miami University’s Independent Artist Series. The play was devised with a student ensemble over a period of five months and stands as the culmination of a series of performance projects that sought to combine ritual and theatre. This portfolio spans the breadth of that practice-based research and includes examples from performance experiments and the devising process, as well as reflections on how ritual and devised theatre can help to empower the individual and the artist. CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Rachel Lynn Brandenburg Miami University Oxford, Ohio 2019 Advisor: Saffron Henke Reader: Julia Guichard Reader: Christiana Molldrem Harkulich ©2019 Rachel Lynn Brandenburg This Thesis titled CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg has been approved for publication by The College of Creative Arts and Department of Theatre ____________________________________________________ Saffron Henke, MFA ______________________________________________________ Julia Guichard, MFA _______________________________________________________ Christiana Molldrem Harkulich, PhD Table of Contents 1. -
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Mea Culpa: Public Apology, Prime Minister Stephen Harper, and Indian Residential Schools Lauren Pais You cannot see the future with tears in your eyes -Navajo Proverb The adage that history is written by the victors is becoming increasingly outmoded in a world in which once “voiceless” and/or minority groups are now asserting their rights and demanding acknowledgement of, and apologies for, their past mistreatment. Indeed, the post- Cold War decades have seen a proliferation of apologies issued by heads of state, religious and community leaders, celebrities, and even corporate entities for injustices committed in the past. For example, in 1997 President Clinton apologized to the victims of Tuskegee Syphilis Experiment; in 1995 the Japanese government expressed remorse to the two hundred thousand Asian “comfort women” forced into prostitution and murdered during World War II; in 2000 Pope John Paul II issued a sweeping mea culpa for the wrongdoings of the Catholic Church over its history1; and, of greatest interest to this article, in 2008 Prime Minister Stephen Harper issued a public apology to victims of the Canadian Residential Schooling system. Public and collective apologies have captured the interest of many scholars: Roy Brooks has characterized the post-Cold War era as the “Age of Apology;”2 Emily Mitchell has labeled the 1990s as the “decade of atonement;”3 and Elazar Barkan commented on the international 1 Jason A. Edwards, “Apologizing for the Past for a Better Future: Collective Apologies in the United States, Australia and Canada,” (Southern Communication Journal Volume 75, No. 1, January-March 2010), 57. 2 Roy Brooks, Ed., When Sorry Isn't Enough: The Controversy Over Apologies and Reparations for Human Injustice (New York: NYU Press, 1999), 3. -
HOLY THURSDAY the MASS of the LORD’S SUPPER the Tabernacle Is Empty, Because, Today, Communion Is Given Only with Newly Consecrated Hosts
HOLY THURSDAY THE MASS OF THE LORD’S SUPPER The tabernacle is empty, because, today, communion is given only with newly consecrated hosts. Galatians 6: 14 INTROIT NOS autem gloriari oportet in cruce But it behooves us to glory in the cross of Domini nostri Jesu Christi: in quo our Lord Jesus Christ: in Whom is our est salus, vita, et resurrectio nostra: salvation, life, and resurrection: by Whom per quem salvati, et liberati sumus. we are saved and delivered. Ps. May God Ps. 66: 2. Deus misereatur nostri, et have mercy on us, and bless us: may He benedicat nobis: illuminet vultum cause the light of His countenance to shine suum super nos, et misereatur nos- tri. upon us; and may He have mercy on us. All the bells are rung at the Gloria in excelcis and then, with the organ, and then are silent until Easter Eve. A clapper replaces the altar bell. COLLECT DEUS, a quo et Judas reatus sui O God, from whom Judas received the pœnam, et confessionis suæ latro punishment of his guilt, and the thief the præmium sumpsit, concede nobis reward of his confession, grant us the ef- tuæ propitiationis effectum; ut, si- fect of Thy clemency; that even as in His cut in passione sua Jesus Christus, passion our Lord Jesus Christ gave to each Dominus noster, diversa utrisque a different recompense according to his intulit stipendia meritorum; ita no- bis, ablato vetustatis errore, resur- merits, so may He deliver us from our old rectionis suæ gratiam largiatur. Qui sins and grant us the grace of His Resur- tecum vivit et regnat. -
Thurifer at Missa Cantata
THURIFER AT MISSA CANTATA GENERAL AND HISTORICAL NOTES The Thurifer (Th) has the privilege of bearing the thurible during Mass and of the office of incensing the inferior ministers and the laity. The word thurible is derived from thus, which is Latin for incense. It is generally thought, that the thurible used by the Jews was very similar as employed at Mass now, that is, with three chains, though it is unknown if the Jewish thuribles had a cover. The thurible is also considered to be a liturgical object of great value in its symbolic use, as the thuribles made by the Jews were made of solid gold. This was perhaps done so as to imitate the Altar of Incense (on which incense was burnt three times a day), that stood outside the Temple, which was made of gold plate over wood. The history of the use of incense is very ancient, dating back to earliest ages. Incense was widely used by both the Jews in the Temple ceremonies, as commanded by Almighty God Himself, as well as by the pagan religions. In ancient times, burning incense was also used as an air freshener in countries under Roman or Asian influence; it too was used to incense the guests as a mark of respect at banquets. In fact incense was so widely used, that God Himself commanded the Jews, that the incense compound made for use in the Temple ceremonies, was to be used expressly for the Temple (i.e., God), under the penalty of death, so that it could not be used for secular functions. -
The Rites of Holy Week
THE RITES OF HOLY WEEK • CEREMONIES • PREPARATIONS • MUSIC • COMMENTARY By FREDERICK R. McMANUS Priest of the Archdiocese of Boston 1956 SAINT ANTHONY GUILD PRESS PATERSON, NEW JERSEY Copyright, 1956, by Frederick R. McManus Nihil obstat ALFRED R. JULIEN, J.C. D. Censor Lib1·or111n Imprimatur t RICHARD J. CUSHING A1·chbishop of Boston Boston, February 16, 1956 PRINTED IN THE UNITED STATES OF AMERICA INTRODUCTION ANCTITY is the purpose of the "new Holy Week." The news S accounts have been concerned with the radical changes, the upset of traditional practices, and the technical details of the re stored Holy Week services, but the real issue in the reform is the development of true holiness in the members of Christ's Church. This is the expectation of Pope Pius XII, as expressed personally by him. It is insisted upon repeatedly in the official language of the new laws - the goal is simple: that the faithful may take part in the most sacred week of the year "more easily, more devoutly, and more fruitfully." Certainly the changes now commanded ,by the Apostolic See are extraordinary, particularly since they come after nearly four centuries of little liturgical development. This is especially true of the different times set for the principal services. On Holy Thursday the solemn evening Mass now becomes a clearer and more evident memorial of the Last Supper of the Lord on the night before He suffered. On Good Friday, when Holy Mass is not offered, the liturgical service is placed at three o'clock in the afternoon, or later, since three o'clock is the "ninth hour" of the Gospel accounts of our Lord's Crucifixion. -
Altar Server Handbook
ST. BRIDGET CATHOLIC CHURCH 100 Highway 311 schriever LA 70395 ALTAR SERVER HANDBOOK for THE EUCHARISTIC CELEBRATION Revised; July 1st 2018 “Here I am Lord; to serve you is the sole delight of my Heart.” 1 TABLE OF CONTENTS Section I: General Introduction a. Welcome 5 b. I’ll take you! 5 c. The Server as a Prayer Leader - “Who, me?” 6 Section III: Responsibilities and appropriate postures 7 a. Be responsible for your actions 7 b. Attendance 7 c. Dress Code 7 d. Sign of the Cross 8 e. Small Sign of the Cross 8 f. Folded Hands 8 g. Standing 8 h. Sitting 8 i. Walking 9 j. Carrying the Cross 9 k. Carrying the Candles 9 l. Bows 9 m. Genuflection 10 n. Silence 10 2 Section III: Preparation for Mass and some vessels used at mass 10 • Self-preparation and duties at mass 10, 11 Sacred Vessels a. Cruet (decantor) 12 b. Pall 12 c. Communion Cups 13 d. Lavabo Dish 13 e. Finger Towel 13 f. Purificator 13 g. Paten 13 h. Chalice 13 i. Credence table 13 j. Candles 14 k. Extinguisher 15 l. Processional Cross 15 • Prayer before serving 15 N.B. Some and most of the names and their descriptions are found under glossary. 3 Section IV: Parts of the Church a. Sanctuary 16 b. Narthex 16 c. Nave 16 d. Ambo 16 e. Sacristy 16 f. Sacrarium 16 Section V: Parts / Rites of the Mass a. Introductory Rites 17 b. Liturgy of Word 19 c. Liturgy of Eucharist 19 d. Concluding Rites 26 Section VI: Clean up after Mass 27 Prayer after Serving Section VII: Use of Incense at Mass 28 Altar Server’s Responsibilities Section VIII: Glossary - Word Identifier 30 4 a. -
Altar Server Guide R2
Altar Server Guide Altar Server Rolls: • Master of Ceremony (MC) • Cross • Candles (2) • Water & Wine • Book (Roman Missal) • Bells (1) I. INTRODUCTORY RITE PROCESSION All altar servers gather in the narthex at the front of the church approximately 5 minutes before the Mass is scheduled to begin. Cross brings the cross and Candles (2) bring the candles with them to the narthex. (MC brings a lighter in case the candles go out) Cross leads the procession to the altar. Candles/Water & Wine follow Cross. Bell follows Candle/ Water. Book follows Candle/Wine. Additional altar servers follow Bell and Book. When the procession reaches the top of the altar, the altar servers who are not carrying anything make a slight bow to the altar and go to their places. Cross and Candle/Wine go to the right. Book after bowing goes directly to the chair next to the book stand. Cross places the cross in the cross holder and remains on the presider side of the altar. Candle/Wine places the candles in the candle holders next to the altar and then go to a place on the credence table side of the altar. Bell also goes to a place on the credence table side of the altar. Any remaining altar servers will go to assigned spaces. All altar servers remain standing praying and singing with the people (congregation). The priest(s) and deacon(s) follow in procession. When they reach the altar they bow. They continue to the rear of the altar and reverence the altar. The presider and deacon(s) proceed to the presiders area. -
In Latin and English
THE HOLY MASS OF THE SECOND VATICAN COUNCIL in Latin and English for the Solemn Celebration of the Ordinary Form of the Roman Rite at St. John the Beloved Catholic Church in McLean, Virginia “Particular law remaining in force, the use of the Latin language is to be preserved in the Latin rites.” (Vatican II, Sacrosanctum Concilium, n. 36) “Steps should be taken so that the faithful may also be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them.” (Vatican II, Sacrosanctum Concilium, n. 50) “Pastors of souls should take care that besides the vernacular ‘the faith- ful may also be able to say or sing together in Latin those parts of the Ordinary of the Mass which pertain to them.”’ (Sacred Congregation of Rites, Musicam sacram (1967), n. 47) “The Roman Church has special obligations towards Latin, the splen- did language of ancient Rome, and she must manifest them whenever the occasion presents itself.” (John Paul II, Dominicae cenae (1980), n. 10) “Mass is celebrated either in Latin or in another language, provided that liturgical texts are used which have been approved according to the norm of law. Except in the case of celebrations of the Mass that are scheduled by the ecclesiastical authorities to take place in the language of the people, Priests are always and everywhere permitted to celebrate Mass in Latin.” (Congregation for Divine Worship and the Discipline of the Sacraments, Redemptionis Sacramentum (2004), n. 112) “I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we for- get that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.” (Bene- dict XVI, Sacramentum caritatis (2007), n. -
Consecranda : Rites and Ceremonies Observed at the Consecration of Churches, Altars, Altarstones, Chalices and Patens
=r\ 1 S^^I I iBS t/j ru OJ- \\T < fp or cr 1 S j,^ 1 fc~ ^ GONSEGRANDA RITES AND CEREMONIES OB- SERVED AT THE CONSECRATION OF CHURCHES, ALTARS, ALTAR- STONES, CHALICES AND PATENS CONSECRAND RITES AND CEREMONIES OB SERVED AT THE CONSECRATION OF CHURCHES, ALTARS, ALTAR- STONES, CHALICES AND PATENS REV. A. J. SCHULTE Professor of Liturgy at Overbrook Seminary WITH NUMEROUS ILLUSTRATIONS VIDETE ERGO UT IMPLEATIS C/EREMONIAS Deut. xi. 32 NEW YORK .-. CINCINNATI .-. CHICAGO BENZIGER BROTHERS PRINTERS TO THE HOLY APOSTOLIC SEE I907 Ittibtl ©batat. REMY LAFORT, S.T.L., Censor Librornm. APR 20 1953 Umprtmatur. ^ JOHN M. FARLEY, Archbishop of New York. New York, November 15, 1906. ^CHAff *V y Copyright, 1907, by Benzjgbr Brothers. 1Recommen&atfom Archbishop's House, Philadelphia, September 20, 1906. The Rev. A. J. Schulte, Professor of Sacred Liturgy in the Seminary of St. Charles Borromeo, Overbrook, is about to publish several works on the Rites and Ceremonies of some of the principal Functions of the Roman Pontifical and Roman Ritual. From what we have read of this addition to our liturgical literature, we feel safe in recommending it to the clergy of the Archdiocese. Father Schulte has made this depart- ment of sacred science a special study for several years and has been eminently successful in conveying to others his knowledge of its details. An extensive, exhaustive, and practical treatise is the natural outcome of such applied qualifications on the part of the gifted and indus- trious author. Hence our recommendation. *h Patrick John Ryan, Archbishop of Philadelphia. CONTENTS.