King Arthur's Favorite Knigfi~, Sir Launcelot, Eias
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
The Character Model in Le Morte Darthur
The Character Model in Le Morte Darthur Anat Koplowitz-Breier ([email protected]) BAR-ILAN UNIVERSITY (RAMAT-GAN) Resumen Palabras clave Los personajes de La muerte de Arturo, La muerte de Arturo de Sir Thomas Malory, no se ajustan a la Malory definición estándar típica de los Caracterización personajes del romance. De hecho, Tipo pueden ser ubicados en una especie de Modelo de personaje estado transitorio que ha sido La dama denominado modelo de personaje. Tras La mujer con poderes mágicos dilucidar la naturaleza de tal concepto, este artículo procede a investigar dos modelos relativos a mujeres en La Muerte de Arturo: «La Dama» y «La Mujer con Poderes Mágicos». Abstract Key words The characters in Sir Thomas ’ Le Morte Darthur La Morte ’ do not conform to Malory the standard definition of Romance Characterization personae. In fact, they can be placed in Type a kind of transitional stage which has ’Model been called a ’ Model. After The Lady elucidating the nature of such a The Woman with Magical Power concept, this paper goes on to investigate two ’ Models of women in the Le Morte Darthur: «The Lady» and «The Woman with Magical AnMal Electrónica 25 (2008) Powers». ISSN 1697-4239 In the memory of my beloved teacher Prof. Ruth Reichelberg, who taught me what it means to be an academic person and a true Character Sir Thomas Malory's Morte is a mixture of at least two genres, Romance and Chronicle (Pochoda 1971). As McCarthy writes, his style is not of one piece: «’ matière is the matière of romance, but the sens, the ‘’ is perhaps not» (1988: 148). -
Summary of the Perlesvaus Or the High History of the Grail (Probably First Decade of 13Th Century, Certainly Before 1225, Author Unknown)
Summary of the Perlesvaus or The High History of the Grail (probably first decade of 13th century, certainly before 1225, author unknown). Survives in 3 manuscripts, 2 partial copies, and one early print edition Percival starts out as the young adventurous knight who did not fulfill his destiny of achieving the Holy Grail because he failed to ask the Fisher King the question that would heal him, events related in Chrétien's work. The author soon digresses into the adventures of knights like Lancelot and Gawain, many of which have no analogue in other Arthurian literature. Often events and depictions of characters in the Perlesvaus differ greatly from other versions of the story. For instance, while later literature depicts Loholt as a good knight and illegitimate son of King Arthur, in Perlesvaus he is apparently the legitimate son of Arthur and Guinevere, and he is slain treacherously by Arthur's seneschal Kay, who is elsewhere portrayed as a boor and a braggart but always as Arthur's loyal servant (and often, foster brother. Kay is jealous when Loholt kills a giant, so he murders him to take the credit. This backfires when Loholt's head is sent to Arthur's court in a box that can only be opened by his murderer. Kay is banished, and joins with Arthur's enemies, Brian of the Isles and Meliant. Guinevere expires upon seeing her son dead, which alters Arthur and Lancelot's actions substantially from what is found in later works. Though its plot is frequently at variance with the standard Arthurian outline, Perlesvaus did have an effect on subsequent literature. -
Lancelot - the Truth Behind the Legend by Rupert Matthews
Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place. -
'The Blank Page': Exhibitions As Feminist Community Adult Education
social sciences $€ £ ¥ Article Animating ‘The Blank Page’: Exhibitions as Feminist Community Adult Education Darlene E. Clover Leadership Studies, University of Victoria, Victoria, BC V8W 2Y2, Canada; [email protected] Received: 28 September 2018; Accepted: 15 October 2018; Published: 20 October 2018 Abstract: Public museums and art galleries in Canada are highly authoritative, and trusted knowledge and identity mobilising institutions, whose exhibitions are frequently a ‘blank page’ of erasure, silencing, and marginalisation, in terms of women’s histories, experiences, and contributions. Feminist exhibitions are a response to this, but few in Canada have been explored as practices of feminist community adult education. I begin to address this gap with an analysis of two feminist exhibitions: In Defiance: Indigenous Women Define Themselves, curated by Mohawk-Iroquois artist, Lindsay Katsitsakatste Delaronde, at the Legacy Gallery, University of Victoria; and Fashion Victims: The Pleasures & Perils of Dress in the 19th Century, curated by Ryerson Professor Alison Matthews David, at the Bata Shoe Museum, Toronto. Although dissimilar in form, focus, and era, these exhibitions act as powerful intentional pedagogical processes of disruption and reclamation, using images and storytelling to animate, re-write and reimagine the ‘blank pages’ of particular and particularised histories and identities. Through the centrality of women’s bodies and practices of violence, victimization, and women’s power, these exhibitions encourage the feminist oppositional imagination, dialogic looking, gender consciousness, and a visual literacy of hope and possibility. Yet, as women’s stories become audible through the very representational vehicles and institutional spaces used to silence them, challenges remain. Keywords: museums and art galleries; exhibitions; feminist community adult education; visual literacy; oppositional imagination 1. -
The Adventures of Sir Lancelot Du Lake
1 The Adventures of Sir Lancelot du Lake There was held a feast of the Round Table at Caerleon, with high splendour; and all the knights thereof held many games and jousts. And therein Sir Lancelot increased in fame and worship above all men, for he overthrew all comers, and never was unhorsed or worsted, save by treason and enchantment. When Queen Guinevere had seen his wondrous feats, she held him in great favour, and smiled more on him than on any other knight. And Lancelot thought on her as fairest of all ladies, and done his best to win her grace. So the queen often sent for him, and bade him tell of his birth and strange adventures: how he was only son of great King Ban of Brittany, and how, one night, his father, with his mother Helen and himself, fled from his burning castle; how his father, groaning deeply, fell to the ground and died of grief and wounds, and how his mother, running to her husband, left himself alone; how, as he thus lay wailing, came the lady of the lake, and took him in her arms and went with him into the midst of the waters, where, with his cousins Lionel and Bors he had been cherished all his childhood until he came to King Arthur’s court; and how this was the reason why men called him Lancelot du Lake. Anon it was ordained by King Arthur, that in every year at Pentecost there should be held a festival of all the knights of the Round Table at Caerleon, or such other place as he should choose. -
Actions Héroïques
Shadows over Camelot FAQ 1.0 Oct 12, 2005 The following FAQ lists some of the most frequently asked questions surrounding the Shadows over Camelot boardgame. This list will be revised and expanded by the Authors as required. Many of the points below are simply a repetition of some easily overlooked rules, while a few others offer clarifications or provide a definitive interpretation of rules. For your convenience, they have been regrouped and classified by general subject. I. The Heroic Actions A Knight may only do multiple actions during his turn if each of these actions is of a DIFFERENT nature. For memory, the 5 possible action types are: A. Moving to a new place B. Performing a Quest-specific action C. Playing a Special White card D. Healing yourself E. Accusing another Knight of being the Traitor. Example: It is Sir Tristan's turn, and he is on the Black Knight Quest. He plays the last Fight card required to end the Quest (action of type B). He thus automatically returns to Camelot at no cost. This move does not count as an action, since it was automatically triggered by the completion of the Quest. Once in Camelot, Tristan will neither be able to draw White cards nor fight the Siege Engines, if he chooses to perform a second Heroic Action. This is because this would be a second Quest-specific (Action of type B) action! On the other hand, he could immediately move to another new Quest (because he hasn't chosen a Move action (Action of type A.) yet. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Introduction: the Legend of King Arthur
Department of History University of Wisconsin-Eau Claire “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Professor Matthew Waters By Erin Pevan November 21, 2006 1 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin – Eau Claire with the consent of the author. 2 Department of History University of Wisconsin-Eau Claire Abstract of: “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Matthew Waters By Erin Pevan November 21, 2006 The stories of Arthurian literary tradition have provided our modern age with gripping tales of chivalry, adventure, and betrayal. King Arthur remains a hero of legend in the annals of the British Isles. However, one question remains: did King Arthur actually exist? Early medieval historical sources provide clues that have identified various figures that may have been the template for King Arthur. Such candidates such as the second century Roman general Lucius Artorius Castus, the fifth century Breton leader Riothamus, and the sixth century British leader Ambrosius Aurelianus hold high esteem as possible candidates for the historical King Arthur. Through the analysis of original sources and authors such as the Easter Annals, Nennius, Bede, Gildas, and the Annales Cambriae, parallels can be established which connect these historical figures to aspects of the Arthur of literary tradition. -
Writing and Literary Study Spring 2010 the Chivalrous Sir Gawain If
Ahmed 1 Sarin Taslima Ahmed College Writing II: Writing and Literary Study Spring 2010 The Chivalrous Sir Gawain If a man does not open the door for a woman, she may think chivalry is dead or forget that it ever existed at all. Today's woman is not a damsel in distress, but rather stands on equal ground with her masculine counterpart. She has no need to acknowledge that there was ever a time when men lived and died for the sake of honor. However, around 1066 a.d. to 1485 a.d., that was exactly what European knights, and those around the world, did (Achlin). Of these brave soldiers, the most famous were the Knights of the Round Table, subjects of Camelot and King Arthur. Perhaps the most acclaimed knights are dubbed Sir Lancelot and Sir Gawain. Lancelot is still known as the greatest of all knights, the perfect knight, but based on Gawain's actions in Sir Gawain and the Green Knight by the Pearl Poet and those of Lancelot in The Once and Future King by T.H. White, I've come to the conclusion that Gawain is a greater model of chivalry than Lancelot. Following the code of chivalry, Gawain is faithful to God, his King, and he is respectful to women. Lancelot is very talented, but he does not feel the need to follow the laws of knighthood, and ends up disregarding King Arthur, Queen Guinevere and even God because of it. "Two virtues above all else were held to mark the good knight and bring him honor. -
Celtic Folklore Welsh and Manx
CELTIC FOLKLORE WELSH AND MANX BY JOHN RHYS, M.A., D.LITT. HON. LL.D. OF THE UNIVERSITY OF EDINBURGH PROFESSOR OF CELTIC PRINCIPAL OF JESUS COLLEGE, OXFORD VOLUME II OXFORD CLARENDON PRESS 1901 Page 1 Chapter VII TRIUMPHS OF THE WATER-WORLD Une des légendes les plus répandues en Bretagne est celle d’une prétendue ville d’ls, qui, à une époque inconnue, aurait été engloutie par la mer. On montre, à divers endroits de la côte, l’emplacement de cette cité fabuleuse, et les pecheurs vous en font d’étranges récits. Les jours de tempéte, assurent-ils, on voit, dans les creux des vagues, le sommet des fléches de ses églises; les jours de calme, on entend monter de l’abime Ie son de ses cloches, modulant l’hymne du jour.—RENAN. MORE than once in the last chapter was the subject of submersions and cataclysms brought before the reader, and it may be convenient to enumerate here the most remarkable cases, and to add one or two to their number, as well as to dwell at some- what greater length on some instances which may be said to have found their way into Welsh literature. He has already been told of the outburst of the Glasfryn Lake and Ffynnon Gywer, of Llyn Llech Owen and the Crymlyn, also of the drowning of Cantre’r Gwaelod; not to mention that one of my informants had something to say of the sub- mergence of Caer Arianrhod, a rock now visible only at low water between Celynnog Fawr and Dinas Dintte, on the coast of Arfon. -
Bstilldirrtywoohoolov
Christina Aguilera Songs - Free Printable Wordsearch BSTILLDIRRTYWO OHOOLOVINGMEME IMAKEMEHAPPY OURDAYWILLCOME O R EN BLESSED NIMAKEOVER VBLANKPAGE ITYCH ELLOE T WEOFAL LONMEN H IRUJUSTAF OOLAN EF LTPRNASTYNAUG HTYBOYAC I LOHOBP TMH G BBEBRTOR RY RSH EVCSASHDCIEC SDCIO T IIECIEYAGM HSNFRSE E ORXKEVNS AERADEUTM R UCFIMOOETR DCIEEZMO G SUOLLNRPMIPL OSTMLAT E SREITTLRXCE NATTTSI N MBLTSTLHEE EWINSMHSO I IRBTETE TWCAOAAION O RLEETHL DUEILLS NAA EBAAMSEE ARUTLMTG LRT FODKYORD PYOBHSOI ER LUYFGDEP RYYIM MJA ENMAIEAB EYNE UEP JDASRLORTE ADONM DA OTRTLFEH WLMIUTA ECD OMSIDM IOERRNE HO YANN OCVRRUSN A OLAU TEET IN UAL HYL DG D EL EE E RA THE CHRISTMAS SONG GENIO ATRAPADO PRIMA DONNA MY GIRLS STRONGER THAN EVER POR SIEMPRE TU JUST A FOOL OBVIOUS NASTY NAUGHTY BOY LITTLE DREAMER ALL I NEED EXPRESS LET THERE BE LOVE CHRISTMAS TIME MI REFLEJO TELL ME SEX FOR BREAKFAST LADY MARMALADE BLANK PAGE FIGHTER OUR DAY WILL COME MAKE ME HAPPY FALL ON ME BLESSED EL BESO DEL FINAL BY YOUR SIDE UNA MUJER WOOHOO FEEL THIS MOMENT STILL DIRRTY OH MOTHER BIONIC THE VOICE WITHIN BOUND TO YOU MAKE OVER DIRRTY UNDERAPPRECIATED SO EMOTIONAL YOUR BODY CHANGE ENTER THE CIRCUS CASTLE WALLS I WILL BE HELLO BACK IN THE DAY LOVING ME ME CANDYMAN TWICE YOU LOST ME CRUZ Free Printable Wordsearch from LogicLovely.com. Use freely for any use, please give a link or credit if you do. Christina Aguilera Songs - Free Printable Wordsearch MARIAJUSTBEFREE D STRIPPEDPART IFALSASES PERANZASEEAC MSLOWDOWNB ABYETHNSH AINTNOOTHERMAN TMAEIYOR BWUK HNDLATLNI MIENTI TURNTOYOUGOUBMIT IGS ORIRDH