Kerrie Poliness
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KERRIE POLINESS BIBLIOGRAPHY 2015 ‘I have no time’, essay commissioned to accompany forthcoming edition reprint (ed. Matt Hinkley & Fayen d’evie), June/July 2014 Anna Schwartz Gallery, Kerrie Poliness, Rose Nolan Stephen Bram, exhibition catalogue, Sydney Danny Lacy, Patrice Sharkey, Liang Luscombe, The Museum is the Region the Region is the Museum, exhibition catalogue, West Space 20/200, Sarah Cottier Gallery, Sydney G-MK, Zagreb, room sheet text / catalogue, translation into Croatian, Lake Bolac – Zagreb Adrian Marshall and Karen Reid, Grassland Management Guide (book), interview, University of Melbourne 2013 Dewi Cooke, ‘Original art and bamboo, the new-wave thing at Highpoint’, The Age, March 13 2012 Carolyn Barnes, ‘Conflicted Territory: Aesthetics and practices inn the work of Melinda Harper, Anne-Marie May, Rose Nolan and Kerrie Poliness’, UN MAGAZINE, Issue 6.1 Margot Osborne, Art, Pattern and Complexity, exhibition catalogue, Ri Aus, Adelaide Glenn Barkley, MCA Collection Volume One, exhibition catalogue, MCA, Sydney Donna Leslie, Basil Sellers Art Prize, exhibition catalogue, Ian Potter Museum of Art, University of Melbourne Sue Cramer, Less is More, exhibition catalogue, Heide Museum of Modern Art, Melbourne Janet McKenzie-Spence, Contemporary Australian Drawing, book, McMillan, London Kerrie Poliness, Not Quite Right, Artlink magazine 2011 Geraldine Barlow, Networks Cells and Silos, exhibition catalogue, Monash University Museum of Art MUMA 2010 Bradley Haylock, Just what is it that makes today’s interiors so seductive, so alluring? exhibition text, Light Projects, Melbourne Stephen Roche ed., Art-isan, Studio Arts for VCE Units 1-4, (secondary school textbook), Cambridge University Press 2009 Chris McCauliffe, The Shilo Project, exhibition catalogue / texts, Ian Potter Museum of Art, University of Melbourne Danny Lacy, +/-, exhibition catalogue, Monash University Gallery, Clayton and Gippsland campus 2008 Damian Smith, Drawing the Line, (exhibition text), Maroondah City Gallery, Melbourne Simon Warrender, Melbourne Urban Sculpture Prize, exhibition catalogue text, Melbourne Trust Isabel Finch and Clare Lewis, To make a work of timeless art: MCA Primavera Acquisitions exhibition catalogue / education kit, MCA Sydney 2007 Christoph Dahlhausen, Australia - Contemporary Non-Objective Art, exhibition catalogue, Bonn, Germany Justin Andrews, Abstraction/Architecture/Space, exhibition catalogue, RMIT Project Room, Melbourne Kim Machan, Artists Make Videos, proiect catalogue, Griffith University, Griffith, Australia. Blue Wall Drawing, exhibition catalogue text, Anna Schwartz Gallery, Melbourne Blue Wall Drawing, translation into German, Gotthard Killian 2006 Jenepher Duncan, Wall Power, Art Gallery of Western Australia, Perth Maria Zagala, DRAWN from the collection, exhibition catalogue text, National Gallery of Victoria 2005 Ashley Crawford, 'Who's minding the Store?', The Age, April 9 Max Delany (Ed.), Pitch Your Own Tent: Art Projects , Store 5, 1st Floor, exhibition catalogue, Monash University of Art, Melbourne Deborah Hennessy (Ed.), ‘Store 5 is…’, Anna Schwartz Gallery, Melbourne Meryl Ryan, Colour(less), exhibition catalogue, Macquarie Lake Gallery, Lake Macquarie 2004 Steven Tonkin, 'Art lifts!', Artonview, National Gallery of Australia, Issue No.39, Spring 2003 Ashley Crawford, See Here Now, Vizard Art Collection of the 90s, Ian Potter Museum of Art, Melbourne Zara Stanhope, Good Vibrations: the legacy of Op art in Australia, exhibition catalogue Heide Museum of Modern Art, Melbourne 2002 Branka Stipancic (ed.), Veczoennections: Contemporary Artists from Australia, House of Croatian Artists, Zagreb Jenepher Duncan and Linda Michael ed., Monash University Collection four decades of collecting, book, Monash University 2001 Ben Curnow, Picnic, catalogue essay, Melbourne's Living Museum of the West, Melbourne. Justin Paton, Good Work, (the Jim Barr and Mary Barr collection), exhbition catalogue, Dunedin Public Art Gallery, New Zealand Jenepher Duncan and Juliana Engberg, low-down recent acquisitions Monash University Collection, exhibition cataogue, Monash University Gallery. 2000 Allan Smith, The Crystal Chain Gang: prismatic geometry in recent art, exhbition catalogue, Auckland City Gallery 1998 Peter J. Hutchings, Adding the Blue Pacific, curated by Brian Thompson, Ivan Dougherty Gallery, Sydney, (August 6-September 5). Moet and Chandon Touring Exhibition, exhibition catalogue 1997 Carolyn Barnes, “Elaborating the terms”, Geometric painting in Australia 1941-1997, University of Queensland Art Museum, Brisbane David Pestorius, Geometric Painting in Australia 1941 - 1997, catalogue, University of Queensland, Brisbane Bruce James, 'Black O Wall Drawings', Sydney Morning Herald, Friday July 18 Branka Stipancic, Black O Wall Drawings 1 - 6, catalogue Rovinja - Italian and Croatian text SCCA Zagreb, Black O Wall Drawings 1 -6 and Red Matter Wall Drawings 1 - 4, translated into Croatian Branka Stipancic, Interview, Soros Centre of Contemporary Art, Zagreb, Croatia Blair French, 'Black O Wall Drawings', Art Text, No.59 October Soros Centre Contemporary Art, Zagreb, Black O Wall Drawings 1 -6 and Red Matter Wall Drawings 1 - 4, translated into Croatian Mark McCaffrey and Anne Mulroney, Aerphost: an exhibition of contemporary Australian Art, exhibition catalogue, The Debtor's Prison, Dublin, Ireland 1996 Robyn McKenzie, 'Wall Drawings', The Age, July Naomi Cass, 'Moving Portrait', Herald Sun, July 2 Gregory Adamson, Stephen Bram, Kerrie Poliness, Dion Workman, exhibition catalogue essay, 23A gallery Auckland , New Zealand 1995 Max Delaney, Wall Drawings, catalogue, 200 Gertrude Street, Melbourne Sue Cramer, Primavera, Museum of Contemporary Art, Sydney 1994 Edward Colless, 'White, Sarah Cottier Gallery, Sydney', Art Text, No.48 Robert Lindsay, Baillieu Myer Collection of the '80's, Museum of Modern Art at Heide, Melbourne Sue Cramer and and Caroline Barnes, Store 5, Institute of Modern Art, Brisbane Ben Curnow, Disclosure, exhibition catalogue, Artspace, Sydney Michele Helmrich, Melbourne Seven, exhibition catalogue, David Pestorius Gallery, Brisbane 1993 Jeff Gibson, 'The Good The Bad And The Abstract', Art Text, No.44 Eve Sullivan, 'The Caboose', review of print portfolio, Art Text, No. 44 1992 Caroline Barnes, ‘Proliferation and the Archaeology of the Pictorial’, Broadsheet, Volume 20 No. 3, September Caroline Barnes, The Practice of Abstraction, 'Abstract Art', Roslyn Oxley9 Gallery, Sydney Caroline Barnes, Octopus, catalogue, University of Adelaide 1991 Caroline Barnes, 'Kerrie Poliness', Agenda, No.18 July Ben Curnow, For the verses already somewhat formed, catalogue, Deakin University Natalie King, Subversive Stitch, Monash University, Melbourne 1990 Ben Curnow, New Melbourne Abstraction catalogue, Artspace, Auckland 1989 Caroline Barnes, 'Cosmic Resistance', Agenda No.5 June .