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KIDD PIVOT Revisor Crystal Pite, Jonathon Young

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KIDD PIVOT Revisor Crystal Pite, Jonathon Young VANCOUVER KIDD PIVOT Revisor Crystal Pite, Jonathon Young 3. 4. 5. 6 AVRIL Théâtre Maisonneuve PARTENAIRE DE SAISON Durée / Duration 90 min. © Michael Slobodian. 3 + 5 AVRIL : Rencontres avec les artistes après le spectacle / Meet the artists after the show Photo PARTENAIRE DE LA SÉRIE CRÉATEURS PARTENAIRES CULTURELS PARTENAIRE MÉDIA PARTENAIRE PARTNER CREATORS SERIES CULTURAL PARTNERS MEDIA PARTNER DU MOUVEMENT PARTENAIRES / PARTNERS PARTENAIRES PUBLICS PARTENAIRE DE COULISSES PARCOURS DES JEUNES SPECTATEURS PUBLIC PARTNERS BACKSTAGE PARTNER . © Michael Slobodian © Julie Artacho Photo Photos MOT DE DANSE DANSE MOT DES CRÉATEURS Lauréate du Grand Prix de la danse de Montréal 2018, Crystal Pite vit avec Nous sommes partis d’un vieux quiproquo bien connu. notre ville et son public une belle histoire d’amour. Ses nombreuses Le scénario du spectacle s’inspire d’une anecdote qui a fait surface en Russie, vers collaborations, notamment avec le Nederlands Dans Theater, l’ont amenée 1830, et qui s’est rapidement propagée. On admet communément, aujourd’hui, qu’elle à présenter plusieurs créations dans le cadre de nos programmations. est authentique. Ses signatures gestuelle et artistique s’impriment avec force dans l’imaginaire. Avec un style si puissant et singulier, ce n’est pas étonnant En 1836, cette anecdote a été mise en scène sous la forme d’une pièce de théâtre en que les influences artistiques de cette figure marquante de la danse cinq actes. Celle-ci a été créée à Saint-Pétersbourg en présence du tsar, qui, selon contemporaine s’observent ici et ailleurs. les témoignages, aurait beaucoup ri et applaudi, et déclaré à la tombée du rideau : « Tout le monde en a pris pour son grade, et moi le premier ! » Mariant à nouveau magistralement danse et théâtre grâce à la complicité renouvelée de Jonathon Young, elle nous dévoile ici une toute nouvelle La pièce se présentait comme une comédie. œuvre, que nous avons le plaisir de présenter au public montréalais. Nous Le thème superficiel de l’erreur sur la personne n’était, bien sûr, qu’un prétexte pour sommes heureux de partager ce moment avec vous. aborder des sujets plus graves comme la tromperie, la tyrannie, la cupidité et la Bon spectacle ! corruption; l’aveuglement volontaire et la complicité; la bureaucratie et les tracasseries administratives; la souffrance humaine; une tempête imminente; la promesse du Pierre Des Marais – Directeur général et codirecteur artistique changement; un soulèvement attendu; le salut à l’horizon; le châtiment tout proche; Caroline Ohrt – Codirectrice artistique et directrice du développement la justice qui frappe à la porte. On sait, par les comptes rendus critiques de l’époque, que tous ne furent pas ravis de voir cette pièce portée à la scène : on lui reprocha son manque d’originalité, A WORD FROM DANSE DANSE la qualifiant d’invraisemblable, crue et vulgaire; elle était bâtie sur une anecdote éculée, Winner of the 2018 Grand Prix de la danse de Montréal, Crystal Pite has a connue de tous; c’était une simple farce dont les personnages n’étaient que des long and positive association with our city and its dance audiences. Several caricatures. Néanmoins, cette « simple farce » de quiproquo n’a pas tardé à s’imposer of her many collaborations, notably with Nederlands Dans Theater, have comme une véritable institution nationale. been featured in our programming. On rapporte que l’auteur de la pièce déplora vivement le « style maniéré, balourd, Her distinctive gestural and artistic signatures make a strong impression grotesque » de la production originale – un style qui ne s’en est pas moins imposé on the imagination. It’s no wonder that the powerful, original style of this comme une convention théâtrale dans les décennies suivantes. Il jura qu’on l’avait leading figure in contemporary dance has influenced artistic creation both mal interprété, et que son texte comportait une condamnation morale pressante, une at home and abroad. allégorie religieuse et un portrait de l’âme universelle en exil. Masterfully blending dance and theatre, Pite and her longtime creative partner (Incidemment, la pièce s’intitule L’inspecteur général, soit Revizor en russe, et son Jonathon Young deliver a brand new work that we have the pleasure of introducing auteur est Nicolas Gogol. Celui-ci remania plusieurs fois son Revizor pour éviter que to Montreal audiences. We’re delighted to share this moment with you. ses intentions initiales ne soient à nouveau trahies, mais en vain.) Enjoy the show! Depuis les années 1830, la pièce a fait l’objet d’innombrables traductions et adaptations. Pierre Des Marais – Executive Director and Artistic Codirector Nous avons abordé le texte original comme une matrice pour la voix et le corps, et il Caroline Ohrt – Artistic Codirector and Director of Development RECONNAISSANCE TERRITORIALE / TERRITORIAL ACKNOWLEDGEMENT Danse Danse reconnait que l’endroit où nous nous trouvons fait partie du territoire traditionnel et non cédé des Kanien’keha:ka. Nous honorons la présence continue des peuples autochtones sur le territoire Tiohtia:ke (Montréal) qui a longtemps servi de lieu de rencontres et d’échanges entre les nations, et sommes reconnaissants de pouvoir y présenter des œuvres d’art vivant. / Danse Danse acknowledges that we are gathered on the traditional and unceded territory of the Kanien’keha:ka Nation. We honour the continued presence of Indigenous peoples on the Tiohtia:ke (Montreal) territory, which has long served as a meeting place for exchanges between nations, and we are grateful for the opportunity to present live works of art here. nous est apparu malléable et riche en résonances. Notre quête a été de débusquer ce REVISOR qui se cache dans ce cadre des plus improbables et d’en restituer l’esprit : une farce usée sur la corruption et la duperie. Créé par / Created by Crystal Pite + Jonathon Young. Écrit par / Written by Jonathon Young. Chorégraphie et mise en scène / Choreographed and Nous voulons remercier tous nos interprètes et collaborateurs pour leur apport essentiel au Directed by Crystal Pite. Musique originale et conception sonore / développement de Revisor. Ils sont le moteur de notre création; ce sont des artistes Original Music and Sound Design Owen Belton, Alessandro Juliani, Meg Roe. remarquables, généreux et inspirants. Nous leur en sommes profondément reconnaissants. Conception scénique et lumières / Scenic Design and Reflective Light Concept Jay Gower Taylor. Costumes / Costume Design Nancy Bryant. Jonathon Young, Crystal Pite Création lumières / Lighting Design Tom Visser. Assistant aux créateurs / Assistant to the Creators Eric Beauchesne. DISTRIBUTION / CAST AND CHARACTERS CREATOR’S NOTE Interprètes / Dancers We began with an old, well-known story about mistaken identity. Directeur du complexe / Director of the Complex Doug Letheren. Ministre des postes / Postmaster Wieland Jermaine Spivey. Misha Matthew Peacock. The story is based on an anecdote that surfaced in Russia in 1833, and quickly spread. Interrogatrice / Interrogator Klak Rena Narumi. Ministre / Minister Desouza It is now widely accepted as probably true. Ella Rothschild. Docteur / Doctor Harlow David Raymond. Anna (Femme In 1836, the story took shape in a five-act play. du directeur / Wife of the Director) Cindy Salgado. Osip (Assistant du Revisor / Assistant to the Revisor) David Raymond. Le Revisor / The Revisor The play premiered in St. Petersburg before the Czar, who according to reports, laughed Tiffany Tregarthen. Swing, Ministre / Minister Desouza Renée Sigouin. and applauded, and is said to have remarked “Everybody gets it, and I most of all!” Voix / Voices The play was in disguise as a comedy. Narratrice et inspectrice / Narrator and Inspector Meg Roe. Directeur du Underneath the superficial subject of mistaken identity there were, of course, deeper complexe / Director of the Complex Scott Macneil. Ministre des postes / subjects such as deceit, tyranny, greed and corruption. Willful blindness and complicity. Postmaster Wieland Alessandro Juliani. Interrogatrice / Interrogator Bureaucracy and officialdom. Human suffering. The coming storm. The promise of Klak Kathleen Barr. Ministre / Minister Desousa Nicola Lipman. Docteur / change. Imminent overthrow. Salvation on the horizon. Retribution just around the Doctor Harlow Gerard Plunkett. Anna Amy Rutherford. Osip Ryan Beil. corner. Justice at the gate. Le Revisor / The Revisor Jonathon Young. There is evidence from the critical response that its arrival on stage was unwelcome; Directrice des voix / Voice Director Meg Roe. Directeur technique / it was said to be unoriginal, improbable, coarse and vulgar. It turned on a stale Technical Director Jeff Harrison. Régisseur / Stage Manager Isaac Robinson. anecdote everyone knew, it was a rank farce and the characters were mere caricatures. Concepteur du système de commande du spectacle / Show Control Design It didn’t matter: the rank farce about mistaken identity quickly took its place as a Eric Chad. Technicien son et lumières / Lighting and Sound Technician national institution. Lukas McCormick. Coordonnatrice perruques et costumes / Wig and Reports indicate that the Playwright of the rank farce raged against the “unctuous, Wardrobe Coordinator Stevie Hale Jones. Construction scénographie et cloying, farcical style” of the original production — a style that nonetheless became accessoires / Set and Prop Construction Great Northern Way Scene Shop. convention for decades. The Playwright insisted that he had been misread, and that Tailleuse / Cutter Janet
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