The Ithacan, 1987-02-26
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Racker News Outlets Spreadsheet.Xlsx
RADIO Station Contact Person Email/Website/Phone Cayuga Radio Group (95.9; 94.1; 95.5; 96.7; 103.7; 99.9; 97.3; 107.7; 96.3; 97.7 FM) Online Form https://cyradiogroup.com/advertise/ WDWN (89.1 FM) Steve Keeler, Telcom Dept. Chairperson (315) 255-1743 x [email protected] WSKG (89.3 FM) Online Form // https://wskg.org/about-us/contact-us/ (607) 729-0100 WXHC (101.5 FM) PSA Email (must be recieved two weeks in advance) [email protected] WPIE -- ESPN Ithaca https://www.espnithaca.com/advertise-with-us/ (107.1 FM; 1160 AM) Stephen Kimball, Business Development Manager [email protected], (607) 533-0057 WICB (91.7 FM) Molli Michalik, Director of Public Relations [email protected], (607) 274-1040 x extension 7 For Programming questions or comments, you can email WITH (90.1 FM) Audience Services [email protected], (607) 330-4373 WVBR (93.5 FM) Trevor Bacchi, WVBR Sales Manager https://www.wvbr.com/advertise, [email protected] WEOS (89.5 FM) Greg Cotterill, Station Manager (315) 781-3456, [email protected] WRFI (88.1 FM) Online Form // https://www.wrfi.org/contact/ (607) 319-5445 DIGITAL News Site Contact Person Email/Website/Phone CNY Central (WSTM) News Desk [email protected], (315) 477-9446 WSYR Events Calendar [email protected] WICZ (Fox 40) News Desk [email protected], (607) 798-0070 WENY Online Form // https://www.weny.com/events#!/ Adversiting: [email protected], (607) 739-3636 WETM James Carl, Digital Media and Operations Manager [email protected], (607) 733-5518 WIVT (Newschannel34) John Scott, Local Sales Manager (607) 771-3434 ex.1704 WBNG Jennifer Volpe, Account Executive [email protected], (607) 584-7215 www.syracuse.com/ Online Form // https://www.syracuse.com/placead/ Submit an event: http://myevent.syracuse.com/web/event.php PRINT Newspaper Contact Person Email/Website/Phone Tompkins Weekly Todd Mallinson, Advertising Director [email protected], (607) 533-0057 Ithaca Times Jim Bilinski, Advertising Director [email protected], (607) 277-7000 ext. -
SPRING 2014 COMMUNITY CELEBRATIONS GRANT Applicant
APPLICATION FORM: SPRING 2014 COMMUNITY CELEBRATIONS GRANT Applicant Instructions: Read the Application Guidelines prior to completing this application Answer all 12 questions using the space provided. You may attach up to one additional page of text if you find that you need more room to answer any of the questions. Provide a complete budget. An Excel version of the budget form is online here: www.tompkinscountyny.gov/tourism/. To request that the budget form be emailed to you, email Tom Knipe at [email protected] or call 607-274-5560. Email a .pdf file of this completed application by 11am, Friday, February 21, 2014 to: [email protected] OR by hand or by mail to Tompkins County Planning Department, 121 East Court Street, Ithaca, New York 14850. Send a copy of your application to the municipality where your Celebration will take place. A list of municipalities and addresses is provided with this form. Celebration Name: TeamUnity Project: Municipality where Celebration will take place: Ithaca/ Tompkins County Expected Attendance/Participation: Date(s): May 30th/ June 27th 50- 100 Group requesting grant (organizer): Amount requested: Creating Dreams Movement $2000 Event Contact Name: Luis Manuel Charris_________________________ Phone 607 339 3658 Address:___780 E. Miller Rd Brooktondale Ny 14851____________________________________ [email protected]__________________________ 1. Describe your celebration in a few sentences. The TeamUnity Project: focus of 2014 is to help support the movement of the Friends of Stewart Park in the reimagining of the park and the We The People Series where we will be focusing on Collective Impact in our community. Through the TeamUnity Project: we have been able to connect many people together and look forward to spreading the Project and inviting members of TeamUnity from all over the US to join us in Ithaca for the TeamUnity Project: Stewart Park. -
HELENA COOPER [email protected] Helenacooperart.Com
HELENA COOPER [email protected] Helenacooperart.com Awards 2018 Special Recognition Award through Manhattan Arts International Solo Abstract Nature Photography Exhibits 2018 Cornell University Botanical Gardens Gallery -- Ithaca, NY 2017 Schuyler Hospital -- Montour Falls, NY 2016 Jewelbox One-Of-A Kind Jewelry Store/Gallery -- Ithaca, NY 2015 Photoarts Gallery -- Sao Paulo, Brazil 2014 Karma Salon and Spa Gallery – Ithaca, NY 2013 Lourdina Gallery -- Sao Paulo, Brazil 2013 Damiani Winery Gallery -- Hector, NY 2012 Windsor Whip Works Gallery -- Windsor, NY 2011 Sheldrake Winery Gallery -- Hector, NY 2010 Tompkins County Airport -- Ithaca, NY 2010 Moosewood Restaurant Gallery -- Ithaca, NY 2010 Madeline’s Restaurant Gallery -- Ithaca, NY 2010 Rasa Spa Gallery -- Ithaca, NY 2010 Beau Monde Spa Gallery -- Victor, NY 2009 Satori Spa Gallery -- Ithaca, NY 2008 Padma Healing Center -- Ithaca, NY 2008 Moosewood Restaurant Gallery -- Ithaca, NY 2007 Madeline’s Restaurant Gallery -- Ithaca, NY Projects and Publicity 2018 Featured Artist in Digital Design Course at RIT Interior Design Department 2018 CD Cover Beatles Brasil with musician Felipe Avila 2017 Healing Through Beauty Multimedia Collaboration with Steve Gorn and Jalaja Bonheim 2015 In Praise of Beauty Multimedia Collaboration at Barnes Hall Cornell University 2014 IthacaLit Journal of Literature & Arts Featured Artist 2014 Multimedia Collaboration First Fest at Museum of the Earth in Ithaca, NY 2011 Out of Bounds Featured Artist radio interview with Tish Perlman 2011 Potpourri: Interviews with Artists Featured Artist Channel 13 in Ithaca, NY 2010 Collegetown Art, Sustainability Hub waste and recycling trash cans winner artist 2010 Book cover for “Choosing a Sustainable Future” Published by New Society Publishers 2009 CD Cover for Jalaja Bonheim, Three Guided Meditations 2004 Book cover for “Healing of the Soul - Shamanism & Psyche.” Published by Busca, Inc. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. -
Press Release
FOR IMMEDIATE RELEASE 11/1/2019 CONTACT: Lesley Greene, [email protected] / (607) 272-0403 PHOTOS AND OTHER MEDIA: https://www.kitchentheatre.org/proof OPENING: TUESDAY, November 26, 7:30pm. RSVP to [email protected] ‘WHY DON’T WE BELIEVE HER?’ THE PULITZER AND TONY AWARD WINNING CLASSIC, PROOF, STILL RESONATES TODAY ON STAGE AT THE KITCHEN THEATRE COMPANY NOVEMBER 23 - DECEMBER 15, 2019 “An exhilarating and assured new play by David Auburn that turns the esoteric world of higher mathematics literally into a back porch drama, one that is as accessible and compelling as a detective story.”― The New York Times (ITHACA) - Next up at Kitchen Theatre Company is Proof, the Pulitzer Prize and Tony Award winning play by David Auburn that explores what we inherit from our parents and what it takes to believe a woman when she doesn’t have the physical proof to back up her words. Performances of Proof begin at the Kitchen Theatre Company in the Percy Browning Performance Space on Saturday, November 23 and will run through Sunday, December 15. Thanks to the support of two sponsors and an anonymous donor, all three preview performances (11/23, 11/24, 11/25) will offer patrons the opportunity to “Pay What You Want,” attending the performance for any price. Following the death of her father, a famous mathematician, Catherine must grapple with what she may or may not have inherited from him—from brilliance to madness. With the appearance of Catherine’s estranged sister, an unexpected suitor, and a notebook containing a groundbreaking proof, Catherine’s life and the future of the field change forever. -
Last Fifteen Minutes
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced withwith permission ofof thethe copyright owner.owner. FurtherFurther reproductionreproduction prohibited without permission. permission. THE LAST FIFTEEN MINUTES by Lvdia Jane Morris submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Master o f Fine Arts m Creative Writing Chair. -
“Signs of Sustainability” 2013
“Signs of Sustainability” 2013 Sustainable Tompkins, the premiere organization devoted to catalyzing sustainable development in our region, continually seeks the newest “Signs of Sustainability” in our community. We invite our community to keep watch through the year to spot individuals and organizations emerging on the local scene, all doing their part to help advance community sustainability. Sustainable Tompkins highlights these efforts to help these new activists “plug in” and connect with other similar endeavors. With all of us working together in different ways to resolve our shared sustainability challenges, we spur faster progress of this vital social movement. Join us in acknowledging the great work of this year’s “Signs of Sustainability” in our community! Sustainable Tompkins, 109 South Albany Street, Ithaca NY 14850 www.sustainabletompkins.org 2013 “Signs of Sustainability” Table of Contents Pages New Sustainable Enterprises 1-2 Energy Efficiency 1 Food Systems 1 Sustainable Community Development 1 Sustainable Enterprise 1-2 New Sustainability-Related Organizations 2-3 Food Systems 2 Renewable Energy 2 Social Activism 2 Sustainable Community Development 2-3 Sustainability Education 3 Sustainable Operations 3 New Sustainability Program by an Existing Business, Organization or Individual 4-31 Energy Efficiency 4 Food Systems 4-6 Green Building 6 Land Use 6-8 Planning and Policy 8-9 Recycling and Composting 10-11 Renewable Energy 11-12 Social Activism 12-14 Sustainable Community Development 14-18 Sustainability Education 18-27 -
FRATERNITY ROW, the STUDENT GHETTO, and the FACULTY ENCLAVE Characteristic Residential Districts in the American College Town
10.1177/0096144205281664 JOURNAL OF URBAN HISTORY / January 2006 ARTICLE Gumprecht / RESIDENTIAL DISTRICTS IN COLLEGE TOWNS FRATERNITY ROW, THE STUDENT GHETTO, AND THE FACULTY ENCLAVE Characteristic Residential Districts in the American College Town BLAKE GUMPRECHT University of New Hampshire The unusual demographic characteristics of college towns, and the social differences that exist within stu- dent populations, have led to the emergence in college communities of several distinctive types of residential districts. Using Ithaca, New York,as an example, this study examines the origins and evolution of three such districts—the Greek-housing district sometimes called “fraternity row,” the student rental area often known as the student ghetto, and the faculty enclave. Together such districts help to make the American college town a unique type of urban place. Keywords: college towns; neighborhoods; housing; residential segregation The hundreds of college towns in the United States are, in essence, an aca- demic archipelago.1 Similar to one another, they often differ in several impor- tant ways from other cities and the regions in which they are located. The most fundamental difference is demographic and is a reflection of the fact that many college towns are single-industry communities whose main business is educa- tion. The annual migration of new students to campuses means college town populations are forever young. The need for faculty and administrators, and the presence of graduate students, mean that college town populations are more highly educated than the general populace.2 The lopsided demographics of college communities help explain their dis- tinctive personalities. College town commercial areas reflect the ever-chang- ing tastes of youth and the nonmainstream orientation of many professors. -
The Ithacan, 1993-03-04
Ithaca College Digital Commons @ IC The thI acan, 1992-93 The thI acan: 1990/91 to 1999/2000 3-4-1993 The thI acan, 1993-03-04 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1992-93 Recommended Citation Ithaca College, "The thI acan, 1993-03-04" (1993). The Ithacan, 1992-93. 21. http://digitalcommons.ithaca.edu/ithacan_1992-93/21 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1992-93 by an authorized administrator of Digital Commons @ IC. • Spring Break . Arts/Entertainment Sports Index ·I Opinion ................................. 13 See you soon Dynamite duo Ski lift What's Happening ................ 3 Because of spring break, the next Club Semesters combines IC skiers defeat adversity Arts/Entertainment... ............ 9 Ithacan will be published March 18. bar and dance scenes and goes to regionals Classifieds/Comics ............. 1 4 Sports ................................. 13 The ITHACAN The Newspaper For The Ithaca College Community Vol. 60, No. 21 Thursday, March 4, 1993 20 pages Free College to donate Pick a card leftovers to charity By Shari Davis " S products to Meals on Wheels when In an effort to decrease the New York tate the students leave for breaks. At amount of dining hall food that is requires that food be these times, milk, eggs and other thrown away each week, Ithaca thrown away after 48 various fruits are distributed to the College has agreed to donate left hours and we just don't needy in 1thaca. -
Housing Projects Summary Information
Program Year 2020 HUD Entitlement Grant Program FUNDING APPLICATION HOUSING PROJECTS SUMMARY INFORMATION GENERAL INFORMATION Applicant Legal Name: Project Name: Funding Amount Requested: PROJECT INFORMATION Project Location(s): Project Goal(s) (be specific and succinct): Priority Need(s) Which Project Will Address (Consolidated Plan): Total Number of Households to % Below % Below Be Served: 80% AMI: 60% AMI: Characteristics of People to Be Served (i.e., youth, elderly, disabled, formerly incarcerated, homeless, etc.): Proposed Use of Requested Funds (i.e., professional fees, construction, downpayment assistance, etc.): Total Budgeted Matching Total Project Cost: Funds: CONTACT INFORMATION Head of Agency Information Name: Title: Address: Phone Number: E‐Mail Address: Application Contact Information Name: Title: Address: Phone Number: E‐Mail Address: Housing Project Application Page 1 of 9 PROJECT DESCRIPTION In the space below, provide a clear project summary that includes a description of the proposed project. Include the Census tract number in which the project will be located (see Application Instructions). ~~------------~INSERT EXCEL BUDGET SPREADSHEET(S) IMMEDIATELY AFTER THIS PAGE. Housing Project Application Page 2 of 9 HOUSING PROJECT DEVELOPMENT BUDGET - PERMANENT FINANCING Note: Please complete separate "Developt. Budget - Constr." tab for construction financing, if applicable. SOURCES - PERMANENT FINANCING AMOUNT AMOUNT % OF TOTAL FUNDING SOURCE TITLE SECURED* UNSECURED** BUDGET 1. PY2020 CDBG/HOME $125,000.00 64.62% 2. Ithaca Neighborhood Housing Services, Inc. $62,446.76 32.28% 3. NYSERDA-EmPower & Assisted Home Performance w/ Energy Star $6,000.00 3.10% 4. 0.00% 5. 0.00% 6. 0.00% 7. 0.00% 8. 0.00% TOTAL SECURED & UNSECURED FUNDING $62,446.76 $131,000.00 100.00% TOTAL PROJECT BUDGET $193,446.76 100% LEVERAGE OF SECURED FUNDING PERCENTAGE 32.28% * Supporting documentation is required for amounts listed as secured. -
1. Dear Scott/Dear Max: the Fitzgerald-Perkins Correspondence, Eds
NOTES INTRODUCTION F. SCOTT FITZGERALD, "THE CULTURAL WORLD," AND THE LURE OF THE AMERICAN SCENE 1. Dear Scott/Dear Max: The Fitzgerald-Perkins Correspondence, eds. John Kuehl and Jackson R. Bryer (New York: Scribner's, 1971),47. Hereafter cited as Dear Scott/Dear Max. Throughout this book, I preserve Fitzgerald's spelling, punctuation, and diacritical errors as preserved in the edited volumes of his correspondence. 2. F. Scott Fitzgerald, A Life in Letters, ed. Matthew J. Bruccoli (New York: Simon and Schuster, 1994),67. Hereafter cited as Life in Letters. 3. F. Scott Fitzgerald, F. Scott Fitzgerald on Authorship, eds. Matthew J. Bruccoli and Judith S. Baughman (Columbia: University of South Carolina Press, 1996),83. Hereafter cited as Fitzgerald on Authorship. 4. For a superb discussion of the voguish "difficulty" associated with the rise of modernist art, see Leonard Diepeveen, The Difficulties ofModernism (New York: Routledge, 2003),1-42. 5. There is a further irony that might be noted here: putting Joyce and Anderson on the same plane would soon be a good indicator of provin cialism. Fitzgerald could not have written this statement after his sojourn in France, and certainly not after encouraging his friend Ernest Hemingway's nasty parody, The Torrents of Spring (1926). Anderson may be one of the most notable casualties from the period of ambitious claimants, such as Fitzgerald, Hemingway, and William Faulkner, to a place within "the cultural world." 6. Pierre Bourdieu, The Rules of Art: Genesis and Structure of the Literary Field, tr. Susan Emanuel (Stanford: Stanford University Press, 1996), 142. 7. "The principle of differentiation is none other than the objective and subjective distance of enterprises of cultural production with respect to the market and to expressed or tacit demand, with producers' strate gies distributing themselves between two extremes that are never, in fact, attained-either total and cynical subordination to demand or absolute independence from the market and its exigencies" (ibid., 141-42). -
1 Solo Exhibitions 2022
SOLO EXHIBITIONS 2022 “Spun from Light / Woven in Silence,” Lederer Gallery/SUNY Geneseo, New York 2019 “Spun from Light / Woven in Silence,” Roper Gallery, Frostburg State Univ. Frostburg, MD “Stars: Sculptures by John Lyon Paul,” Judith Holiday Gallery, Kitchen Theatre, Ithaca, NY “Spun from Light / Woven in Silence,” Saville Gallery, Allegany Arts Council, Cumberland, MD “Spun from Light / Woven in Silence,” Anderson Museum of Art, Anderson, Indiana 2018 “Spun from Light / Woven in Silence,” South Gallery, Kendal at Ithaca, Ithaca, New York “Windows,” Judith Holiday Gallery, Kitchen Theatre, Ithaca, New York 2017 “The Light Fantastic: Paintings on Glass," Joyce Goldstein Gallery, Chatham, NY “The Light Fantastic: Paintings on Glass," Charles H. Macnider Art Museum, Mason City, Iowa “Mirage,” Judith Holiday Lobby Gallery, Kitchen Theatre, Ithaca, NY 2016-17 “The Light Fantastic,” Kathy Chan Gallery, Center for Cultural Arts, Gadsden, AL 2016 “Light Fantastic: paintings by John Lyon Paul,” ArtSpace Gallery, CAP, Ithaca, NY 2015 “Instruments of Peace: Paintings, Sculpture and Saint Francis’ Shrine,” Newman Chapel & Cultural Center, Rensselaer Polytechnic Institute, Troy, NY “Paintings on Glass,” Kennedy Center, Hamilton College, Clinton, NY 2014 “Light Fantastic; Paintings on Mylar and Glass,” Gallery 500, University of Central Florida, Orlando, Florida “Spun from Light, Woven in Silence: paintings and sculpture by John Lyon Paul,” Barrett Art Gallery, Utica College, Utica, New York 2013 “Pilgrimage,” Kitchen Theatre Gallery, Ithaca, New